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HISTORY

       According to the 10 Nov 1985 SFChronicle, Broken Rainbow took four years to complete. Principal photography began in Jan 1981 as a videotaped television program about uranium mining on Indian land, said producer-director-writer Victoria Mudd, but then changed to a 16mm film documentary about Congress’ forced relocation of Navajos. The 25 Mar 1986 LADN reported that the final film cost between $450,000 and $500,000.
       Broken Rainbow won a 1985 Academy Award for “Best Feature Documentary,” the 31 Mar 1986 DV reported.


      End credits contain the following references to previous films used in Broken Rainbow: “Additional footage: Koyaanisquatsi, Courtesy of Institute for Regional Education, Cinematography by Ron Fricke; Dineh: The People, Pproduced by Jonathon Reinis, Direction and Cinematography by Stephen Horrick. Archival footage: John Allen Archives, Sherman Grinberg Film Library; Hopi Snake Dance [by] Thomas Edison 1906, courtesy of National Archives. Still photos by: Dan Budnik, Courtesy of Woodlin Camp; Kenji Kawano; DeWitt Jones; John Running; Maria Florio. Still photo sources: Los Angeles County Museum of National History; Museum of New Mexico; Ute Tribal Museum; Museum of the American Indian; Mennonite Library and Archives; Navajo Tribal Museum; Bureau of Indian Affairs; Mother Jones Magazine; Southwest Museum, Los Angeles; Wide World Photos; Smithsonian Institute; The Salt Lake Tribune; Wheelwright Museum of the American Indian; U.S. Marine Corps; Navajo Times; Desert Magazine, Inc; National Archives; Presidio Army Museum; UCLA Special Collections. Paintings: ‘The Landing of Columbus,’ National Gallery of Art, Washington; ‘The Land of Columbus,’ Architect of the Capital. Native Quotations: Ten Bears; Black Elk; Luther Standing Bear. Hopi Music: Courtesy of Canyon Records.” End ...

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       According to the 10 Nov 1985 SFChronicle, Broken Rainbow took four years to complete. Principal photography began in Jan 1981 as a videotaped television program about uranium mining on Indian land, said producer-director-writer Victoria Mudd, but then changed to a 16mm film documentary about Congress’ forced relocation of Navajos. The 25 Mar 1986 LADN reported that the final film cost between $450,000 and $500,000.
       Broken Rainbow won a 1985 Academy Award for “Best Feature Documentary,” the 31 Mar 1986 DV reported.


      End credits contain the following references to previous films used in Broken Rainbow: “Additional footage: Koyaanisquatsi, Courtesy of Institute for Regional Education, Cinematography by Ron Fricke; Dineh: The People, Pproduced by Jonathon Reinis, Direction and Cinematography by Stephen Horrick. Archival footage: John Allen Archives, Sherman Grinberg Film Library; Hopi Snake Dance [by] Thomas Edison 1906, courtesy of National Archives. Still photos by: Dan Budnik, Courtesy of Woodlin Camp; Kenji Kawano; DeWitt Jones; John Running; Maria Florio. Still photo sources: Los Angeles County Museum of National History; Museum of New Mexico; Ute Tribal Museum; Museum of the American Indian; Mennonite Library and Archives; Navajo Tribal Museum; Bureau of Indian Affairs; Mother Jones Magazine; Southwest Museum, Los Angeles; Wide World Photos; Smithsonian Institute; The Salt Lake Tribune; Wheelwright Museum of the American Indian; U.S. Marine Corps; Navajo Times; Desert Magazine, Inc; National Archives; Presidio Army Museum; UCLA Special Collections. Paintings: ‘The Landing of Columbus,’ National Gallery of Art, Washington; ‘The Land of Columbus,’ Architect of the Capital. Native Quotations: Ten Bears; Black Elk; Luther Standing Bear. Hopi Music: Courtesy of Canyon Records.” End credits give Special Thanks to: Renee Hersey, Jerry Kammer, Dan Budnik, Nancy Evans, Paul Apodaca, Deborah Anderson, Indian Legal Resource Center, and to: Lu Ashike, Lyn Alcott, Louise Benally, Prof. Edgar Cahn, Mary Lou Carson, Marlene Carter, Barbara Cobb, Diane and Brian Dolan, Percy Deal, Clifford Duncan, Adam Fortune Eagle, Jeff Gilenkirk, Sallie Harris, Russell Hartman, Sarah Mae Harvey, George Hight Studio, Annie Holmes, Donna John, Caleb Johnson, Kadenehe Family, Annie Kahn, Geraldine Keams, George Janecek, Dr. Anna MacIntosh, Detta Lange, Max Gail, Dr. Leon Gottlieb, Peter Matthiessen, Rev. Louie McCabe, Randy Nauert, Parker Nielson, Rain Parrish, Joan Price, Charlotte and Dennis Ray, Max Reid, Godfrey Reggio, Dr. Thayer Scudder, Peggy Scott, Shangri La Studio, Skyline Recording Studio, Robert Stadt, Maureen Starritt, Michael Stuhff, Nina Tamanoff, Tom Tarbet, Laura Villegas, Della Romero, AltonWapole, Jack R. Wilson, Harvey Wasserman, Ethel Lou Yazzie, Robert Young, Michael Wolf, Imperial Vacuum Cleaner, Louisa Miller, Dora Barahona, Southwest Research and Information Center; and to Mem and HSM, Desert Harvest, and Mom.” End credits also contain the following information: “We Gratefully acknowledge the assistance of the Film Fund and David Sandoval of Emancipation Arts,” and “This film is dedicated to the memory of Mina Lansa, Hopi Traditional Leader. Her life’s prayer was that all hearts unite in peace to serve her people.”

