Tex
(1982)
PG | 103 mins | Drama | 30 July 1982
Cast:
Matt Dillon, Jim Metzler, Meg Tilly [ More ]Director:
Tim HunterWriters:
Charlie Haas, Tim HunterProducer:
Tim ZinnemannCinematographer:
Ric WaiteEditor:
Howard SmithProduction Designer:
Jack T. CollisProduction Company:
Walt Disney ProductionsAccording to production notes in AMPAS library files, screenwriters Charlie Haas and Tim Hunter first realized the rising popularity of author S. E. Hinton while researching teenagers for their 1980 film, Over the Edge (see entry). Hunter later met Hinton’s editor at a publishers convention in 1979, where he requested to read proofs of the author’s next novel, Tex, released later that year. After Hunter suggested the property to Walt Disney Pictures with actor Matt Dillon in the title role, a 4 Mar 1981 HR article confirmed the studio’s acquisition of the motion picture rights as a conscious effort to “diversify its product” and attract young adult audiences. The 14 Apr 1982 DV suggested that Hinton’s initial meeting with Disney Production Vice President Thomas L. Wilhite ignited reservations that the studio would “take out the sex and drugs,” but she agreed to the project and production was set to commence 11 May 1981, with Hunter making his feature film debut as director. A 2 Mar 1981 DV news item estimated a $4.5 million budget for a thirty-five day shooting schedule. Production notes stated that filmmakers spent two months searching for an actress to play “Jamie Collins” before casting Meg Tilly, who had been selected from a photograph in the Academy Players Directory. Although Tilly previously shot scenes for Fame (1980, see entry), her footage did not appear in the final film, thus making Tex her first onscreen motion picture role. Tex also marked the feature film acting debuts of S. E. Hinton, Tom Virtue, and Emilio Estevez, since Estevez's reported minor role ...
According to production notes in AMPAS library files, screenwriters Charlie Haas and Tim Hunter first realized the rising popularity of author S. E. Hinton while researching teenagers for their 1980 film, Over the Edge (see entry). Hunter later met Hinton’s editor at a publishers convention in 1979, where he requested to read proofs of the author’s next novel, Tex, released later that year. After Hunter suggested the property to Walt Disney Pictures with actor Matt Dillon in the title role, a 4 Mar 1981 HR article confirmed the studio’s acquisition of the motion picture rights as a conscious effort to “diversify its product” and attract young adult audiences. The 14 Apr 1982 DV suggested that Hinton’s initial meeting with Disney Production Vice President Thomas L. Wilhite ignited reservations that the studio would “take out the sex and drugs,” but she agreed to the project and production was set to commence 11 May 1981, with Hunter making his feature film debut as director. A 2 Mar 1981 DV news item estimated a $4.5 million budget for a thirty-five day shooting schedule. Production notes stated that filmmakers spent two months searching for an actress to play “Jamie Collins” before casting Meg Tilly, who had been selected from a photograph in the Academy Players Directory. Although Tilly previously shot scenes for Fame (1980, see entry), her footage did not appear in the final film, thus making Tex her first onscreen motion picture role. Tex also marked the feature film acting debuts of S. E. Hinton, Tom Virtue, and Emilio Estevez, since Estevez's reported minor role as a messenger boy opposite his father, Martin Sheen, in Apocalypse Now (1979, see entry), was removed prior to theatrical release.
15 May 1981 HR production charts announced the start of principal photography on 12 May 1981, in Tulsa, OK. A 15 May 1981 HR brief indicated that filming relocated to Bixby, OK, before a 7 Jul 1981 DV item reported that production had been completed. According to production notes, the now-$5 million picture was shot at many of the actual locations mentioned in Hinton’s novel, with local residents hired as secondary characters and background actors. Tex marked an influx of filming in Tulsa, as well as an upsurge in adaptations of S. E. Hinton’s four novels; following the completion of principal photography on The Outsiders (1983, see entry), director Francis Ford Coppola was vying for screen rights to her 1975 work, Rumble Fish (1983, see entry), and Martin Sheen Productions had acquired an option for That Was Then… This Is Now (1985, see entry), first published in 1971. Hinton explained the phenomenon in the 10 Mar 1982 DV, noting that the film industry was currently targeting audiences in the age bracket she addressed, twelve to twenty-year-olds. According to Hinton, The Outsiders producer Fred Roos and a Disney executive overseeing Tex approached her around the same time, in the summer of 1980, but were unaware of each other’s projects.
