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       A 13 Jun 1984 Var news item announced the working title of the sequel to Breakin’ (1984, see entry) as Electric Boogaloo – Breakin’ II. HR production charts on 31 Jul 1984 listed the film as Electric Boogaloo Is Breakin’ II and referred to two earlier working titles, Electric Boogie/Breakin’ Part 2 and Electric Boogaloo. A 31 Oct 1984 Var article reported a title change to Breakin’ 2 Is Electric Boogaloo.
       A 21 Aug 1984 DV brief stated actor Jim McKrell was cast, but his name does not appear in onscreen credits.
       DV production charts on 17 Aug 1984 announced that principal photography began 19 Jul 1984 in Southern California. Locations included Los Angeles City Hall, Hollenbeck Park and Casa del Mexicano in Boyle Heights.
       The 19 Dec 1984 LAT review stated Breakin’ 2 Electric Boogaloo “may be the best of this year’s crop of street-dance movies, taking us on an exuberant Soul Train-ride that bounces to the topsy-turvy beat of the street and reverberates with the infectious high spirits of its wild children.”
      End credits include the following statement: “Special thanks to VM Sports Accessories and the residents of East Los Angeles.”
...

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       A 13 Jun 1984 Var news item announced the working title of the sequel to Breakin’ (1984, see entry) as Electric Boogaloo – Breakin’ II. HR production charts on 31 Jul 1984 listed the film as Electric Boogaloo Is Breakin’ II and referred to two earlier working titles, Electric Boogie/Breakin’ Part 2 and Electric Boogaloo. A 31 Oct 1984 Var article reported a title change to Breakin’ 2 Is Electric Boogaloo.
       A 21 Aug 1984 DV brief stated actor Jim McKrell was cast, but his name does not appear in onscreen credits.
       DV production charts on 17 Aug 1984 announced that principal photography began 19 Jul 1984 in Southern California. Locations included Los Angeles City Hall, Hollenbeck Park and Casa del Mexicano in Boyle Heights.
       The 19 Dec 1984 LAT review stated Breakin’ 2 Electric Boogaloo “may be the best of this year’s crop of street-dance movies, taking us on an exuberant Soul Train-ride that bounces to the topsy-turvy beat of the street and reverberates with the infectious high spirits of its wild children.”
      End credits include the following statement: “Special thanks to VM Sports Accessories and the residents of East Los Angeles.”

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GEOGRAPHIC LOCATIONS
SOURCE CITATIONS
SOURCE
DATE
PAGE
Box Office
Feb 1985
---
Daily Variety
17 Aug 1984
---
Daily Variety
21 Aug 1984
---
Hollywood Reporter
31 Jul 1984
---
Hollywood Reporter
17 Dec 1984
p. 19
LAHExam
20 Dec 1984
---
Los Angeles Times
19 Dec 1984
p. 7
New York Times
19 Dec 1984
p. 22
Variety
13 Jun 1984
---
Variety
31 Aug 1984
---
Variety
19 Dec 1984
p. 19
CAST
NAME
CREDITED AS
CREDIT
Also starring:
Susie Bono
And
as The head nurse
[and]
Dancers, The TKO Group:
Dancers, Electro-Rockers:
The Footlockers:
[and]
Dancers, Miracles:
Dancers, Foxy Nurses Hospital Scene:
Marcea Lane
Dancers, Lucia's Latin Gang:
Specialty acts the final show:
Featured dancers:
Dancers:
Gymnasts:
+
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION COMPANIES
PRODUCTION TEXTS
Tri-Star Pictures presents
A Cannon Group Picture
a Golan-Globus production
of a Sam Firstenberg film
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTORS
Unit prod mgr
1st asst dir
2d asst dir
2d asst dir
DGA trainee
PRODUCERS
WRITERS
PHOTOGRAPHY
Dir of photog
2d cam op
1st asst cam
2d unit dir of photog
