The Great Garrick (1937)

95 mins | Comedy | 30 October 1937

Director:

James Whale

Writer:

Ernest Vajda

Cinematographer:

Ernest Haller

Editor:

Warren Low

Production Designer:

Anton Grot

Production Company:

Warner Bros. Pictures, Inc.
Full page view
HISTORY

Var gives the running time at the film's preview in Hollywood as 82 min. Brian Aherne later married Olivia de Havilland's sister Joan Fontaine. This was Albert van Dekker's film debut. He later changed his name to Albert Dekker. According to modern sources, the film did poor business despite favorable reviews. ...

More Less

Var gives the running time at the film's preview in Hollywood as 82 min. Brian Aherne later married Olivia de Havilland's sister Joan Fontaine. This was Albert van Dekker's film debut. He later changed his name to Albert Dekker. According to modern sources, the film did poor business despite favorable reviews.

Less

PERSONAL & COMPANY INDEX CREDITS
CREDIT
SOURCE CITATIONS
SOURCE
DATE
PAGE
Film Daily
28 Sep 1937
p. 20
Hollywood Reporter
25 Sep 1937
p. 3
Motion Picture Daily
27 Sep 1937
p. 4
Motion Picture Herald
31 Jul 1937
p. 44
Motion Picture Herald
2 Oct 1937
p. 32
New York Times
25 Oct 1937
p. 23
Variety
29 Sep 1937
p. 14
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION COMPANY
PRODUCTION TEXT
A James Whale Production
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTORS
Asst dir
PRODUCER
WRITERS
Cont to scr const and dial
PHOTOGRAPHY
Photog
ART DIRECTOR
Art dir
FILM EDITOR
COSTUMES
MUSIC
Mus and arr
MAKEUP
Makeup
PRODUCTION MISC
Prod asst
SOURCES
LITERARY
Based on the play Ladies and Gentlemen by Ernest Vajda (London, 18 May 1937).
LITERARY SOURCE AUTHOR
DETAILS
Alternate Title:
Ladies and Gentlemen
Release Date:
30 October 1937
Production Date:

Copyright Info
Claimant
Date
Copyright Number
Warner Bros. Pictures, Inc.
10 October 1937
LP7514
Physical Properties:
Sound
Black and White
sepia
Duration(in mins):
95
Length(in reels):
10
Country:
United States
PCA No:
3496
SYNOPSIS

Before David Garrick, the famous eighteenth century English actor, is to make a guest appearance at the Comédie Française , the French actors hear rumours that he has said he will teach them the art of realistic acting. Determined to teach him a lesson, they take over a roadside inn. When Garrick arrives at the Adam & Eve Inn, however, he instantly recognizes the staff and guests of the inn as actors by their conventional gestures, and decides to play along to see what will happen. During dinner, an attractive young woman arrives at the inn and when the innkeeper tries to send her away because the inn is full, Garrick, thinking this is all part of the joke, offers to give up his room and bunk with Tubby, his servant. While the actors continue to stage duels and mad scenes designed to frighten Garrick, he flirts outrageously with the woman, Germaine. She, however, is not one of the actors, but a runaway countess and she is swept off her feet by his attentions. Finally, Garrick turns one of their tricks against the actors, and after they realize that he knows what they are doing, he attacks their stilted acting styles. He is especially harsh with Germaine. Impressed, the actors insist that he come to Paris after all. Once in Paris, he looks for Germaine, and finds out for the first time that she is not one of the troupe. Upset because he thought real life was bad acting, Garrick refuses to perform until he finds her. Happily, Germaine is in the audience and smiles her forgiveness from the boxes. ...

More Less

Before David Garrick, the famous eighteenth century English actor, is to make a guest appearance at the Comédie Française , the French actors hear rumours that he has said he will teach them the art of realistic acting. Determined to teach him a lesson, they take over a roadside inn. When Garrick arrives at the Adam & Eve Inn, however, he instantly recognizes the staff and guests of the inn as actors by their conventional gestures, and decides to play along to see what will happen. During dinner, an attractive young woman arrives at the inn and when the innkeeper tries to send her away because the inn is full, Garrick, thinking this is all part of the joke, offers to give up his room and bunk with Tubby, his servant. While the actors continue to stage duels and mad scenes designed to frighten Garrick, he flirts outrageously with the woman, Germaine. She, however, is not one of the actors, but a runaway countess and she is swept off her feet by his attentions. Finally, Garrick turns one of their tricks against the actors, and after they realize that he knows what they are doing, he attacks their stilted acting styles. He is especially harsh with Germaine. Impressed, the actors insist that he come to Paris after all. Once in Paris, he looks for Germaine, and finds out for the first time that she is not one of the troupe. Upset because he thought real life was bad acting, Garrick refuses to perform until he finds her. Happily, Germaine is in the audience and smiles her forgiveness from the boxes. Garrick then goes on to present a brilliant performance of Don Juan .

Less

Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

TOP SEARCHES

Mr. Smith Goes to Washington

According to HR news items, "The Gentleman from Montana" (an unpublished story by Lewis R. Foster, alternately called "The Gentleman from Wyoming" by both contemporary and modern ... >>

Gone with the Wind

[Note from the Editors : the following information is based on contemporary news items, feature articles, reviews, interviews, memoranda and corporate records. Information obtained from modern sources is ... >>

The Grapes of Wrath

According to materials contained in the Twentieth Century-Fox Records of the Legal Department at the UCLA Theater Arts Library, Fox paid John Steinbeck $70,000 for the rights to his ... >>

Citizen Kane

This film's end credits begin with the statement, “Most of the principal actors in Citizen Kane are new to motion pictures. The Mercury Theatre is proud ... >>

The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.