Days of Heaven
(1978)
PG | 94 mins | Drama | 6 October 1978
Cast:
Richard Gere, Brooke Adams, Sam Shepard [ More ]Director:
Terrence MalickWriter:
Terrence MalickProducers:
Bert Schneider, Harold SchneiderCinematographer:
Nestor AlmendrosEditor:
Billy WeberProduction Designer:
Jack FiskProduction Company:
Paramount Pictures Corp.
The working title for the film was Stay Hungry, according to a 16 Aug 1976 Box news item. The film began principal photography in late Aug 1976 in Alberta, Canada, as reported in a 2 Sep 1976 DV news item. In order to capture the passing of seasons, the film was shot over the course of a year.
As noted in a 9 Aug 1978 LAT article, scheduling conflicts forced actor John Travolta to pull out of the production, and Richard Gere was cast in the role of “Bill.” Gere's co-star, Brooke Adams, reportedly spent several months auditioning for her role, according to a 24 Nov 1978 LAHExam article. The casting director was not intending to recommend her to Malick, but Malick viewed her audition tape, and decided to call her back. Adams stated that during the audition process, the notoriously private Malick forced the actors to maintain secrecy about the project. Adams also noted that the script and the concept of the film changed significantly from the time she auditioned to the time production began.
With the budget set at $3 million, Malick went to great lengths to re-create a pre-WWI era Texas harvest, as reported in a 16 Aug 1976 Box news item, purchasing rights to a farmer’s land and its crops, as well as using vintage wheat thrashing equipment from the Western Development Museum in Sakatchewan, Canada.
In the 1 Mar 1979 issue of The Best, Clenton Owensby, a technical advisor to the film, explained how Malick was able to create the climactic locust ...
The working title for the film was Stay Hungry, according to a 16 Aug 1976 Box news item. The film began principal photography in late Aug 1976 in Alberta, Canada, as reported in a 2 Sep 1976 DV news item. In order to capture the passing of seasons, the film was shot over the course of a year.
As noted in a 9 Aug 1978 LAT article, scheduling conflicts forced actor John Travolta to pull out of the production, and Richard Gere was cast in the role of “Bill.” Gere's co-star, Brooke Adams, reportedly spent several months auditioning for her role, according to a 24 Nov 1978 LAHExam article. The casting director was not intending to recommend her to Malick, but Malick viewed her audition tape, and decided to call her back. Adams stated that during the audition process, the notoriously private Malick forced the actors to maintain secrecy about the project. Adams also noted that the script and the concept of the film changed significantly from the time she auditioned to the time production began.
With the budget set at $3 million, Malick went to great lengths to re-create a pre-WWI era Texas harvest, as reported in a 16 Aug 1976 Box news item, purchasing rights to a farmer’s land and its crops, as well as using vintage wheat thrashing equipment from the Western Development Museum in Sakatchewan, Canada.
In the 1 Mar 1979 issue of The Best, Clenton Owensby, a technical advisor to the film, explained how Malick was able to create the climactic locust scenes. A large net of peanut hulls was suspended from a helicopter and dropped over the field. Additionally, more than 5,000 grasshoppers were used for close-ups. Producer Harold Schneider recruited Owensby from Kansas State University to create controlled fires for the extermination scenes.
As noted in a 25 Sep 1978 New West article, Paramount Pictures Corp. faced marketing challenges while trying to promote a film with an untraditional narrative. Adding to the difficulty, Malick refused to give interviews and the film’s stars were unavailable for a promotional tour. Nor did Malick allow Paramount to release a novelization of the film, a typical marketing tactic of that time.
As a result of these setbacks, Paramount hired Pickwick Public Relations to build a promotional campaign based on word of mouth. Early screenings were by invitation only and included Hollywood celebrities, agents, historians, art and film academics, and a limited amount of press. According to New West, the tactic worked, and, after a week, major critics and reporters were clamoring for tickets to the screenings.
Paramount also created a staggered release schedule, starting with a 13 Sep 1978 New York City premiere at Cinema I. The West Coast premiere followed a week later at the Bruin Theater in Los Angeles, CA. On 6 Oct 1976, engagements began in approximately seventeen cities nationwide as reported in a 1 Sep 1978 HR news item.
Nestor Almendros won an Academy Award for Best Cinematography on Days of Heaven. The film also received nominations for Costume Design, Music (original score) and Sound.
The end credits include the following written statements: “Title Sequence Photographs by Lewis Hine, Henry Hamilton Bennett, Frances Benjamin Johnston, Chansonetta Emmons, William Notman, Edie Baskin"; and "Courtesy of Library of Congress, Chicago Historical Society, New York Public Library, International Museum of Photography – George Eastman House, Metropolitan Museum of Art, Walter Rosenblum, Ewing Galloway, Notman Photographic Archives – McCord Museum, H.H. Bennett Studios, Culver Pictures, Photoworld, Inc., FPG, Inc.” The end credits also contain the following acknowledgments: “With Special Thanks to Deborah Eisenberg, Patrick Norris, Redd Foxx, Gordon Radley, Jill Jakes, Bob Rafelson, Joe Kelly, Greta Ronningen, Tom Kobayashi, Wallace Shawn, Stuart Margolin, Ian Underwood, Roger Mayer, Wallace Wolf and the Lethbridge Hutterite Communities.” The final title card states: “An O.P. Production; For Chris, Susan and Dauna.”
