Al Capone
(1959)
104-105 mins | Biography | February 1959
Cast:
Rod Steiger, Fay Spain, James Gregory [ More ]Director:
Richard WilsonWriters:
Malvin Wald, Henry GreenbergProducers:
John H. Burrows, Leonard AckermanCinematographer:
Lucien BallardEditor:
Walter HannemannProduction Designer:
Hilyard BrownProduction Company:
Burrows-Ackerman ProductionsThe working title of this film was The Al Capone Story. As noted in the film, Alphonse Capone was born in Brooklyn, NY in 1899, and began his career as a petty criminal there. He acquired the name "Scarface Al" because of a scar left by a razor slash. While still a young man, he moved to Chicago and worked his way up the crime syndicates, eventually taking over the bootleg liquor business. As depicted in the film, Capone facilitated his rise by murdering his rivals, including "Big Jim" Colosimo in 1920, and Dion O'Bannion in 1924. By the end of the 1920s, Capone was earning more than $20 million a year. On Valentine's Day, 1929, Capone's gunmen, dressed as policemen, shot and killed seven members of the rival "Bugs" Moran gang. Capone was convicted of income-tax evasion and sent to Alcatraz Federal Penitentiary in Oct 1931. He was released in Nov 1939, ill with syphilis. Capone died on his Florida estate on 25 Jan 1947 from complications of syphilis. For more information about Capone's life, see entry for Scarface in AFI Catalog of Feature Films, 1931-40.
According to a Nov 1957 NYT news item, Al Capone initially was to be made by independent producers John H. Burrows and Lindsley Parsons, and was to be financed as well as distributed by Allied Artists. Jack DeWitt was hired to write the screenplay at this time, but his contribution to the completed film has not been confirmed. Parsons later left the project and was replaced by Leonard J. Ackerman. According to a ...
The working title of this film was The Al Capone Story. As noted in the film, Alphonse Capone was born in Brooklyn, NY in 1899, and began his career as a petty criminal there. He acquired the name "Scarface Al" because of a scar left by a razor slash. While still a young man, he moved to Chicago and worked his way up the crime syndicates, eventually taking over the bootleg liquor business. As depicted in the film, Capone facilitated his rise by murdering his rivals, including "Big Jim" Colosimo in 1920, and Dion O'Bannion in 1924. By the end of the 1920s, Capone was earning more than $20 million a year. On Valentine's Day, 1929, Capone's gunmen, dressed as policemen, shot and killed seven members of the rival "Bugs" Moran gang. Capone was convicted of income-tax evasion and sent to Alcatraz Federal Penitentiary in Oct 1931. He was released in Nov 1939, ill with syphilis. Capone died on his Florida estate on 25 Jan 1947 from complications of syphilis. For more information about Capone's life, see entry for Scarface in AFI Catalog of Feature Films, 1931-40.
According to a Nov 1957 NYT news item, Al Capone initially was to be made by independent producers John H. Burrows and Lindsley Parsons, and was to be financed as well as distributed by Allied Artists. Jack DeWitt was hired to write the screenplay at this time, but his contribution to the completed film has not been confirmed. Parsons later left the project and was replaced by Leonard J. Ackerman. According to a DV news item, second-unit photography was done in Chicago, and M-G-M's "Chicago Street" lot was used for a week of shooting. A HR casting note adds Bobby Hall to the cast. The film had its premiere on 25 Feb 1959 in Miami as well as the surrounding areas of Miami Beach and Coral Gables.
Because of restrictions imposed during the 1930s and early 1940s by Will H. Hays, president of the MPPDA, and Joseph I. Breen, director of the PCA, screen biographies of notorious criminals like Capone and John Dillinger were impossible to make. By the mid-1940s, however, the restrictions were somewhat relaxed, and in 1945, Monogram released Dillinger, the first screen depiction of John Dillinger (see AFI Catalog of feature Films, 1941-50). In late 1947, Capone was announced as the subject of a proposed United Artists release, but, according to news items, Westbrook Pegler and Jack Moffitt's screenplay was rejected by the PCA.
According to information in the MPAA/PCA collection at the AMPAS Library, in Jul 1958, the PCA rejected the first draft of the script for Al Capone, deeming it "unacceptable" because it contained "too much glorification" of Capone, an "overemphasis on evil," a lack of "counterbalancing good" and an "overemphasis on violence and slaughter." A revised script was approved, with eliminations, in Sep 1958. According to a 5 Feb 1959 letter to the PCA from U.S. Senator John L. McClellan, the U.S. Senate Select Committee on Improper Activities in the Labor or Management Field had a special screening of Al Capone. McClellan declared that the "picture should be shown throughout the land. Every citizen of this country should have the opportunity to see it. In my judgment it will have a potent influence for the maintenance of law and order and for the preservation of decent society in our country."
