Ratatouille (2007)

G | 110-111 mins | Comedy-drama | 29 June 2007

THIS TITLE IS OUTSIDE THE AFI CATALOG OF FEATURE FILMS (1893-1993)
You may also like these titles from the AFI Catalog of Feature Films, the most authoritative documentation of the First 100 Years of American filmmaking.

Director:

Brad Bird

Producer:

Brad Lewis

Editor:

Darren Holmes

Production Designer:

Harley Jessup

Production Companies:

Pixar Animation Studios, Walt Disney Pictures
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HISTORY

A note in the closing credits reads: "In loving memory of Dan Lee 1969—2005.” Lee was a longtime Pixar animator who died of cancer during the production of Ratatouille . The credits include a "quality assurance guarantee" that no motion capture shortcuts were used in the production of the film. A lengthy list of thank-yous and names of babies born during the production, a common Pixar practice, are included at the end of the closing credits, including the statement "...and a special Ratatouille thank you to Steve Jobs." In addition, the credits list soundtrack and video game information.
       The story begins with a portion of a television program on the life of famed French chef “Auguste Gusteau,” with an unseen narrator explaining how he won and lost fame. The sequence is followed by the film’s title, which is the only credit to run before the main action begins. After the title, “Remy” is seen bursting through the farmhouse window. The shot ends in a freeze-frame with Remy’s voiceover proclamation: “This is me.” Most of the rest of the story consists of a flashback told by Remy to his friends at his restaurant, La Ratatouille. Patton Oswalt, as Remy, narrates in voice-over at the beginning and end of the story, and sporadically within the film. Only during the final scene is it made clear that Remy has been relating the story to his friends. Several times during the film, Remy’s love of food is depicted by a black screen with vivid swirls and explosions, equating a flavor with a mini-fireworks display.
       The end credits play over a sequence featuring animated rats. Unlike the film’s computer-animated, three-dimensional ... More Less

