Mister Rock and Roll (1957)

86 mins | Musical | September 1957

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HISTORY

The order of the ending cast credits differs slightly from that of the opening credits. In Mister Rock and Roll, the songs introduced by disc jockey Alan Freed on his radio show are then performed on stage by the musical entertainers. For more information on Freed's career, see the entry below for Rock Around the Clock. According to the file on the film in the MPAA/PCA Collection at the AMPAS Library, Mister Rock and Roll was shot on location in New York City. Although thirty songs were used in the film, only the two performed by Little Richard reached Billboard magazine's Top 40 list. Modern sources include "Screamin'" Jay Hawkins in the cast. ...

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The order of the ending cast credits differs slightly from that of the opening credits. In Mister Rock and Roll, the songs introduced by disc jockey Alan Freed on his radio show are then performed on stage by the musical entertainers. For more information on Freed's career, see the entry below for Rock Around the Clock. According to the file on the film in the MPAA/PCA Collection at the AMPAS Library, Mister Rock and Roll was shot on location in New York City. Although thirty songs were used in the film, only the two performed by Little Richard reached Billboard magazine's Top 40 list. Modern sources include "Screamin'" Jay Hawkins in the cast.

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GEOGRAPHIC LOCATIONS
SOURCE CITATIONS
SOURCE
DATE
PAGE
Box Office
2 Nov 1957
---
Daily Variety
21 Oct 1957
p. 3
Film Daily
28 Oct 1957
p. 6
Harrison's Reports
26 Oct 1957
---
Hollywood Reporter
27 Aug 1957
---
Hollywood Reporter
21 Oct 1957
p. 3
Motion Picture Daily
7 Nov 1957
---
Motion Picture Herald Product Digest
16 Nov 1957
p. 602
New York Times
17 Oct 1957
p. 42
Variety
23 Oct 1957
p. 6
CAST
NAME
CREDITED AS
CREDIT

NAME
CREDITED AS
CREDIT
[Courtesy of] Vik Records
[Courtesy of] Vik Records
Rock and Roll Headliners:
[Courtesy of] Capital Records
[Courtesy of] Gee Records
[Courtesy of] Specialty Records
[Courtesy of] Chess Records
[Courtesy of] Chess Records
[Courtesy of] Atlantic Records
[Courtesy of] Atlantic Records
[Courtesy of] Roulette Records
[Courtesy of] Vik Records
+
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION COMPANY
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTORS
Asst dir
PRODUCERS
Exec prod
Assoc prod
WRITER
Story and scr
PHOTOGRAPHY
FILM EDITORS
Assoc ed
SET DECORATOR
Set des
MUSIC
Mus dir
Mus supv
Spec mus material
VISUAL EFFECTS
Spec eff and animation
DANCE
Choreog
PRODUCTION MISC
Asst to prod
SOURCES
SONGS
"Oh Baby Doll" and "La Juanda," music and lyrics by Chuck Berry; "Lucille," music and lyrics by Richard Penniman and Albert Collins; "Keep A-Knockin'," music and lyrics by Richard Penniman and Bill Mays; "Kiddio" and "If Only I Had Known," music and lyrics by Brook Benton and Clyde Otis; "Get Acquainted Waltz," music by Sherman Edwards, lyrics by Earl Shuman; "This Moment of Love," music and lyrics by Gene Fiocca; "I Was the Last One to Know" and "Rocky's Love Song," music and lyrics by Teddy Randazzo, Cirino Colacrai and Clyde Otis; "It's Simply Heavenly," music and lyrics by Clyde Otis and Teddy Randazzo; "Humpty Dumpty Heart," music and lyrics by Henry Boye; "Star Rocket," music and lyrics by Lionel Hampton; "Hello, Folks," music and lyrics by Lionel Hampton, Gladys Hampton and Locksley Wellington Hampton; "Your Love Alone," music and lyrics by Brook Benton and Billy Myles; "Sing Song Siren," music and lyrics by Belford Hendricks and Clyde Otis; "Confess It to Your Heart," music and lyrics by Vincent Corso and Clyde Otis; "Next Stop Paradise," music and lyrics by Oramay Diamond, Dave Dreyer and Clyde Otis; "Mister Rock and Roll," music and lyrics by Cirino Colacrai, Otis Jennings, Clyde Otis and Teddy Randazzo; "Love Put Me Out of My Head," music and lyrics by Joe Sherman and Noel Sherman; "Make Me Live Again," music and lyrics by Tommy Bland, Ferlin Husky and Jerry Morton; "You'll Be There," "Pathway to Sin," "Barcelona Rock," "Drum Hi!," "Hey Poppa Rock," "Rock and Cry," "Love Me Right (in the Morning)," "Fortunate Fellow" and "I'll Stop Anything I'm Doing," composers undetermined.
SONGWRITERS/COMPOSERS
+
DETAILS
Release Date:
September 1957
Production Date:

