Hell Up in Harlem (1973)

R | 96-97 mins | Drama | December 1973

Director:

Larry Cohen

Writer:

Larry Cohen

Producer:

Larry Cohen

Cinematographer:

Fenton Hamilton

Production Designer:

Larry Lurin

Production Company:

Larco Productions, Inc.
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HISTORY

The opening title cards read: "Samuel Z. Arkoff presents Fred Williamson as Black Caesar in Hell Up in Harlem." In the end credits, Williamson's character name is listed as "Tommy Gibbs." In the opening credits, Gloria Hendry’s character is listed as “Gloria,” but in the end credits she is called “Gloria Bradley.” Larry Cohen’s onscreen credit reads: “Written, produced and directed by.” An ending credit notes that the film’s soundtrack album was available on Motown records and tapes, and an acknowledgment from the producers thanks several organizations and individuals, including Harlem Hospital, Carmine’s Restaurant “and the citizens of Harlem, New York.” At the end of the film, before the credits roll, a written statement reveals that Tommy and his son vanished, and that although authorities continued to search for them, they were never found. During the picture, frequent voice-over narration by Williamson describes the action and Tommy's feelings and motives.
       Hell Up in Harlem was a sequel to the earlier 1973 American International Pictures release Black Caesar (see above). In addition to Williamson, cast members Julius W. Harris, Gloria Hendry and D'Urville Martin reprised their roles from the earlier film. Footage from Black Caesar was shown at the begging of Hell Up in Harlem. However, while in Black Caesar, it is clear that Tommy dies after being mortally wounded, in Hell UP in Harlem, Tommy survives his wounds. William Wellman, Jr., who is thanked in the end credits of Hell Up in Harlem, is seen very briefly in the footage taken from Black ...

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The opening title cards read: "Samuel Z. Arkoff presents Fred Williamson as Black Caesar in Hell Up in Harlem." In the end credits, Williamson's character name is listed as "Tommy Gibbs." In the opening credits, Gloria Hendry’s character is listed as “Gloria,” but in the end credits she is called “Gloria Bradley.” Larry Cohen’s onscreen credit reads: “Written, produced and directed by.” An ending credit notes that the film’s soundtrack album was available on Motown records and tapes, and an acknowledgment from the producers thanks several organizations and individuals, including Harlem Hospital, Carmine’s Restaurant “and the citizens of Harlem, New York.” At the end of the film, before the credits roll, a written statement reveals that Tommy and his son vanished, and that although authorities continued to search for them, they were never found. During the picture, frequent voice-over narration by Williamson describes the action and Tommy's feelings and motives.
       Hell Up in Harlem was a sequel to the earlier 1973 American International Pictures release Black Caesar (see above). In addition to Williamson, cast members Julius W. Harris, Gloria Hendry and D'Urville Martin reprised their roles from the earlier film. Footage from Black Caesar was shown at the begging of Hell Up in Harlem. However, while in Black Caesar, it is clear that Tommy dies after being mortally wounded, in Hell UP in Harlem, Tommy survives his wounds. William Wellman, Jr., who is thanked in the end credits of Hell Up in Harlem, is seen very briefly in the footage taken from Black Caesar, when a wounded Tommy recovers the ledgers that were stolen from him. The footage from Black Caesar is slightly re-edited and includes additional footage to introduce the new characters and establish that Tommy is rescued by his father.
       According to contemporary sources, the picture was shot on location in New York City, primarily in the Harlem area, and Los Angeles. Modern sources include Al Kirk in the cast. A modern source reports that the film was originally to be scored by James Brown, who wrote the score for Black Caesar, but the songs written by Brown instead appeared on his album The Payback.
       As noted by the Var review, the ending of Hell Up in Harlem leaves open the possibility of a sequel. According to modern sources, although a sequel was considered, Hell Up in Harlem’s poor reviews and mediocre box-office grosses prompted the filmmakers to drop the idea. In 1975, Black Caesar and Hell Up in Harlem were re-released in Chicago as a “continuous three-hour film” entitled Godfather of Harlem, according to a 5 May 1975 Box news item, with plans for the Chicago engagement to be followed “by a massive nationwide saturation booking of the combined films.”

