Salvador (1986)

R | 124 mins | Drama | 5 March 1986

Director:

Oliver Stone

Cinematographer:

Robert Richardson

Editor:

Claire Simpson

Production Designer:

Bruno Rubeo

Production Company:

Hemdale Film Corporation
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HISTORY

The picture concludes with the following written epilogue: “This film is based on events that occurred in 1980-1981. Characters have been fictionalized. Maria and her children survived and were last rumored to be in a refugee camp in Guatemala. Doctor Rock eventually returned to San Francisco. John Cassady’s photos were published… and Richard Boyle is still looking for Maria and her children. To date the murderers of Archbishop Romero have not been found and the same military leaders continue in power. Salvador continues to be one of the largest recipients of U.S. military aid in the world.”
       According to production notes in AMPAS library files and an 11 Apr 1986 LAHExam article, filmmaker Oliver Stone met photojournalist-writer Richard Boyle in the late 1970s. At that time, Stone was writing a film adaptation of Born on the Fourth of July (New York, 1976), an autobiography by fellow Vietnam veteran Ron Kovic. The movie of the same name was released in 1989 (see entry), three years after Salvador. Boyle, who had also been on the ground in the Vietnam War and wrote the book, Flower of the Dragon: The Breakdown of the U.S. Army in Vietnam (San Francisco, 1972), helped Stone research Born on the Fourth of July and was distraught by the parallels between Vietnam and the escalating conflict in El Salvador. He was desperate for Stone to make a film that would expose the U.S.’s involvement in the crisis, educate the public, and prevent another Vietnam.
       Although Stone was preoccupied with other projects, and declined to pursue the ...

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The picture concludes with the following written epilogue: “This film is based on events that occurred in 1980-1981. Characters have been fictionalized. Maria and her children survived and were last rumored to be in a refugee camp in Guatemala. Doctor Rock eventually returned to San Francisco. John Cassady’s photos were published… and Richard Boyle is still looking for Maria and her children. To date the murderers of Archbishop Romero have not been found and the same military leaders continue in power. Salvador continues to be one of the largest recipients of U.S. military aid in the world.”
       According to production notes in AMPAS library files and an 11 Apr 1986 LAHExam article, filmmaker Oliver Stone met photojournalist-writer Richard Boyle in the late 1970s. At that time, Stone was writing a film adaptation of Born on the Fourth of July (New York, 1976), an autobiography by fellow Vietnam veteran Ron Kovic. The movie of the same name was released in 1989 (see entry), three years after Salvador. Boyle, who had also been on the ground in the Vietnam War and wrote the book, Flower of the Dragon: The Breakdown of the U.S. Army in Vietnam (San Francisco, 1972), helped Stone research Born on the Fourth of July and was distraught by the parallels between Vietnam and the escalating conflict in El Salvador. He was desperate for Stone to make a film that would expose the U.S.’s involvement in the crisis, educate the public, and prevent another Vietnam.
       Although Stone was preoccupied with other projects, and declined to pursue the project, Boyle traveled to El Salvador in the early 1980s to document the crisis. By 1984, the war had already been underway for four years, and Boyle completed a manuscript of unpublished stories about his experiences. According to a 27 Feb 1986 HR article, the memoirs and a screening of Boyle’s unreleased documentary, El Salvador: Below the Volcano finally convinced Stone to prioritize the project, and they began development on a $500,000 pseudo-documentary in which Boyle and disc jockey “Dr. Rock” would play themselves. Stone financed several research trips to El Salvador, where they provided the government with a doctored script to secure support. El Salvador’s leaders reportedly believed the picture would be good propaganda, and gave consent for the film to be shot on location.
       In early Mar 1985, however, the filmmakers’ government contact, Lt. Col. Ricardo Cienfuegos, was assassinated by guerillas, and Stone believed the county was entering into “a new period… when the hardline Marxist element decided to engage in urban terrorism,” as stated in production notes. El Salvador reneged their support of the film, and Stone feared it was unsafe to remain in the country, even though the picture was sympathetic to the guerillas. Back in the U.S., Stone gave the script to producer Gerald Green, who secured backing from the Mexican studio Patsa Producciones, British investors, and John Daly at Hemdale Film Corporation.
       Referring to the picture by its working title, South of the Border, a 21 May 1985 DV news item announced that principal photography was scheduled to begin 15 Jun 1985 in Mexico. At that time, Michael Pare was cast in a starring role, but he did not remain with the project. According to the 27 Feb 1986 HR, Martin Sheen was originally cast as “Richard Boyle” while James Woods, who eventually replaced Sheen, was hired for a supporting role. An undated Bam brief, which listed the title as Outpost Salvador, noted that Sally and Freddy Mutant, members of the band The Mutants, had been cast for small speaking parts, but they are not credited onscreen. A 21 Jun 1985 DV production chart indicated that the start date for Salvador had been pushed back to 24 Jun 1985, and stated that Pare had been replaced by John Savage. On 11 Sep 1985, Var announced that filming had recently concluded after an eight-week shoot in Cuernavaca and Acapulco, Mexico. Other Mexican locations included Guerrero, Morelos, and Mexico City. Back in the U.S., the production was forced to leave San Francisco, CA, after failing to meet child labor law standards in regards to the long work hours, and relocated to NV for the remainder of the shoot. The final budget was listed at $5 million.
       Six months after Salvador’s 5 Mar 1986 opening in New York City, a 19 Sep 1986 HR news item reported that Patsa Producciones and Banoro Bank filed a $13 million lawsuit against John Daly and Hemdale, alleging that the studio neglected to share profits from its distribution deal, and failed to make payments on its $3.5 million loan. Eleven days later, a 30 Sep 1986 DV column announced that the case was dismissed by a U.S. District Court Judge in CA. In May 1987, disc jockey Eric Isralow, also known as “Dr. Rock,” sued Oliver Stone and Hemdale for breach of contract, arguing that he was denied a promised acting role in the film, as well as a job as music consultant. According to a 4 Feb 1988 DV article, Isralow claimed the filmmakers did not have permission to use his moniker. The outcome of the case has not been determined.
       On 8 Jul 1987, NYT reported that the Central American country of Honduras banned screenings of Salvador, believing it posed a security threat to the government.
       The film was nominated for two Academy Awards in the following categories: Actor in a Leading Role (James Woods), and Writing (Screenplay Written Directly for the Screen).
       End credits state: “Shot on location in San Francisco, Alameda County, the State of Nevada, and the Republic of Mexico in the states of Guerrero and Morelos, and Mexico City. Special thanks to the town of Tlayacapan,” and: “The producers wish to thank Banco Del Noroeste S.A., without whose help this picture would not have been possible.” An additional acknowledgment states: “Special thanks to Charles W. Ryan, Bart Milander Associates, Inc.”
       The film is: “Dedicated to Dad, 1910-1985.”

