Six Pack (1982)

PG | 103,107-108 or 110 mins | Comedy | 16 July 1982

Director:

Daniel Petrie

Producer:

Michael Trikilis

Cinematographer:

Mario Tosi

Editor:

Rita Roland

Production Designer:

William J. Creber
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HISTORY

       Although not listed among onscreen music credits, characters in the film sing the Boudleaux Bryant and Felice Bryant song, “Rocky Top,” and the Jay Livingston and Raymond B. Evans song, “Whatever Will Be, Will Be.”
       Actor Burt Reynolds briefly appears onscreen as a man in “Lilah’s” bar, but his name is not included in the cast credits.
       The 22 Apr 1981 DV announced the film was under development at Twentieth Century-Fox Film Corp., with executive producer Edward S. Feldman. That summer, a 29 Jul 1981 DV item reported that musician Kenny Rogers would produce through his recently-formed company, Lion Share Productions, while making his motion picture debut in the film’s starring role. The 17 Dec 1981 DV credited the deal to producer Michael Trikilis’ existing professional relationship with Fox production president Sherry Lansing. A 13 Nov 1981 DV article reported that principal photography was scheduled to begin 18 Jan 1982, making it the first of ten new Fox projects to enter production. However, the 17 Dec 1981 DV indicated that the start of the $10-11 million film’s fifty-one day schedule had been moved up to 11 Jan 1982. A 6 Jan 1982 HR item announced the casting of Bert Remsen, but he is not listed in onscreen credits.
       22 Jan 1982 HR production charts confirmed a 12 Jan 1982 start date in Atlanta, GA. The 3 Mar 1982 Var reported that production had fallen ten days behind schedule when the first day of filming coincided with a snowstorm. According to the 5 Mar 1982 HR, the delay cost an ...

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       Although not listed among onscreen music credits, characters in the film sing the Boudleaux Bryant and Felice Bryant song, “Rocky Top,” and the Jay Livingston and Raymond B. Evans song, “Whatever Will Be, Will Be.”
       Actor Burt Reynolds briefly appears onscreen as a man in “Lilah’s” bar, but his name is not included in the cast credits.
       The 22 Apr 1981 DV announced the film was under development at Twentieth Century-Fox Film Corp., with executive producer Edward S. Feldman. That summer, a 29 Jul 1981 DV item reported that musician Kenny Rogers would produce through his recently-formed company, Lion Share Productions, while making his motion picture debut in the film’s starring role. The 17 Dec 1981 DV credited the deal to producer Michael Trikilis’ existing professional relationship with Fox production president Sherry Lansing. A 13 Nov 1981 DV article reported that principal photography was scheduled to begin 18 Jan 1982, making it the first of ten new Fox projects to enter production. However, the 17 Dec 1981 DV indicated that the start of the $10-11 million film’s fifty-one day schedule had been moved up to 11 Jan 1982. A 6 Jan 1982 HR item announced the casting of Bert Remsen, but he is not listed in onscreen credits.
       22 Jan 1982 HR production charts confirmed a 12 Jan 1982 start date in Atlanta, GA. The 3 Mar 1982 Var reported that production had fallen ten days behind schedule when the first day of filming coincided with a snowstorm. According to the 5 Mar 1982 HR, the delay cost an additional $1 million, raising the projected budget to $11.5-13.5 million. In addition, the 3 Feb 1982 Var reported that actress Robyn Douglas, whose casting as “Lilah” was first reported in the 6 Jan 1982 HR, left the project and was replaced by Erin Gray. The 5 Mar 1982 HR also claimed that the start of Kenny Rogers’ 21 Mar 1982 music concert tour required him to finish his scenes by 19 Mar 1982, leaving his co-stars to film their reaction shots at a later date. Although filmmakers scouted potential locations in TX, AL, and FL, they chose GA for the state’s film commission, talent pool, and access to local racetracks. The final three weeks of production were scheduled to cover race sequences taking place at Dixie Raceway in Woodstock, GA, Atlanta Raceway in Douglasville, GA, and Atlanta International Raceway in Hampton, GA. Although only four races were filmed, cars were redecorated with patches and decals throughout the shoot days so that the footage could be later edited into ten onscreen races. Second unit cameras also filmed a National Association for Stock Car Auto Racing (NASCAR) race in Apr 1982, which contained cars painted to resemble those belonging to the characters.
       According to the 5 Mar 1982 Entertainment Today, Six Pack was the first production to employ the new STAT-301 ambulance safety unit. The article also named set medics Peter Caldalso and Douglas Bartlett, who are not credited onscreen.
       The 22 Mar 1982 DV reported that principal photography concluded the week of 15 Mar 1982.
       A 7 Jun 1982 DV brief announced the film’s premiere scheduled for 5 Jul 1982, at the World’s Fair in Knoxville, TN, benefitting the Knoxville Seratoma Learning Center. The 14 Jul 1982 HR stated that regional release in the Southern U.S. was planned for 16 Jul 1982.
       In addition to Kenny Rogers, the film marked the motion picture debuts of actors Anthony Michael Hall and Benji Wilhoite.
       Although the 20 Aug 1982 LAT, 20 Aug 1982 NYT, and 7 Jul 1982 Var reviews listed runtimes of 107, 103, and 110 minutes, respectively, the print viewed for this record was 108 minutes in duration.
       In 1983, Six Pack was adapted as a television pilot starring Don Johnson, Markie Post, and Joaquin Phoenix, but production on the series did not move ahead.
      End credits include: “Special thanks to Ford Motor Company.”

