Artists and Models (1956)

105 or 108-109 mins | Comedy | January 1956

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HISTORY

The film was copyrighted once, on 21 December 1955, by three claiments: Paramount Pictures Corp., Hal B. Wallis and Joseph H. Hazen. Artists and Models was the second film made by Shirley MacLaine, who made her film debut in Alfred Hitchcock's The Trouble with Harry (See Entry), but was the first film in which she was allowed to display the singing and dancing talents which had brought her to producer Hal B. Wallis's attention when he first saw her in The Pajama Game on Broadway. HR news items report that another Broadway star, Gwen Verdon, had been sought for a role in Artists and Models by Wallis, probably the role of "Bessie Sparrowbush," which was played in the film by MacLaine. Artists and Models was also the first of two Martin and Lewis films to be directed by Frank Tashlin. Tashlin also directed the comedy team's final film, Hollywood or Bust (See Entry).
       According to the file on the film in the Paramount Collection at the AMPAS Library, Artists and Models was produced at the cost of $1,701,083, which was $103,083 over its allotted budget. Because of the budget overruns, a planned "The Bat Lady" musical production number was never filmed. While modern sources state that "The Bat Lady" musical number was filmed on the last day of shooting (3 May 1955), the breakdowns found in the Paramount Collection indicate the day in question was used to shoot the film's main title sequence. According to modern sources, Wallis blamed Lewis for the cost overruns on Artists and Models, claiming ...

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The film was copyrighted once, on 21 December 1955, by three claiments: Paramount Pictures Corp., Hal B. Wallis and Joseph H. Hazen. Artists and Models was the second film made by Shirley MacLaine, who made her film debut in Alfred Hitchcock's The Trouble with Harry (See Entry), but was the first film in which she was allowed to display the singing and dancing talents which had brought her to producer Hal B. Wallis's attention when he first saw her in The Pajama Game on Broadway. HR news items report that another Broadway star, Gwen Verdon, had been sought for a role in Artists and Models by Wallis, probably the role of "Bessie Sparrowbush," which was played in the film by MacLaine. Artists and Models was also the first of two Martin and Lewis films to be directed by Frank Tashlin. Tashlin also directed the comedy team's final film, Hollywood or Bust (See Entry).
       According to the file on the film in the Paramount Collection at the AMPAS Library, Artists and Models was produced at the cost of $1,701,083, which was $103,083 over its allotted budget. Because of the budget overruns, a planned "The Bat Lady" musical production number was never filmed. While modern sources state that "The Bat Lady" musical number was filmed on the last day of shooting (3 May 1955), the breakdowns found in the Paramount Collection indicate the day in question was used to shoot the film's main title sequence. According to modern sources, Wallis blamed Lewis for the cost overruns on Artists and Models, claiming the comedian had "an ever-increasing tendency to meddle in other people's departments." Information found in the Paramount collection indicates that the Michael Davidson-Norman Lessing play Rockabye Baby, upon which Artists and Models is based, was never produced.
       Swedish actress Anita Ekberg was loaned to Paramount by Batjac Productions for this film, after which Batjac failed to pick up the option on her contact, according to HR. Ekberg was also featured in Hollywood or Bust. HR news items include Terry Allen Rangno in the cast, but his appearance in the released film has not been confirmed. Dean Martin introduced the song "Innamorta" in Artists and Models, which become one of his signature songs. This film is unrelated to the 1937 Paramount film of the same name, though both featured the annual Artists and Models ball.

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PERSONAL & COMPANY INDEX CREDITS
HISTORY CREDITS
CREDIT TYPE
CREDIT
Personal note credit:
SOURCE CITATIONS
SOURCE
DATE
PAGE
Box Office
12 Nov 1955
---
Daily Variety
9 Nov 1955
p. 3
Film Daily
11 Nov 1955
p. 5
Hollywood Reporter
6 Jan 1955
p. 2
Hollywood Reporter
7 Jan 1955
p. 1
Hollywood Reporter
25 Feb 1955
p. 14
Hollywood Reporter
28 Feb 1955
p. 1
Hollywood Reporter
22 Mar 1955
p. 2
Hollywood Reporter
8 Apr 1955
p. 7
Hollywood Reporter
13 Sep 1955
p. 2
Hollywood Reporter
9 Nov 1955
p. 3
Hollywood Reporter
13 Dec 1955
p. 1
Motion Picture Herald Product Digest
12 Nov 1955
p. 665
New York Times
22 Dec 1955
p. 20
Variety
9 Nov 1955
p. 6
CAST
NAME
CREDITED AS
CREDIT
George "Foghorn" Winslow
Dolores Brown
+ −
PRODUCTION CREDITS
NAME
PARENT COMPANY
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTORS
C. C. Coleman Jr.
Asst dir
2d asst dir
2d asst dir
PRODUCERS
Assoc prod
PHOTOGRAPHY
Dir of photog
Cam op
Asst cam
William Avery
Stills
ART DIRECTORS
Art dir
Art dir
FILM EDITOR
Ed supv
SET DECORATORS
Set dec
Set dec
Props
Props
COSTUMES
Cost
Ward--ladies
Ward--men
MUSIC
Mus arr and cond
Vocal arr
SOUND
Sd rec
Boom man
Mike grip
VISUAL EFFECTS
Spec photog eff
process photog
DANCE
Mus numbers created and staged by
Dance instructor
MAKEUP
Makeup supv
Makeup
Makeup
Hairdresser
PRODUCTION MISC
Dial coach
Asst to the prod
Prod mgr
Asst prod mgr
Wallis casting dir
Ed Morse
Casting dir
Company grip
Best Boy
Scr supv
Secretary
Tech adv
Publicist
STAND INS
Stand-in
Stand-in
Stand-in
COLOR PERSONNEL
Technicolor col consultant
SOURCES
LITERARY
Based on the play Rockabye Baby by Michael Davidson and Norman Lessing (unproduced).
LITERARY SOURCE AUTHORS
SONGS
"Inamorata," "When You Pretend," "The Lucky Song" "You Look So Familiar," and "Artists and Models," music by Harry Warren, lyrics by Jack Brooks.
SONGWRITER/COMPOSER
DETAILS
Release Date:
January 1956
Premiere Information:
New York opening: 21 Dec 1955
Production Date:
28 Feb--22 Apr 1955; retakes 23 Apr 1955; addl scenes 30 Apr 1955; 3 May 1955 and 6 Jun 1955
Copyright Info
Claimant
Date
Copyright Number
Paramount Pictures Corp., Hal B. Wallis and Jospeh H. Hazen
21 December 1955
LP5691
Physical Properties:
Sound
Western Electric Recording
Color
Technicolor
Widescreen/ratio
VistaVision Motion Picture High-Fidelity
Duration(in mins):
105 or 108-109
Length(in feet):
11,800
Country:
United States
Language:
English
PCA No:
17570
SYNOPSIS

