Heartbreakers (1984)

R | 98 mins | Drama, Romance | 28 September 1984

Director:

Bobby Roth

Writer:

Bobby Roth

Producers:

Bob Weis, Bobby Roth

Cinematographer:

Michael Ballhaus

Editor:

John Carnochan

Production Designer:

David Nichols

Production Companies:

Jethro Films, Orion Pictures Corporation
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HISTORY

       A 7 Sep 1983 HR news brief announced that John Heard and Michael Ontkean were considered for the lead roles eventually played by Peter Coyote and Nick Mancuso.
       An 11 Oct 1984 DV article reported that Australian entrepreneur and producer Bob Weis agreed to invest $2.2 million in the picture, if $750,000 in pre-sales could be guaranteed. Deals were made with distributor Orion Pictures Corporation and Home Box Office (HBO) for home video and cable broadcast, respectively. Based on the casting of French Canadian actress Carole Laure, Orion also purchased foreign rights. A total of $1.6 million in commitments were secured, as well as $300,00 in primarily above-the-line deferrals, prior to production. Principal photography occurred 27 Feb--6 Apr 1984 in Los Angeles, CA. Locations included Traction Avenue and the Second Street tunnel in downtown, Fatburger on La Cienega Boulevard, the Voila nightclub in the Beverly Center, Sports Connection and Spago restaurant in West Hollywood.
       According to a 21 Sep 1984 LAT article, the film received a preliminary X-rating from the Motion Picture Association of America (MPAA) for a sex scene involving “Blue,” “Eli,” and “Candy.” Roth cut much of the “sexual interplay” and the film was released with an R-rating.
       The 26 Sep 1984 Var review stated that the film was “one of the best American films in some time about contemporary relations between the sexes and men’s emotional lives.”
      End credits include the following statements: “Thanks to Norman S. Aladjem, Nicole David, Bob Estrin, Elie J. Gindi, Judie Gregg, G. Ray Hawkins, Marlene Morris, Arnold Rifkin, Syd & Pearl Roth, Craig Storper, Beth Sullivan, Don & ...

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       A 7 Sep 1983 HR news brief announced that John Heard and Michael Ontkean were considered for the lead roles eventually played by Peter Coyote and Nick Mancuso.
       An 11 Oct 1984 DV article reported that Australian entrepreneur and producer Bob Weis agreed to invest $2.2 million in the picture, if $750,000 in pre-sales could be guaranteed. Deals were made with distributor Orion Pictures Corporation and Home Box Office (HBO) for home video and cable broadcast, respectively. Based on the casting of French Canadian actress Carole Laure, Orion also purchased foreign rights. A total of $1.6 million in commitments were secured, as well as $300,00 in primarily above-the-line deferrals, prior to production. Principal photography occurred 27 Feb--6 Apr 1984 in Los Angeles, CA. Locations included Traction Avenue and the Second Street tunnel in downtown, Fatburger on La Cienega Boulevard, the Voila nightclub in the Beverly Center, Sports Connection and Spago restaurant in West Hollywood.
       According to a 21 Sep 1984 LAT article, the film received a preliminary X-rating from the Motion Picture Association of America (MPAA) for a sex scene involving “Blue,” “Eli,” and “Candy.” Roth cut much of the “sexual interplay” and the film was released with an R-rating.
       The 26 Sep 1984 Var review stated that the film was “one of the best American films in some time about contemporary relations between the sexes and men’s emotional lives.”
      End credits include the following statements: “Thanks to Norman S. Aladjem, Nicole David, Bob Estrin, Elie J. Gindi, Judie Gregg, G. Ray Hawkins, Marlene Morris, Arnold Rifkin, Syd & Pearl Roth, Craig Storper, Beth Sullivan, Don & Roz Tobin, Steve Ujlaki, Jeffrey White, Harley Williams,” and, “Special Thanks to Leslie Z. Tobin.”

