Al Capone (1959)

104-105 mins | Biography | February 1959

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HISTORY

The working title of this film was The Al Capone Story. As noted in the film, Alphonse Capone was born in Brooklyn, NY in 1899, and began his career as a petty criminal there. He acquired the name "Scarface Al" because of a scar left by a razor slash. While still a young man, he moved to Chicago and worked his way up the crime syndicates, eventually taking over the bootleg liquor business. As depicted in the film, Capone facilitated his rise by murdering his rivals, including "Big Jim" Colosimo in 1920, and Dion O'Bannion in 1924. By the end of the 1920s, Capone was earning more than $20 million a year. On Valentine's Day, 1929, Capone's gunmen, dressed as policemen, shot and killed seven members of the rival "Bugs" Moran gang. Capone was convicted of income-tax evasion and sent to Alcatraz Federal Penitentiary in Oct 1931. He was released in Nov 1939, ill with syphilis. Capone died on his Florida estate on 25 Jan 1947 from complications of syphilis. For more information about Capone's life, see entry for Scarface in AFI Catalog of Feature Films, 1931-40.
       According to a Nov 1957 NYT news item, Al Capone initially was to be made by independent producers John H. Burrows and Lindsley Parsons, and was to be financed as well as distributed by Allied Artists. Jack DeWitt was hired to write the screenplay at this time, but his contribution to the completed film has not been confirmed. Parsons later left the project and was replaced by Leonard J. Ackerman. According to a ...

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The working title of this film was The Al Capone Story. As noted in the film, Alphonse Capone was born in Brooklyn, NY in 1899, and began his career as a petty criminal there. He acquired the name "Scarface Al" because of a scar left by a razor slash. While still a young man, he moved to Chicago and worked his way up the crime syndicates, eventually taking over the bootleg liquor business. As depicted in the film, Capone facilitated his rise by murdering his rivals, including "Big Jim" Colosimo in 1920, and Dion O'Bannion in 1924. By the end of the 1920s, Capone was earning more than $20 million a year. On Valentine's Day, 1929, Capone's gunmen, dressed as policemen, shot and killed seven members of the rival "Bugs" Moran gang. Capone was convicted of income-tax evasion and sent to Alcatraz Federal Penitentiary in Oct 1931. He was released in Nov 1939, ill with syphilis. Capone died on his Florida estate on 25 Jan 1947 from complications of syphilis. For more information about Capone's life, see entry for Scarface in AFI Catalog of Feature Films, 1931-40.
       According to a Nov 1957 NYT news item, Al Capone initially was to be made by independent producers John H. Burrows and Lindsley Parsons, and was to be financed as well as distributed by Allied Artists. Jack DeWitt was hired to write the screenplay at this time, but his contribution to the completed film has not been confirmed. Parsons later left the project and was replaced by Leonard J. Ackerman. According to a DV news item, second-unit photography was done in Chicago, and M-G-M's "Chicago Street" lot was used for a week of shooting. A HR casting note adds Bobby Hall to the cast. The film had its premiere on 25 Feb 1959 in Miami as well as the surrounding areas of Miami Beach and Coral Gables.
       Because of restrictions imposed during the 1930s and early 1940s by Will H. Hays, president of the MPPDA, and Joseph I. Breen, director of the PCA, screen biographies of notorious criminals like Capone and John Dillinger were impossible to make. By the mid-1940s, however, the restrictions were somewhat relaxed, and in 1945, Monogram released Dillinger, the first screen depiction of John Dillinger (see AFI Catalog of feature Films, 1941-50). In late 1947, Capone was announced as the subject of a proposed United Artists release, but, according to news items, Westbrook Pegler and Jack Moffitt's screenplay was rejected by the PCA.
       According to information in the MPAA/PCA collection at the AMPAS Library, in Jul 1958, the PCA rejected the first draft of the script for Al Capone, deeming it "unacceptable" because it contained "too much glorification" of Capone, an "overemphasis on evil," a lack of "counterbalancing good" and an "overemphasis on violence and slaughter." A revised script was approved, with eliminations, in Sep 1958. According to a 5 Feb 1959 letter to the PCA from U.S. Senator John L. McClellan, the U.S. Senate Select Committee on Improper Activities in the Labor or Management Field had a special screening of Al Capone. McClellan declared that the "picture should be shown throughout the land. Every citizen of this country should have the opportunity to see it. In my judgment it will have a potent influence for the maintenance of law and order and for the preservation of decent society in our country."
       Although Al Capone marked the first time that the real gangster was depicted in a film, many earlier pictures featured characters who were presumed based on him, including Columbia's 1931 picture The Guilty Generation, directed by Rowland V. Lee and starring Leo Carrillo; the 1932 United Artists release Scarface, directed by Howard Hawks and starring Paul Muni; and the 1949 Columbia film The Undercover Man, directed by Joseph H. Lewis and starring Glenn Ford (see AFI Catalog of Feature Films, 1941-50). In Apr 1959, Phil Karlson directed Neville Brand as Capone in a Desilu Production The Scarface Mob, which led to the popular ABC television series The Untouchables. That series ran from Oct 1959 through Sep 1963, starred Robert Stack as FBI agent Eliot Ness and occasionally featured Brand as Capone. The teleplay was released theatrically in 1962. In 1967, Roger Corman directed Jason Robards, Jr. in the Twentieth Century-Fox Film release The St. Valentine's Day Massacre (see AFI Catalog of Feature Films, 1961-70). In 1987, Robert De Niro appeared as the gangster in Brian DePalma's The Untouchables, and in 1995, F. Murray Abraham portrayed Capone in Concorde-New Horizons' Dillinger and Capone.

