Hearts and Minds (1974)

R | 110 mins | Documentary | 20 December 1974

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HISTORY

       Although the film screened 13 May 1974 at the Cannes Film Festival and was reviewed in the 15 May 1974 Var as a Warner Bros. Inc.-Columbia Pictures release, Columbia expressed “second thoughts” at that time about distributing the picture, according to a 24 May 1974 Var news item. As stated in a 23 Dec 1974 Newsweek article, Columbia awarded producer Bert Schneider a lucrative six-picture, “no strings attached” contract after the success of Easy Rider (1969, see entry) and Five Easy Pieces (1970, see entry). Schneider intended Hearts and Minds to be the fifth film under this agreement and allotted $950,000 of the Columbia funds to documentary filmmaker Peter Davis so he could produce and direct the picture through Schneider’s company, BBS. [Initials stood for Bert, Bob and Steve – Bert Schneider, Bob Rafelson and Steve Blauner.] According to a 21 Oct 1974 LAT review of an early San Francisco Film Festival screening of the documentary, Davis was “originally inspired” to make the film when former military analyst and RAND Corporation executive, Daniel Ellsberg, leaked classified “Pentagon Papers” to the NYT in 1971; these documents revealed that President Johnson and his administration lied about the purpose of the Vietnam War to both Congress and the American public. Interviews with Ellsberg are featured in the film. Newsweek added that Davis started the project with the intention of addressing three questions: What elements of U.S. history led to the war, what really happened during the war, and what effects the war had on both Americans and the ...