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GEOGRAPHIC LOCATIONS
SOURCE CITATIONS
SOURCE
DATE
PAGE
Daily Variety
22 Apr 1981
---
Daily Variety
29 Jul 1981
---
Daily Variety
13 Nov 1981
pp. 1-2
Daily Variety
17 Dec 1981
---
Daily Variety
6 Jan 1982
---
Daily Variety
22 Jan 1982
---
Daily Variety
22 Mar 1982
---
Daily Variety
7 Jun 1982
---
Entertainment Today
5 Mar 1982
---
Hollywood Reporter
6 Jan 1982
---
Hollywood Reporter
22 Jan 1982
---
Hollywood Reporter
5 Mar 1982
---
Hollywood Reporter
6 Jul 1982
pp. 3-4
Hollywood Reporter
14 Jul 1982
---
Los Angeles Times
20 Aug 1982
p. 4
New York Times
20 Aug 1982
p. 9
Variety
3 Feb 1982
---
Variety
3 Mar 1982
---
Variety
7 Jul 1982
p. 16
CAST
NAME
CREDITED AS
CREDIT
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION TEXTS
A Lion Share Production
A Daniel Petrie Film
Produced and Released by Twentieth Century-Fox Film Corporation
NAME
CREDITED AS
CREDIT
DIRECTORS
Unit prod mgr
Newton Arnold
1st asst dir
2d asst dir
2d asst dir
2d unit dir
1st asst dir, 2d unit
2d asst dir, 2d unit
DGA trainee
PRODUCERS
Assoc prod
Exec prod
Exec prod
WRITERS
PHOTOGRAPHY
Dir of photog
2d unit dir of photog
Photographic consultant, 2d unit
Cam op
1st asst cam
Still photog
Gaffer
Key grip
Asst cam
Best boy
Best boy
Elec
Atlanta elec
Grip best boy
Dolly grip
Atlanta grip
ART DIRECTORS
Art dept asst
FILM EDITORS
Asst ed
SET DECORATORS
Set dec
Set des
Leadman
Const coord
Prop master
Asst prop master
Asst prop master
Paint foreman
Painter
Const foreman
COSTUMES
Women's costumer
Men's costumer
Cutter-fitter
MUSIC
Scoring mixer
SOUND
Sd mixer
Sd eff ed
Sd eff ed
Sd eff ed
Re-rec mixer
Re-rec mixer
Re-rec mixer
Sd utility tech
VISUAL EFFECTS
Titles and opticals by
Spec eff man
Spec eff man
Spec eff man
MAKEUP
Makeup artist
Hairstylist
PRODUCTION MISC
Stunt driver
Casting
Casting
Scr supv
Prod coord
Charles Allen
Loc mgr
Loc auditor
Transportation coord
Transportation capt
Local casting
NASCAR tech coord
Unit pub
Secy to Daniel Petrie
Asst to Michael Trikilis
Prod asst
Prod asst
Prod asst
Prod asst
Prod asst
Projectionist
First aid man
Craft service man
Asst loc auditor
Driver
Driver
Driver
Driver
Driver
Driver
Driver
Caterer
Guinea Up
Caterer
Caterer
Security
Security
STAND INS
Stunt coord
2d unit stunt coord
Stunts
Stunts
Stunts
Stunts
Stunts
Stunt driver
Stunt driver
Stunt driver
Stunt driver
COLOR PERSONNEL
Col by
SOURCES
SONGS
"Love Will Turn You Around," sung by Kenny Rogers, words and music by Even Stevens, David Malloy, Thom Schuyler, and Kenny Rogers; "Hello I Love You," as performed by Crystal Gayle, courtesy of Liberty Records, a division of Capitol Records, Inc.; "Rainbow Stew," as performed by Merle Haggard, courtesy of MCA Records, Inc.; "Texas (When I Die)," as performed by Tanya Tucker, courtesy of MCA Records, Inc.; "Nothing But The Sky And Me," lyrics by Norman Gimbel, music by Charles Fox; "I Can't Love You Enough," as performed by Conway Twitty & Loretta Lynn, courtesy of MCA Records, Inc.
SONGWRITERS/COMPOSERS
+
DETAILS
Release Date:
16 July 1982
Premiere Information:
Knoxville, TN premiere: 5 Jul 1982; Southern U.S. opening: 16 Jul 1982; Los Angeles and New York openings: 20 Aug 1982
Production Date:
12 Jan--mid Mar 1982 in Atlanta, GA
Copyright Info
Claimant
Date
Copyright Number
Twentieth Century-Fox Film Corporation
9 August 1982
PA147136
Physical Properties:
Lenses
Lenses and Panaflex® camera by Panavision®
Duration(in mins):
103,107-108 or 110
MPAA Rating:
PG
Country:
United States
Language:
English
PCA No:
26709
SYNOPSIS