A note in the closing credits reads: "In loving memory of Dan Lee 1969—2005.” Lee was a longtime Pixar animator who died of cancer during the production of Ratatouille . The credits include a "quality assurance guarantee" that no motion capture shortcuts were used in the production of the film. A lengthy list of thank-yous and names of babies born during the production, a common Pixar practice, are included at the end of the closing credits, including the statement "...and a special Ratatouille thank you to Steve Jobs." In addition, the credits list soundtrack and video game information.
       The story begins with a portion of a television program on the life of famed French chef “Auguste Gusteau,” with an unseen narrator explaining how he won and lost fame. The sequence is followed by the film’s title, which is the only credit to run before the main action begins. After the title, “Remy” is seen bursting through the farmhouse window. The shot ends in a freeze-frame with Remy’s voiceover proclamation: “This is me.” Most of the rest of the story consists of a flashback told by Remy to his friends at his restaurant, La Ratatouille. Patton Oswalt, as Remy, narrates in voice-over at the beginning and end of the story, and sporadically within the film. Only during the final scene is it made clear that Remy has been relating the story to his friends. Several times during the film, Remy’s love of food is depicted by a black screen with vivid swirls and explosions, equating a flavor with a mini-fireworks display.
       The end credits play over a sequence featuring animated rats. Unlike the film’s computer-animated, three-dimensional graphics, the end credits feature stylized, two-dimensional animation. The credit sequence was created by Nate Wragg, who was hired, according to an Aug 2007 HR article, after his drawings were discovered by the filmmakers. That article also stated that Pixar chose to make the credits in a conventional, hand-drawn style because the film’s tight production schedule demanded that all computer resources be allocated to the main film.
       As noted in the press kit and contemporary sources, Jan Pinkava invented the film’s premise and worked on the film for three years. A 28 Jun 2007 HR article noted that Ratatouille was to mark the first feature film for Pinkava, a thirteen-year veteran of Pixar. However, Pixar heads John Lasseter, Ed Catmull and Steve Jobs were unsatisfied with the direction of the project. In a Jun 2007 Time article, Lasseter stated that “The leadership and vision in the story [with Pinkava] were not there.” Writer-director Brad Bird, who had directed the 2004 Pixar film The Incredibles (see above), had been involved with initial meetings about Ratatouille , and after contributing several story ideas, was asked to take over the project around Oct 2005. As noted in a Jun 2007 WSJ article, Bird took over direction and rewrote “all but two lines in the dialogue,” prompting Pinkava to leave both the project and the studio. Bird maintained the previous production schedule, giving him a mere eighteen months to finish the film, with the original budget of $100 million.
       A Jun 2007 LAT feature described the ways in which Bird altered the production after signing on. He redesigned the rats so they were more realistic, walking on four legs rather than two and including their natural, long tail. “They were trying to deratify the rats,” Bird stated, but he insisted on making the rodents appealing without erasing their characteristics. While the basic plotline, cast of characters and creative team remained the same, as noted in the Jun 2007 HR article, Bird removed several themes he considered extraneous, including those dealing with prejudice, family, art and criticism. In addition, the new script killed off Gusteau and raised “Colette” to a major character.
       The film’s press kit and contemporary sources point up Ratatouille ’s myriad technical accomplishments. The animated food was created, prepared and styled in a real kitchen, then photographed in order to be created in CGI, or computer-generated imagery. The filmmakers visited French restaurants and used specific references from their kitchens. Gusteau’s dining room was inspired by an amalgam of several famous Parisian restaurants, including Guy Savoy, Taillevent, La Tour d’Argent and Le Train Bleu. In addition, producer Brad Lewis trained under Thomas Keller, chef of the famous Napa Valley restaurant The French Laundry. (Keller also voiced a restaurant customer in the film.) Sets/layouts manager Michael Warch, a former professional chef, acted as culinary consultant, cooking the food and ensuring that the pots, cutlery and presentation were authentic. Bird stated in a Jun 2007 Long Beach Press-Telegram interview that the filmmakers strove to avoid photo-realism, which can be “frightening.”
