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HISTORY

The print viewed bore the title Curse of a Teenage Nazi , an apparent television-release title. The film's credits state: "Filmed at the luxurious Playa Ensenada Hotel, Ensenada, Baja California, Mexico" and indicate that the story was "Based on official reports on Axis atrocities against women." The credits also acknowledge the technical crew, composed of the Union of Workers of Motion Picture Production of the Republic of Mexico. The film was dedicated to the women of the world who "felt the direct, crushing impact" of World War II.
       A written foreword to the film states that it was based on actual secret case histories of crimes against women in Nazi and Japanese officers' clubs. Several reviews questioned the veracity of that claim, however, and LADN review stated that the film "vainly tries to conceal its deficiencies behind a 'documentary' beginning...[and] is as remote from a documentary as burlesque is from Shakespeare." The foreword also states that the film was produced "in the hope that an aroused public opinion will be instrumental in assuring that this savagery to women will never be repeated." The film marked the first effort for the newly formed Southern California Pictures, which was headed by St. Louis exhibitor Louis K. ... More Less

The print viewed bore the title Curse of a Teenage Nazi , an apparent television-release title. The film's credits state: "Filmed at the luxurious Playa Ensenada Hotel, Ensenada, Baja California, Mexico" and indicate that the story was "Based on official reports on Axis atrocities against women." The credits also acknowledge the technical crew, composed of the Union of Workers of Motion Picture Production of the Republic of Mexico. The film was dedicated to the women of the world who "felt the direct, crushing impact" of World War II.
       A written foreword to the film states that it was based on actual secret case histories of crimes against women in Nazi and Japanese officers' clubs. Several reviews questioned the veracity of that claim, however, and LADN review stated that the film "vainly tries to conceal its deficiencies behind a 'documentary' beginning...[and] is as remote from a documentary as burlesque is from Shakespeare." The foreword also states that the film was produced "in the hope that an aroused public opinion will be instrumental in assuring that this savagery to women will never be repeated." The film marked the first effort for the newly formed Southern California Pictures, which was headed by St. Louis exhibitor Louis K. Ansell. More Less

GEOGRAPHIC LOCATIONS
BIBLIOGRAPHIC SOURCES
SOURCE
DATE
PAGE
Box Office
17 Jan 1948.
---
Daily Variety
26 Feb 48
p. 3.
Film Daily
15 Jan 48
p. 6.
Hollywood Reporter
12 Jan 48
p. 3.
Hollywood Reporter
15 Jan 48
p. 6.
Los Angeles Daily News
26 Feb 1938.
---
Motion Picture Herald Product Digest
17 Jan 48
pp. 4018-19.
Variety
14 Jan 48
p. 10.
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
PRODUCERS
Assoc prod
FILM EDITOR
Film ed
MUSIC
Mus comp and dir
MAKEUP
Hairstylist
PRODUCTION MISC
Asst prod mgr
Scr supv
SOURCES
SONGS
"Cherie," music and lyrics Sid Robin.
COMPOSER
DETAILS
Alternate Title:
Curse of a Teenage Nazi
Release Date:
January 1948
Premiere Information:
Los Angeles opening: 25 February 1948
Copyright Claimant:
Southern California Pictures, S.A.
Copyright Date:
7 October 1947
Copyright Number:
LP1246
Physical Properties:
Sound
RCA Sound System
Black and White
Duration(in mins):
90
Country:
United States
PCA No:
12691
SYNOPSIS

