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HISTORY

The title, Jimi Hendrix appears in the onscreen credits and in most of the reviews, however, the film is referred to by the alternate title A Film About Jimi Hendrix in the 8 Nov 1973 Rolling Stone review and on the DVD box cover. Producer Joe Boyd explained in the Rolling Stone review that Jimi Hendrix was produced in a “three-way democratic system” by himself, John Head and Gary Weis. Their onscreen credits read: “Assembled by Joe Boyd, producer; John Head, research; Gary Weis, visuals.” Credits include the address of the Hendrix Information Centre, Waverstreet 83 Amsterdam, Holland; acknowledgments to Jim Marshall, Roz Kelly, Baron Wolman, Ellen Bailey, Willis Hogans, Jr., Ed Chalpin and Al Hendrix for still photographs; and to Pacific Title/Cineservice, Inc. for a 35mm film blowup. The fifty people who were interviewed are thanked in the end credits and modern sources reveal that the interviewee listed in onscreen as “H” was Harold Parker.
       The credits also disclose that the sources for the performance footage were: The Monterey International Pop Festival, June 1967; Beat Club, taped in London, March 1967; The Woodstock Festival, August 1969; Fillmore East, December 31, 1969; Berkeley, May 30, 1970 and The Isle of Wight Festival, August 1970. Acknowledgments for Dick Cavett Show footage is given to Daphne Productions and ABC-TV. The song listed as “Rock Me” in the credits is referred to by modern sources and on the soundtrack album as “Rock Me, Baby.”
       The production materials reveal that the genesis of the project was a short ...

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The title, Jimi Hendrix appears in the onscreen credits and in most of the reviews, however, the film is referred to by the alternate title A Film About Jimi Hendrix in the 8 Nov 1973 Rolling Stone review and on the DVD box cover. Producer Joe Boyd explained in the Rolling Stone review that Jimi Hendrix was produced in a “three-way democratic system” by himself, John Head and Gary Weis. Their onscreen credits read: “Assembled by Joe Boyd, producer; John Head, research; Gary Weis, visuals.” Credits include the address of the Hendrix Information Centre, Waverstreet 83 Amsterdam, Holland; acknowledgments to Jim Marshall, Roz Kelly, Baron Wolman, Ellen Bailey, Willis Hogans, Jr., Ed Chalpin and Al Hendrix for still photographs; and to Pacific Title/Cineservice, Inc. for a 35mm film blowup. The fifty people who were interviewed are thanked in the end credits and modern sources reveal that the interviewee listed in onscreen as “H” was Harold Parker.
       The credits also disclose that the sources for the performance footage were: The Monterey International Pop Festival, June 1967; Beat Club, taped in London, March 1967; The Woodstock Festival, August 1969; Fillmore East, December 31, 1969; Berkeley, May 30, 1970 and The Isle of Wight Festival, August 1970. Acknowledgments for Dick Cavett Show footage is given to Daphne Productions and ABC-TV. The song listed as “Rock Me” in the credits is referred to by modern sources and on the soundtrack album as “Rock Me, Baby.”
       The production materials reveal that the genesis of the project was a short film called “Experience,” which Boyd helped to distribute. When he became director of musical services at Warner Bros., he grew interested in producing a full-length film about Hendrix. Twenty interviews are included in the film. According to production materials, notably missing are Hendrix’s original English manager, Chas Chandler, who was not available; Hendrix’ last manager, Michael Jeffery, who kept postponing his interview; and Hendrix’s bassist, Noel Redding, who refused to be interviewed. The guests who shared the panel with Hendrix on The Dick Cavett Show were opera star Beverly Sills and two unidentified men.
       Each of the songs in the film are performed in their entirety, and production materials disclose that only two had appeared previously, in the feature films Monterey Pop (1969, see below) and Woodstock (1970, see below). A soundtrack album produced by Boyd and released on Reprise Records in Jul 1973 included all of the music in the film and highlights from the interviews. The 8 Nov 1973 Rolling Stone article reported that Warner Bros. was at first reluctant to produce the project because no rock film had been profitable since the release of Woodstock. However, Jimi Hendrix set a house record of $46,000 during its first two weeks of business when it opened at the UA Westwood theater in Los Angeles.