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SOURCE CITATIONS
SOURCE
DATE
PAGE
Daily Variety
31 Mar 1986
---
Denver Post
13 Dec 1990
p. 1F
New York Daily News
23 Mar 1986
p. 22
Los Angeles Daily News
25 Mar 1986
---
Los Angeles Times
8 Mar 1986
p. 4
Los Angeles Times
12 Mar 1986
Section L, p. 5
New York Times
11 Apr 1986
p. 12
San Francisco Chronicle
10 Nov 1985
p. 39
Variety
11 Dec 1985
p. 22
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION COMPANY
PRODUCTION TEXT
Earthworks presents
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTORS
Assoc dir
PRODUCERS
Assoc prod
Assoc prod
WRITERS
Addl wrt
Addl wrt
Navajo translations
Addl translations
PHOTOGRAPHY
Fred Elmes
Cine
Photog hand tinting
Negative cutting
ART DIRECTORS
Graphic supv
Maps and graphics
Addl maps and graphics
Prod art
FILM EDITORS
Addl ed
Addl ed
Asst ed
Asst ed
Asst ed
Asst ed
Consult ed
Consult ed
MUSIC
Orig song written and performed by
Mus supv
Mus score
Mus score
Mus score
SOUND
Sd rec
Sd rec
Sd rec
Sd rec
Sd ed/Re-rec mixer
Post-prod supv
Asst sd ed
Re-rec facility
Addl re-rec
Addl re-rec mixer
VISUAL EFFECTS
Title graphic
Opt and Stills
Opt and Stills
Opt and Stills
Typesetting
PRODUCTION MISC
Prod consult
Prod assoc
Photo res
Photo res
Addl res
Addl res
Prod/Exec dir, 2nd unit, International Treaty Coun
Cam, 2nd unit, International Treaty Council Film P
Sd, 2d unit, International Treaty Council Film Pro
Prod assoc, 2nd unit, International Treaty Council
2nd unit, International Treaty Council Film Projec
2nd unit, International Treaty Council Film Projec
2nd unit, International Treaty Council Film Projec
2nd unit, International Treaty Council Film Projec
2nd unit, International Treaty Council Film Projec
2nd unit, International Treaty Council Film Projec
2nd unit, International Treaty Council Film Projec
2nd unit, International Treaty Council Film Projec
Video prod mgr
Hopi translations
Interpreter
Transcripts
Post-prod asst
Film to tape transfers
COLOR PERSONNEL
Timer
Col prints
SOURCES
SONGS
"Broken Rainbow," written and performed by Laura Nyro.
PERFORMED BY
SONGWRITER/COMPOSER
DETAILS
Release Date:
23 October 1985
Premiere Information:
Los Angeles opening: 23 Oct 1985; New York opening: 11 Apr 1986
Production Date:
Jan 1981--1985
Physical Properties:
Sound
Color
Duration(in mins):
69
Country:
United States
Language:
English
SYNOPSIS

Land is most important to Indian people. In 1974, the U.S. Congress ordered 10,000 Navajo to leave their land by 28 Jul 1986. Mae Horseson, a Navajo woman, tells a special House committee that she cannot pay for a home outside the Navajo land, because she has no education or job. The U.S. government created reservations for the Hopi and Navajo in the nineteenth century, and allowed Navajo to stay on Hopi land, yet today the government is spending half a billion dollars to separate them. Hosteen Nez, who moved off the reservation after his house was burned down, has a hard time surviving. He must pay taxes, and pay for water and food, but he has little money. The Hopi are descendants of the Pueblo People, and even today they live near the sacred pueblos on the mesas of Arizona and practice ancient rituals. The Navajos migrated into these same lands centuries ago and settled in the mountains around the Hopis. Traditionally hunters and gatherers, the Navajos became shepherds, developed the art of weaving wool, grew corn, and became rooted to the land, but now half of them have been ordered to relocate. Jane Biakeddy, an old Navajo woman, says the land was put there for her people. They use local herbs to cure illnesses and ailments, and dye wool. If they are taken away from their land, they will lose their culture, as well as their souls. However, Arizona Representative Morris K. Udall says the Navajos should adjust to their new land, which is as good as their old land, and get on with life. For the Indians, this is another instance of suffering for the white ...

