Artists and Models
(1956)
105 or 108-109 mins | Comedy | January 1956
Director:
Frank TashlinWriters:
Frank Tashlin, Hal Kanter, Herbert Baker, Don McGuireProducer:
Hal B. WallisCinematographer:
Daniel L. FappEditor:
Warren LowProduction Designers:
Hal Pereira, Tambi LarsenProduction Companies:
Paramount Pictures Corp., Hal Wallis ProductionsThe film was copyrighted once, on 21 December 1955, by three claiments: Paramount Pictures Corp., Hal B. Wallis and Joseph H. Hazen. Artists and Models was the second film made by Shirley MacLaine, who made her film debut in Alfred Hitchcock's The Trouble with Harry (See Entry), but was the first film in which she was allowed to display the singing and dancing talents which had brought her to producer Hal B. Wallis's attention when he first saw her in The Pajama Game on Broadway. HR news items report that another Broadway star, Gwen Verdon, had been sought for a role in Artists and Models by Wallis, probably the role of "Bessie Sparrowbush," which was played in the film by MacLaine. Artists and Models was also the first of two Martin and Lewis films to be directed by Frank Tashlin. Tashlin also directed the comedy team's final film, Hollywood or Bust (See Entry).
According to the file on the film in the Paramount Collection at the AMPAS Library, Artists and Models was produced at the cost of $1,701,083, which was $103,083 over its allotted budget. Because of the budget overruns, a planned "The Bat Lady" musical production number was never filmed. While modern sources state that "The Bat Lady" musical number was filmed on the last day of shooting (3 May 1955), the breakdowns found in the Paramount Collection indicate the day in question was used to shoot the film's main title sequence. According to modern sources, Wallis blamed Lewis for the cost overruns on Artists and Models, claiming ...
The film was copyrighted once, on 21 December 1955, by three claiments: Paramount Pictures Corp., Hal B. Wallis and Joseph H. Hazen. Artists and Models was the second film made by Shirley MacLaine, who made her film debut in Alfred Hitchcock's The Trouble with Harry (See Entry), but was the first film in which she was allowed to display the singing and dancing talents which had brought her to producer Hal B. Wallis's attention when he first saw her in The Pajama Game on Broadway. HR news items report that another Broadway star, Gwen Verdon, had been sought for a role in Artists and Models by Wallis, probably the role of "Bessie Sparrowbush," which was played in the film by MacLaine. Artists and Models was also the first of two Martin and Lewis films to be directed by Frank Tashlin. Tashlin also directed the comedy team's final film, Hollywood or Bust (See Entry).
According to the file on the film in the Paramount Collection at the AMPAS Library, Artists and Models was produced at the cost of $1,701,083, which was $103,083 over its allotted budget. Because of the budget overruns, a planned "The Bat Lady" musical production number was never filmed. While modern sources state that "The Bat Lady" musical number was filmed on the last day of shooting (3 May 1955), the breakdowns found in the Paramount Collection indicate the day in question was used to shoot the film's main title sequence. According to modern sources, Wallis blamed Lewis for the cost overruns on Artists and Models, claiming the comedian had "an ever-increasing tendency to meddle in other people's departments." Information found in the Paramount collection indicates that the Michael Davidson-Norman Lessing play Rockabye Baby, upon which Artists and Models is based, was never produced.
Swedish actress Anita Ekberg was loaned to Paramount by Batjac Productions for this film, after which Batjac failed to pick up the option on her contact, according to HR. Ekberg was also featured in Hollywood or Bust. HR news items include Terry Allen Rangno in the cast, but his appearance in the released film has not been confirmed. Dean Martin introduced the song "Innamorta" in Artists and Models, which become one of his signature songs. This film is unrelated to the 1937 Paramount film of the same name, though both featured the annual Artists and Models ball.
