The Steagle (1971)

R | 90-91 mins | Comedy-drama | September 1971

Full page view
HISTORY

Paul Sylbert's onscreen credit reads: "Written for the screen and directed by." Although the onscreen credits include a 1971 copyright statement for Avco Embassy Pictures Corp., the film was not registered for copyright. Although Gene Milford is listed as the film editor in all of the HR production charts and news items, only Thomas Stanford is listed onscreen.
       The Cuban Missile Crisis, which precipitates much of the action in The Steagle , occurred in 1962 when the Soviet Union, then headed by Premier Nikita Sergeyevich Khrushchev, built secret intermediate-range missile installations in Cuba. Upon learning of the missiles, U.S. President John F. Kennedy announced a naval blockade around Cuba and proclaimed that any missile launched from there would incur immediate retaliation from the United States. Despite growing tensions and the threat of imminent nuclear war, on 28 Oct 1962 Khrushchev agreed to dismantle the installations, and disaster was averted.
       One of "Harold Weiss's" false identities is that of the son of George Guynemer, a French pilot who rose to fame during World War I for his unparalleled fighting record. The Steagle contains many real-life radio and television audio clips, including President Kennedy's initial speech to the nation about the Cuban situation.
       In Jun 1968, HR reported that Binder/Howe Productions had purchased Irvin Faust's novel The Steagle , planning for Steve Binder to direct a film version, executive-produced by Binder, Bones Howe and Harry Colomby. In Mar 1970, a DV news item noted that Avco Embassy was producing The Steagle and would shoot interiors at the Warner Brothers Studio lot. Other contemporary news items list location shooting ... More Less

Paul Sylbert's onscreen credit reads: "Written for the screen and directed by." Although the onscreen credits include a 1971 copyright statement for Avco Embassy Pictures Corp., the film was not registered for copyright. Although Gene Milford is listed as the film editor in all of the HR production charts and news items, only Thomas Stanford is listed onscreen.
       The Cuban Missile Crisis, which precipitates much of the action in The Steagle , occurred in 1962 when the Soviet Union, then headed by Premier Nikita Sergeyevich Khrushchev, built secret intermediate-range missile installations in Cuba. Upon learning of the missiles, U.S. President John F. Kennedy announced a naval blockade around Cuba and proclaimed that any missile launched from there would incur immediate retaliation from the United States. Despite growing tensions and the threat of imminent nuclear war, on 28 Oct 1962 Khrushchev agreed to dismantle the installations, and disaster was averted.
       One of "Harold Weiss's" false identities is that of the son of George Guynemer, a French pilot who rose to fame during World War I for his unparalleled fighting record. The Steagle contains many real-life radio and television audio clips, including President Kennedy's initial speech to the nation about the Cuban situation.
       In Jun 1968, HR reported that Binder/Howe Productions had purchased Irvin Faust's novel The Steagle , planning for Steve Binder to direct a film version, executive-produced by Binder, Bones Howe and Harry Colomby. In Mar 1970, a DV news item noted that Avco Embassy was producing The Steagle and would shoot interiors at the Warner Brothers Studio lot. Other contemporary news items list location shooting sites in Las Vegas, New York City and in Los Angeles, including at the Brown Derby, the Ambassador Hotel and in Hollywood.
       The Steagle was the only American feature directed by Paul Sylbert, a production designer and the twin brother of noted art director Richard Sylbert. According to the HR review, Sylbert worked on the project for three years after acquiring the rights to Faust's book. The film marked the last for Minta Durfee (1889--1975). Married for many years to silent film comedian Roscoe "Fatty" Arbuckle, the actress was a popular comedienne during the 1910s.
       Critics were divided in their response to the film; while LAT called it "a stunning writing and directing feature debut," Var criticized the "confusing and rambling storyline and frequently slow-paced and low-key direction." More Less