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SOURCE CITATIONS
SOURCE
DATE
PAGE
Box Office
1 Oct 1973
---
Daily Variety
26 Sep 1973
---
Hollywood Reporter
26 Sep 1973
p. 3
Los Angeles Herald Examiner
28 Sep 1973
---
Los Angeles Times
27 Sep 1973
---
Motion Picture Herald Product Digest
3 Oct 1973
---
New York Times
22 Dec 1973
p. 11
Rolling Stone
8 Nov 1973
p. 12, 18
The Times (London)
15 Jun 1973
---
Variety
3 Oct 1973
p. 14
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
NAME
CREDITED AS
CREDIT
PRODUCERS
Assembled by, prod
Assembled by, research
Assembled by, visuals
Assoc prod
PHOTOGRAPHY
Interviews filmed by
FILM EDITORS
Film ed
Asst ed
VISUAL EFFECTS
Title des
PRODUCTION MISC
Addl research by
Addl research by
Addl research by
Addl research by
Addl research by
Addl research by
Prod services provided by
SOURCES
SONGS
“Hey, Joe,” music and lyrics by Billy Roberts; “Like a Rolling Stone,” music and lyrics by Bob Dylan; “Wild Thing,” music and lyrics by Chip Taylor; “Johnny B. Goode,” music and lyrics by Chuck Berry; “The Star-Spangled Banner,” music by John Stafford Smith, lyrics by Francis Scott Key; “Rock Me,” music and lyrics by B. B. King and Joe Josea; “In from the Storm,” “Machine Gun,” “Red House,” “Purple Haze” and “Hear My Train A’Comin’,” music and lyrics by Jimi Hendrix and performed by Jimi Hendrix.
SONGWRITERS/COMPOSERS
+
DETAILS
Alternate Title:
A Film About Jimi Hendrix
Release Date:
October 1973
Premiere Information:
London opening: week of 15 Jun 1973; Los Angeles opening: 28 Sep 1973
Production Date:
began Mar 1972
Copyright Info
Claimant
Date
Copyright Number
Warner Bros., Inc.
14 June 1973
MP28278
Physical Properties:
Sound
Color
Technicolor; with b&w seq
Duration(in mins):
102
MPAA Rating:
R
Country:
United States
Language:
English
PCA No:
23656
SYNOPSIS

This documentary about the life and career of legendary 1960s rock and roll star Jimi Hendrix consists of concert and interview footage. Hendrix’s virtuoso guitar work and flamboyant style, including playing the guitar with his teeth and setting it on fire, are demonstrated in performances at the Monterey Pop Festival in 1967, the Marquee Club in 1967, the Woodstock festival in 1969, the Fillmore East club in 1969 and the Isle of Wight Festival in 1970. A Dick Cavett Show interview with the soft-spoken artist, taped shortly after his unorthodox rendition of “The Star-Spangled Banner” at Woodstock, is featured throughout the film, and other footage of Hendrix discussing his music and career is included. Hendrix’s father, army friends and his first girl friend recall his love of music, his early struggle for recognition and how success affected him personally. Seattle-born Hendrix’s first acceptance in Britain, which grew into worldwide acclaim, and his influence on rock music are discussed by other famed musicians of the era. Highlights include: Little Richard recalling Hendrix as his young back-up guitarist; Pete Townsend of The Who, comparing the similarity of The Who’s destructive stage act to Hendrix’s; Eric Clapton expressing admiration for and some jealously of Hendrix’s guitar-playing skills; and reminiscences of Mick Jagger and one of Hendrix’s band members, Mitch Mitchell. Old friends and those who knew him at the height of his success discuss the pressures of his fame and ponder his untimely death at age twenty-seven on 18 Sep 1970 in London, England. The film ends with written commentary about Hendrix’s death from barbiturate intoxication, relaying the coroner’s conclusion that he did not ...

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This documentary about the life and career of legendary 1960s rock and roll star Jimi Hendrix consists of concert and interview footage. Hendrix’s virtuoso guitar work and flamboyant style, including playing the guitar with his teeth and setting it on fire, are demonstrated in performances at the Monterey Pop Festival in 1967, the Marquee Club in 1967, the Woodstock festival in 1969, the Fillmore East club in 1969 and the Isle of Wight Festival in 1970. A Dick Cavett Show interview with the soft-spoken artist, taped shortly after his unorthodox rendition of “The Star-Spangled Banner” at Woodstock, is featured throughout the film, and other footage of Hendrix discussing his music and career is included. Hendrix’s father, army friends and his first girl friend recall his love of music, his early struggle for recognition and how success affected him personally. Seattle-born Hendrix’s first acceptance in Britain, which grew into worldwide acclaim, and his influence on rock music are discussed by other famed musicians of the era. Highlights include: Little Richard recalling Hendrix as his young back-up guitarist; Pete Townsend of The Who, comparing the similarity of The Who’s destructive stage act to Hendrix’s; Eric Clapton expressing admiration for and some jealously of Hendrix’s guitar-playing skills; and reminiscences of Mick Jagger and one of Hendrix’s band members, Mitch Mitchell. Old friends and those who knew him at the height of his success discuss the pressures of his fame and ponder his untimely death at age twenty-seven on 18 Sep 1970 in London, England. The film ends with written commentary about Hendrix’s death from barbiturate intoxication, relaying the coroner’s conclusion that he did not commit suicide, and a specialist’s denial that Hendrix had been addicted to heroin.

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Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.