Cops and Robbers (1973)

PG | 86 or 88-89 mins | Comedy-drama | August 1973

Director:

Aram Avakian

Producer:

Elliott Kastner

Cinematographer:

Bill Steiner

Editor:

Barry Malkin

Production Designer:

Gene Rudolf

Production Company:

The EK Corp.
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HISTORY

The opening and closing credit sequences are presented without dialogue. In the opening, Joe Bologna as "Joe" is shown robbing a liquor store, and in the end "Patsy O'Neill's" funeral occurs. Some of the onscreen credits were illegible in the print viewed. Although Joe Spinell’s onscreen credit reads “And introducing,” he had earlier appeared in a small role in The Godfather (1972, see below). The pressbook stated that the film was based on a novel by Donald E. Westlake, but the novel, which was published in 1972 just before the film's release, was actually based on Westlake's original screenplay.
       As noted in the onscreen credits, the film was shot entirely on location in New York. Press materials include such New York City locations as Central Park and Little Italy, and Douglaston, Long Island. The Box review noted that then-Mayor John Lindsay and the astronauts from the Apollo 11 space shuttle are seen during the parade scene.
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The opening and closing credit sequences are presented without dialogue. In the opening, Joe Bologna as "Joe" is shown robbing a liquor store, and in the end "Patsy O'Neill's" funeral occurs. Some of the onscreen credits were illegible in the print viewed. Although Joe Spinell’s onscreen credit reads “And introducing,” he had earlier appeared in a small role in The Godfather (1972, see below). The pressbook stated that the film was based on a novel by Donald E. Westlake, but the novel, which was published in 1972 just before the film's release, was actually based on Westlake's original screenplay.
       As noted in the onscreen credits, the film was shot entirely on location in New York. Press materials include such New York City locations as Central Park and Little Italy, and Douglaston, Long Island. The Box review noted that then-Mayor John Lindsay and the astronauts from the Apollo 11 space shuttle are seen during the parade scene.

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GEOGRAPHIC LOCATIONS
SOURCE CITATIONS
SOURCE
DATE
PAGE
Box Office
10 Sep 1973
p. 4622
Daily Variety
22 Dec 1971
---
Hollywood Reporter
4 May 1972
---
Hollywood Reporter
30 Jun 1972
p. 9
Hollywood Reporter
15 Sep 1972
p. 9
Hollywood Reporter
15 Aug 1973
p. 3, 15
Los Angeles Herald Examiner
7 Nov 1973
---
Los Angeles Herald Examiner
12 Nov 1973
---
Los Angeles Times
8 Oct 1972
---
Los Angeles Times
7 Nov 1973
---
New York Times
16 Aug 1973
p. 40
Newsweek
27 Aug 1973
---
Variety
15 Aug 1973
p. 12
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTORS
Asst dir
Asst dir
PRODUCERS
Assoc prod
WRITER
PHOTOGRAPHY
Dir of photog
Asst cam
Jim Contner
Asst cam
Still photog
Gaffer
Key grip
Ed Knott
Grip
Grip
ART DIRECTOR
Art dir
FILM EDITORS
Asst ed
SET DECORATORS
Scenic artist
Set dresser
Props
Props
COSTUMES
Cost des
Ward supv
MUSIC
Mus comp and cond
Mus eng
Mus ed
Mus supv
VISUAL EFFECTS
Opticals by
MAKEUP
Makeup artist
PRODUCTION MISC
Prod office coord
Prod asst
Prod asst
Crew coord
Handyman
Scr supv
Casting
Tech adv
Unit pub
Transportation capt
SOURCES
SONGS
"It's a World of Cops and Robbers," words by Jacques Wilson, music by Michel Legrand, sung by Candy Tate; "Sleep, Dream a Dream," words by Chilton Ryan and Buddy Butler, music by Michel Legrand.
PERFORMED BY
SONGWRITERS/COMPOSERS
+ −
DETAILS
Release Date:
August 1973
Premiere Information:
New York opening: 15 Aug 1973
Production Date:
late Jun--mid Sep 1972 in New York City
Copyright Info
Claimant
Date
Copyright Number
United Artists Corp.
7 August 1973
LP42751
Physical Properties:
Sound
Color
DeLuxe
Duration(in mins):
86 or 88-89
MPAA Rating:
PG
Country:
United States
Language:
English
SYNOPSIS

Joe, a high-strung, hard-working New York City policeman, finally becomes so frustrated with his demanding and unrewarding job that he robs a liquor store. Afterward, amazed at how simple and satisfying the robbery felt, he confesses to his best friend, police detective Tom. Tom later hosts a party in his suburban backyard, during which a friend who has quit the police force extols the virtues of corporate life and despairs the corruption of the police, prompting Joe to snap defensively that cops like Tom and him are principled, although they could get away with almost anything they desired. Soon after, Joe arrests a woman who stabbed her boyfriend. Upon discovering that she was acting out of fury after catching the man raping her daughter, and knowing the woman will face jail time, Joe is further demoralized. Meanwhile, Tom faces the same disheartenment as he investigates the robbery of a dismissive woman so wealthy that she will barely notice the loss of the stolen goods. One night, Tom suggests that the two abandon their principles and steal something big, worth a million dollars apiece. Over the next few weeks the two discuss possible scenarios, and Tom, the smarter of the pair, concocts a scheme to approach Mafia fence Patsy O’Neill. Disguised, he visits Patsy in the mobster’s home bowling alley and offers to steal anything Patsy wants for $2 million. Patsy, who trusts Tom simply because he is so brash and his idea so straightforward, asks for securities, or treasurer’s bonds. If Tom can steal $10 million worth, Patsy will pay twenty percent. The mobster offers a phone number and code to get in touch with him, then ...