Addl cam op
Spec cam op
Addl 1st asst cam
G. Kris Rao
Addl 1st asst cam
Addl 1st asst cam
2d asst cam
2d asst cam
2d asst cam
Rehearsal video cam
Gaffer
Best boy elec
Key grip
Best boy grip
Spec cam, grip, and lighting rigs by
Still photog
Still photog
ART DIRECTORS
FILM EDITORS
Supv ed
Film ed
Film ed
Film ed
Film ed
1st asst film ed
Asst ed
Asst ed
Asst ed
Asst ed
Asst ed
Addl ed
Addl ed
Addl ed
SET DECORATORS
Set dec
Leadman
Set dresser
Set dresser
Set dresser
Prop master
Const coord
Carpenter
Scenic artist
Painter
Painter
Graffiti artist
Graffiti artist
Prop truck driver
Set dressing truck driver
COSTUMES
Cost des
Cost des
Costumer
Costumer
Costumer
Finale cost provided by
MUSIC
Mus supv
Song supv
Underscore
Mus ed
Asst mus ed
Mus coord
Mixing eng
Mixing eng
Mixing eng
SOUND
Prod sd mixer
Cableman
Sd eff ed
Sd eff ed
Sd eff ed
Lorrie Oshatz
Dialogue ed
ADR ed
ADR ed
Foley ed
Foley ed
Foley ed
Asst sd ed
Asst sd ed
Re-rec mixer
Re-rec mixer
Re-rec mixer
Re-rec at
Rec eng
Rec eng
VISUAL EFFECTS
Spec mechanical eff
Titles des
Titles and opt by
DANCE
Choreog
Asst to the choreog
Dance coord
MAKEUP
Makeup supv/Hairstylist
Makeup artist
Lily Benyair
Makeup artist
Asst makeup/Hair
PRODUCTION MISC
Exec in charge of prod
Casting
Casting
Prod supv
Unit/Loc mgr
Prod coord
Scr supv
Asst loc mgr
Key prod asst
Prod asst
Prod asst
Prod asst
Craft service
Asst to Mr. Firstenberg
Extras casting
Extras set coord
Transportation coord
Transportation capt
Prod van driver
Motor home driver
Caterer
Caterer
Studio teacher
Studio teacher
Studio teacher
Nurse
Prod accountant
Post-prod supv
Prod asst for Brown Sugar Productions
Asst to Russ Regan
A&R admin, Polygram Records
Pub coord
National pub representatives
Prod equip and facilities supplied by
STAND INS
Stunt coord
Stunt double
Stunt double
Stunt double
COLOR PERSONNEL
Col by
SOURCES
LITERARY
Based on characters created by Charles Parker and Allen DeBevoise.
LITERARY SOURCE AUTHORS
SONGS
"Believe In The Beat," performed by Carol Lynn Townes, written by Laynge Martine, rhythm arrangements by Ollie E. Brown and Sylvester L. Rivers, produced by Ollie E. Brown for Brown Sugar Productions, dedicated to the memory of Irwin Schuster; "Electric Boogaloo," performed by Ollie & Jerry, written by Ollie E. Brown, Attala Z. Giles, Russ Regan, produced and arranged by Ollie E. Brown for Brown Sugar Productions; "Stylin'," performed by Firefox (Toi Overton, Paulette McWilliams), written by Ollie E. Brown, Jerry Knight, Attala Z. Giles, produced and arranged by Ollie E. Brown for Brown Sugar Productions; "Spice," performed by Ollie & Jerry, written by Ollie E. Brown, Jerry Knight, produced and arranged by Ollie E. Brown for Brown Sugar Productions; "Din Daa Daa," performed by George Kranz, written by George Kranz, produced by Christoph Frank and George Kranz, courtesy of Personal Records, Inc., licensed by Pool Music Berlin; "Radiotron," performed by Firefox (Toi Overton, Paulette McWilliams), written by Ollie E. Brown, Jerry Knight, Attala Z. Giles, produced and arranged by Ollie E. Brown for Brown Sugar Productions; "Gotta Have The Money," performed by Steve Donn, written by Jimmy George, produced by Jimmy George for Jimmy George Productions; "Set It Out," performed by Midway, written by Bruce Nazarian, Duane Bradley, produced by by Bruce Nazarian and Duane Bradley, courtesy of Personal Records, Inc., a D&B Production; "Reckless Rivalry," rap by Ice-T, written by Chris "The Glove" Taylor, produced by Chris "The Glove" Taylor; "Action," performed by Ollie & Jerry, written by Ollie E. Brown, Jerry Knight, Attala Z. Giles, produced and arranged