BIBLIOGRAPHIC SOURCES
SOURCE
DATE
PAGE
Box Office
4 Oct 1971.
---
Daily Variety
30 Mar 1970.
---
Daily Variety
1 May 1970.
---
Daily Variety
8 May 1970.
---
Daily Variety
15 Sep 1971.
---
Filmfacts
1971
pp. 539-41.
Hollywood Reporter
24 Jun 1968.
---
Hollywood Reporter
22 Apr 1970.
---
Hollywood Reporter
8 May 1970
p. 10.
Hollywood Reporter
26 May 1970.
---
Hollywood Reporter
17 Jul 1970
p. 8.
Hollywood Reporter
15 Sep 1971.
---
Los Angeles Herald Examiner
7 Oct 1971.
---
Los Angeles Times
7 Oct 1971.
---
New York Times
16 Sep 1971
p. 56.
Variety
15 Sep 1971
p. 6.
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION COMPANY
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTORS
Asst dir
Asst dir
2d asst dir
PRODUCERS
Exec prod
WRITER
Wrt for the screen by
PHOTOGRAPHY
Dir of photog
2d asst cam
Lighting gaffer
Key grip
Best boy
Best boy
Elec
Elec
ART DIRECTORS
Art dir
FILM EDITORS
Film ed
Film ed
Asst ed
SET DECORATORS
Set dec
Set dressing
Prop master
Props
Const coord
COSTUMES
Cost des
Men's ward
Women's ward
MUSIC
Mus comp and cond
SOUND
Prod mixer
Sd ed
Boom op
MAKEUP
Makeup supv
Hairdressing by
PRODUCTION MISC
Asst to the prod
Prod mgr
New York prod unit mgr
Scr supv
Prod coord
Prod secy
Prod-dir secy
Auditor
Unit pub
Craft service
Transportation capt
SOURCES
LITERARY
Based on the novel The Steagle by Irvin Faust (New York, 1966).
AUTHOR
SONGS
"It's Been a Long, Long Time," words by Sammy Cahn, music by Jule Styne, performed by Harry James and His Orchestra
"The Wanderer," words and music by E. Meresca, sung by Dion
"Twistin' the Night Away," words and music by Sam Cook.
COMPOSERS
+
DETAILS
Release Date:
September 1971
Production Date:
early May--mid July 1970 at Warner Bros. Studios
Physical Properties:
Sound
Color
Movielab
Duration(in mins):
90-91
MPAA Rating:
R
Country:
United States
Language:
English
SYNOPSIS

On 21 October 1962, literature professor Harold Weiss returns from a convention to his suburban New York home. On the train, he spots an Asian woman who reminds him of a girl he wooed during his time in Iwo Jima during World War II. When a man doing a crossword puzzle wonders about the 1943 merger between the Philadelphia Eagles and Pittsburgh Steelers football teams, Hal informs him in stunning detail about the team, officially called the Philpitt Eagles but popularly labeled the Steagles. At dinner with his wife Rita and their children, Annie and Sammy, Hal mentions, as he customarily does, that one day he might move the family to California. Later, as Rita listens nervously to a television report announcing that President Kennedy will give an emergency broadcast the next day, a fidgety Hal walks outside to pretend he is a famous baseball pitcher. In the morning, Hal teaches a dull class, after which he amuses his friend Max Levine in the cafeteria by flattering the various senior faculty in his constant bid for advancement. Hal then attends a faculty interdisciplinary meeting, where he wanders from discussion group to group, both impressing and annoying the senior staff with his erudite intrusions. He offers a ride home to a Florence Maguire, the wife of a colleague, and on the way they stop to listen to Kennedy’s speech. The radio broadcast, about the impending Cuban Missile Crisis and its accompanying threat of worldwide nuclear war, terrifies Hal and Florence. Upon hearing Kennedy call upon Soviet premier Nikita Khrushchev to abandon his course of world domination, Florence begins sobbing, but when she asks if Hal thinks they will all die, ... +


