Are We Civilized? (1934)

70 mins | Drama | 15 March 1934

Writer:

Harold Sherman

Cinematographers:

Al M. Greene , Leon Shamroy

Editor:

Dan Milner

Production Designer:

Harrison Wiley

Production Company:

Raspin Productions, Inc.
Full page view
HISTORY

"Are We Civilized" is listed on one title card, followed by another that reads "?" The onscreen cast list includes a credit for the "many thousands of soldiers, sailors and peasants" who participated in the production. The following foreword also appears onscreen: "Throughout the ages ignorance, superstition, greed, and intolerance have been the greatest enemies of Civilization. Today mankind is combating these destructive forces with freedom of speech and freedom of the press, ever seeking a great freedom of thought and expression."
       Although MPA gives the film's release date as 15 Mar 1934, this does not appear to be correct. Original release publicity materials reproduced in The Making of Edwin Carewe's ARE WE CIVILIZED?, compiled and edited by Saskia Raevouri, and accessible online at note both that the film opened on 9 Jun 1934 and that the world premiere occurred on 13 Jun 1934 at the Rivoli Theatre in New York. Although additional research is needed to sort out this seeming contradiction, it is entirely possible that the film did open before its official world premiere. It had already been playing preview and test engagements at New York's Astor Theatre some time before 9 Jun 1934. Theatrical distribution of the film was limited, and it quickly became one of the first theatrical sound films to be heavily exploited in non-theatrical markets. The 16mm non-theatrical premiere took place 17 Nov 1935 at Hollywood-Beverly Christian Church. In the film, Germany is not referred to by name, but was identified by reviewers as the country in question. At the time of the film's release, Germany's Nazi party was making ...

More Less

"Are We Civilized" is listed on one title card, followed by another that reads "?" The onscreen cast list includes a credit for the "many thousands of soldiers, sailors and peasants" who participated in the production. The following foreword also appears onscreen: "Throughout the ages ignorance, superstition, greed, and intolerance have been the greatest enemies of Civilization. Today mankind is combating these destructive forces with freedom of speech and freedom of the press, ever seeking a great freedom of thought and expression."
       Although MPA gives the film's release date as 15 Mar 1934, this does not appear to be correct. Original release publicity materials reproduced in The Making of Edwin Carewe's ARE WE CIVILIZED?, compiled and edited by Saskia Raevouri, and accessible online at note both that the film opened on 9 Jun 1934 and that the world premiere occurred on 13 Jun 1934 at the Rivoli Theatre in New York. Although additional research is needed to sort out this seeming contradiction, it is entirely possible that the film did open before its official world premiere. It had already been playing preview and test engagements at New York's Astor Theatre some time before 9 Jun 1934. Theatrical distribution of the film was limited, and it quickly became one of the first theatrical sound films to be heavily exploited in non-theatrical markets. The 16mm non-theatrical premiere took place 17 Nov 1935 at Hollywood-Beverly Christian Church. In the film, Germany is not referred to by name, but was identified by reviewers as the country in question. At the time of the film's release, Germany's Nazi party was making headlines with its book burning and other repressive activities. The flashback sequences included much silent newsreel and stock footage; although none of these sequences are identified on screen, the Var review suggested that some of the footage was from old "[Cecil B.] DeMille specials." It does not appear, however, that any clips from films produced or directed by Cecil B. DeMille were included in the stock footage used in the film.

Less

GEOGRAPHIC LOCATIONS
PERSONAL & COMPANY INDEX CREDITS
CREDIT
HISTORY CREDITS
CREDIT TYPE
CREDIT
Corporate note credit:
General (mod):
Personal note credit:
SOURCE CITATIONS
SOURCE
DATE
PAGE
Box Office
3 Nov 1934
---
Daily Variety
20 Jan 1934
p. 3
Film Daily
5 Jan 1934
p. 10
Film Daily
14 Jun 1934
p. 6
Hollywood Reporter
19 Jun 1934
p. 2
International Photographer
1 Feb 1934
p. 17
Motion Picture Daily
14 Jun 1934
p. 6
New York Times
14 Jun 1934
p. 28
Variety
19 Jun 1934
p. 27
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION COMPANY
PRODUCTION TEXT
The Edwin Carewe Production
DISTRIBUTION COMPANIES
NAME
CREDITED AS
CREDIT
DIRECTORS
Personally dir by
William Reiter
Asst dir
WRITERS
Scr
Story and dial
PHOTOGRAPHY
Photog
Al M. Greene
Photog
Gaffer
Gaffer
Gaffer
ART DIRECTOR
Art dir
FILM EDITOR
Film ed
COSTUMES
Cost and props
VISUAL EFFECTS
Bud Thackeray
Spec photog eff, Dunning process
MAKEUP
Blagoe Stephanoff
Spec makeup
PRODUCTION MISC
Grip
Still photog
DETAILS
Release Date:
15 March 1934
Premiere Information:
World premiere, 13 Jun 1934, Rivoli Theatre, New York City [however there were a number of pre-premiere screenings]
Production Date:
Began 8 Jan 1934, finished 20 Jan 1934 at Metropolitan Studios, Hollywood, CA
Copyright Info
Claimant
Date
Copyright Number
Raspin Productions, Inc.
20 April 1934
LP4648
Physical Properties:
Sound
Black and White
Duration(in mins):
70
Length(in reels):
8
Country:
United States
Language:
English
SYNOPSIS