       To create the most realistic animated rats, the artists brought in dozens of cages of rodents to observe and photograph their behavior. As noted in the press kit, because rats are small and flexible, months were spent testing models to create extreme poses that looked both authentic and expressive. The animators focused on 30,000 key hairs per rat, while Remy had over one million hairs. Another important aspect of the production, one commented on in the reviews, was the photography and lighting. Director of Photography/Lighting Sharon Calahan stated in the press materials that she based the film’s color palette on the “silvery and diffused” light of a fall afternoon in France.
       The following information about the film’s casting was gleaned from the press materials: Lou Romano, who voiced “Alfredo Linguini,” had served as a production designer on The Incredibles and had voiced some smaller roles in earlier Pixar productions. After hearing his voice on a temporary track, Bird hired him for the role. Bird wrote the character of “Anton Ego” for British actor Peter O’Toole, with his voice and mannerisms in mind. John Ratzenberger, whose voice has been in every Pixar film since 1995’s Toy Story , was cast as the waiter "Mustafa."
       In Jan 2006, after years of fractious negotiations between the two studios over financial arrangements, Disney announced plans to purchase Pixar. During much of Ratatouille ’s production, however, the purchase had not been completed, so in Feb 2006, as noted by DV , Disney agreed to release the film with Pixar covering all production costs and paying Disney a distribution fee. The deal was described as a “backup” in case the merger fell through. However, the acquisition was completed on 5 May 2006 for a reported $7.4 billion, making Pixar a wholly-owned subsidiary of Disney. As a result of the merger, according to a Jun 2007 LAT article, Disney financed the entire production, which cost more than $200 million, with worldwide marketing expenses. A Jun 2007 Var article stated that the high cost of the merger put more pressure on Ratatouille to perform financially, to “prove the money [for the purchase of Pixar] was well spent.”
       In addition to the financial pressure, the film posed some challenges in terms of marketing. Numerous animated animal films had been released in the few years prior to Ratatouille , creating what some felt was a saturated market. In addition, Bird stated in a Jun/Jul 2007 Entertainment Weekly interview that there was more resistance to the project than the studio expected, with many reacting in disgust to the idea of animated rats. As noted in a Jun 2007 WSJ article, Disney, worried as well about the reaction of viewers to a realistic rat shown cooking food, for the first time held sneak-previews of a Pixar film in more than 800 theaters. The article also stated that the filmmakers considered changing the title, in case it was too hard to pronounce, but instead decided to spell it phonetically in the advertising.
       An Apr 2007 NYT feature added that Disney planned an all-day television advertising campaign and posted on its website a nine-and-a-half-minute teaser from the film. In addition, the trailer played as much as a year before the film’s release, and an elaborate promotional video circulated online during the spring. Although Disney originally planned to promote the film with a line of Ratatouille Chardonnay, according to a Jul 2007 LAT article, Costco Wholesale Corp. pulled out of the deal after receiving criticism from opponents of underage drinking, and from California wineries concerned with the film’s promotion of a French product.
       Despite the challenges, however, Ratatouille proved a huge commercial and critical success. The American premiere was on 29 Jun 2007, with the French premiere the following night. The worldwide box-office gross as of Jan 2008 was $619 million, making it the only G-rated film to place in the top ten moneymakers of 2007. Critics were universally laudatory, as a result of which Ratatouille was ranked the best-reviewed film of the year on metacritic.com, a film review compilation website. The NYT review called the film “a nearly flawless piece of popular art, as well as one of the most persuasive portraits of an artist ever committed to film. It provides the kind of deep, transporting pleasure, at once simple and sophisticated, that movies at their best have always promised.”
       The film received a Golden Globe for Best Animated Feature Film and was nominated for a Best Visual Effects Academy Award and thirteen Annie Awards from the International Animated Film Society, including Best Picture. Composer Michael Giacchino received a Grammy nomination for Best Score Soundtrack Album for a Motion Picture, Television or Other Visual Media. In addition to being named one of AFI’s Movies of the Year, Ratatouille topped numerous film critic associations’ awards and Top Ten lists for 2007. The film won an Academy Award for Best Animated Feature and earned nominations for Best Original Score, Best Sound Editing, Best Sound Mixing and Best Original Screenplay. More Less