In 1945, following the defeat of Germany by Allied forces, an international group of women prisoners is being held in a Shanghai hospital that serves as an officers' club. When a sixteen-year-old girl named Helen James is about to be raped by a German officer, she kills him with a broken wine glass. The women are then brought before Nazi Colonel von Meyer for questioning, but no one confesses to the murder. Among the group are American foreign correspondent Claire Adams, French entertainer Yvette Aubert, and Li Lung, the daughter of a wealthy Chinese merchant and a member of the Chinese underground. Von Meyer is expecting the arrival of Japanese Colonel Noyama and Professor Kunioshi in order to hand over plans for a cosmic ray that is one hundred-times more deadly than the atomic bomb. Before they arrive, however, the Allies drop a hydrogen bomb Nagasaki, Japan, and von Meyer, anticipating the imminent defeat of the Japanese, decides to withhold the cosmic ray and use the women as a distraction. The women are given evening gowns and are ordered to look their best for a party that evening. Helen, meanwhile, is reunited with her mother, a washerwoman in the hospital, who has not seen her in two years and has since gone insane. At the party, Kunioshi picks Claire as his companion for the evening, but when the lights go out, she embraces Nazi officer von Arnheim. Helen, meanwhile, is approached by a Japanese man; terrified, she runs to her room, where her mother poisons her to save her virtue. For her crime, Mrs. James is brought before von Meyer, then ... +


In 1945, following the defeat of Germany by Allied forces, an international group of women prisoners is being held in a Shanghai hospital that serves as an officers' club. When a sixteen-year-old girl named Helen James is about to be raped by a German officer, she kills him with a broken wine glass. The women are then brought before Nazi Colonel von Meyer for questioning, but no one confesses to the murder. Among the group are American foreign correspondent Claire Adams, French entertainer Yvette Aubert, and Li Lung, the daughter of a wealthy Chinese merchant and a member of the Chinese underground. Von Meyer is expecting the arrival of Japanese Colonel Noyama and Professor Kunioshi in order to hand over plans for a cosmic ray that is one hundred-times more deadly than the atomic bomb. Before they arrive, however, the Allies drop a hydrogen bomb Nagasaki, Japan, and von Meyer, anticipating the imminent defeat of the Japanese, decides to withhold the cosmic ray and use the women as a distraction. The women are given evening gowns and are ordered to look their best for a party that evening. Helen, meanwhile, is reunited with her mother, a washerwoman in the hospital, who has not seen her in two years and has since gone insane. At the party, Kunioshi picks Claire as his companion for the evening, but when the lights go out, she embraces Nazi officer von Arnheim. Helen, meanwhile, is approached by a Japanese man; terrified, she runs to her room, where her mother poisons her to save her virtue. For her crime, Mrs. James is brought before von Meyer, then throws a candelabra at a picture of Hitler and is sentenced to death. Claire, meanwhile, accompanies Kunioshi back to his room, where Li stabs him to death. Claire is then reunited with von Arnheim, who is really her husband Philip, a member of the American Office of Strategic Services. Determined to save herself, Yvette spends the night making love to von Meyer. At dawn, Mrs. James is shot. Later, in the cellar, Li reports Kunioshi's death to her lover Chang, who is a member of the Chinese underground and is in charge of supplies for the club. Chang has smuggled in enough dynamite to blow up the building. Unaware of von Arnheim's real identity, Chang tries to kill him, but Claire intervenes. Meanwhile, the warden, Frau Tyler, finds Kunioshi's body, and the women are again interrogated. The group is surprised to see that Yvette does not turn them in, and she later confesses that her family was butchered before her eyes and that she became a fallen woman in order to survive. Yvette then overhears Noyama tell von Meyer that Von Arnheim is an impostor, and warns him in time for him to escape. Frau Tyler, meanwhile, discovers Li in the cellar with the dynamite and drags her upstairs. The women attack the warden, however, and she falls down the cellar stairs and dies. Claire takes Faur Tyler's warden's key and locates her husband and Chang in an underground meeting place. Meanwhile, at the hospital, the Japanese imprison the women as punishment for Kunioshi's murder. As the Germans shoot the Japanese officers, Chang, Claire and Philip arrive in a truck to save the women. Chang is shot in the mêlée, and Yvette sacrifices herself by lighting the dynamite in the cellar. As they watch the building go up in flames, Claire and Philip embrace. +

Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.