Director:
Richard ThorpeWriters:
Richard Connell, Gladys LehmanProducer:
Joe PasternakCinematographer:
Robert SurteesEditor:
George BoemlerProduction Designer:
Cedric GibbonsProduction Company:
Metro-Goldwyn-Mayer Corp.The working titles of this film were The Tale of Two Sisters and Two Sisters and a Sailor. In addition to the above-listed numbers, the film includes instrumental excerpts from "Wabash Blues" by Fred Meinken, "Tentación de amor" by Xavier Cugat and Fausto Curbelo, Cugat's "The Thrill of a New Romance" and "Mulata rumbera." The film also features a comic, classical piece in which Gracie Allen plays a simplistic piano "concerto" with an orchestra led by British conducter Albert Coates. According to M-G-M publicity material, Allen had performed her concerto at Carnegie Hall, the Los Angeles Philharmonic Auditorium and the Hollywood Bowl prior to the film's production. Robert Planck, not credited cameraman Robert Surtees, is listed in an early HR production chart as director of photography.
Although this film was shot after Bathing Beauty, it was released shortly before it, and therefore marked Latin entertainer Carlos Ramírez' American feature-film debut. The film also marked June Allyson and Gloria DeHaven's first starring roles, although both had been in films before. Allyson's first screen appearance was in M-G-M's 1943 musical Best Foot Forward (see above entry). According to a modern interview, Allyson was originally cast in DeHaven's role. As a child, DeHaven, like the character she plays in the picture, accompanied her parents, entertainers Carter DeHaven and Flora Parker, during their vaudeville circuit tours. Although Two Girls and a Sailor was not Tom Drake's first film, "Sgt. Frank Miller" was his first significant role. The HR review described him as a "most promising leading man prospect."
HR ...
The working titles of this film were The Tale of Two Sisters and Two Sisters and a Sailor. In addition to the above-listed numbers, the film includes instrumental excerpts from "Wabash Blues" by Fred Meinken, "Tentación de amor" by Xavier Cugat and Fausto Curbelo, Cugat's "The Thrill of a New Romance" and "Mulata rumbera." The film also features a comic, classical piece in which Gracie Allen plays a simplistic piano "concerto" with an orchestra led by British conducter Albert Coates. According to M-G-M publicity material, Allen had performed her concerto at Carnegie Hall, the Los Angeles Philharmonic Auditorium and the Hollywood Bowl prior to the film's production. Robert Planck, not credited cameraman Robert Surtees, is listed in an early HR production chart as director of photography.
Although this film was shot after Bathing Beauty, it was released shortly before it, and therefore marked Latin entertainer Carlos Ramírez' American feature-film debut. The film also marked June Allyson and Gloria DeHaven's first starring roles, although both had been in films before. Allyson's first screen appearance was in M-G-M's 1943 musical Best Foot Forward (see above entry). According to a modern interview, Allyson was originally cast in DeHaven's role. As a child, DeHaven, like the character she plays in the picture, accompanied her parents, entertainers Carter DeHaven and Flora Parker, during their vaudeville circuit tours. Although Two Girls and a Sailor was not Tom Drake's first film, "Sgt. Frank Miller" was his first significant role. The HR review described him as a "most promising leading man prospect."
HR news items and M-G-M publicity items add the following information about the production: Felix Jackson, Leo Townsend, Carl Dudley and Herbert Baker worked on drafts of the film's screenplay, but their contribution to the final film has not been confirmed. George Sidney was initially assigned to direct the picture, and Kathryn Grayson was to star. Al Dubin, Ralph Blane and Hugh Martin were originally hired to write the film's music, along with credited composer Georgie Stoll, and Don Loper was to be the picture's dance director. (Loper did appear in the film as a "small town wolf.") Although Alan Reed, playing his "Falstaff Openshaw" character created on Fred Allen's radio show, singer Dennis Day, and comedienne Nancy Walker were announced as cast members, they did not appear in the completed film. In Aug 1943, HR reported that Duke Ellington was to accompany Lena Horne on a song composed by Johnny Green and Jack Lawrence, but Horne's only number was Johnny S. Black's "Paper Doll."
HR also claimed that M-G-M was seeking a Jimmy Durante "look-alike" for the role of Durante's screen son, "Junior." Although the CBCS lists Buster Keaton in that part, Durante actually played the role. Virginia O'Brien's comic interpretation of the song "Take It Easy" was added after principal photography was completed. The film was shown to the Army prior to its national release and Allyson "plugged" it in Spanish and Portuguese for South American broadcasts. In addition, Ramírez and Xavier Cugat made Spanish and Portuguese language trailers for the film's Latin American release. The National Board of Review named Two Girls and a Sailor one of its "outstanding pictures." The film was nominated for an Academy Award in the Writing (Original Screenplay) category. According to HR, the song "Sweet and Lovely" enjoyed a revival after the release of this film. Modern sources note that Gene Corcoran, playing tenor saxophone, and Mickey Scrima, playing drums, appeared in the film as part of Harry James's band.