BIBLIOGRAPHIC SOURCES
SOURCE
DATE
PAGE
[Long Beach] Press-Telegram
29 Jun 2007.
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Daily Variety
3 Feb 2006.
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Daily Variety
18 Jun 2007
p. 4, 26.
Daily Variety
26 Jun 2007.
---
Daily Variety
2 Jul 2007
p. 1, 14.
Daily Variety
5 Jul 2007.
---
Daily Variety
5 Nov 2007
p. 13.
Entertainment Weekly
29 Jun/6 Jul 2007
p. 20, 113-14.
Hollywood Reporter
13 Mar 2006
p. 3, 30.
Hollywood Reporter
8 Aug 2006.
---
Hollywood Reporter
18 Jun 2007
p. 17, 20.
Hollywood Reporter
28 Jun 2007.
---
Hollywood Reporter
23 Aug 2007.
---
Los Angeles Times
28 Jun 2007.
---
Los Angeles Times
29 Jun 2007.
---
Los Angeles Times
2 Jul 2007.
---
Los Angeles Times
28 Jul 2007.
---
Los Angeles Times
17 Aug 2007.
---
New York Times
24 Apr 2007
Arts, p. 1, 7.
New York Times
29 Jun 2007
Weekend, p. 1, 8.
New York Times
28 Nov 2007.
---
Screen International
2 Nov 2007
p. 19.
Sight & Sound
Oct 2007
p. 66, 68.
Time
18 Jun 2007.
---
Variety
18-24 Jun 2007
p. 7, 54.
Variety
25 Jun 2007
p. 42, 45.
Wall Street Journal
28 Jun 2007
Section B, p. 1, 4.
Wall Street Journal
29 Jun 2007
Section W, p. 1, 6.
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
NAME
CREDITED AS
CREDIT
DIRECTORS
Dir
Co-dir
PRODUCERS
Prod
Exec prod
Exec prod
Assoc prod
WRITERS
Scr
Orig story
Orig story
Orig story
Addl story material by
Addl story material by
Addl story material by
Addl story supv
Addl story supv
PHOTOGRAPHY
Dir of photog/Lighting
Dir of photog/Cam
ART DIRECTORS
Prod des
Art mgr
Development art dir
Environment des
Character des
Character des
Character des
Character des
Character supv
Addl character des
Addl character des
Addl character des
Prod artist
Prod artist
Prod artist
Prod artist
Prod artist
Addl prod artist
Addl prod artist
Graphic des
Graphic des
Sculptor
Matte supv
Matte painter
Matte painter
Matte tech artist
Matte tech artist
Matte tech artist
Addl visual development
Addl visual development
Addl visual development
Graphics translations
Graphics translations
Molds and casting
Art coord
Art prod asst
Art prod asst
Art intern
Art intern
Art intern
Art intern
Art intern
Art intern
Art intern
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Film ed
Editorial mgr
2d film ed
2d film ed
2d film ed
1st asst ed
2d asst ed
2d asst ed
2d asst ed
2d asst ed
2d asst ed
2d asst ed
Addl ed
Editorial coord
Editorial coord
Negative cutting by
SET DECORATORS
Sets art dir
Sets supv
Sets/Layout mgr
Senior cam op
Layout lead
Seq lead
Seq lead
Seq lead
Layout artist
Layout artist
Layout artist
Layout artist
Layout artist
Layout artist
Layout artist
Layout artist
Layout artist
Previsualization
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Layout coord
Layout coord
Set modeling lead
Sets tech lead
Modeling artist
Modeling artist
Modeling artist
Modeling artist
Modeling artist
Modeling artist
Modeling artist
Set dressing lead
Set dressing lead
Set dressing artist
Set dressing artist
Set dressing artist
Addl set artist
Addl set artist
Addl set artist
Sets coord
Sets coord
Sets coord
MUSIC
Mus orch and cond
Mus rec and mixed by
Mus contractor
Supv mus copyist
Addl orch
Harmonica
Accordian
Bass guitar
Drums
Prod mus ed
Asst mus ed
Asst mus ed
MIDI supv and preparation
Score asst
Scoring crew
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Scoring crew
Scoring crew
Exec mus prod
Mus supv
Mus prod dir
Mus bus affairs
Mus prod coord
Mus asst
Mus asst
SOUND
Sd des
Asst sd des
Orig dial mixer
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Addl dial rec
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Re-rec mixer
Re-rec mixer
Supv sd ed
Sd eff ed
Sd eff ed
Addl prod eff ed
Foley ed
Foley ed
ADR ed
Supv asst sd ed
Asst eff ed
Foley artist
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Foley mixer
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Mix tech
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Machine room op
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VISUAL EFFECTS
Supv tech dir
Global technology supv
Prod engineering team lead
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Prod engineering software development
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Prod engineering software development
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Prod engineering software development
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Render pipeline group mgr
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Moving pictures group mgr
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Moving pictures group eng
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Image mastering mgr
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Image mastering coord
Image mastering cam op
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Image mastering science and engineering
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Image mastering science and engineering
Image mastering science and engineering
End titles art and paint lead
End titles des lead
End titles cam/Layout lead
