Violent Saturday (1955)

90-91 mins | Drama | April 1955

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HISTORY

William L. Heath's novel, which appeared in Cosmopolitan in Feb 1955 as one of their "complete mystery novel" features, was published in conjunction with the release of the film. According to HR news items, the film was shot on location in Bisbee and at the Tucson Country Club in Tucson, AZ. In addition, some exteriors were shot at the Twentieth Century-Fox ranch in Malibu, CA. Although HR news items include Wilbur Mack and Tom Tully in the cast, their appearance in the completed film has not been determined. Milton Krasner filled in for director of photography Charles G. Clarke in late Dec 1954 when Clark was ill, according to a 31 Dec 1954 HR news item.
       According to news items, Twentieth Century-Fox originally planned to have the film's premiere in Lancaster, PA, an Amish community. However, after the town's mayor, Kendig Bare, read the original story, he refused to permit the screening because he deemed the film "too violent and sexy." No information about subsequent premieres has been found.
       The Time reviewer noted that in the scene in which "Stadt" murders the robber, "the morality of violence is brought vividly into question, and the question has seldom been answered with more pith and natural majesty." The NYT reviewer commented that "Ernest Borgnine as the Amish farmer is a joke. In flat black hat and chin whiskers, he acts as though he's just off the Ark." In another NYT article about violence in films, the same writer declared that the violence in Violent Saturday "has no moral purpose or point" and "the ...

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William L. Heath's novel, which appeared in Cosmopolitan in Feb 1955 as one of their "complete mystery novel" features, was published in conjunction with the release of the film. According to HR news items, the film was shot on location in Bisbee and at the Tucson Country Club in Tucson, AZ. In addition, some exteriors were shot at the Twentieth Century-Fox ranch in Malibu, CA. Although HR news items include Wilbur Mack and Tom Tully in the cast, their appearance in the completed film has not been determined. Milton Krasner filled in for director of photography Charles G. Clarke in late Dec 1954 when Clark was ill, according to a 31 Dec 1954 HR news item.
       According to news items, Twentieth Century-Fox originally planned to have the film's premiere in Lancaster, PA, an Amish community. However, after the town's mayor, Kendig Bare, read the original story, he refused to permit the screening because he deemed the film "too violent and sexy." No information about subsequent premieres has been found.
       The Time reviewer noted that in the scene in which "Stadt" murders the robber, "the morality of violence is brought vividly into question, and the question has seldom been answered with more pith and natural majesty." The NYT reviewer commented that "Ernest Borgnine as the Amish farmer is a joke. In flat black hat and chin whiskers, he acts as though he's just off the Ark." In another NYT article about violence in films, the same writer declared that the violence in Violent Saturday "has no moral purpose or point" and "the fact that the farmer, by his nature and religion, deeply abhors violence is the only remotely philosophical--and then defeatist--point in the film." According to the HR review, the picture was "one of the lowest-budgeted films ever shot in CinemaScope and De Luxe color." Violent Saturday marked the first Twentieth Century-Fox film produced by Buddy Adler, who replaced Darryl F. Zanuck as the studio's head of production in 1956.

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GEOGRAPHIC LOCATIONS
SOURCE CITATIONS
SOURCE
DATE
PAGE
Box Office
23 Apr 1955
---
Daily Variety
10 Mar 1955
---
Daily Variety
13 Apr 1955
p. 3
The Exhibitor
20 Apr 1955
pp. 3951-52
Film Daily
27 Apr 1955
p. 6
Harrison's Reports
16 Apr 1955
p. 62
Hollywood Reporter
24 Nov 1954
p. 2
Hollywood Reporter
30 Nov 1954
p. 3, 11
Hollywood Reporter
9 Dec 1954
p. 2
Hollywood Reporter
10 Dec 1954
p. 22
Hollywood Reporter
16 Dec 1954
p. 6
Hollywood Reporter
17 Dec 1954
p. 4
Hollywood Reporter
20 Dec 1954
p. 4
Hollywood Reporter
21 Dec 1954
p. 4
Hollywood Reporter
22 Dec 1954
p. 2
Hollywood Reporter
31 Dec 1954
p. 2
Hollywood Reporter
6 Jan 1955
p. 3
Hollywood Reporter
7 Jan 1955
p. 8
Hollywood Reporter
10 Jan 1955
p. 3
Hollywood Reporter
21 Feb 1955
p. 3
Hollywood Reporter
24 Feb 1955
p. 4
Hollywood Reporter
24 Mar 1955
p. 7
Hollywood Reporter
13 Apr 1955
p. 3
Los Angeles Examiner
21 Apr 1955
---
Motion Picture Herald Product Digest
16 Apr 1955
p. 401
New York Times
12 May 1955
p. 32
New York Times
15 May 1955
---
Time
16 May 1955
---
Variety
13 Apr 1955
p. 8
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTORS
Richard Fleischer
Dir
2d asst dir
PRODUCER
WRITER
PHOTOGRAPHY
Dir of photog
Fill-in dir of photog
ART DIRECTORS
Art dir
Art dir
FILM EDITOR
Film ed
SET DECORATORS
Set dec
Set dec
COSTUMES
Ward dir
Cost des
MUSIC
Cond by
Edward B. Powell
Orch
VISUAL EFFECTS
Spec photog eff
MAKEUP
Makeup artist
Hair styling by
PRODUCTION MISC
Unit prod mgr
Theresa Brachetto
Scr supv
Auditor
Tech adv
COLOR PERSONNEL
Col consultant
SOURCES
LITERARY
Based on the novel Violent Saturday by William L. Heath (New York, 1955).
LITERARY SOURCE AUTHOR
DETAILS
Release Date:
April 1955
Production Date:
6 Dec 1954--early Jan 1955
Copyright Info
Claimant
Date
Copyright Number
Twentieth Century-Fox Film Corp.
20 April 1955
LP5029
Physical Properties:
Sound
Color
De Luxe
Widescreen/ratio
CinemaScope
Lenses/Prints
lenses by Bausch & Lomb
Duration(in mins):
90-91
Length(in feet):
8,130
Length(in reels):
11
Country:
United States
Language:
English
PCA No:
17359
SYNOPSIS