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GEOGRAPHIC LOCATIONS
PERSONAL & COMPANY INDEX CREDITS
HISTORY CREDITS
CREDIT TYPE
CREDIT
General (mod):
Personal note credit:
SOURCE CITATIONS
SOURCE
DATE
PAGE
Box Office
16 Feb 1959
---
Daily Variety
13 Nov 1947
---
Daily Variety
5 Sep 1958
---
Daily Variety
9 Feb 1959
p. 3
The Exhibitor
25 Feb 1959
p. 4561
Film Daily
10 Feb 1959
p. 11
Harrison's Reports
14 Feb 1959
p. 27
Hollywood Reporter
19 Sep 1958
p. 10
Hollywood Reporter
15 Oct 1958
p. 4
Hollywood Reporter
17 Oct 1958
p. 10
Hollywood Reporter
9 Feb 1959
p. 3
Hollywood Reporter
11 Feb 1959
p. 2
Hollywood Reporter
6 Apr 1959
p. 1
Los Angeles Times
8 Nov 1947
---
Los Angeles Times
10 Nov 1947
---
Motion Picture Herald Product Digest
21 Feb 1959
p. 164
New York Times
9 Nov 1957
---
New York Times
26 Mar 1959
p. 27
Variety
11 Feb 1959
p. 6
CAST
NAME
CREDITED AS
CREDIT
+
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION COMPANY
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTORS
Asst dir
PRODUCERS
Leonard Ackerman
Prod
WRITERS
PHOTOGRAPHY
Dir of photog
Cam op
Gaffer
ART DIRECTOR
Prod des
FILM EDITOR
SET DECORATORS
Joe Kish
Set dec
Prop master
Const supv
Teddy Mossman
Asst props
COSTUMES
Ward master
Ward mistress
MUSIC
Mus ed
SOUND
Sd mixer
Joe Keener
Sd rec
VISUAL EFFECTS
Spec eff
MAKEUP
Dave Grayson
Makeup artist
PRODUCTION MISC
Prod mgr
Dial supv
Scr supv
DETAILS
Alternate Title:
The Al Capone Story
Release Date:
February 1959
Premiere Information:
World premiere in Miami, FL: 25 Feb 1959
Production Date:
16 Sep--mid Oct 1958
Copyright Info
Claimant
Date
Copyright Number
Allied Artists Pictures Corp.
24 February 1959
LP12787
Physical Properties:
Sound
RCA Sound Recording
Black and White
Duration(in mins):
104-105
Length(in feet):
9,500
Country:
United States
Language:
English
PCA No:
19216
Passed by NBR:
Yes
SYNOPSIS