Copyright Info
Claimant
Date
Copyright Number
Paramount Pictures Corp.
20 September 1957
LP9135
Physical Properties:
Sound
RCA Sound System
Black and White
Duration(in mins):
86
Country:
United States
Language:
English
PCA No:
18753
SYNOPSIS

At New York City's Paramount Theatre, noted disc jockey Alan Freed hosts a summer roll and roll stage show. After being harassed backstage by struggling songwriters Al Fisher and Lou Marks, teenage heartthrob Teddy Randazzo is asked by Freed to give an interview to novice reporter Carole Hendricks. The two go to a nearby diner, and Teddy tells Carole how he was born in New York but moved to Cleveland, where he was discovered by Freed while working as a hotel bellhop. Meanwhile, Freed does his radio show on WINS 101, playing rock and roll music by such notables as Frankie Lymon and the Teenagers, Clyde McPhatter, The Moonglows and Chuck Berry. Later, at World magazine, Carole is told by her editor, Joe Prentiss, that he sees rock and roll music as an attack on American moral values and expects her to report as such in her article. When she refuses, Prentiss writes a blistering diatribe on the musical genre, calling it music by and for juvenile delinquents. Later, Carole meets Teddy backstage at the Paramount and tries to apologize to him for her boss's story, but, feeling betrayed, he rebuffs her. Teddy is then visited by his old friend, former boxing champion Rocky Graziano, who asks for the singer's advice on romance, but Teddy warns him that he would be of little help. After seeing the heartbroken Teddy, Freed goes on his radio show and attacks Prentiss, arguing that rather than being a profiteer, as depicted by Prentiss, he was merely one of the discoverers of the new musical ...

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At New York City's Paramount Theatre, noted disc jockey Alan Freed hosts a summer roll and roll stage show. After being harassed backstage by struggling songwriters Al Fisher and Lou Marks, teenage heartthrob Teddy Randazzo is asked by Freed to give an interview to novice reporter Carole Hendricks. The two go to a nearby diner, and Teddy tells Carole how he was born in New York but moved to Cleveland, where he was discovered by Freed while working as a hotel bellhop. Meanwhile, Freed does his radio show on WINS 101, playing rock and roll music by such notables as Frankie Lymon and the Teenagers, Clyde McPhatter, The Moonglows and Chuck Berry. Later, at World magazine, Carole is told by her editor, Joe Prentiss, that he sees rock and roll music as an attack on American moral values and expects her to report as such in her article. When she refuses, Prentiss writes a blistering diatribe on the musical genre, calling it music by and for juvenile delinquents. Later, Carole meets Teddy backstage at the Paramount and tries to apologize to him for her boss's story, but, feeling betrayed, he rebuffs her. Teddy is then visited by his old friend, former boxing champion Rocky Graziano, who asks for the singer's advice on romance, but Teddy warns him that he would be of little help. After seeing the heartbroken Teddy, Freed goes on his radio show and attacks Prentiss, arguing that rather than being a profiteer, as depicted by Prentiss, he was merely one of the discoverers of the new musical genre, having witnessed teenagers like Teddy listening to rhythm and blues recordings in a Cleveland record store. He then began hosting a local radio program dedicated to such music, re-christening it "rock and roll." Finally, Freed contends that rock and roll music is simply the expression of teenagers, and its great success is a credit to them, not him. He then calls upon his listeners to contribute to Prentiss' favorite charity, the heart fund, to prove that "rock and rollers" are not the delinquents that the editor depicts them to be. Freed's charity drive is a great success, raising thousands of dollars, including a $500 donation by the repentant Prentiss, and Teddy and Carole are reunited.

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Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.