On 5 May 1982, DV reported that Disney had begun a thirty-four city joint publicity tour for Tex and Tron (1982, see entry), which were both scheduled for release in summer 1982. A 12 Aug 1982 DV story stated that Tex had been playing in 150 theaters throughout the Southern U.S. since 30 Jul 1982. However, Disney chose to delay the late Jul--early Aug 1982 national openings until dates in late Sep--Nov 1982, citing the large number of current films aimed at similar teenage markets creating competition. Although the 15 Oct 1982 LAHExam claimed that the earlier regional opening yielded poor box-office returns, Tex received positive reviews at its 28 Sep 1982 New York Film Festival screening. Disney then began limited engagements 1 Oct 1982 in New York City and other towns along the East Coast, gradually expanding across the country until reaching Los Angeles, CA, on 19 Nov 1982.
End credits include the following acknowledgment: “With special thanks to the Oklahoma Film Commission for their help and cooperation.”
One morning before school, fifteen-year-old Texas “Tex” McCormick rides his horse outside his family’s farmhouse in Bixby, Oklahoma, where his cynical older brother, Mason, fills out an application questionnaire for Indiana University. Although Mason doubts he can achieve his dream of attending the school on a basketball scholarship, Tex assures him that their absent father will soon return with money earned from his five-month rodeo tour. After catching a ride to school with his wealthy friend, Johnny Collins, Tex flirts with Johnny’s impertinent younger sister, Jamie, who teases him for smelling like horses. That afternoon, Mason reveals that he sold their two mares to pay for bills and groceries. Distraught, Tex attacks his brother and storms out in search of the animals, but Mason forces him to return home. That night, Tex overhears Mason griping to the eldest Collins boy, Bob, that he may have to sacrifice his chances for a basketball scholarship in order to look after his brother. Around midnight, a family friend named Lem Peters announces the recent birth of his son, and the boys sneak into the Collins’ lavish house to share the news and celebrate with Johnny. Tex creeps down the hallway to wake Jamie, ducking into the closet to hide from her overbearing father, Cole Collins. Back in Johnny and Bob’s room, Lem and the Collins boys mock Jamie for being a feminist, but Tex warns them to leave her alone. Later that week, Tex and Johnny attend the Oklahoma State Fair in the nearby city of Tulsa, where Jamie convinces Tex to have his fortune read by a psychic. Although the woman confirms that he will not get his horses back, she ...
One morning before school, fifteen-year-old Texas “Tex” McCormick rides his horse outside his family’s farmhouse in Bixby, Oklahoma, where his cynical older brother, Mason, fills out an application questionnaire for Indiana University. Although Mason doubts he can achieve his dream of attending the school on a basketball scholarship, Tex assures him that their absent father will soon return with money earned from his five-month rodeo tour. After catching a ride to school with his wealthy friend, Johnny Collins, Tex flirts with Johnny’s impertinent younger sister, Jamie, who teases him for smelling like horses. That afternoon, Mason reveals that he sold their two mares to pay for bills and groceries. Distraught, Tex attacks his brother and storms out in search of the animals, but Mason forces him to return home. That night, Tex overhears Mason griping to the eldest Collins boy, Bob, that he may have to sacrifice his chances for a basketball scholarship in order to look after his brother. Around midnight, a family friend named Lem Peters announces the recent birth of his son, and the boys sneak into the Collins’ lavish house to share the news and celebrate with Johnny. Tex creeps down the hallway to wake Jamie, ducking into the closet to hide from her overbearing father, Cole Collins. Back in Johnny and Bob’s room, Lem and the Collins boys mock Jamie for being a feminist, but Tex warns them to leave her alone. Later that week, Tex and Johnny attend the Oklahoma State Fair in the nearby city of Tulsa, where Jamie convinces Tex to have his fortune read by a psychic. Although the woman confirms that he will not get his horses back, she urges him to resist the changes that will occur within the next year of his life. Tex returns home intoxicated, remembering