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GEOGRAPHIC LOCATIONS
SOURCE CITATIONS
SOURCE
DATE
PAGE
Daily Variety
11 Oct 1984
p. 7
Hollywood Reporter
7 Sep 1983
---
Hollywood Reporter
25 Sep 1984
p. 3, 45
Los Angeles Times
21 Sep 1984
---
Los Angeles Times
27 Sep 1984
p. 1
Los Angeles Times
15 Jan 1985
---
New York Times
15 Mar 1985
p. 14
Variety
26 Sep 1984
p. 15
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION TEXTS
An Orion Pictures release
A Jethro Films presentation
A Bob Weis production
A Bobby Roth film
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTORS
Prod mgr
1st asst dir
2d asst dir
PRODUCERS
Prod
Prod
Assoc prod
Exec prod
Exec prod
Exec prod
WRITER
PHOTOGRAPHY
Dir of photog
1st asst cam
2d asst cam
Still photog
2d unit asst cam
Gaffer
Best boy
Elec
Key grip
Best boy
ART DIRECTORS
Prod des
Asst art dir
FILM EDITORS
1st asst ed
2d asst ed
Apprentice ed
Negative cutter
SET DECORATORS
Prop master
Asst prop master
Asst set dec
Set dresser
Set dresser
Swing gang
Swing gang
Swing gang
Swing gang
John Fulton
Swing gang
Swing gang
Swing gang
Swing gang
Swing gang
Swing gang
Swing gang
Swing gang
COSTUMES
Cost des
Cost consultant
Cost supv
Key costumer
Asst costumer
Carol Wayne's outfits
Garden Grove, California
Dance wear
Sportswear
Sports shoes
MUSIC
Mus clearances
SOUND
Sd mixer
Supv sd ed
SounDelux
ADR ed
Sd ed
Asst sd ed
Re-rec mixer
Re-rec mixer
Re-rec mixer
VISUAL EFFECTS
Spec eff
Opticals by
DANCE
Choreog
MAKEUP
Makeup artist
Anne "Medusah" Aulenta
Hairstylist
Asst makeup
Asst hairstylist
PRODUCTION MISC
Casting
Casting
In charge of prod
Scr supv
Prod controller
Prod controller
Prod coord
Prod secy
Asst to Bobby Roth
Prod asst
Prod asst
Prod asst
Prod asst
Prod asst
Transportation capt
Transportation Co-capt
Driver
Driver
Driver
Driver
Loc mgr
Pub consultant
Extra casting
Craft service
Photos supplied by
Copyright ©1984
Cadillac
Blue's paintings
King's paintings
Addl orig artwork contr
Addl orig artwork contr
Addl orig artwork contr
Addl orig artwork contr
Addl orig artwork contr
Addl orig artwork contr
Addl orig artwork contr
Addl orig artwork contr
Addl orig artwork contr
Addl orig artwork contr
Addl orig artwork contr
Paintings by
Courtesy of Cirrus Gallery, Los Angeles
Sculptures by
Courtesy of Gemini G.E.L., Los Angeles
Drawing by
Courtesy of Karl Bornstein Gallery, Santa Monica
Paintings by
Courtesy of Swope Gallery, Los Angeles
Paintings by
Courtesy of Swope Gallery, Los Angeles
Handcolored photog by
Courtesy of G. Ray Hawkins Gallery, Los Angeles
Drawing by
Courtesy of the Frederick R. Weisman Foundation
Ceramic sculpture by
Courtesy of Spago Restaurant, Los Angeles
Painting by
Courtesy of Spago Restaurant, Los Angeles
Lithograph by
From the private collection of Harold Humas
Sculpture by
From the private collection of Harold Humas
Painting by
From the private collection of Leslie Z. Tobin & Bobby Roth
Addl paintings by
From private collections of Billy & Gwen Cioffi, John & Linda Gunn, Bruce McCullough, Robert Overby
COLOR PERSONNEL
Col timer
Col by
SOURCES
SONGS
"The Blues Don't Care," performed and produced by Etta James, written and arranged by Etta James & Brian Ray; "I've Been Loving You Too Long," performed by Otis Redding, courtesy of Atlantic Recording Corporation by arrangement with Warner Special Products; "Transformation," performed by Nona Hendryx, courtesy of RCA Records; "You Want More," performed and produced by Etta James, arranged by Etta James & Brian Ray, written by Etta James, Brian Ray, Steve Le Gassick & Leo Nocentelli; "Love Is A Battlefield," performed by Pat Benatar, courtesy of Chrysalis Records.
SONGWRITERS/COMPOSERS
+
SONGWRITERS/COMPOSERS
+
DETAILS
Release Date:
28 September 1984
Premiere Information:
Los Angeles opening: 28 Sep 1984; New York opening: 15 Mar 1985
Production Date:
27 Feb––6 Apr 1984 in Los Angeles, CA
Copyright Info
Claimant
Date
Copyright Number
Orion Pictures Corporation
22 February 1985
PA241494
Physical Properties:
Sound
Color
Lenses
Cameras by Arriflex®
Duration(in mins):
98
MPAA Rating:
R
Country:
United States
Language:
English
SYNOPSIS

While eating breakfast in a downtown Los Angeles, California, coffee shop, women’s sportswear executive Eli Kahn laments his lack of a romantic relationship to his best friend, painter Arthur Blue. At the same time, Blue, is jealous that his live-in girl friend, Cyd, has lunch with a rival artist, Chuck King. Blue argues that King is an inferior artist and a sellout, but Cyd denies they are having an affair. That night, Blue quits his job at a printing firm and sneaks into Eli’s Hollywood Hills home. When Eli arrives with his date, Libby, Blue interrupts their lovemaking to share his news, and the trio retires to the fast food restaurant Fatburger for a midnight snack. Blue announces he wants to take his career more seriously and find a gallery for his work. Eli explains that Blue had an exhibition four years earlier and went to jail after beating up the Los Angeles Times art critic. Cyd walks into the restaurant with King, and apologizes to a crestfallen Blue for lying about the affair. The next morning, Cyd returns to Blue’s downtown loft to collect her belongings. Blue begs her to stay, but she argues that he values his work over their relationship. Sometime later, Eli’s father, Max Kahn is hospitalized and informs his son that the family sportswear business is in trouble. Elsewhere, Blue goes to the T. Ray Gallery and demands to see the owner, Terry Ray. Terry’s assistant, Liliane, attempts to deter the artist, claiming his work objectifies women. However, Terry, inspired by Blue’s painting of pinup Bettie Page, offers ...