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       Although the film screened 13 May 1974 at the Cannes Film Festival and was reviewed in the 15 May 1974 Var as a Warner Bros. Inc.-Columbia Pictures release, Columbia expressed “second thoughts” at that time about distributing the picture, according to a 24 May 1974 Var news item. As stated in a 23 Dec 1974 Newsweek article, Columbia awarded producer Bert Schneider a lucrative six-picture, “no strings attached” contract after the success of Easy Rider (1969, see entry) and Five Easy Pieces (1970, see entry). Schneider intended Hearts and Minds to be the fifth film under this agreement and allotted $950,000 of the Columbia funds to documentary filmmaker Peter Davis so he could produce and direct the picture through Schneider’s company, BBS. [Initials stood for Bert, Bob and Steve – Bert Schneider, Bob Rafelson and Steve Blauner.] According to a 21 Oct 1974 LAT review of an early San Francisco Film Festival screening of the documentary, Davis was “originally inspired” to make the film when former military analyst and RAND Corporation executive, Daniel Ellsberg, leaked classified “Pentagon Papers” to the NYT in 1971; these documents revealed that President Johnson and his administration lied about the purpose of the Vietnam War to both Congress and the American public. Interviews with Ellsberg are featured in the film. Newsweek added that Davis started the project with the intention of addressing three questions: What elements of U.S. history led to the war, what really happened during the war, and what effects the war had on both Americans and the Vietnamese people. It reportedly took Davis two years to conduct the interviews and to compile the footage.
       As stated by Davis in an 18 Aug 1974 L.B. Press-Telegram article, Columbia backed out of releasing the film because they were in debt at that time and feared the political and economic implications of representing a politically controversial documentary, but Columbia told L.B. Press-Telegram that distribution was delayed because BBS was suing the studio for “at least $250,000” in unpaid royalties from past productions, including Five Easy Pieces and The Last Picture Show (1971, see entry). Despite Columbia’s ambivalence about releasing the film, a 22 Jul 1974 HR news item announced that the film was scheduled for its U.S. premiere at the Atlanta Film Festival in GA on 15 Aug 1974 and was set for theatrical distribution through Columbia in late 1974. In addition to the 17 Oct 1974 San Francisco screening, Hearts and Minds was exhibited as a Columbia release at the Los Angeles County Museum of Art on 15 Nov 1974 as part of the 13th International Critics Week, according to a LAHExam brief published the same day. However, Columbia remained reticent about a wide release and a 21 Oct 1974 DV article reported that Schneider threatened to take legal action against the studio if they did not set an opening date.
       As noted in various contemporary sources, including a 16 Dec 1974 LAT article, the documentary was booked to open at the UA Cinema Center in Los Angeles, CA, on 18 Dec 1974, to qualify for Academy Award consideration; however, the screening was postponed at the last minute due to complications in a deal between Columbia and Rainbow Pictures, according to an 18 Dec 1974 LAT news item. The 16 Dec 1974 LAT stated that Columbia had become “disenchanted with the project” and had made moves to withdraw its support as early as Apr 1974, announcing that it could not release the documentary unless BBS provided additional permission releases signed by various people interviewed in the picture. In response, filmmaker Henry Jaglom’s newly formed independent company, Rainbow, negotiated with Columbia to buy the film and a transfer of funds was expected to take place on 16 Dec 1974. Jaglom, who had worked with Schneider previously as a consultant and an uncredited editor of Easy Rider, and whose feature film directorial debut, A Safe Place (1971, see entry), was a BBS production, told LAT that Rainbow tapped into resources that were set aside for original productions because Hearts and Minds was “a terribly important film that Americans must have access to.” He also noted that Warner Bros. had provided guarantees to distribute the film and BBS and Columbia had ended their contract for future releases with Schneider having completed five of the six films stipulated in the deal. On 20 Dec 1974, DV announced that the delayed negotiations between Columbia and Rainbow were finalized and the film was set to open that day at the UA Cinema Center. According to DV, the deal was stalled when Rainbow was slow to procure the sale price, an estimated $1 million. Although the published version of the Library of Congress Copyright Catalog lists the film as a Columbia Pictures release, with the date 13 May 1974 and the number LP43928, the print viewed for this record contains a 1974 copyright for Rainbow Pictures Corp.
       The documentary’s engagement at the UA Cinema Center was cut short on 31 Dec 1974, when it was once again withdrawn from release with a temporary restraining order filed by Walt Rostow, a former aide to Presidents Kennedy and Johnson, who objected to the inclusion of his interview in the film. A 7 Jan 1975 LAT article stated that the documentary featured three clips from the 1973 interview and Rostow objected to the first two; one segment contained Rostow’s admission that the U.S. government had no evidence to prove that Vietnamese people favored Communism and exhibited his hostility toward Davis’ inquiry about the necessity of the war, and another section included Rostow’s comment that North Vietnam President Ho Chi Minh could not have been “elected dogcatcher” in 1956. Rostow’s request was initially denied on 17 Dec 1974, the day after the documentary’s first planned Los Angeles release date, and a hearing was scheduled for 17 Jan 1975 to determine the legality of Rostow’s appeal for a “permanent injunction against the film.” On 30 Dec 1974, a judge sided with Rostow and ordered Rainbow to either cut two minutes from the interview or remove the documentary from exhibition altogether; Rainbow chose the latter, according to a 20 Jan 1975 Box article.
       Several days later, on 23 Jan 1975, LAHExam announced that Rostow’s restraining order had been denied in court, but new opening dates were yet to be determined. The 20 Jan 1975 Box brief added that Warner Bros. had decided to stand behind the film and actively distribute it nationwide; the documentary had grossed $11,700 in its ten-day run at the UA Cinema Center, according to a 10 Jan 1975 DV news item, and its market potential looked promising. A 23 Jan 1975 Warner Bros. press release reported that the film was scheduled to return to exhibition with a 29 Jan 1975 premiere in Washington, D.C., at the Cerebus I and II theaters, hosted by Senators Mark Hatfield and Frank Church, as well as Warren Beatty, Candice Bergen, Frank Mankiewicz, and Mike Nichols. Wide release was expected to start the following day, on 30 Jan 1975. A 19 Feb 1975 LAHExam brief noted that South Dakota Senator George McGovern hosted a “special screening” of the film the week of 10 Feb 1975 in the Senate Office Building and later that month, on 26 Feb 1975, HR announced that Hearts and Minds was scheduled to return to the UA Cinema Center in Los Angeles on 28 Feb 1975.
       Hearts and Minds won an Academy Award in the category Documentary (Feature). During the ceremony’s acceptance speech on 8 Apr 1975, Schneider commented that Vietnam was on the eve of liberation and read a telegram from Viet Cong leader Dinh Ba Thi, who thanked Americans for protesting the war and expressed “greetings of friendship.” As noted in various contemporary sources, Schneider’s actions provoked an immediate outpouring of hostile telegrams to the Awards show and host Bob Hope drafted the following disclaimer that was read by Frank Sinatra onstage, despite protests from Shirley MacLaine: “I want to make an announcement from the Academy – we are not responsible for any political utterances on this program and we are sorry they had to take place.” A 28 Apr 1975 New Yorker review hailed the film but criticized Schneider’s acceptance speech, noting that the producer had nothing to do with Davis’ direction, which had been “careful to allow [the picture] to speak for itself.”
       As noted in a 17 Jun 2004 NYT article, a newly-restored print of the documentary was screened 14 Jun 2004 at the Academy Theater in New York City, with both Davis and Schneider in attendance. When the film concluded, the sold-out audience discussed the relationship between the Vietnam War and the war in Iraq, and Davis noted that the American people were “lied to” on both fronts. Hearts and Minds was re-released again for an “exclusive engagement” at the Cinema Village theater on 20 Mar 2009, according to an 18 Mar 2009 Village Voice advertisement.