Although Al Capone marked the first time that the real gangster was depicted in a film, many earlier pictures featured characters who were presumed based on him, including Columbia's 1931 picture The Guilty Generation, directed by Rowland V. Lee and starring Leo Carrillo; the 1932 United Artists release Scarface, directed by Howard Hawks and starring Paul Muni; and the 1949 Columbia film The Undercover Man, directed by Joseph H. Lewis and starring Glenn Ford (see AFI Catalog of Feature Films, 1941-50). In Apr 1959, Phil Karlson directed Neville Brand as Capone in a Desilu Production The Scarface Mob, which led to the popular ABC television series The Untouchables. That series ran from Oct 1959 through Sep 1963, starred Robert Stack as FBI agent Eliot Ness and occasionally featured Brand as Capone. The teleplay was released theatrically in 1962. In 1967, Roger Corman directed Jason Robards, Jr. in the Twentieth Century-Fox Film release The St. Valentine's Day Massacre (see AFI Catalog of Feature Films, 1961-70). In 1987, Robert De Niro appeared as the gangster in Brian DePalma's The Untouchables, and in 1995, F. Murray Abraham portrayed Capone in Concorde-New Horizons' Dillinger and Capone.
In 1919, Brooklyn-born gangster Al Capone arrives in Chicago to become a bodyguard for Johnny Torrio, a mobster whose "emporium" offers "booze, gambling and broads" to anyone willing to pay for them. Capone soon meets "Big Jim" Colosimo, who controls the First Ward and promises to introduce the young tough to famous Italian opera singer Enrico Caruso. After Prohibition is enacted in 1920, Capone devises ways to capitalize on the public's thirst for liquor, and helps to make Colosimo and Torrio rich and powerful. Nevertheless, gang leaders Dion "Dini" O'Banion, George "Bugs" Moran and Earl Weiss, known as "Hymie the Pole," complain that Colosimo is too old and soft, and O'Banion mocks the gangster's Italian accent and mannerisms. Secretly, Capone advises Torrio to get rid of Colosimo, but after the old man and his guards are shot, Torrio's guilt at betraying a member of his family gets the better of him, and he begins to drink heavily. Capone romances Maureen Flannery, the widow of one of Colosimo's murdered men, and although she at first rejects him, she eventually succumbs to his advances. In the meantime, Capone "kills like a crazy man," eliminating any underworld leaders who resist his plan to run the crime syndicate "like a business." When Chicago elects a reform mayor, one who accepts no bribes from Capone, the gangster moves his beer-brewing and other illegal operations to the nearby town of Cicero, and the money continues to roll in. Torrio is arrested for brewing beer, and Capone, believing O'Banion had him framed, kills the Irishman. Weiss and Moran then shoot Torrio. While in the hospital, Torrio, weary of the endless ...
In 1919, Brooklyn-born gangster Al Capone arrives in Chicago to become a bodyguard for Johnny Torrio, a mobster whose "emporium" offers "booze, gambling and broads" to anyone willing to pay for them. Capone soon meets "Big Jim" Colosimo, who controls the First Ward and promises to introduce the young tough to famous Italian opera singer Enrico Caruso. After Prohibition is enacted in 1920, Capone devises ways to capitalize on the public's thirst for liquor, and helps to make Colosimo and Torrio rich and powerful. Nevertheless, gang leaders Dion "Dini" O'Banion, George "Bugs" Moran and Earl Weiss, known as "Hymie the Pole," complain that Colosimo is too old and soft, and O'Banion mocks the gangster's Italian accent and mannerisms. Secretly, Capone advises Torrio to get rid of Colosimo, but after the old man and his guards are shot, Torrio's guilt at betraying a member of his family gets the better of him, and he begins to drink heavily. Capone romances Maureen Flannery, the widow of one of Colosimo's murdered men, and although she at first rejects him, she eventually succumbs to his advances. In the meantime, Capone "kills like a crazy man," eliminating any underworld leaders who resist his plan to run the crime syndicate "like a business." When Chicago elects a reform mayor, one who accepts no bribes from Capone, the gangster moves his beer-brewing and other illegal operations to the nearby town of Cicero, and the money continues to roll in. Torrio is arrested for brewing beer, and Capone, believing O'Banion had him framed, kills the Irishman. Weiss and Moran then shoot Torrio. While in the hospital, Torrio, weary of the endless killing, agrees to serve a short prison sentence and afterward enters into a quiet retirement. Meanwhile, Capone has Weiss killed, while Schaefer, a police sergeant who for years bemoaned Capone's ownership of city hall, becomes captain of the force. Mac Keely, a dishonest reporter who works for Capone, attempts to bribe Schaefer, but the latter throws him out. Because Schaefer is unable to secure a single conviction against the criminals, however, a crooked mayor again assumes power, and Capone sets up shop in the center of Chicago's financial district. Capone now forces payments from every business owner in the South Side, terrorizing anyone who refuses to pay for his "protection." Worried about attempts by "the feds" to indict Capone, Keely suggests that the gangster leave town for a few months, and Capone settles into a comfortable home in Dade County, Florida. From there he orchestrates the St. Valentine's Day Massacre, in which many of Moran's men are killed. Although the crime rocks the nation, the police, as usual, are unable to unearth any evidence that implicates Capone. Moran and Capone finally negotiate a truce, but Keely learns that Moran intends to kill Capone, and the latter takes refuge in a Philadelphia jail for a year. Just before Capone's release, Moran persuades Keely to betray his old employer, and when Capone learns that the reporter now works for his enemy, he has Keely killed. The newspaperman's death sends Chicago into an uproar, and Schaefer publicly accuses Capone of having ordered the murders of many people, including Maureen's husband. Capone finally admits his guilt to Maureen, who hysterically begs him to kill her. Schaefer secures Capone's account books, and the evidence he finds in them leads to Capone's conviction on tax evasion charges and an eleven-year sentence at Alcatraz. While he is incarcerated, a mob of prisoners attack him mercilessly.
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