Two Sisters and a Sailor
Sisters Patsy and Jean Deyo grow up watching their parents sing and dance together on the vaudeville circuit, and as soon as they are old enough, start an act of their own. As adults, sober and responsible Patsy constantly warns her younger, more carefree sibling about casual flirtation, admonishing her to save herself for a "good" man. After Jean, who wants to marry a rich man, receives a number of orchids from an admirer who signs himself only as "Somebody," she and Patsy try unsuccessfully to identify him during one of their nightclub performances. Later that night, Jean and Patsy host a "private canteen," inviting dozens of sailors and soldiers to their apartment, and both sisters are attracted to a sailor named Johnny. Johnny is attracted to Jean, who is also the object of Sgt. Frank Miller's affection, but has an enjoyable chat with Patsy. During the evening, Jean points out to Johnny an abandoned warehouse near their apartment and wistfully states that she and Patsy would love to convert the building into a canteen. The next day, the sisters learn from a Mr. Nizby that "Somebody" has purchased the warehouse for them and is paying for its renovation. While Patsy and Jean are inspecting the place, which turns out to be a theatrical warehouse, they discover that Billy Kipp, a popular vaudevillian whom they knew as children, has been secretly living there. The sisters convince Billy, who became a hermit after his wife and son left him years before, to remain at the warehouse. After the building is completely overhauled, the sisters produce an elaborate canteen show paid for by ...
Sisters Patsy and Jean Deyo grow up watching their parents sing and dance together on the vaudeville circuit, and as soon as they are old enough, start an act of their own. As adults, sober and responsible Patsy constantly warns her younger, more carefree sibling about casual flirtation, admonishing her to save herself for a "good" man. After Jean, who wants to marry a rich man, receives a number of orchids from an admirer who signs himself only as "Somebody," she and Patsy try unsuccessfully to identify him during one of their nightclub performances. Later that night, Jean and Patsy host a "private canteen," inviting dozens of sailors and soldiers to their apartment, and both sisters are attracted to a sailor named Johnny. Johnny is attracted to Jean, who is also the object of Sgt. Frank Miller's affection, but has an enjoyable chat with Patsy. During the evening, Jean points out to Johnny an abandoned warehouse near their apartment and wistfully states that she and Patsy would love to convert the building into a canteen. The next day, the sisters learn from a Mr. Nizby that "Somebody" has purchased the warehouse for them and is paying for its renovation. While Patsy and Jean are inspecting the place, which turns out to be a theatrical warehouse, they discover that Billy Kipp, a popular vaudevillian whom they knew as children, has been secretly living there. The sisters convince Billy, who became a hermit after his wife and son left him years before, to remain at the warehouse. After the building is completely overhauled, the sisters produce an elaborate canteen show paid for by "Somebody," which is attended by hundreds of servicemen, including Johnny and Frank. While Jean and Patsy dance with Johnny, Billy overhears dancer Ben Blue ordering orchids over the telephone and assumes he is "Somebody." Billy rushes to tell Patsy and Jean his suspicions, but they soon realize that Ben is ordering flowers for his wife. When asked by Johnny who she wants "Somebody" to be, Patsy says that she only wants him to be nice and to marry Jean. Patsy then confesses that she wants her own true love to be a poor "straight man." That night, Patsy has a disturbing dream in which she is wooed by Johnny, but ends up losing him to Jean. The next morning, Billy overhears Mr. Nizby place a work order for the canteen and charge the cost to John Dyckman Brown. Sure that he has at last discovered "Somebody's" identity, Billy runs to tell Patsy and Jean the good news. Although Jean is thrilled to learn that the famous millionaire is her admirer, Patsy is disturbed and goes to the Brown mansion to confront him. After accusing first elderly John Dyckman Brown and then his middle-aged son, John Dyckman Brown II, of toying with her sister's affections, Patsy learns that "Somebody" is John Dyckman Brown III, and that he is Johnny. Patsy is devastated, but pretends that she is happy for her sister. After she leaves, Johnny confesses to his father and grandfather that he is actually in love with Patsy, but is afraid to hurt Jean. Later, in New York, a depressed Patsy shows up late at the nightclub and reluctantly tells Jean about Johnny. Jean's excitement about Johnny's money makes Patsy even more glum, and she runs out of club in tears. Unknown to Patsy and Jean, the elder Dyckmans have come to see their show, and are surprised when Billy, having been coaxed onto the stage, performs in the sisters' stead. Jean, meanwhile, realizes that Patsy is in love with Johnny and asks Frank, to whom she has always been attracted, if he is in love with her. When he answers yes, Jean kisses him, and the next day, she announces to Patsy and the Browns that she and Frank, an onion farmer, are marrying. Johnny then proposes to Patsy, and at the canteen that night, Billy is reunited with his long-lost son "Junior," an enlistee who looks exactly like him.
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