While artist Rick Todd struggles to make a living painting billboards, his best friend and assistant, Eugene Fullstack, a would-be writer of children's books, is so absorbed in his Bat Lady comic books that he gets them both fired, a pattern that the two have continuously repeated since moving from Steubenville, Ohio to New York City. Although poverty has reduced the roommates to eating nothing but beans and ketchup, the innocent Eugene remains happy in the fantasy world he has created in his mind to protect himself from the harsh realities of life. At night, however, Eugene's fantasies keep Rick and their entire Greenwich Village building awake, as he recites horrific "Vincent the Vulture" stories in his sleep. Learning that a "successful artist" has moved into the building, Eugene goes up to her apartment to introduce himself, only to be nearly scared to death when "The Bat Lady" answers the door. Eugene soon learns that the artist is actually comic book illustrator Abigail Parker, and "The Bat Lady" is Bessie Sparrowbush, Abby's model and roommate. The next morning, after Abby is berated by Murdock, her publisher, who informs her that the latest issue of Bat Lady does not contain enough blood and violence, she angrily quits. Hoping to gain the newly vacated job, Rick directs Eugene to romance Bessie, who is also Murdock's secretary, so that his name can added to the publisher's list of available cartoonists. A follower of astrology, Bessie's horoscope tells her that Eugene is her "true love," but he shows little interest in the pert redhead, having lost his heart to "The ...

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While artist Rick Todd struggles to make a living painting billboards, his best friend and assistant, Eugene Fullstack, a would-be writer of children's books, is so absorbed in his Bat Lady comic books that he gets them both fired, a pattern that the two have continuously repeated since moving from Steubenville, Ohio to New York City. Although poverty has reduced the roommates to eating nothing but beans and ketchup, the innocent Eugene remains happy in the fantasy world he has created in his mind to protect himself from the harsh realities of life. At night, however, Eugene's fantasies keep Rick and their entire Greenwich Village building awake, as he recites horrific "Vincent the Vulture" stories in his sleep. Learning that a "successful artist" has moved into the building, Eugene goes up to her apartment to introduce himself, only to be nearly scared to death when "The Bat Lady" answers the door. Eugene soon learns that the artist is actually comic book illustrator Abigail Parker, and "The Bat Lady" is Bessie Sparrowbush, Abby's model and roommate. The next morning, after Abby is berated by Murdock, her publisher, who informs her that the latest issue of Bat Lady does not contain enough blood and violence, she angrily quits. Hoping to gain the newly vacated job, Rick directs Eugene to romance Bessie, who is also Murdock's secretary, so that his name can added to the publisher's list of available cartoonists. A follower of astrology, Bessie's horoscope tells her that Eugene is her "true love," but he shows little interest in the pert redhead, having lost his heart to "The Bat Lady" and not realizing that they are one and the same. Rick, too, is inamored of Abby, even though she has little interest in him until he agrees to be her model for an advertising campaign. Rick's romantic chances with Abby are diminished when he secretly takes her old job with Murdock, using Eugene's original "Vincent the Vulture" dreams as his subject matter. Eugene has now rejected his old comics, however, going so far as to join Abby on a television talk show protesting their violent influence on children. Unknown to Eugene, while he and Abby work on a series of children's books derived from his wholesome "Goosie Goose/Freddie the Fieldmouse" stories by day, Rick transcribes his friend's violent nightmares into a highly successful comic series at night. Included in one of the comics, however, is part of a top secret rocket formula sought after by a group of foreign spies, headed by Sonia, a beautiful Hungarian who calls herself Mrs. Curtis. Rick is quickly informed of the situation by the United States Secret Service, and he offers the agency his full cooperation, as long as Eugene is not told that he is working for Murdock. Discovering that Eugene is the true source of the "Victor the Vulture" stories, Sonia and her gang abduct Bessie so that Sonia can dress as "The Bat Lady" at the Artists and Models Ball. When "The Bat Lady" invites Eugene out for a romantic rendezvous, the smitten writer readily agrees and is whisked away to the spy's hideout. Rick and the newly freed Bessie are quick to follow, and they arrive at the spies' mansion just as a drugged Eugene begins to recite the secret formula. Revitalized by Bessie's kiss, Eugene single-handedly defeats the spies, and by mistake, the Secret Service agents as well. With the foreign agents safely under arrest, Rick is reunited with Abby, and Eugene discovers that Bessie is the true "Bat Lady" of his dreams.

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Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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