      The end credits include the following acknowledgement: “Motion picture segments ‘This Is the Army,’ ‘Mask of Fu Manchu,’ ‘Objective Burma,’ ‘Road to Hong Kong,’ ‘Bataan,’ excerpt from ‘My Son John’ © copyright 1952, Paramount Pictures Corporation All Rights Reserved.”

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SOURCE CITATIONS
SOURCE
DATE
PAGE
Box Office
20 Jan 1975
---
Box Office
3 Mar 1975
p. 4760
Daily Variety
15 May 1974
---
Daily Variety
21 Oct 1974
p. 1, 15
Daily Variety
20 Dec 1974
---
Daily Variety
10 Jan 1975
---
Hollywood Reporter
22 Jul 1974
---
Hollywood Reporter
13 Aug 1974
pp. 3-4
Hollywood Reporter
26 Feb 1975
---
L.B. Press-Telegram
18 Aug 1974
pp. 23-24
LAHExam
15 Nov 1974
---
LAHExam
23 Jan 1975
Section B, p. 4
LAHExam
19 Feb 1975
---
Los Angeles Times
21 Oct 1974
Section F, p. 1, 14
Los Angeles Times
15 Nov 1974
Section IV, p.20
Los Angeles Times
16 Dec 1974
Section E, p. 1, 19
Los Angeles Times
18 Dec 1974
---
Los Angeles Times
7 Jan 1975
Section G, p. 11
Motion Picture Herald Product Digest
12 Mar 1975
---
New York Times
24 Mar 1975
p. 38
New York Times
17 Jun 2004
Section E, p. 3
New Yorker
28 Apr 1975
---
Newsweek
23 Dec 1974
---
Time
17 Mar 1975
---
Variety
15 May 1974
p. 28
Variety
24 May 1974
---
Village Voice
18 Mar 2009
---
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
NAME
CREDITED AS
CREDIT
DIRECTORS
Prod mgr
Prod mgr
PRODUCERS
Assoc prod
Assoc prod
PHOTOGRAPHY
2d unit cam
2d unit cam
2d unit cam
2d unit cam
2d unit cam
Head gaffer
FILM EDITORS
Film ed
Film ed
Asst film ed
Asst film ed
Asst film ed
Asst film ed
Projectionist
SOUND
Sd ed
2d unit sd
2d unit sd
2d unit sd
2d unit sd
VISUAL EFFECTS
Titles
PRODUCTION MISC
Translator
Translator
Translator
Translator
Translator
Translator
Postprod res
Historical film res
Feature motion picture res
Feature motion picture res
Consultant in Vietnam
Consultant in France
Consultant in France
COLOR PERSONNEL
Col negative
Col negative
DETAILS
Release Date:
20 December 1974
Premiere Information:
Los Angeles opening: 20 Dec 1974 at the UA Cinema Center in Westwood; New York opening: 23 Mar 1975 at the Cinema 2
Production Date:

Copyright Info
Claimant
Date
Copyright Number
Columbia Pictures Industries, Inc.
13 May 1974
LP43928
Physical Properties:
Sound
Color
Black and White
Duration(in mins):
110
MPAA Rating:
R
Country:
United States
Language:
English
SYNOPSIS

The film is a compilation of newsreel and documentary footage, as well as original interviews, about the Vietnam War and its aftermath, including the following scenes: in Hung Dinh Village, Vietnam, peasants toil in the fields, guarded by armed soldiers; an aide to former U.S. President Harry S. Truman, Clark Clifford, reflects that America felt an elevated sense of entitlement after WWII, which translated into a desire for world domination; in the 1950s, the U.S. funded seventy-eight percent of the French war in Indochina, fearing a Communist uprising. According to retired French Foreign Minister Georges Bidault, U.S. Secretary of State John Foster Dulles suggested the use of two atomic bombs in Vietnam. In the early days of the war, future President Lyndon B. Johnson tells a news conference that the success of the war depends on the “hearts and minds” of the Vietnamese people. At a homecoming ceremony, prisoner of war Lt. George Coker tells a cheering crowd that faith in God and country kept him alive. However, an aide to Presidents John F. Kennedy and Johnson, Walt Rostow, admits that the administrations had no evidence to prove that the Vietnamese people wanted a Communist government. Rostow claims that the U.S. was involved in the war only to protect the country from outside forces and says that the Soviet Union was perceived as a greater threat after the launch of Sputnik, on 4 Oct 1957. Arkansas Senator J. W. Fulbright concedes that in 1964, Johnson relied on false information about supposed North Vietnamese naval attacks against the U.S. in the Tonkin Gulf to rally the country to war. Former U.S. Capt. ...