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GEOGRAPHIC LOCATIONS
SOURCE CITATIONS
SOURCE
DATE
PAGE
Box Office
19 Nov 1973
---
Box Office
21 Jan 1974
p. 4657
Box Office
25 Nov 1974
---
Box Office
5 May 1975
---
Daily Variety
24 Dec 1973
p. 3, 7
Hollywood Reporter
26 Dec 1973
---
Los Angeles Herald Examiner
25 Jan 1974
---
Los Angeles Times
25 Jan 1974
Section IV, p. 20
New York Times
24 Dec 1973
p. 21
Variety
2 Jan 1974
p. 6
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION COMPANY
PRODUCTION TEXT
A Larry Cohen Film
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTOR
PRODUCERS
Exec prod
Co-prod
Assoc prod
WRITER
PHOTOGRAPHY
Key grip
ART DIRECTOR
Prod des
FILM EDITORS
Negative cutting
COSTUMES
Clothes courtesy
MUSIC
Mus comp, cond, arr and prod
Mus comp, cond, arr and prod
Mus consultant
VISUAL EFFECTS
Opticals and titles by
PRODUCTION MISC
Exec consultant
Exec consultant
New York prod supv
Prod asst
Prod asst
Prod asst
Casting
Unit pub
Office mgr
Loc adv
SOURCES
MUSIC
"Runnin'" by Freddie Perren and Fonce Mizell.
SONGS
"Ain't It Hell up in Harlem?" "Easin' In," "Big Papa," "Love Never Dies (Helen's Love Theme)," "Don't It Feel Good to Be Free," "Jennifer's Love Theme," "Mama Should Be Here Too" and "Like We Used to Do," music and lyrics by Freddie Perren and Fonce Mizell, performed by Edwin Starr, courtesy of Motown Records Corp.
PERFORMED BY
SONGWRITER/COMPOSER
DETAILS
Alternate Title:
Godfather of Harlem
Release Date:
December 1973
Production Date:

Copyright Info
Claimant
Date
Copyright Number
American International Pictures, Inc.
21 December 1973
LP43346
Physical Properties:
Sound
Color
Movie Lab
Widescreen/ratio
Filmed with Panavision equipment
Duration(in mins):
96-97
MPAA Rating:
R
Country:
United States
Language:
English
SYNOPSIS

In New York City, unscrupulous District Attorney James DiAngelo arranges for the murder of African-American mob boss Tommy Gibbs, who controls a large portion of Harlem. Tommy had possession of ledgers detailing payoffs to corrupt politicians and policemen, but, by coercing his former girl friend, Helen Bradley, into helping them, Tommy’s enemies have succeeded in stealing the ledgers. Tommy is shot by one of DiAngelo’s thugs as he is leaving Tiffany’s, but Tommy fights off his pursuers, retrieves the ledgers and phones his estranged father, Thomas Gibbs, Sr. Telling his father not to let him down, as he has done in the past, Tommy asks to meet him where he grew up. At a block of ruined tenement-houses in Harlem, Papa Gibbs finds Tommy, then helps him to a nearby park, where he buries the ledgers. After Papa alerts Tommy’s men, the wounded racketeer is rushed to Harlem Hospital, where the armed gunmen force a surgeon to treat him. On Tommy’s orders, Papa calls DiAngelo, warning him that Tommy has retrieved the ledgers and wants safe passage from the hospital. DiAngelo reluctantly orders the police to comply, although after Tommy is safe, Papa is kidnapped by DiAngelo and two of his hoods, who threaten to throw him off a high building. After DiAngelo leaves, Papa wrangles a gun from one man and shoots both of them. He is then taken by Zacharias, Tommy’s ambitious “enforcer,” to Tommy’s hideout. Although Papa is horrified at what he has done, Tommy congratulates him by promising to make him his partner while he rebuilds his empire. To take revenge against Helen, who ...