While stopping at a gas station in Braselton, Texas, former racecar driver Brewster Baker gets locked inside the restroom. After climbing out the window, he realizes that someone has stripped his racecar of its engine and most major parts. Unable to locate the police, he sulks in a diner and seeks help from a flirtatious waitress. Just then, he notices a delivery truck speed past, leaving a dismantled sports car sitting in the diner parking lot. Brewster chases the thieves in his trailer until the escaped truck crashes into a river, exposing the six children inside. Brewster helps them to safety and dives into the water to retrieve the youngest boy, Little Harry Aikens. After revealing that they sold Brewster’s car parts, the children fix his broken trailer hitch, and the eldest girl, Heather “Breezy” Aikens, introduces her remaining siblings: Doc, Louis, Steven, and Swifty. Brewster returns them to the backwoods cabin home where they live alone, but corrupt County Sheriff “Big John” Stone arrives. Revealing himself as the mastermind behind the children’s black market theft, he chastises them for destroying the truck and arrests Brewster for failing to pay his bill at the diner. Later, Swifty sneaks into the police station and steals the deputy sheriff’s gun before forcing him to unlock Brewster from his cell. Breezy picks them up in Brewster’s trailer while the remaining children dismantle the Big John’s patrol car. After driving through the night, Breezy reveals that they have been illegally selling car parts for Big John ever since their parents died in an automobile accident, claiming that the sheriff threatened to separate them if they refused to comply. Brewster says goodbye to the ...

