Kelly and Me (1957)

86-87 mins | Musical comedy | April 1957

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HISTORY

According to a 20 Sep 1955 LAEx news item, Van Johnson's contract for Kelly and Me included a percentage of the film's profits. Studio press materials reported that Johnson requested Robert Z. Leonard to direct the picture. ...

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According to a 20 Sep 1955 LAEx news item, Van Johnson's contract for Kelly and Me included a percentage of the film's profits. Studio press materials reported that Johnson requested Robert Z. Leonard to direct the picture.

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SOURCE CITATIONS
SOURCE
DATE
PAGE
Box Office
2 Feb 1957
---
Daily Variety
16 Jan 1957
p. 3
Film Daily
29 Jan 1957
p. 8
Hollywood Reporter
8 Mar 1956
p. 2
Hollywood Reporter
9 Mar 1956
p. 12
Hollywood Reporter
23 Apr 1956
p. 13
Hollywood Reporter
16 Jan 1957
p. 3
Los Angeles Examiner
20 Sep 1955
---
Motion Picture Herald Product Digest
26 Jan 1957
p. 241
Variety
16 Jan 1957
p. 18
CAST
NAME
CREDITED AS
CREDIT
PRODUCTION CREDITS
NAME
PARENT COMPANY
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTORS
Asst dir
PRODUCER
WRITER
Story and scr
PHOTOGRAPHY
Dir of photog
ART DIRECTORS
Art dir
FILM EDITOR
Film ed
SET DECORATORS
Ray Jeffers
Set dec
COSTUMES
MUSIC
Mr. Van Johnson's arr by
VISUAL EFFECTS
Spec photog
DANCE
Choreog
MAKEUP
Hairstylist
Makeup
PRODUCTION MISC
Kelly's trainer
COLOR PERSONNEL
Technicolor col consultant
SOURCES
SONGS
"Singing a Vagabond Song," words and music by Sam Messenheimer, Val Burton and Harry Richman; "Bill Bailey, Won't You Please Come Home," words and music by Hughie Cannon; "Side by Side," words and music by Harry Woods.
SONGWRITERS/COMPOSERS
+
DETAILS
Release Date:
April 1957
Premiere Information:
Los Angeles opening: 10 Apr 1957
Production Date:
7 Mar--late Apr 1956
Copyright Info
Claimant
Date
Copyright Number
Universal Pictures Co., inc.
14 December 1956
LP7436
Physical Properties:
Sound
Westrex Recording System
Color
Technicolor
Widescreen/ratio
CinemaScope
Duration(in mins):
86-87
Length(in reels):
10
Country:
United States
Language:
English
PCA No:
18076
SYNOPSIS

In Jersey City, New Jersey in 1930, Len Carmody, one of the last of the vaudeville song-and-dance men, struggles to earn a living. Len, who falsely believes himself to be a great entertainer, fires his manager, Dave Gans, after Dave announces that Len has once again been fired for being too demanding. Later, Len stops fellow entertainer Milo from abusing his performing German shepherd, Kelly, and an adoring Kelly follows Len home. Failing in his attempts to rebuff the dog, Len finally takes Kelly in. The next day, Kelly breaks loose from his leash during Len’s act and joins him onstage, interrupting his pompous singing with expertly timed howls and tricks. With the dog as a comic foil, Len’s act proves a huge success, and he is hired by visiting Utah theater owner Joe Webb. On the train to Utah, the conductor spots the dog in the passenger section and insists Len take him to the baggage car. While the two practice their act, Kelly sniffs out Mina Van Runkel, a young woman hiding in the car to whom the dog takes an immediate liking. Len also finds Mina appealing until she explains that she has run away from school to join her father in Los Angeles, and convinced that she is a mere child, Len tries to return to his cabin. Kelly, however, barks whenever Len moves away, so Len stays with the dog and offers the cabin to a grateful Mina. Unknown to Len, Mina’s father, Walter Van Runkel, runs a film studio in Hollywood, and when Mina later shows up there and insists on working instead of returning to school, he happily concedes. The studio has ...