While artist Rick Todd struggles to make a living painting billboards, his best friend and assistant, Eugene Fullstack, a would-be writer of children's books, is so absorbed in his Bat Lady comic books that he gets them both fired, a pattern that the two have continuously repeated since moving from Steubenville, Ohio to New York City. Although poverty has reduced the roommates to eating nothing but beans and ketchup, the innocent Eugene remains happy in the fantasy world he has created in his mind to protect himself from the harsh realities of life. At night, however, Eugene's fantasies keep Rick and their entire Greenwich Village building awake, as he recites horrific "Vincent the Vulture" stories in his sleep. Learning that a "successful artist" has moved into the building, Eugene goes up to her apartment to introduce himself, only to be nearly scared to death when "The Bat Lady" answers the door. Eugene soon learns that the artist is actually comic book illustrator Abigail Parker, and "The Bat Lady" is Bessie Sparrowbush, Abby's model and roommate. The next morning, after Abby is berated by Murdock, her publisher, who informs her that the latest issue of Bat Lady does not contain enough blood and violence, she angrily quits. Hoping to gain the newly vacated job, Rick directs Eugene to romance Bessie, who is also Murdock's secretary, so that his name can added to the publisher's list of available cartoonists. A follower of astrology, Bessie's horoscope tells her that Eugene is her "true love," but he shows little interest in the pert redhead, having lost his heart to "The ...
While artist Rick Todd struggles to make a living painting billboards, his best friend and assistant, Eugene Fullstack, a would-be writer of children's books, is so absorbed in his Bat Lady comic books that he gets them both fired, a pattern that the two have continuously repeated since moving from Steubenville, Ohio to New York City. Although poverty has reduced the roommates to eating nothing but beans and ketchup, the innocent Eugene remains happy in the fantasy world he has created in his mind to protect himself from the harsh realities of life. At night, however, Eugene's fantasies keep Rick and their entire Greenwich Village building awake, as he recites horrific "Vincent the Vulture" stories in his sleep. Learning that a "successful artist" has moved into the building, Eugene goes up to her apartment to introduce himself, only to be nearly scared to death when "The Bat Lady" answers the door. Eugene soon learns that the artist is actually comic book illustrator Abigail Parker, and "The Bat Lady" is Bessie Sparrowbush, Abby's model and roommate. The next morning, after Abby is berated by Murdock, her publisher, who informs her that the latest issue of Bat Lady does not contain enough blood and violence, she angrily quits. Hoping to gain the newly vacated job, Rick directs Eugene to romance Bessie, who is also Murdock's secretary, so that his name can added to the publisher's list of available cartoonists. A follower of astrology, Bessie's horoscope tells her that Eugene is her "true love," but he shows little interest in the pert redhead, having lost his heart to "The Bat Lady" and not realizing that they are one and the same. Rick, too, is inamored of Abby, even though she has little interest in him until he agrees to be her model for an advertising campaign. Rick's romantic chances with Abby are diminished when he secretly takes her old job with Murdock, using Eugene's original "Vincent the Vulture" dreams as his subject matter. Eugene has now rejected his old comics, however, going so far as to join Abby on a television talk show protesting their violent influence on children. Unknown to Eugene, while he and Abby work on a series of children's books derived from his wholesome "Goosie Goose/Freddie the Fieldmouse" stories by day, Rick transcribes his friend's violent nightmares into a highly successful comic series at night. Included in one of the comics, however, is part of a top secret rocket formula sought after by a group of foreign spies, headed by Sonia, a beautiful Hungarian who calls herself Mrs. Curtis. Rick is quickly informed of the situation by the United States Secret Service, and he offers the agency his full cooperation, as long as Eugene is not told that he is working for Murdock. Discovering that Eugene is the true source of the "Victor the Vulture" stories, Sonia and her gang abduct Bessie so that Sonia can dress as "The Bat Lady" at the Artists and Models Ball. When "The Bat Lady" invites Eugene out for a romantic rendezvous, the smitten writer readily agrees and is whisked away to the spy's hideout. Rick and the newly freed Bessie are quick to follow, and they arrive at the spies' mansion just as a drugged Eugene begins to recite the secret formula. Revitalized by Bessie's kiss, Eugene single-handedly defeats the spies, and by mistake, the Secret Service agents as well. With the foreign agents safely under arrest, Rick is reunited with Abby, and Eugene discovers that Bessie is the true "Bat Lady" of his dreams.
TOP SEARCHES
Mr. Smith Goes to Washington
According to HR news items, "The Gentleman from Montana" (an unpublished story by Lewis R. Foster, alternately called "The Gentleman from Wyoming" by both contemporary and modern ... >>
The Long Haul
Onscreen credits contain the following written acknowlegment: "The producer gratefully acknowleges the assistance and facilities made availabe to the producer by Leyland Motors Limited." Tom Morahan's onscreen credit reads ... >>
The Terminator
A full-page advertisement in the 24 Feb 1984 DV announced the recent start of principal photography, referring to the film by its working title, Terminator. ... >>