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Joe, a high-strung, hard-working New York City policeman, finally becomes so frustrated with his demanding and unrewarding job that he robs a liquor store. Afterward, amazed at how simple and satisfying the robbery felt, he confesses to his best friend, police detective Tom. Tom later hosts a party in his suburban backyard, during which a friend who has quit the police force extols the virtues of corporate life and despairs the corruption of the police, prompting Joe to snap defensively that cops like Tom and him are principled, although they could get away with almost anything they desired. Soon after, Joe arrests a woman who stabbed her boyfriend. Upon discovering that she was acting out of fury after catching the man raping her daughter, and knowing the woman will face jail time, Joe is further demoralized. Meanwhile, Tom faces the same disheartenment as he investigates the robbery of a dismissive woman so wealthy that she will barely notice the loss of the stolen goods. One night, Tom suggests that the two abandon their principles and steal something big, worth a million dollars apiece. Over the next few weeks the two discuss possible scenarios, and Tom, the smarter of the pair, concocts a scheme to approach Mafia fence Patsy O’Neill. Disguised, he visits Patsy in the mobster’s home bowling alley and offers to steal anything Patsy wants for $2 million. Patsy, who trusts Tom simply because he is so brash and his idea so straightforward, asks for securities, or treasurer’s bonds. If Tom can steal $10 million worth, Patsy will pay twenty percent. The mobster offers a phone number and code to get in touch with him, then has Tom ushered out and instructs his men to track and identify him. Although two thugs follow Tom into the subway, Joe, in uniform, blocks off the escalator and Tom escapes. Over the following weeks, Tom researches bonds at the American Stock Exchange, then targets a particular Wall Street securities firm to rob. At the same time, Joe is involved in a street shootout in which his partner, Paul Jones, is shot in the leg. Fearful for his own life, Joe tells Tom he wants only to have enough money to move to Saskatchewan and buy a farm. Another night, Joe is again shot at and grows more frustrated when he has to protect his new, inexperienced partner. Tom studies the Wall Street firm’s security system, then announces to Joe that they will carry out the robbery during the upcoming parade welcoming home the astronauts of a recent space trip, at which there will be 150,000 people and hundreds of policemen. On the day of the parade, Tom and Joe, in uniform and wearing fake mustaches, stride into the building and inform the security guard that they must investigate a complaint about items being thrown out the window onto the heads of the parade-goers. Unable to get through the secure doors without an escort, they await senior partner Eastpoole, who reluctantly agrees to bring them in. Having thoroughly investigated the security cameras, Tom has deduced which corridor is out of camera range, and once there, they inform Eastpoole that he is being robbed. The executive coolly instructs his secretary, Ms. Wells, to take Tom to the vault. While a tense Joe watches Tom and Ms. Wells’s progress on a monitor in Eastpoole’s office, the secretary fills Tom’s satchel with securities. Just then, however, two policemen enter and inform the security guard that a messenger has been shot in the building, necessitating a search of everyone inside. Joe aims a gun at Eastpoole and instructs him to allow the search everywhere but his own office. As Tom travels the hallways, he is forced to hide each time a policeman appears, and as a result his return to Eastpoole’s office is so slow that Joe, panicked, is about to shoot the executive. Tom finally appears, however, and after handcuffing Ms. Wells and Eastpoole together, quickly resolves to shred the bonds in order to avoid being searched and arrested by the police. Although Joe is at first horrified, Tom explains that they are “stealing headlines,” not bonds, needing only for O’Neill to believe they stole the bonds. Happily, Joe joins Tom in throwing the shreds out the window, where it mingles with the parade’s confetti. Soon after, Tom hears on the radio that Eastpoole declared they stole $12 million, and realizes that the executive took the other $2 million for himself. Meanwhile, Patsy hears about the robbery and approaches his superior, Mr. Joe, for a loan, explaining that he plans to kill Tom and Joe. Tom is initially afraid to call Patsy, but Joe counsels him that they must go forward, despite the risks. They arrange for the money to be dropped off in Central Park, and upon meeting Patsy’s thugs there, count at least ten men. Tom insists on checking out the baskets of money brought by the thugs, and although the first contains false bundles of cash, the second contains the full amount. Returning to the police car manned by Joe, Tom and Joe consult nervously, while outside the park Patsy continues to try, and fail, to confirm Tom’s and Joe’s true identities. Meanwhile, the police arrive and block off the park exits. Tom calls the thug with the basket of money into the car to “make the switch,” and as soon as the man sits, Joe drives off. Followed by the thugs, Joe careens through the park, slowed by the roadblocks and a group of irate bicyclists hired by Patsy. At one point, the thug jumps out and Tom and Joe seem trapped, until Joe drives through a barrier into a police parking lot, effectively stymieing everyone in pursuit. By the time the police realize what has happened, Joe and Tom have hopped onto a cross-town bus, where they ride for free after flashing their badges. Later, while Patsy is killed by Mr. Joe, Tom and Joe, having decided to lay low for one year, spend the rest of the summer floating in the pool, dreaming of the day they can break free.

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Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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