End titles anim
End titles anim
End titles anim
End titles anim
End titles anim
End titles anim
End titles paint
End titles paint
End titles prod management
End titles prod asst
CPUs for final rendering
Rendered with
PRODUCTION MISC
Casting
Casting
Addl prod management
Post prod supv
Post prod supv, Video
Post prod mgr
Post prod coord
Prod accountant
Asst prod accountant
Asst to the dir
Asst to the prods
Prod office mgr
Prod office asst
Prod office asst
Prod office asst
Addl prod support
Addl prod support
Addl prod support
Addl prod support
Addl prod support
Addl prod support
Addl prod support
Addl prod support
Addl prod support
Addl prod support
Addl prod support
Addl prod support
Addl prod support
Post prod asst
Post prod asst
Legal clearance coord
Legal clearance coord
Research services and clearances by
Research services and clearances by
Research services and clearances by
Tech intern
Tech intern
Tech intern
Tech intern
Tech intern
Tech intern
Tech intern
Tech intern
Tech intern
Tech intern
Tech intern
Tech intern
Tech intern
Tech intern
Tech intern
Prod sous chef
Exec chef and ratatouille des
Menu chef and consultant
Paris research coord
Paris research coord
Paris exterminator reference
Tasting des and anim
Dir of editorial & post prod
Projection
Projection
Projection
Editorial services coord
Editorial services team
Editorial services team
Editorial services team
Editorial services team
Tech services
Localization mgr
Localization team
Localization team
Title des and localization graphics
Dialect coach
Information systems
A/V engineering
A/V engineering
A/V engineering
A/V engineering
A/V engineering
A/V engineering
A/V engineering
A/V engineering
A/V engineering
A/V engineering
Admin & application support
Admin & application support
Admin & application support
Admin & application support
Admin & application support
Admin & application support
Admin & application support
Admin & application support
Admin & application support
Data management group
Data management group
Data management group
Data management group
Data management group
Data management group
Desktop & infrastructure
Desktop & infrastructure
Desktop & infrastructure
Desktop & infrastructure
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Exec team
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ANIMATION
Story supv
Story artist
Story artist
Story artist
Story artist
Story artist
Story artist
Story artist
Story artist
Story artist
Story artist
Story artist
Story artist
Story artist
Addl storyboarding
Addl storyboarding
Addl storyboarding
Addl storyboarding
Addl storyboarding
Animatic artist
Animatic artist
Scr supv
Story coord
Story coord
Supv anim
Supv anim
Directing anim
Directing anim
Anim preprod
Anim preprod
Anim preprod
Anim preprod
Anim preprod
Anim preprod
Anim preprod
Anim
Anim
Anim
Anim
Anim
Anim
Anim
Anim
Anim
Anim
Anim
Anim
Anim
Anim
Anim
Fix anim lead
Fix and addl anim
Fix and addl anim
Fix and addl anim
Fix and addl anim
Fix and addl anim
Fix and addl anim
Fix and addl anim
Crowds supv
Crowds anim lead
Crowd anim
Crowd anim
Crowd anim
Crowd anim
Anim tech support
Anim simulation artist
Addl anim
Addl anim
Anim coord
Anim tech coord
Anim fix coord
Anim prod asst
Character mgr
Character mgr
Character lead
Character lead
Character lead
Character lead
Modeling & articulation artist
Modeling & articulation artist
Modeling & articulation artist
Modeling & articulation artist
Modeling & articulation artist
Modeling & articulation artist
Modeling & articulation artist
Modeling & articulation artist
Modeling & articulation artist
Modeling & articulation artist
Modeling & articulation artist
Character scans
Addl modeling & articulation
Addl modeling & articulation
Addl modeling & articulation
Character coord
Shading art dir
Shading supv
Groom supv
Shade/Paint/Groom mgr
Character shading lead
Shading artist
Shading artist
Shading artist
Shading artist
Shading artist
Shading artist
Shading artist
Shading artist
Shading artist
Shading artist
Shading artist
Shading artist
Shading artist
Shading artist
Shading artist
Shading artist
Shading artist
Digital painter
Digital painter
Digital painter
Digital painter
Digital painter
Digital painter
Lead groom artist
Fur & hair groom
Fur & hair groom
Addl shading
Addl shading
Addl shading
Addl shading
Shading packet artist
Shading packet artist
Shade/Paint coord
Shade/Paint coord
Sweatbox mgr
Sweatbox coord
Simulation supv
Crowds/Simulation mgr
Crowds/Simulation coord
Crowds tech lead
Crowds artist
Crowds artist
Tailoring, Crowds & Simulation
Tailoring, Crowds & Simulation
Simulation artist
Simulation artist
Simulation artist
Simulation artist
Simulation artist
Simulation artist
Simulation artist
Simulation artist
Simulation artist
Simulation artist
Simulation artist
Simulation artist
Dynamics software lead
Addl crowds development
Addl crowds development
Addl simulation support
Addl simulation support
Lighting supv
Lighting mgr
Lighting mgr
Tech lighting lead
Lighting technology lead
Master lighting artist
Master lighting artist
Master lighting artist
Master lighting artist