In 1919, Brooklyn-born gangster Al Capone arrives in Chicago to become a bodyguard for Johnny Torrio, a mobster whose "emporium" offers "booze, gambling and broads" to anyone willing to pay for them. Capone soon meets "Big Jim" Colosimo, who controls the First Ward and promises to introduce the young tough to famous Italian opera singer Enrico Caruso. After Prohibition is enacted in 1920, Capone devises ways to capitalize on the public's thirst for liquor, and helps to make Colosimo and Torrio rich and powerful. Nevertheless, gang leaders Dion "Dini" O'Banion, George "Bugs" Moran and Earl Weiss, known as "Hymie the Pole," complain that Colosimo is too old and soft, and O'Banion mocks the gangster's Italian accent and mannerisms. Secretly, Capone advises Torrio to get rid of Colosimo, but after the old man and his guards are shot, Torrio's guilt at betraying a member of his family gets the better of him, and he begins to drink heavily. Capone romances Maureen Flannery, the widow of one of Colosimo's murdered men, and although she at first rejects him, she eventually succumbs to his advances. In the meantime, Capone "kills like a crazy man," eliminating any underworld leaders who resist his plan to run the crime syndicate "like a business." When Chicago elects a reform mayor, one who accepts no bribes from Capone, the gangster moves his beer-brewing and other illegal operations to the nearby town of Cicero, and the money continues to roll in. Torrio is arrested for brewing beer, and Capone, believing O'Banion had him framed, kills the Irishman. Weiss and Moran then shoot Torrio. While in the hospital, Torrio, weary of the endless ...

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In 1919, Brooklyn-born gangster Al Capone arrives in Chicago to become a bodyguard for Johnny Torrio, a mobster whose "emporium" offers "booze, gambling and broads" to anyone willing to pay for them. Capone soon meets "Big Jim" Colosimo, who controls the First Ward and promises to introduce the young tough to famous Italian opera singer Enrico Caruso. After Prohibition is enacted in 1920, Capone devises ways to capitalize on the public's thirst for liquor, and helps to make Colosimo and Torrio rich and powerful. Nevertheless, gang leaders Dion "Dini" O'Banion, George "Bugs" Moran and Earl Weiss, known as "Hymie the Pole," complain that Colosimo is too old and soft, and O'Banion mocks the gangster's Italian accent and mannerisms. Secretly, Capone advises Torrio to get rid of Colosimo, but after the old man and his guards are shot, Torrio's guilt at betraying a member of his family gets the better of him, and he begins to drink heavily. Capone romances Maureen Flannery, the widow of one of Colosimo's murdered men, and although she at first rejects him, she eventually succumbs to his advances. In the meantime, Capone "kills like a crazy man," eliminating any underworld leaders who resist his plan to run the crime syndicate "like a business." When Chicago elects a reform mayor, one who accepts no bribes from Capone, the gangster moves his beer-brewing and other illegal operations to the nearby town of Cicero, and the money continues to roll in. Torrio is arrested for brewing beer, and Capone, believing O'Banion had him framed, kills the Irishman. Weiss and Moran then shoot Torrio. While in the hospital, Torrio, weary of the endless killing, agrees to serve a short prison sentence and afterward enters into a quiet retirement. Meanwhile, Capone has Weiss killed, while Schaefer, a police sergeant who for years bemoaned Capone's ownership of city hall, becomes captain of the force. Mac Keely, a dishonest reporter who works for Capone, attempts to bribe Schaefer, but the latter throws him out. Because Schaefer is unable to secure a single conviction against the criminals, however, a crooked mayor again assumes power, and Capone sets up shop in the center of Chicago's financial district. Capone now forces payments from every business owner in the South Side, terrorizing anyone who refuses to pay for his "protection." Worried about attempts by "the feds" to indict Capone, Keely suggests that the gangster leave town for a few months, and Capone settles into a comfortable home in Dade County, Florida. From there he orchestrates the St. Valentine's Day Massacre, in which many of Moran's men are killed. Although the crime rocks the nation, the police, as usual, are unable to unearth any evidence that implicates Capone. Moran and Capone finally negotiate a truce, but Keely learns that Moran intends to kill Capone, and the latter takes refuge in a Philadelphia jail for a year. Just before Capone's release, Moran persuades Keely to betray his old employer, and when Capone learns that the reporter now works for his enemy, he has Keely killed. The newspaperman's death sends Chicago into an uproar, and Schaefer publicly accuses Capone of having ordered the murders of many people, including Maureen's husband. Capone finally admits his guilt to Maureen, who hysterically begs him to kill her. Schaefer secures Capone's account books, and the evidence he finds in them leads to Capone's conviction on tax evasion charges and an eleven-year sentence at Alcatraz. While he is incarcerated, a mob of prisoners attack him mercilessly.

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Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.