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In New York City, unscrupulous District Attorney James DiAngelo arranges for the murder of African-American mob boss Tommy Gibbs, who controls a large portion of Harlem. Tommy had possession of ledgers detailing payoffs to corrupt politicians and policemen, but, by coercing his former girl friend, Helen Bradley, into helping them, Tommy’s enemies have succeeded in stealing the ledgers. Tommy is shot by one of DiAngelo’s thugs as he is leaving Tiffany’s, but Tommy fights off his pursuers, retrieves the ledgers and phones his estranged father, Thomas Gibbs, Sr. Telling his father not to let him down, as he has done in the past, Tommy asks to meet him where he grew up. At a block of ruined tenement-houses in Harlem, Papa Gibbs finds Tommy, then helps him to a nearby park, where he buries the ledgers. After Papa alerts Tommy’s men, the wounded racketeer is rushed to Harlem Hospital, where the armed gunmen force a surgeon to treat him. On Tommy’s orders, Papa calls DiAngelo, warning him that Tommy has retrieved the ledgers and wants safe passage from the hospital. DiAngelo reluctantly orders the police to comply, although after Tommy is safe, Papa is kidnapped by DiAngelo and two of his hoods, who threaten to throw him off a high building. After DiAngelo leaves, Papa wrangles a gun from one man and shoots both of them. He is then taken by Zacharias, Tommy’s ambitious “enforcer,” to Tommy’s hideout. Although Papa is horrified at what he has done, Tommy congratulates him by promising to make him his partner while he rebuilds his empire. To take revenge against Helen, who had left him in order to marry his best friend, now deceased, Tommy has Papa abduct her two young children, whom he intends to rear as his own. After killing the informant who identified him in front of Tiffany’s and also “drying up” a heroin connection that is a main source of revenue for the white mob and DiAngelo’s corrupt network, Tommy leaves Papa in charge while he and his men travel to an island off the Florida Keys, at which many of the crime syndicate heads are vacationing. After snorkeling to the beach, the men storm the area, aided by two African-American maids who work there. Following a gun battle, Tommy forces the survivors to order the law enforcement officials on their payroll to arrange for him and Papa to be exonerated of any criminal charges. Soon after, a grand jury finds the Gibbses innocent and opens an investigation into an alleged police conspiracy against them. DiAngelo is infuriated by Tommy’s tactics, but Tommy warns that if he does not get what he wants, he will declare war, killing every top-level official. Tommy’s gang then targets drug pushers in Harlem, assassinating numerous dealers in order to rid the area of drugs and impinge further on DiAngelo’s crooked profits. Meanwhile, Reverend Rufus Fairchild, a onetime criminal turned legitimate preacher, rails against Tommy’s reign of violence, even though he and Tommy were childhood friends. When Tommy confronts Rufus, Rufus asserts that he will continue speaking out until Tommy is deposed. An irate Tommy proclaims that Rufus should instead attack the “white bosses” who sell heroin to neighborhood children, but Rufus retorts that Tommy’s only motive is to make money. Later, Helen hounds her way into Tommy’s lair, begging to see her children. Although Helen protests that Tommy will have to kill her to keep her away, Tommy snarls that she will be the “safest woman in New York” in order to prolong her suffering and, while forbidding Papa from harming her, orders him to make sure she never returns. Tommy visits Rufus soon after to apologize for his earlier treatment of him, but the dubious Rufus rejects his check for $5,000. The money is accepted, however, by one of Rufus’ most devout parishioners, Sister Jennifer, who sees through Tommy’s bravado and declares him a sad, lonely man. Tommy is attracted to the kind, straight-talking Jennifer and begins dating her. As time passes, Helen’s children grow and come to think of Tommy and Jennifer as their parents. Late one night, Helen, who has become a streetwalker, is brutally strangled by Zach, who has plotted with DiAngelo to take over Tommy’s territory by dividing the Gibbs men. DiAngelo informs Tommy of Helen’s death, telling him that the evidence points to his father, and Tommy, knowing of Papa’s animosity toward Helen, believes the lie, despite Papa’s protestations of innocence. Eager to leave New York and assuming that he will be punishing Papa by making him run the dangerous area on his own, Tommy leaves with the children and Jennifer, whom he marries in Los Angeles. After Tommy’s departure, a gang war breaks out, with many men being murdered. In Los Angeles, Tommy assures Jennifer that he has become a legitimate businessman, although she worries about his father’s bloodshed and racketeering. As they argue, Jennifer runs upstairs, where she is attacked by a hiding assassin. Tommy prevails against the hired killers sent by Zach, then comforts the terrorized Jennifer. In New York, Papa meets with Zach to negotiate a peace, but the meeting degenerates into a fistfight, with Zach pummeling the older man until he dies from a heart attack. Rufus, who has reconciled with Tommy, warns him not to return to New York, but Tommy sneaks into the city and goes on a killing spree, targeting leading members of the underworld. Worried, DiAngelo and Zach contemplate their next move and, aware that Jennifer has left Tommy and taken their daughter, decide to kidnap his son, Jason. Meanwhile, Tommy uncovers the ledgers and sends them to a senatorial investigation committee before continuing his vendetta. After Zach eludes him, Tommy follows him to the airport, where he just misses the Los Angeles-bound plane Zach has boarded. Racing across the parking lot to another terminal, Tommy catches a different plane for Los Angeles, and at the airport there, kills Zach. Upon returning home, Tommy learns from Rufus that Jason has been taken by DiAngelo. Rufus wants to call the police and decries Tommy’s incessant need for revenge, but Tommy promises that he will give DiAngelo whatever he wants for Jason’s safe return. At the rendezvous point, two hoodlums sneer at Tommy’s request to see his son and are about to gun him down when Rufus suddenly appears and shoots one of them. Stating that he could not let Tommy get killed, Rufus vows to keep trying to save his soul. After torturing the other thug, they learn that DiAngelo is holding Jason at a remote mission. In the wooded area, Tommy searches for his son until DiAngelo surprises him and shoots, killing Rufus. Tommy succeeds in disarming DiAngelo and, after a fistfight, hangs him to death with his necktie. Embracing his son, Tommy declares that they are going away to start a new life, and that he will love him just like he loved his father.

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Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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