The Belle of Broadway (1926)

Romance | 15 August 1926

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HISTORY

An item in the 7 Apr 1926 Var announced this film under the working title, Adele, the Belle of Broadway. Columbia Pictures Corp.’s vice-president Harry Cohn was said to be in charge of the production, which was slated to be director Harry O. Hoyt’s first in a series of pictures he had just signed on to direct for the studio, according to a 19 Jun 1926 Motion Picture News brief. Although the 14 Jul 1926 Var announced that André Mattoni would co-star opposite Betty Compson, Mattoni does not appear to have been included in the final cast.
       As noted in the 4 Aug 1926 Film Daily and 25 Aug 1926 San Francisco Examiner, this film was based on Paul Herve’s musical comedy, Adele, which had its Broadway debut on 28 Aug 1913 at the Longacre Theatre.
       Two wigs worn by actress Betty Compson—one white and one blonde—were praised in an 18 Dec 1926 [Monrovia, CA] Monrovia Daily News item, which identified Perc Westmore as the wigmaker. The wigs were said to have cost $500 a piece.
       This film is extant, according to the Library of Congress American Silent Film Survival Database. ...

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An item in the 7 Apr 1926 Var announced this film under the working title, Adele, the Belle of Broadway. Columbia Pictures Corp.’s vice-president Harry Cohn was said to be in charge of the production, which was slated to be director Harry O. Hoyt’s first in a series of pictures he had just signed on to direct for the studio, according to a 19 Jun 1926 Motion Picture News brief. Although the 14 Jul 1926 Var announced that André Mattoni would co-star opposite Betty Compson, Mattoni does not appear to have been included in the final cast.
       As noted in the 4 Aug 1926 Film Daily and 25 Aug 1926 San Francisco Examiner, this film was based on Paul Herve’s musical comedy, Adele, which had its Broadway debut on 28 Aug 1913 at the Longacre Theatre.
       Two wigs worn by actress Betty Compson—one white and one blonde—were praised in an 18 Dec 1926 [Monrovia, CA] Monrovia Daily News item, which identified Perc Westmore as the wigmaker. The wigs were said to have cost $500 a piece.
       This film is extant, according to the Library of Congress American Silent Film Survival Database.

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GEOGRAPHIC LOCATIONS
SOURCE CITATIONS
SOURCE
DATE
PAGE
Brooklyn Daily Eagle
21 Nov 1926
---
Buffalo Times [Buffalo, NY]
25 Jul 1926
p. 44
Dubuque Telegraph-Herald [Dubuque, IA]
10 Sep 1926
p. 4
Dubuque Telegraph-Herald [Dubuque, IA]
13 Sep 1926
p. 12
Exhibitors Herald
14 Aug 1926
p. 49
Exhibitors Herald
11 Sep 1926
p. 62
Film Daily
4 Aug 1926
p. 11
Film Daily
22 Aug 1926
p. 3
Hollywood Topics
3 Nov 1927
p. 6
Monrovia Daily News [Monrovia, CA]
18 Dec 1926
p. 2
Motion Picture News
19 Jun 1926
p. 2864
Motion Picture News
14 Aug 1926
p. 578
Motion Picture News
4 Sep 1926
p. 818
Motion Picture News
11 Sep 1926
---
Motion Picture News
30 Oct 1926
---
Motion Picture News
6 Nov 1926
p. 1802
Moving Picture World
18 Sep 1926
p. 173, 178
Moving Picture World
16 Oct 1926
p. 3
Niagara Falls (NY) Gazette
21 Jan 1927
p. 11
Oakland Tribune [Oakland, CA]
11 Jul 1926
p. 58
San Francisco Examiner
15 Aug 1926
p. 27
San Francisco Examiner
25 Aug 1926
p. 13
San Francisco Examiner
16 Sep 1926
p. 13
Standard Union [Brooklyn, NY]
17 Oct 1926
p. 11
Variety
7 Apr 1926
p. 30
Variety
14 Jul 1926
p. 12
Variety
20 Oct 1926
p. 55
Variety
10 Nov 1926
p. 6
Variety
1 Dec 1926
---
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION COMPANY
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTOR
PRODUCER
Prod
PHOTOGRAPHY
Dir of photog
SOURCES
LITERARY
Based on the musical Adele, music by Jean Briquet, lyrics by Paul Herve (New York, 28 Aug 1913).
LITERARY SOURCE AUTHORS
DETAILS
Alternate Title:
Adele, the Belle of Broadway
Release Date:
15 August 1926
Premiere Information:
New York opening: 18 Oct 1926
Production Date:

Copyright Info
Claimant
Date
Copyright Number
Columbia Pictures Corp.
5 October 1926
LP23184
Physical Properties:
Silent
Black and White
Length(in feet):
5,877
Length(in reels):
6
Country:
United States
Language:
English
SYNOPSIS

Adèle, the idol of the Paris theater in 1896, is jealously guarded by her husband from the open admiration of the Count Raoul de Parma; but he deserts her, taking with him their only child, Paul. Years later, earning a meager living, Adèle meets a young American, Marie Duval, who performs in a revue. In a moment of caprice, Marie tries on Adèle's old costume for Du Barry; a plan is then devised whereby Marie, under the tutelage of Adèle, becomes the darling of Paris and is presented as the rejuvenated actress. Paul Merlin, now grown to manhood, falls deeply in love with Marie, and the count, thinking she is the once again young Adèle, reenacts his passionate declaration. The count invites Marie to his apartment for dinner, discovers her masquerade, and forces his attentions on her; but she is rescued at the last minute by Paul, who, following a harmless duel, is reunited with his mother and ...

More Less

Adèle, the idol of the Paris theater in 1896, is jealously guarded by her husband from the open admiration of the Count Raoul de Parma; but he deserts her, taking with him their only child, Paul. Years later, earning a meager living, Adèle meets a young American, Marie Duval, who performs in a revue. In a moment of caprice, Marie tries on Adèle's old costume for Du Barry; a plan is then devised whereby Marie, under the tutelage of Adèle, becomes the darling of Paris and is presented as the rejuvenated actress. Paul Merlin, now grown to manhood, falls deeply in love with Marie, and the count, thinking she is the once again young Adèle, reenacts his passionate declaration. The count invites Marie to his apartment for dinner, discovers her masquerade, and forces his attentions on her; but she is rescued at the last minute by Paul, who, following a harmless duel, is reunited with his mother and Marie.

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Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.