the fight he witnessed between his parents when he was young, which led to his mother running away during a rainstorm and fatally contracting pneumonia. The boy awakens early the next morning to hear Cole Collins interrogating Mason about why Bob and Johnny came home drunk the night before. Insisting that his sons would never abuse alcohol, Cole blames Tex for their behavior and threatens to report the McCormicks to state welfare officials unless they stay away from his family. Tex asks if he can accompany his older brother to school in Indiana, but Mason continues to doubt his chances of attending, despite his relentless dedication to the basketball team. In art class that afternoon, Tex sets fire to his craft project, eliciting a stern warning from the otherwise sympathetic school principal, Mrs. Johnson. Following two weeks of tense separation between Tex and Johnny, Jamie encourages Tex to confront her brother during a dirt bike race after school. When Johnny crashes his motorbike, Tex mounts the vehicle and boldly jumps over a creek, earning praise for the stunt and instantly rekindling his friendship with Johnny. One day, Tex runs into Jamie at a Tulsa shopping mall while waiting for Mason to have tests done the hospital. After learning that Mason has contracted an ulcer, the boys visit Lem’s new baby, and Mason criticizes their friend for earning extra money peddling drugs. On the ride home, Tex asks Mason about kissing girls and is shocked to discover his brother is a virgin. Suspicious of Tex’s interest, Mason discourages him from beginning a relationship with Jamie because of their class differences. They then pick up a hitchhiking fugitive, who points a gun to Mason’s chest and instructs Tex to drive toward the state border. To attract the attention of a following police car, Tex suddenly swerves off the road, and the officers shoot the criminal dead. Seeing the boys on that evening’s television news report, their father, “Pop” McCormick, telephones to announce his return from the rodeo. He arrives early the next morning and is berated by Mason for his negligence as a parent. As a result, Pop promises to buy back Tex’s horse, but Tex is heartbroken when the new owners refuse to return the animal, which has been domesticated as a show horse for a young girl. Over the next few weeks, Mason becomes dispirited by an injury and the lack of response from Indiana University, unaware that Tex hid the application form out of revenge. After a basketball game, Tex kisses Jamie in his truck and confesses his love for her. Although she returns his feelings, she refuses to have sex with him at such a young age, citing her need to first discover her own identity. He earnestly suggests they get married later in life, but she laughs at him. One day, Tex and Johnny are suspended for vandalizing the school typewriters, and Cole scolds Pop, who laughingly dismisses the punishment. However, Mrs. Johnson tells Tex that she recognizes his love of horses and has recommended him for a job as a ranch hand. Thanking her, he leaves her office and overhears Mason reveal that Pop is not Tex’s biological father. Overwhelmed, Tex runs outside and finds Lem, whom he accompanies on a trip to resolve a disputed drug deal. When Tex attempts to leave, the angry buyer points a gun at his head, but Tex wrestles the weapon from his hands. Although Tex momentarily intends to kill the man, he quickly calms down and agrees to leave. In the car, however, he realizes he was shot in the scuffle, and Lem, afraid of running into trouble with the police, abandons him in a parking lot. Using a pay telephone, Tex calls Jamie to tell her he has been shot, but Cole gets on the line and instructs him to hang up. Just as he sits to staunch the bleeding, Lem returns and takes him to the hospital. Once Tex awakens from surgery, Pop explains that Tex’s mother once had a tryst with another man while he served jail time for illegally selling alcohol as a bootlegger. Knowing that Mason now plans to defer his college application another year, Tex pulls the crumpled envelope from his jacket pocket and secretly fills out the form while alone in his hospital room. Upon learning of his unexpected admittance, Mason eventually realizes that Tex was responsible and stops by the ranch to thank him. With a smile, Tex encourages Mason to accept the offer and returns to his duties among the horses.
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