by Ollie E. Brown for Brown Sugar Productions; "Oye Mamacita," performed by Rags and Riches, written by Jeff Barry and Nino Tempo, produced by Bobby Ragona, Steve Loeb, Rick Bleiweiss, courtesy of PolyGram Records; "Jamin' In Manhattan," performed by Jeff Tyzik, written by Jeff Tyzik, Mike Boone and Bob Stein, courtesy of Polydor Records; "I Don't Want To Come Down," performed by Mark Scott, written by Johnny Burton, produced by Don Davis and Johnny Burton; "Go Off," performed by Ice-T, featuring Chris "The Glove" Taylor and Afrika Islam, music by David Storrs, written by Ice-T and David Storrs, produced by David Storrs and Chris "The Glove" Taylor for Underglove, Ltd.; "Physical Clash," performed by Ollie & Jerry, written by Ollie E. Brown, Jerry Knight, produced and arranged by Ollie E. Brown for Brown Sugar Productions; "When I.C.U.," performed by Ollie & Jerry, written by Ollie E. Brown, Jerry Kinght, Attala Z. Giles, produced and arranged by Ollie E. Brown for Brown Sugar Productions; "High Tension," performed by J. D. Nicholas, written by J. D. Nicholas and Howie Rice, produced by J. D. Nicholas and Howie Rice; "Do Your Thang," performed by Satisfaction, written by Ollie E. Brown, produced and arranged by Ollie E. Brown for Brown Sugar Productions.
SONGWRITERS/COMPOSERS
+
DETAILS
Alternate Titles:
Breakin' 2 Is Electric Boogaloo
Electric Boogaloo
Electric Boogaloo – Breakin' II
Electric Boogaloo Is Breakin' II
Release Date:
19 December 1984
Premiere Information:
Los Angeles and New York openings: 19 Dec 1984
Production Date:
began 19 Jul 1984 in Southern California
Copyright Info
Claimant
Date
Copyright Number
Cannon Productions, N. V.
6 December 1984
PA245408
Physical Properties:
Sound
Dolby Stereo ® in Selected Theatres
Color
Lenses
Arriflex cameras supplied by Cine Video Motion Picture Equipment Corp., Hollywood, California
Duration(in mins):
94
MPAA Rating:
PG
Country:
United States
Language:
English
PCA No:
27596
SYNOPSIS

As professional dancer Kelly Bennett grows tired of working in the chorus line of musical theatre productions, her parents think she is wasting her life. Kelly visits her former dance partners, Ozone and Turbo, in East Los Angeles, California. The boys take Kelly to the “Miracles” Community Center, where they teach break dancing classes, and introduce her to proprietor Byron Smith. Ozone encourages Kelly to join them and teach at the center. Meanwhile, a developer, Mr. Douglas, and a city planner, Ken Randall, plan to demolish the center and build a shopping complex. Later, at the neighborhood dance club, Radiotron, Ozone, Turbo, and Kelly clash with a rival dance group, Electro Rock, and its leader, Strobe. Sometime later, Byron receives a letter from the city informing him that he has thirty days to raise $200,000 to renovate the center or face closure. The kids rally to attempt to save the center and raise $7,000 with a car wash, but remain far from their goal. Undeterred, they decide to stage a street festival. Over dinner, Kelly’s agent, Stanley, informs her of an audition for the lead in a show scheduled to open in Paris, France. Back at the community center, Ozone questions Kelly’s commitment to the cause, and the Electro Rock crew toss an aerosol paint can through the center’s window. The kids chase Electro Rock to a spot under a nearby bridge and a dance-off ensues. When the kids return to the center, there is a confrontation with Douglas, and they inform him of their plans to fight his project. Later, Ozone’s former girl friend, Rhonda, tells him to stay away from Kelly. Meanwhile, “Coco,” a dancer in Hollenbeck ...