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While stopping at a gas station in Braselton, Texas, former racecar driver Brewster Baker gets locked inside the restroom. After climbing out the window, he realizes that someone has stripped his racecar of its engine and most major parts. Unable to locate the police, he sulks in a diner and seeks help from a flirtatious waitress. Just then, he notices a delivery truck speed past, leaving a dismantled sports car sitting in the diner parking lot. Brewster chases the thieves in his trailer until the escaped truck crashes into a river, exposing the six children inside. Brewster helps them to safety and dives into the water to retrieve the youngest boy, Little Harry Aikens. After revealing that they sold Brewster’s car parts, the children fix his broken trailer hitch, and the eldest girl, Heather “Breezy” Aikens, introduces her remaining siblings: Doc, Louis, Steven, and Swifty. Brewster returns them to the backwoods cabin home where they live alone, but corrupt County Sheriff “Big John” Stone arrives. Revealing himself as the mastermind behind the children’s black market theft, he chastises them for destroying the truck and arrests Brewster for failing to pay his bill at the diner. Later, Swifty sneaks into the police station and steals the deputy sheriff’s gun before forcing him to unlock Brewster from his cell. Breezy picks them up in Brewster’s trailer while the remaining children dismantle the Big John’s patrol car. After driving through the night, Breezy reveals that they have been illegally selling car parts for Big John ever since their parents died in an automobile accident, claiming that the sheriff threatened to separate them if they refused to comply. Brewster says goodbye to the Aikens in Shreveport, Louisiana, before entering a bar owned by his former girl friend, Lilah. When Brewster apologizes for leaving her, they kiss and return to his motel room to make love. Meanwhile, the Aikens children create a distraction by starting a fire in a dumpster while stripping other racer’s cars in the parking lot. In the morning, Brewster finds the children hoarding the stolen parts inside his trailer, and they convince him to drop them off at the nearby interstate. Unwilling to reveal his association by returning the parts to their owners, Brewster agrees to sell them at his friend’s automobile repair shop. When the children steal his trailer, Brewster is forced to hitchhike to the local racetrack. Once there, he finds the Aikens repairing his racecar with the stolen parts. Brewster places fourth in that afternoon’s race, using his prize money to repay his colleagues for their missing parts and giving the remainder to the children. Although he refuses to let them stay with him, the children reappear at the racetrack the next day and beg to help repair his vehicle until they find somewhere else to go. Brewster’s former chief mechanic-turned-racing rival, Terk Logan, laughs at the driver’s new pit crew, and Brewster explains that Terk sabotaged his career by rigging his car to crash during a race two years earlier. That night, Breezy seduces Terk in his trailer while her siblings dismantle his car. Upon discovering their crime, Brewster accuses Breezy of being irresponsible, and she runs away in response. After searching all night, he finds her on the roadside at dawn, and she admits that she feels selfish for desiring a normal teenage life away from her siblings. During that afternoon’s race at the Biloxi, Mississippi, speedway, Terk’s car malfunctions, prompting him to withdraw from the competition and allowing Brewster to place second. Assured that Brewster cheated, Terk attacks him and promises to seek revenge, but Brewster continues to win races throughout the Southern U.S. One day, Brewster finishes a race and discovers that a local sheriff has taken the Aikens children into custody. As he leaves for the police station, a representative from the Ford Motor Company offers to sponsor him in future races. Brewster retrieves the children by disguising himself in a police uniform and pretending to be Sheriff Big John, moments before the real Sheriff Big John arrives. Once Brewster accepts the Ford sponsorship, his racing improves and the Aikens encourage him to follow a strict exercise regimen. Days before another big race in Atlanta, Georgia, Brewster learns that he will be competing against Terk, but remains unconcerned. One night, the children attempt to use Brewster’s cash winnings to buy their dream house, but are prohibited because they are underage. At a local bar, Brewster runs into Lilah, who has come to support him in the race. Early the next morning, Terk’s crew team attack Brewster and leave him unconscious in the forest. He awakens sometime later and hitches a ride to the racetrack, while the children’s anxiety grows as the start time approaches. Brewster arrives moments before the race begins and falls into tight competition for the lead against Terk. When Brewster stops in the pit and finds his crew missing, Lilah informs him that Sheriff Big John took the children back to Texas. To eliminate them both from the race, Brewster intentionally crashes into Terk before driving his car out of the arena and stopping the sheriff. As television interviewers ask Big John to explain why he has arrested the Aikens children, the flustered officer is forced to admit that Brewster has taken good care of them. Later, Brewster and Lilah get married and purchase a large house to begin their life together with the children.

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Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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