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The film is a compilation of newsreel and documentary footage, as well as original interviews, about the Vietnam War and its aftermath, including the following scenes: in Hung Dinh Village, Vietnam, peasants toil in the fields, guarded by armed soldiers; an aide to former U.S. President Harry S. Truman, Clark Clifford, reflects that America felt an elevated sense of entitlement after WWII, which translated into a desire for world domination; in the 1950s, the U.S. funded seventy-eight percent of the French war in Indochina, fearing a Communist uprising. According to retired French Foreign Minister Georges Bidault, U.S. Secretary of State John Foster Dulles suggested the use of two atomic bombs in Vietnam. In the early days of the war, future President Lyndon B. Johnson tells a news conference that the success of the war depends on the “hearts and minds” of the Vietnamese people. At a homecoming ceremony, prisoner of war Lt. George Coker tells a cheering crowd that faith in God and country kept him alive. However, an aide to Presidents John F. Kennedy and Johnson, Walt Rostow, admits that the administrations had no evidence to prove that the Vietnamese people wanted a Communist government. Rostow claims that the U.S. was involved in the war only to protect the country from outside forces and says that the Soviet Union was perceived as a greater threat after the launch of Sputnik, on 4 Oct 1957. Arkansas Senator J. W. Fulbright concedes that in 1964, Johnson relied on false information about supposed North Vietnamese naval attacks against the U.S. in the Tonkin Gulf to rally the country to war. Former U.S. Capt. Randy Floyd reminisces about his youth, when he and his schoolmates were indoctrinated with John Birch Society literature and learned to loathe Communism. Other veterans explain their desire to prove their manhood and their patriotism; hatred of Communism proved a convenient outlet for aggression. On the streets of Saigon, Vietnam, U.S. soldiers are solicited by prostitutes and by impoverished children. Back in the U.S., former Defense Department aide and RAND Corporation executive Daniel Ellsberg states that the Vietnam War was approached with benevolent assumptions that were pervasive in WWII, but these ideals were the underpinnings of imperialism, not compassion. Veterans Capt. Floyd and Lt. Coker discuss the thrill of piloting bombers, while Vietnamese peasants Nguyen Van Tai, and sisters Vo Thi Hue and Vo Thi Tu, share stories of their immense losses on the ground. Religious leader, Father Chan Tin, describes Vietnam’s history of fighting foreign invaders and argues that the war with the U.S. was genocide; the Vietnamese were fighting for independence against imperialists, not unlike Americans during the Revolutionary War. According to Senator Fulbright, Vietnam President Ho Chi Minh was familiar with the U.S. Constitution and originally thought that America would act as an ally. Back in Vietnam, coffin maker Mui Duc Giang reports that he constructs up to 900 caskets a week for children alone and seven of his own offspring have died from napalm. Army deserter, Former Sec. 5 Edward Sowders, visits his mother, who begs him not to return to Vietnam. As the war continues, young men prepare for enlistment, playing high school football. Others, who are already stationed in Vietnam, recreate with prostitutes while their comrades capture prisoners and set fire to peasants’ homes. Vietnam businessman Nguyen Ngoc Linh explains how capitalism can benefit the country. Presidential advisor Clark Clifford describes Gen. William Westmoreland’s appeal for a surge of troops in 1968, noting that there was no plan to end the war and the Vietnamese had not exhibited a desire to cease fighting. Meanwhile, Americans demonstrate against the war, but according to Daniel Ellsberg, the assassination of Robert F. Kennedy provoked a pervasive sense of hopeless. Veterans describe loss of faith in their country and Ellsberg explains from his perspective the lies advocated by U.S. presidential administrations from Truman, in the 1950s, to Richard Nixon, in the early 1970s. Ellsberg argues that although the Vietnam conflict was portrayed as a civil war, it was entirely financed by the U.S. government and casualties on both sides were a consequence of failed American foreign policy, not Communist aggressors. The former President of South Vietnam, Ngo Dinh Diem, is praised by President Johnson, but later assassinated in 1963. Similarly, Diem’s successor, General Nguyen Khanh, was coerced into resigning, even though the American Ambassador to South Vietnam at that time, General Maxwell Taylor, publically claimed to embrace Khanh’s leadership; Khanh plays a tape recording in which Taylor confirms an order for Khanh to step down. President Nixon appoints a new leader to South Vietnam, Nguyen Van Thieu, and funds his government with $2 billion annually, but Father Chan Tin reports that the country is a police state, where citizens are arrested, tortured and imprisoned without trial. Former political prisoner Nguyen Thi Sau describes how she was beaten and held captive by Thieu’s soldiers. According to Father Chan Tin, anyone who advocated for peace was considered a Communist; however, the government’s actions backfired as citizens increasingly associated Communism with liberty and justice. Back in the U.S., government official Walt Rostow makes no apologies for the war. David Emerson, who lost his son in Vietnam, insists that the sacrifice was not too great for preserving American ideals and he finds solace and faith in President Nixon. At a May 1973 White House dinner for returned prisoners of war hosted by Bob Hope, President Nixon is applauded for his decision to extensively bomb North Vietnam in December 1972. However, the campaign was devastating to North Vietnam; a farmer describes the death of his family and calls Nixon a murderer, while children clutch photographs of their deceased parents and mourners wail in agony at a cemetery. Back in the U.S., Gen. Westmoreland claims that Eastern religious philosophies do not value human existence and therefore “life is cheap.” Veteran Randy Floyd admits that the suffering of the Vietnamese people did not effect him at the time of the war and reflects that Americans have never endured the same kind of violence in their own country. Attempting to hold back tears, Floyd contends that Americans are in denial about Vietnam and argues that people who are fighting for freedom can never be constrained by violence or foreign oppressors.

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Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.