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HISTORY

The 8 Nov 1925 FD reported that Richard Talmadge had selected the cast for his next film, So This Is Mexico. Arthur Conrad is on his list, but is not in the ... More Less

The 8 Nov 1925 FD reported that Richard Talmadge had selected the cast for his next film, So This Is Mexico. Arthur Conrad is on his list, but is not in the credits. More Less

SOURCE CITATIONS
SOURCE
DATE
PAGE
Film Daily
8 Nov 1925
p. 8.
Film Daily
7 Mar 1926.
---
MPN
20 Feb 1926
p. 915.
Schenectady (NY) Gazette
1 Mar 1926
p. 13.
Variety
3 Mar 1926
p. 35.
DETAILS
Alternate Title:
So This Is Mexico
Release Date:
31 January 1926
Copyright Claimant:
Carlos Productions, Inc.
Copyright Date:
28 December 1925
Copyright Number:
LP22471
Physical Properties:
Silent
Black and White
Length(in feet):
4,954
Length(in reels):
5
Country:
United States
Language:
English
Passed by NBR:
No
SYNOPSIS

"Richard Manley visits El Grande mine in his father's interests, renews acquaintance with Inez Del Rio, niece of Don Carlos, owner of the mine. Jack Slade, superintendent, is the rascal responsible for stopping of the ore shipments to Dick's father. Slade plots to remove Dick, who has evidence of his conspiracy, and kidnaps him. But Dick escapes in time to reach the hacienda and rescue the Don and Inez from Slade. Dick constitutes himself Inez's protector for life." ( Motion Picture News , 20 Feb 1926, p. ... +


"Richard Manley visits El Grande mine in his father's interests, renews acquaintance with Inez Del Rio, niece of Don Carlos, owner of the mine. Jack Slade, superintendent, is the rascal responsible for stopping of the ore shipments to Dick's father. Slade plots to remove Dick, who has evidence of his conspiracy, and kidnaps him. But Dick escapes in time to reach the hacienda and rescue the Don and Inez from Slade. Dick constitutes himself Inez's protector for life." ( Motion Picture News , 20 Feb 1926, p. 915.) +

GENRE
Genre:


Subject

Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.