American Paul Franklin, Jr. chats with European Dr. Leonard Gear while waiting to visit with his father, Paul Franklin, Sr., who is head of the World News Association, the world's most powerful news syndicate. The younger Franklin is managing the foreign correspondents office of the association in his father's native country, and his father is visiting his homeland for the first time since World War I. Dr. Gear, a staff officer with the local censorship bureau, had saved Franklin Sr.'s life during the war sixteen years earlier. Paul, Jr. and the doctor discuss the young man's engagement to Norma Bochner, daughter of General Felix Bochner. Although childhood friends, Bochner, now head of the censorship bureau, and Franklin, Sr. have grown apart as their views on personal freedoms and state-enforced censorship have diverged. At a state dinner in his honor, Franklin, Sr. reminisces about his prankish, carefree childhood and criticizes the new government's exaggerated sense of its own importance and its destruction of individual liberties. After Franklin, Sr. is removed to his home, state officials demand a public apology, while Colonel Joseph Salter, another staff officer, believes that Franklin, Sr. will not be such a great menace if he is dead. At Franklin, Jr.'s house, policemen ransack his library of recently banned books, and Franklin, Sr. pleads with Bochner to halt the library's destruction. After his family is ordered out of his homeland, Franklin, Sr. asks his former friend to insure that their children are married. Matters worsen when the offices of the World News Association are attacked by police. Franklin, Sr. appeals to Bochner, Salter and Gear, and delivers a lecture on ...

More Less

American Paul Franklin, Jr. chats with European Dr. Leonard Gear while waiting to visit with his father, Paul Franklin, Sr., who is head of the World News Association, the world's most powerful news syndicate. The younger Franklin is managing the foreign correspondents office of the association in his father's native country, and his father is visiting his homeland for the first time since World War I. Dr. Gear, a staff officer with the local censorship bureau, had saved Franklin Sr.'s life during the war sixteen years earlier. Paul, Jr. and the doctor discuss the young man's engagement to Norma Bochner, daughter of General Felix Bochner. Although childhood friends, Bochner, now head of the censorship bureau, and Franklin, Sr. have grown apart as their views on personal freedoms and state-enforced censorship have diverged. At a state dinner in his honor, Franklin, Sr. reminisces about his prankish, carefree childhood and criticizes the new government's exaggerated sense of its own importance and its destruction of individual liberties. After Franklin, Sr. is removed to his home, state officials demand a public apology, while Colonel Joseph Salter, another staff officer, believes that Franklin, Sr. will not be such a great menace if he is dead. At Franklin, Jr.'s house, policemen ransack his library of recently banned books, and Franklin, Sr. pleads with Bochner to halt the library's destruction. After his family is ordered out of his homeland, Franklin, Sr. asks his former friend to insure that their children are married. Matters worsen when the offices of the World News Association are attacked by police. Franklin, Sr. appeals to Bochner, Salter and Gear, and delivers a lecture on the history of mankind, hoping to change their repressive attitudes. Franklin, Sr. discusses primitive man, Moses, Buddha, Confucius, Julius Caesar, Jesus Christ, Mohammed, Columbus, Napoleon, George Washington, and Abraham Lincoln. He talks of man's great discoveries, and of the industrial revolution and other enlightenments. He cautions that these inventions were often turned into instruments of destruction, discussing the terrifying effects of war on civilization. He concludes by warning the three men that their actions are a breeding ground for the next great war and that they are sowing seeds "for a terrible harvest." Meanwhile, Franklin, Jr. and Norma arrive at Paul's office. He is pummelled by the crowd and is barely rescued by Norma. Back at the Franklin home, Salter is swayed by the businessman's words, but Bochner and Gear remain steadfast, confirming the expulsion order. His will spent, Franklin, Sr. stumbles into the street and urges the unruly crowd gathered at a book bonfire to stand up for their freedoms. An onlooker hurls a rock, striking Franklin, Sr. in the head and inflaming his old war wound. While Salter orders the perpetrator found and arrested, he tosses the "weapon" into the fire. After declaring that "mankind will never be truly civilized until all races become one in spirit, understanding brotherly love," Franklin, Jr. agrees to spread his father's message.

Less

Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

TOP SEARCHES

Mr. Smith Goes to Washington

According to HR news items, "The Gentleman from Montana" (an unpublished story by Lewis R. Foster, alternately called "The Gentleman from Wyoming" by both contemporary and modern ... >>

It's a Wonderful Life

Philip Van Doren Stern's story, which, according to many contemporary and modern sources, was originally written in Nov 1939, was enclosed by him in his 1943 Christmas cards. Although ... >>

The Grapes of Wrath

According to materials contained in the Twentieth Century-Fox Records of the Legal Department at the UCLA Theater Arts Library, Fox paid John Steinbeck $70,000 for the rights to his ... >>

The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.