Wink of an Eye (1958)

72 mins | Drama, Mystery | June 1958

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HISTORY

Although a print of the film was not viewed, screen credits were obtained from a cutting continuity. A 1957 copyright statement for Ivar Productions was included in the film's cutting continuity, but the film was not included in the Copyright Catalog. Information from the continuity and reviews do not confirm whether the song "Wanna Little Kiss" appeared in the released film, but according to information in the file on the film in the MPAA/PCA Collection at the AMPAS Library, a song by that title was submitted to the PCA for approval. ...

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Although a print of the film was not viewed, screen credits were obtained from a cutting continuity. A 1957 copyright statement for Ivar Productions was included in the film's cutting continuity, but the film was not included in the Copyright Catalog. Information from the continuity and reviews do not confirm whether the song "Wanna Little Kiss" appeared in the released film, but according to information in the file on the film in the MPAA/PCA Collection at the AMPAS Library, a song by that title was submitted to the PCA for approval.

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PERSONAL & COMPANY INDEX CREDITS
SOURCE CITATIONS
SOURCE
DATE
PAGE
Box Office
30 Jun 1958
---
Daily Variety
2 Jun 1958
p. 3
The Exhibitor
25 Jun 1958
---
Film Daily
18 Jun 1958
p. 6
Hollywood Reporter
31 May 1957
p. 2
Hollywood Reporter
12 Jun 1957
p. 15
Hollywood Reporter
14 Jun 1957
p. 17
Hollywood Reporter
21 Jun 1957
p. 21
Hollywood Reporter
30 May 1958
p. 3
Motion Picture Herald Product Digest
7 Jun 1958
p. 857
Variety
11 Jun 1958
p. 6
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION COMPANY
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTORS
Willard M. Reineck
Asst dir
2d asst dir
PRODUCER
PHOTOGRAPHY
Dir of photog
Set lighting
Chief grip
Cam asst
FILM EDITORS
Film ed
SET DECORATORS
Prop master
COSTUMES
Ward
MUSIC
Mus comp and cond
SOUND
Sd rec
MAKEUP
Makeup artist
Hairstylist
PRODUCTION MISC
Asst to prod
In charge of prod
Scr supv
Prod asst
SOURCES
SONGS
"In the Wink of an Eye," music and lyrics by Max Rich, Clarence Greene and Jack Scholl; "Wanna Little Kiss," words and music by Max Rich and Clarence Greene.
SONGWRITER/COMPOSER
DETAILS
Release Date:
June 1958
Production Date:
12 Jun--late Jun 1957 at Samuel Goldwyn Studios
Physical Properties:
Sound
Western Electric Recording
Black and White
Duration(in mins):
72
Country:
United States
Language:
English
PCA No:
18631
SYNOPSIS

Mild-mannered chemist Alvin Atterbury chafes under the constant criticism by his boss at a perfume factory. In response to being removed from an important experiment, Atterbury begins spending more time with attractive co-worker Myrna Duchane. At home Atterbury endures constant nagging from his wife, who begins to fear her husband may be planning to run away to Mexico with Myrna. The Atterbury’s neighbor, elderly Mrs. Lazlo, grows concerned when she hears the couple arguing, punctuated one night by an unexplained scream. Soon after, Mrs. Lazlo notices that Mrs. Atterbury has disappeared. Unknown to Atterbury, his wife has rented their spare room to a young law student, Judy Carlton, who turns up at the house prepared to move in. When Atterbury initially refuses to allow her inside, a frustrated Judy seeks the help of Sheriff Cantrick and Atterbury reluctantly gives her access to the room. Perplexed by Atterbury’s secretive behavior, Judy soon notices the chemist’s nightly visits to the cellar, which are followed by strange sounds. Upon seeing Atterbury placing strange packages from the cellar in the freezer, Judy decides to investigate. In the cellar, Judy is horrified to discover what appears to be parts of a body, but before she can report her findings, she hears Atterbury returning with Myrna. Petrified, Judy screams, attracting the attention of Mrs. Lazlo, who summons Cantrick. Under the sheriff’s questioning, Atterbury explains that he and Myrna have been working on their own experiment to develop a musk perfume, using the remains of a South American jungle animal, and are planning to sell the formula to a rival Mexican manufacturer. Just after ...

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Mild-mannered chemist Alvin Atterbury chafes under the constant criticism by his boss at a perfume factory. In response to being removed from an important experiment, Atterbury begins spending more time with attractive co-worker Myrna Duchane. At home Atterbury endures constant nagging from his wife, who begins to fear her husband may be planning to run away to Mexico with Myrna. The Atterbury’s neighbor, elderly Mrs. Lazlo, grows concerned when she hears the couple arguing, punctuated one night by an unexplained scream. Soon after, Mrs. Lazlo notices that Mrs. Atterbury has disappeared. Unknown to Atterbury, his wife has rented their spare room to a young law student, Judy Carlton, who turns up at the house prepared to move in. When Atterbury initially refuses to allow her inside, a frustrated Judy seeks the help of Sheriff Cantrick and Atterbury reluctantly gives her access to the room. Perplexed by Atterbury’s secretive behavior, Judy soon notices the chemist’s nightly visits to the cellar, which are followed by strange sounds. Upon seeing Atterbury placing strange packages from the cellar in the freezer, Judy decides to investigate. In the cellar, Judy is horrified to discover what appears to be parts of a body, but before she can report her findings, she hears Atterbury returning with Myrna. Petrified, Judy screams, attracting the attention of Mrs. Lazlo, who summons Cantrick. Under the sheriff’s questioning, Atterbury explains that he and Myrna have been working on their own experiment to develop a musk perfume, using the remains of a South American jungle animal, and are planning to sell the formula to a rival Mexican manufacturer. Just after they finish their account, Mrs. Atterbury returns and she and her husband admit that she is an alcoholic and has just spent a few days in a sanitarium for a rest cure. A few days later, Mrs. Lazlo calls, only to learn that Mrs. Atterbury is again out of town. After her departure, Atterbury returns to the cellar where he begins dismembering a mysterious object.

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Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.