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As professional dancer Kelly Bennett grows tired of working in the chorus line of musical theatre productions, her parents think she is wasting her life. Kelly visits her former dance partners, Ozone and Turbo, in East Los Angeles, California. The boys take Kelly to the “Miracles” Community Center, where they teach break dancing classes, and introduce her to proprietor Byron Smith. Ozone encourages Kelly to join them and teach at the center. Meanwhile, a developer, Mr. Douglas, and a city planner, Ken Randall, plan to demolish the center and build a shopping complex. Later, at the neighborhood dance club, Radiotron, Ozone, Turbo, and Kelly clash with a rival dance group, Electro Rock, and its leader, Strobe. Sometime later, Byron receives a letter from the city informing him that he has thirty days to raise $200,000 to renovate the center or face closure. The kids rally to attempt to save the center and raise $7,000 with a car wash, but remain far from their goal. Undeterred, they decide to stage a street festival. Over dinner, Kelly’s agent, Stanley, informs her of an audition for the lead in a show scheduled to open in Paris, France. Back at the community center, Ozone questions Kelly’s commitment to the cause, and the Electro Rock crew toss an aerosol paint can through the center’s window. The kids chase Electro Rock to a spot under a nearby bridge and a dance-off ensues. When the kids return to the center, there is a confrontation with Douglas, and they inform him of their plans to fight his project. Later, Ozone’s former girl friend, Rhonda, tells him to stay away from Kelly. Meanwhile, “Coco,” a dancer in Hollenbeck Park, catches Turbo’s eye and asks Ozone for romantic advice. Following Kelly’s audition for the Paris show, she denies Stanley’s suggestion that she is in love with Ozone. Meanwhile, her father is displeased that she is dancing with the breakers again. Kelly invites Ozone and Turbo to dinner at her parents’ house to ask her father for advice on raising money for the center. Mr. Bennett invites Derek, Kelly’s ex-boyfriend, to join them, and insults Ozone and Turbo. Later, as Kelly counsels Turbo, his relationship with Coco blooms. At club Radiotron, Ozone asks Strobe for a truce and his support in saving the community center, but the Electro Rock leader refuses. Kelly informs Ozone she got the Paris job, but is unsure whether to take it. Afterward, Ozone insists he cannot make up her mind for her, and she telephones Stanley to accept the offer. As Kelly leaves the club, Rhonda threatens her and warns her to stay away from Ozone and out of the neighborhood. The next day, Kelly shops with her mother for her trip to France, but becomes conflicted when she sees a group of break dancers performing on a street corner. Sometime later, Ozone and Byron address Commissioner Mrs. Margaret Snyder and the zoning committee on behalf of the community center. Randall argues that the group lacks the resources to make the required improvements on the building. Snyder rules in favor of Randall, accepts Douglas’s bid for the property, and orders the center vacated within two weeks. Back at the center, when workers begin assessing the project, Turbo steals a piece of equipment. Chased by a pair of workers, he falls down a flight of stairs and is badly hurt. Ozone informs Kelly of the accident as she prepares to leave for Paris, and she tells Stanley that she cannot go. At the hospital, a kiss from Coco awakens an unconscious Turbo and a dance party breaks out. Later, Mr. Bennett offers to save Miracles on condition Kelly agrees to leave and attend Princeton University. However, Ozone refuses to allow her to do so and insists they can save the community center together, without her father’s help. Meanwhile, Coco assists Turbo in escaping from the hospital and the kids build a stage for the street festival. An altercation between Kelly and Rhonda is interrupted by the arrival of bulldozers, and the kids halt the work by dancing. Douglas orders the bulldozers to wreck the stage, but the drivers refuse. With the arrival of a television crew, and newscaster Howard Howard, Randall informs Douglas the city is withdrawing its support for his shopping center. To save face, Douglas announces he is donating $10,000 to the center. Howard allows Ozone to make an on-camera plea to raise the additional money to renovate the center. He invites them to attend the street festival, a large crowd turns out, and the center’s fundraising reaches $150,000, but is still short of their goal. However, Kelly’s parents see the event on television and, impressed by her conviction, donate the final $50,000.

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Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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