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Land is most important to Indian people. In 1974, the U.S. Congress ordered 10,000 Navajo to leave their land by 28 Jul 1986. Mae Horseson, a Navajo woman, tells a special House committee that she cannot pay for a home outside the Navajo land, because she has no education or job. The U.S. government created reservations for the Hopi and Navajo in the nineteenth century, and allowed Navajo to stay on Hopi land, yet today the government is spending half a billion dollars to separate them. Hosteen Nez, who moved off the reservation after his house was burned down, has a hard time surviving. He must pay taxes, and pay for water and food, but he has little money. The Hopi are descendants of the Pueblo People, and even today they live near the sacred pueblos on the mesas of Arizona and practice ancient rituals. The Navajos migrated into these same lands centuries ago and settled in the mountains around the Hopis. Traditionally hunters and gatherers, the Navajos became shepherds, developed the art of weaving wool, grew corn, and became rooted to the land, but now half of them have been ordered to relocate. Jane Biakeddy, an old Navajo woman, says the land was put there for her people. They use local herbs to cure illnesses and ailments, and dye wool. If they are taken away from their land, they will lose their culture, as well as their souls. However, Arizona Representative Morris K. Udall says the Navajos should adjust to their new land, which is as good as their old land, and get on with life. For the Indians, this is another instance of suffering for the white man’s greed. In the nineteenth century, settlers moving West considered Indian lands their own; Kit Carson killed many Navajos and burned their villages. When the U.S. government forced Navajos to walk to internment camps, many of them died along the way. Eventually the Navajos were settled on reservations, where they gave up the warrior life and became herdsmen. The Hopis did not mind as long as the Navajos did not disturb them. However, the Hopis had their own problems. The U.S. Bureau of Indian Affairs (BIA) ruled their reservation and forced their children to go to English-speaking, Christian schools. If Hopis resisted, they were sent to prison. The BIA divided the Hopi lands, where 500 Navajo families lived, and allowed more Navajo to move in. Fermina Banyacya, a Hopi woman, says that despite reports of resentment, the tribes became dependent upon each other and worked together. Later, however, oil and valuable minerals were discovered on the reservation, and Hopi elders resisted any effort to allow companies in to extract them. In the 1930s, the BIA countered the elders by establishing their own Indian tribal councils to sign contracts. Nancy Evans, a Navajo woman, says the purpose of these councils was to serve oil and mining corporations, not the Indians. After World War II, the growth of desert cities like Los Angeles, CA, and Las Vegas, NV, required new sources of fuel, and the government turned to Hopi lands. John S. Boyden, an attorney, convinced the BIA to appoint him the Hopis’ general counsel, and he signed contracts with the Peabody Coal Company, that gave the tribes only a tiny percentage of the value of their minerals and oil. They should have become wealthy, but remained poor. Hundreds of Hopi families were forced to relocate, as Peabody strip-mined and polluted the land, including the Indians’ sacred mountains. After the corporations departed, they left contamination that created birth defects among the Indians. Still, the U.S. Department of the Interior returned with new contracts and brought Hopi representatives to fool old, trusting Hopi into signing. John Boyden lobbied for a bill to partition Hopi land in order to keep the Hopis and Navajos from killing each other, though traditional Hopi leaders said there was no animosity between the tribes. Harrison Loesch, the Assistant Secretary of the Department of the Interior, pushed the bill through Congress, then left the government to become a vice president of Peabody Coal. In 1974, despite the growing activism of Dennis Banks’s American Indian Movement, Congress passed Public Law #93-531 and President Gerald Ford signed it into law. Crews arrived on Hopi land to build barbed wire fences separating not only Hopis from Navajos, but families from their relatives and watering holes. Many Hopis and Navajos had to relocate to the “correct” side of the fence. To force Navajos off the land, the government used tractors to destroy the vegetation. Livestock were impounded, and family herds were reduced below what the government itself called “subsistence level.” A Navajo boy, Joel Ashike, becomes so “out of the balance,” that three generations of his family conduct ceremonies to heal him. American taxpayers spend half a billion dollars to move 3,000 families into new tract housing, where they have to pay money for the amenities of the white man’s civilization. Laura Nez, an old Hopi, says living in her new home is like being in jail. Congressman Udall says the idea that Indians cannot relocate is simplistic, because people are asked to relocate all the time due to freeways and other projects. Navajo Chilson McCabe says he went to war for the U.S., but after he came back home, the government seized his herd, and he was forced to move to Flagstaff, many miles away, and become a mechanic. Once he left the reservation, his family was no longer eligible for relocation payments. Indians went to Washington, D.C. to protest, but Congress refused to repeal Public Law #93-531. As the final date of separation approaches, many Navajos remain on Hopi land, however, and will not move until they are physically taken away.

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Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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