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While eating breakfast in a downtown Los Angeles, California, coffee shop, women’s sportswear executive Eli Kahn laments his lack of a romantic relationship to his best friend, painter Arthur Blue. At the same time, Blue, is jealous that his live-in girl friend, Cyd, has lunch with a rival artist, Chuck King. Blue argues that King is an inferior artist and a sellout, but Cyd denies they are having an affair. That night, Blue quits his job at a printing firm and sneaks into Eli’s Hollywood Hills home. When Eli arrives with his date, Libby, Blue interrupts their lovemaking to share his news, and the trio retires to the fast food restaurant Fatburger for a midnight snack. Blue announces he wants to take his career more seriously and find a gallery for his work. Eli explains that Blue had an exhibition four years earlier and went to jail after beating up the Los Angeles Times art critic. Cyd walks into the restaurant with King, and apologizes to a crestfallen Blue for lying about the affair. The next morning, Cyd returns to Blue’s downtown loft to collect her belongings. Blue begs her to stay, but she argues that he values his work over their relationship. Sometime later, Eli’s father, Max Kahn is hospitalized and informs his son that the family sportswear business is in trouble. Elsewhere, Blue goes to the T. Ray Gallery and demands to see the owner, Terry Ray. Terry’s assistant, Liliane, attempts to deter the artist, claiming his work objectifies women. However, Terry, inspired by Blue’s painting of pinup Bettie Page, offers him a show in six weeks. Terry requests twelve paintings and informs Blue that he takes sixty percent of any sales. Later, Blue works with his model, Candy Keen, and acknowledges that he misses Cyd. When he and Eli attend the opening of Cyd's lover’s art show at Terry’s gallery, Blue becomes intoxicated and makes a scene. Liliane catches Eli’s attention before he is forced to escort Blue away. Back at Eli’s home, Blue warns that Liliane is a militant feminist. Just then, Eli gets a telephone call and learns of his father’s death. The next day, Blue negotiates an inexpensive casket on Eli’s behalf, and that night, Blue takes Eli to T. Ray gallery to show him how the space looks without a crowd. Although they arrive after hours, Liliane allows them in and Eli flirts with her. Sometime later, Eli goes to Blue’s loft and finds his friend passed out, holding photographs of Cyd. Eli cleans up the studio and puts Blue in the shower to wake him up. Wanting to encourage Blue to enjoy life, the men meet Candy at a grocery store. When Eli suggests they go to her apartment, he cooks them dinner. Afterward, Candy initiates a ménage à trios, but Eli eventually leaves. The next day, the Times’ critic, Warren Williams, visits Blue to see his new work, assuring the artist that he values growth, and that his opinion can help bolster his career. Meanwhile, Eli sees Liliane at a health club, but she refuses his invitation to dinner. Sometime later, as Blue paints, Candy presses him to discuss their relationship, but he wants the passion between them to remain on his canvases. Elsewhere, Eli finally succeeds asking Liliane for a date. After dinner, she does not invite him to her apartment, but she makes love to him in his car. The following day, Eli is confused about Liliane’s behavior and insists that he needs romance, while Blue reveals that he finally sold a painting. Blue visits his romantic rival, King, and they make amends about the affair with Cyd, but when she returns from shopping, Blue asks her to move home. Although he promises things will be different, she insists on staying with King. Eli is patient as he continues his affair with Liliane, but she remains emotionally distant. At the gallery, Blue tells Liliane that he doesn’t understand what Eli sees in her, and Terry announces that he has sold three more of Blue’s paintings for $24,000. In celebration, Blue, Eli, and Liliane go to dinner and Blue explains his interest in fetish art. As Liliane declares his art is a joke, Blue insults her, but apologizes and she kisses him. The three go dancing and Eli senses a physical chemistry between Liliane and Blue. Later, Eli insists that he and Blue play racquetball in front of Liliane, then provokes a fistfight with his friend. In time, Eli visits the loft to apologize and Blue pays back money he borrowed. On the night of his opening, Blue reassures Candy that she is important to him, and Cyd tells him she is happy for his success. As Eli lingers outside the gallery, Liliane attempts to lure him inside, but he is angry that Blue is accepting adulation from the same people who criticized his work four years earlier. After the show, Terry announces that all the paintings sold and he has orders for Blue’s next show. Alone with Liliane, Blue regrets that Eli did not attend. However, she reveals his friend was outside, but did not come in because of her. Excited by Blue’s newfound success, Liliane seduces him on the floor of the gallery. At breakfast the following morning, Blue confesses about the affair to Eli and Blue breaks down in tears. As Eli leads Blue from the café, the friends admit that they each want what the other has, and reaffirm their friendship.

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Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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