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In Jersey City, New Jersey in 1930, Len Carmody, one of the last of the vaudeville song-and-dance men, struggles to earn a living. Len, who falsely believes himself to be a great entertainer, fires his manager, Dave Gans, after Dave announces that Len has once again been fired for being too demanding. Later, Len stops fellow entertainer Milo from abusing his performing German shepherd, Kelly, and an adoring Kelly follows Len home. Failing in his attempts to rebuff the dog, Len finally takes Kelly in. The next day, Kelly breaks loose from his leash during Len’s act and joins him onstage, interrupting his pompous singing with expertly timed howls and tricks. With the dog as a comic foil, Len’s act proves a huge success, and he is hired by visiting Utah theater owner Joe Webb. On the train to Utah, the conductor spots the dog in the passenger section and insists Len take him to the baggage car. While the two practice their act, Kelly sniffs out Mina Van Runkel, a young woman hiding in the car to whom the dog takes an immediate liking. Len also finds Mina appealing until she explains that she has run away from school to join her father in Los Angeles, and convinced that she is a mere child, Len tries to return to his cabin. Kelly, however, barks whenever Len moves away, so Len stays with the dog and offers the cabin to a grateful Mina. Unknown to Len, Mina’s father, Walter Van Runkel, runs a film studio in Hollywood, and when Mina later shows up there and insists on working instead of returning to school, he happily concedes. The studio has just switched from silent to sound film production, and the high-pitched voice of their biggest male star is proving a disaster. Desperate for a new star, Walter is swayed by Mina’s passionate praise of Kelly, and instructs her to bring the dog—and his owner—to Los Angeles for a screen test. Len is thrilled with his luck and rushes to the studio, never guessing that Walter is more interested in Kelly than him. Soon, Kelly, a natural and gifted film performer, is beloved by the whole studio, but will respond only to Len. Forced to include Len in Kelly’s first movie, Walter offers him a role opposite Walter’s new wife, budding star Lucy Castle. On the set, Kelly performs perfectly but Len creates problems by insisting on creative control. Director Stu Baker eventually refuses to work with Len, but Walter convinces him to agree to Len’s demands but secretly shoot the film as scripted. Although Mina warns her father that the plan will end in disaster, Walter remains unconcerned, especially after test audiences adore the finished film. Before the press conference, however, Len sees the film and, furious at being tricked, prepares to leave town. Walter arrives at his apartment and urges him to build his career around Kelly. Realizing Walter is desperate, Len demands half ownership in the studio, and then shows off during the press conference. Mina has fallen in love with Len but now, disappointed in him, decides to return to school. In the next months, Kelly delivers a string of hit films and Len receives bags of fan mail that cause him to grow more egotistical and unmanageable. As Len’s fame and fortune grows, he spends less time at home, leaving Kelly forlorn. Meanwhile, Lucy, who approves of Len’s extravagance and ambition, embarks on an affair with him. When Len announces a planned opera for him and Lucy, Walter explodes in anger, revealing that the fan mail has all been spurious, created by his team to keep Len happy. Finally realizing that Kelly is the real star, Len seeks solace in the local bar, complaining about Kelly while the faithful dog waits for him outside. By morning, Len is contrite, and visits Walter with the news that he will allow Kelly to work in the films by himself. He is shocked, however, by the arrival of Milo, who presents papers proving that he is Kelly’s legal owner. Walter throws out Len, but Kelly refuses to work without him. Later, after Milo whips Kelly on the set, the dog runs away, prompting Walter to fire Milo and call in Mina to help. She urges him to accompany her to San Francisco, where Len is now playing in dinner theater. There, Len refuses to talk to them, but secretly searches for Kelly each night. Days later, the train station employees spot a weary Kelly, who has tracked Len all the way up the coast. Meanwhile, Mina and Walter return to Len’s theater, where they overhear him urging the police to help him look for Kelly. Overjoyed that he is finally living up to her expectations, Mina falls into Len’s arms. Just then, they learn that Kelly is hiding among the trains, and Len announces to the waiting audience that he must leave to find his dog. Kelly, however, has been brought to the theater by the police, and the exhausted dog rushes onstage to join Len. When they finish their number, Len lets Kelly take a bow alone.

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Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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