Harper, a bank robber who is posing as a costume jewelry salesman, checks into a hotel in Bradenville, a small town adjacent to a mine. Harper's associates, Chapman and Dill, soon arrive aboard the train and surreptitiously observe the bank's daily procedures. At the Bradenville library, librarian Elsie Braden steals a pocketbook after receiving a notice from banker Harry Reeves that her loan payments are past due. At the same time, mine manager Shelley Martin rescues his son Steve from a fistfight. Later at work, Shelley finds that the mine owner's son, Boyd Fairchild, is too obsessed with his wife Emily's infidelity and his own sense of failure to do any work. That night at home, Shelley and his wife discover that Steve has been fighting because he is jealous that his best friend's father fought at the front, while Shelley was enlisted by the government to increase his copper production during the war. Harper, meanwhile, discovers a small Amish farm outside town, and realizes that the hospitable farmer, Stadt, has no phone or other means of modern communication or transportation. That night, Boyd gets drunk and becomes friendly with Linda Sherman, a new nurse in town. Linda is sympathetic to Boyd and helps him home, although she resists his advances because he is married. When Emily arrives home, Linda warns her to stop humiliating Boyd, or she will accept his offer to run away with him. At her own apartment, Linda is unaware that Harry is lurking in an alley and watching her undress through the window. Harry then catches Elsie throwing away the stolen purse, but she threatens to expose him as a ...

More Less

Harper, a bank robber who is posing as a costume jewelry salesman, checks into a hotel in Bradenville, a small town adjacent to a mine. Harper's associates, Chapman and Dill, soon arrive aboard the train and surreptitiously observe the bank's daily procedures. At the Bradenville library, librarian Elsie Braden steals a pocketbook after receiving a notice from banker Harry Reeves that her loan payments are past due. At the same time, mine manager Shelley Martin rescues his son Steve from a fistfight. Later at work, Shelley finds that the mine owner's son, Boyd Fairchild, is too obsessed with his wife Emily's infidelity and his own sense of failure to do any work. That night at home, Shelley and his wife discover that Steve has been fighting because he is jealous that his best friend's father fought at the front, while Shelley was enlisted by the government to increase his copper production during the war. Harper, meanwhile, discovers a small Amish farm outside town, and realizes that the hospitable farmer, Stadt, has no phone or other means of modern communication or transportation. That night, Boyd gets drunk and becomes friendly with Linda Sherman, a new nurse in town. Linda is sympathetic to Boyd and helps him home, although she resists his advances because he is married. When Emily arrives home, Linda warns her to stop humiliating Boyd, or she will accept his offer to run away with him. At her own apartment, Linda is unaware that Harry is lurking in an alley and watching her undress through the window. Harry then catches Elsie throwing away the stolen purse, but she threatens to expose him as a voyeur if he tries to implicate her. Just before dawn, Emily awakens Boyd, and after a heartfelt discussion, they decide to renew their love and take a vacation together. In the morning, Chapman and Dill kidnap Shelley and take him to the farm. There they imprison him and Stadt's family in the barn's hayloft, while they take Shelley's car to town. After Chapman calls in a false traffic accident to distract the police, they rob the bank. Harry attempts to shoot the robbers, but is killed by Dill, who also shoots Emily. The robbers escape to the farm, where Shelley has managed to free himself, Stadt and his family. Stadt refuses to help Shelley defend them because the Amish are avowed pacifists. Shelley initially refuses to turn over the keys to a truck, but decides to relent out of respect for Stadt. However, after Chapman rams Shelley's car through the barn door, Shelley shoots and kills him. Harper sets the car on fire, and Shelley and the family push it outside to prevent the barn from burning. When one of the children is wounded by Harper's gunfire, Shelley kills Harper and is shot in the leg by Dill. As Dill reloads his gun, Stadt stabs him to death with a pitchfork, then asks God's forgiveness. Later in the hospital, Harry confesses to Linda that he has watched her, and she forgives him. Linda then consoles Boyd about Emily's death, but he sends her away when he starts to cry. Now that his father is a hero, Steve's faith in him is renewed.

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Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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