On 21 October 1962, literature professor Harold Weiss returns from a convention to his suburban New York home. On the train, he spots an Asian woman who reminds him of a girl he wooed during his time in Iwo Jima during World War II. When a man doing a crossword puzzle wonders about the 1943 merger between the Philadelphia Eagles and Pittsburgh Steelers football teams, Hal informs him in stunning detail about the team, officially called the Philpitt Eagles but popularly labeled the Steagles. At dinner with his wife Rita and their children, Annie and Sammy, Hal mentions, as he customarily does, that one day he might move the family to California. Later, as Rita listens nervously to a television report announcing that President Kennedy will give an emergency broadcast the next day, a fidgety Hal walks outside to pretend he is a famous baseball pitcher. In the morning, Hal teaches a dull class, after which he amuses his friend Max Levine in the cafeteria by flattering the various senior faculty in his constant bid for advancement. Hal then attends a faculty interdisciplinary meeting, where he wanders from discussion group to group, both impressing and annoying the senior staff with his erudite intrusions. He offers a ride home to a Florence Maguire, the wife of a colleague, and on the way they stop to listen to Kennedy’s speech. The radio broadcast, about the impending Cuban Missile Crisis and its accompanying threat of worldwide nuclear war, terrifies Hal and Florence. Upon hearing Kennedy call upon Soviet premier Nikita Khrushchev to abandon his course of world domination, Florence begins sobbing, but when she asks if Hal thinks they will all die, he responds, “Who gives a shit?” Shocked at himself, Hal sees a mushroom cloud in his mind, and when Florence laughs, they suddenly kiss, then make love. Afterward, Hal longs to get home, but an ardent Florence feels transported. The following morning, when Hal wakes Rita with a kiss, she hurtles out of bed to make sure her home and family are still intact, after which Hal calms her by feeding her cereal like a child. When he arrives at his office, he finds Florence waiting, impassioned, but he rebuffs her. He begins his next class with a droning lecture, but upon hearing a jet’s sonic boom outside, launches into a diatribe about Willie Mays, then delivers the rest of his speech in Pig Latin, earning the students’ applause. Dr. Worthington Payne hears of the students’ enthusiasm and visits Hal’s office to praise him, but Hal, instead of currying favor with the older professor, calls him a “schmuck” and then runs through the halls jumping with glee. Spontaneously, Hal boards a plane to Chicago, introducing himself as Hal Winters to his amiable seatmate, Marty Panesh. The two men have dinner together, at which Marty breaks down in drunken tears about his miserable family and work life, recalling his German wartime lover. As a television news show announces that the Defense Department plans to sink any ships bringing arms to Cuba, Marty confesses that he sometimes wishes the missiles would destroy them all. Later, Hal calls his ex-lover, Marie Voleska, who welcomes him to her home. On the way there he relives his many trips to her house when he was a young soldier, and upon spotting Marie inside, dances with her as if no time had passed. After they make love, however, she reveals that she is actually Marie’s daughter Louise, who has heard tales of Hal, whom she describes as her mother’s “whole life.” Hal then flies to Las Vegas, and on the flight reassures a frightened reverend, Dr. Ernest Barrow, that the world will not end momentarily. Hal inroduces himself to Ernest as George Guynemer, Jr., son of the famous World War I flying ace. In Vegas, Hal relishes driving down the Strip, then ogles the girls at his hotel pool. When Joan Thompson and Marcy Martin sit with him, he impresses Joan, though Marcy remains indifferent when he claims to be Guynemer, in town to meet with Hollywood executives about a remake of Hell’s Angels . The women agree to join him for dinner, and as he awaits them in the lounge, he spots Ernest, wearing a secular suit and drinking alcohol. Supporting the nervous man’s desire for “one last chance” to try out another lifestyle before the presumed end of the world, Hal invites him along on a night of drunken gambling. Hours later, the foursome park at a construction site outside the city, where a lecherous Ernest chases Joan down one path, while Hal and Marcy saunter down another. Sitting, Hal mentions that he saw the devastation of Hiroshima, while Marcy asks if there is a part for her in his film. When he makes love to her, she demands that he repeat “I, Lawrence of Arabia, am taking you, Marcy.” The next day, on his flight to Los Angeles, Hal claims to Mark Forbes and his seductive wife that he is Robert Hardy, the real-life inspiration for the film character “Andy Hardy.” In Hollywood, he wanders the Walk of Fame, ending up at the Brown Derby restaurant. Upon visiting the men’s room, Hal find Tall Guy McCoy, an old-time Western sidekick who now believes he is Humphrey Bogart, claiming that the Maltese Falcon is under the sink. Hal plays along, to the annoyance of the other men who are trapped in the room by Tall Guy. Together they attack the other men and are thrown out of restaurant. Tall Guy invites Hal into his classic car, and while they are driving down a Beverly Hills street, the old actor seems to hop out of the moving car. Hal is horrified until Tall Guy reappears, revealing that he has been hanging onto underside of the car in a replay of one of his old stunts. They visit his old studio, where a guard plays along with Tall Guy’s fantasy that he is still working. In the dark, they wander the sets, and on a recreated firebombed city street, Hal fantasizes that he is in battle again in Iwo Jima. He and Tall Guy see Nazi soldiers bear down on them and imagine themselves in a full-scale assault, comporting themselves with honor against German, then Japanese, then Colonial-era Indian enemies. In the morning, the police find them sleeping in the car, and inform them that Kennedy has saved the world and the Russians have pulled out of Cuba. Hal heads home, and on the train uses his real name when he meets fellow traveler Matt Mahew. Upon discussing the Cuban crises, Matt states that a better outcome would have been a war that led eventually to peace. When Hal questions him about casualties, Matt responds that death is natural, and if it had not existed, some American businessman would have invented and sold it. As the train passes through the Bronx, Hal recalls all of the women he has been with lately and the identities he has taken on. Finally, he imagines Rita, and when the train stops, he runs through the station in his hurry to reunite with her. +

Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

TOP SEARCHES

CASABLANCA

During World War II, Casablanca, Morocco is a waiting point for throngs of desperate refugees fleeing Nazi-occupied Europe. Exit visas, which are necessary to leave the country, are at ... >>

CITIZEN KANE

Seventy-year-old newspaper tycoon Charles Foster Kane dies in his palatial Florida home, Xanadu, after uttering the single word “Rosebud.” While watching a newsreel summarizing the years during which Kane ... >>

REAR WINDOW

Laid up with a broken leg during the height of summer, renowned New York magazine photographer L. B. “Jeff” Jeffries enters his last week of home confinement, bored and ... >>

RAGING BULL

In 1941, at a boxing match in Cleveland, Ohio, pandemonium breaks out when Jake La Motta, an up-and-coming young boxer, loses a decision to Jimmy Reeves, suffering his first ... >>

CITY LIGHTS

At an outdoor dedication ceremony, a tramp is discovered sleeping in the arms of a statue as it is being unveiled before a crowd. He is chased into ... >>

The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.