Stay Hungry
In pre-WWI Chicago, Illinois, a factory worker named Bill fights with the foreman and accidentally kills the man, provoking him to leave town with his young sister, Linda, and his girlfriend, Abby. Arriving by train in Texas, they are hired as farm hands in the wheat fields of a wealthy, young famer who is single and has no family. Bill and Abby claim that they are brother and sister to avoid gossip. While Linda makes a new friend, Abby catches the eye of the young farmer who instructs his foreman to find out more about her. Meanwhile, Bill gets into a fight with another farm hand who insinuates that Bill and his “sister” have an incestuous relationship. Sometime later, Bill sneaks to the famer’s house to find some salve for Abby’s injured hand, and overhears a conversation between the young man and his doctor. The farmer has a terminal illness and could die within a year. On another day, the farmer asks Abby where she will go once the harvest is over and she admits that she is not sure. At the end of the season, the farmer asks Abby to stay and to continue to work for him. When Abby tells Bill, he encourages her to remain and charm the farmer into marrying her so she can inherit his fortune. Abby is appalled by the suggestion but eventually agrees on the condition that Bill and Linda, her supposed “brother and sister,” stay on as well. Linda bids a tearful farewell to her friend as the other farm workers leave. In time, Abby marries the farmer and Bill ...
In pre-WWI Chicago, Illinois, a factory worker named Bill fights with the foreman and accidentally kills the man, provoking him to leave town with his young sister, Linda, and his girlfriend, Abby. Arriving by train in Texas, they are hired as farm hands in the wheat fields of a wealthy, young famer who is single and has no family. Bill and Abby claim that they are brother and sister to avoid gossip. While Linda makes a new friend, Abby catches the eye of the young farmer who instructs his foreman to find out more about her. Meanwhile, Bill gets into a fight with another farm hand who insinuates that Bill and his “sister” have an incestuous relationship. Sometime later, Bill sneaks to the famer’s house to find some salve for Abby’s injured hand, and overhears a conversation between the young man and his doctor. The farmer has a terminal illness and could die within a year. On another day, the farmer asks Abby where she will go once the harvest is over and she admits that she is not sure. At the end of the season, the farmer asks Abby to stay and to continue to work for him. When Abby tells Bill, he encourages her to remain and charm the farmer into marrying her so she can inherit his fortune. Abby is appalled by the suggestion but eventually agrees on the condition that Bill and Linda, her supposed “brother and sister,” stay on as well. Linda bids a tearful farewell to her friend as the other farm workers leave. In time, Abby marries the farmer and Bill and Linda move into the house with them. Abby, Bill and Linda enjoy their new life; however, the farmer notices that Bill and Abby are unusually affectionate siblings. As Bill and Abby sneak off in the middle of the night, the foreman warns the farmer that Bill and Abby are hustlers, but the farmer refuses to believe him and sends him away. As the foreman leaves, he tells Bill that he is aware of the "sibling's" scheme. Time passes and Bill becomes frustrated when the farmer does not die as expected. A travelling circus’ airplane lands on the farm; and the performers and crew are invited to stay for a while. One night, as Bill and Abby party with the new guests, the farmer sees Bill give Abby a short kiss on the lips. The farmer wakes Abby in the middle of the night and demands to know what is going on between her and Bill. Although Abby insists that they are just affectionate siblings, she later tells Bill that she feels guilty for hurting the farmer. Realizing that Abby has fallen in love, Bill leaves town but returns at the beginning of the next harvest. Abby and Linda are happy to see him; and Bill and Abby privately apologize to each other. As they bid each other farewell, the farmer watches from his rooftop and becomes enraged when they kiss. Later that day, locusts plague the farmland and the workers struggle to smoke them out with a bonfire throughout the night. Bill stays on to help, but the farmer challenges him to a fight, which results in overturned lanterns that ignite an uncontrollable fire. The entire harvest burns. Bill finds Abby and tells her that the farmer knows their secret and insists that they run away. As Abby packs to go, the farmer catches her. He pulls out a gun, ties her up, and goes after Bill. The farmer searches all night and finds Bill at dawn. As the farmer raises his gun, Bill stabs him in the chest with a screwdriver and runs away. As the foreman finds the farmer dying, Bill, Abby and Linda escape. After pawning jewelry, they buy a boat and travel down the river, living off the land, but Abby is wracked with guilt. The foreman and the local police track them down. When Bill sees the police coming, he grabs his shotgun and runs; however, the police give chase and shoot him dead, leaving Abby and Linda devastated. Months later, Abby puts Linda in a boarding school and hops on a train filled with soldiers heading to war. Linda’s old friend from the farm finds her in the school and helps her run away. Reunited, the friends wander aimlessly down the train tracks.
TOP SEARCHES
Psycho
Actor Vaughn Taylor's surname is misspelled "Tayler" in the onscreen credits. Several Jun and Jul 1959 HR news items erroneously refer to the film as Psyche. ... >>
Mr. Smith Goes to Washington
According to HR news items, "The Gentleman from Montana" (an unpublished story by Lewis R. Foster, alternately called "The Gentleman from Wyoming" by both contemporary and modern ... >>
2001: A Space Odyssey
Opening credits precede a title card that reads: "The Dawn of Man."
In an interview in the 16 Jan 1966 NYT, writer-director-producer Stanley Kubrick discussed ... >>
Gary Cooper
Indecipherable onscreen credits in the print viewed for this record were based on production and crew lists in AMPAS library files and in the Jan 1984 Monthly Film ... >>