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GEOGRAPHIC LOCATIONS
SOURCE CITATIONS
SOURCE
DATE
PAGE
Daily Variety
21 May 1985
---
Daily Variety
21 Jun 1985
---
Daily Variety
3 Mar 1986
p. 3, 34
Daily Variety
30 Sep 1986
---
Daily Variety
4 Feb 1988
---
Hollywood Reporter
27 Feb 1986
p. 1, 23
Hollywood Reporter
5 Mar 1986
p. 3, 23
Hollywood Reporter
19 Sep 1986
---
LAHExam
11 Apr 1986
pp. 6-7, 47
Los Angeles Times
12 Apr 1986
p. 1, 8
New York Times
5 Mar 1986
p. 22
New York Times
8 Jul 1987
---
Variety
11 Sep 1985
---
Variety
5 Mar 1986
p. 14, 20
CAST
NAME
CREDITED AS
CREDIT
Special appearance by:
as
+ −
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION COMPANY
PRODUCTION TEXTS
Hemdale Film Corporation presents
An Oliver Stone film
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTORS
1st asst dir
Supv prod mgr, Mexican crew
Prod unit mgr, Mexican crew
Prod mgr, Mexican crew
Asst dir, Mexican crew
2d asst dir, Mexican crew
PRODUCERS
Assoc prod
Assoc prod
Exec prod
Exec prod
WRITERS
PHOTOGRAPHY
Dir of photog
Cam op, American crew
Asst cam, American crew
Still photog, American crew
Dir of photog, Mexican crew
Gaffer, Mexican crew
Cam asst, Mexican crew
Cam asst, Mexican crew
Cam asst, Mexican crew
Dolly op, Mexican crew
Cam painter, Mexican crew
Cam asst, Mexican crew
Chief grip, Mexican crew
Chief elec, Mexican crew
Generator op, Mexican crew
Videoman, Mexican crew
ART DIRECTORS
Prod des
Art dir, Mexican crew
FILM EDITORS
Post prod supv
Assoc ed, American crew
Assoc ed, American crew
1st asst ed
Asst ed
Asst ed
Apprentice ed
Asst ed, Mexican crew
SET DECORATORS
Prop master
Set dressing, U.S. loc
Prop master, Mexican crew
Asst prop master, Mexican crew
Chief set dresser, Mexican crew
Stand by set dresser, Mexican crew
COSTUMES
Ward master, Mexican crew
Ward, Mexican crew
Seamstress, Mexican crew
Asst ward, Mexican crew
MUSIC
Orig mus comp and cond by
Mus supv
Mus ed
SOUND
Sd des/Supv sd ed, American crew
Dial ed, American crew
Dial ed, American crew
Sd eff ed, American crew
Sd eff ed, American crew
Foley artist, American crew
Foley artist, American crew
Sd asst, American crew
Sd eng, American crew
Re-rec mixer, American crew
Re-rec mixer, American crew
Re-rec mixer, American crew
Sd rec/San Francisco, American crew
Sd op, Mexican crew
Sd asst, Mexican crew
Sd asst, Mexican crew
VISUAL EFFECTS
Spec eff supv
Main title seq des by, American crew
Spec eff, Mexican crew
Asst 1, Spec eff, Mexican crew
Asst 2, Spec eff, Mexican crew
MAKEUP
Prosthetics
Asst by, Prosthetics
Make-up, Mexican crew
Hair dresser, Mexican crew
Hair dresser, Mexican crew
PRODUCTION MISC
Exec in charge of prod
Exec secy, American crew
Prod secy, American crew
Asst to the dir, American crew
Pub, American crew
Prod supv/San Francisco, American crew
Loc mgr/San Francisco, American crew
Prod coord, Mexican crew
Pub relations, Mexican crew
Asst prod mgr, Mexican crew
Prod asst, Mexican crew
Loc mgr, Mexican crew
Prod accountant, Mexican crew
Asst prod accountant, Mexican crew
Script supv, Mexican crew
Addl casting, Mexican crew
Extra casting, Mexican crew
Actor's delegate, Mexican crew
Transportation captain, Mexican crew
Prod services by
Post prod services by
STAND INS
Bill Catching
Stunt coord, American crew
Stunt coord, Mexican crew
SOURCES
SONGS
“Running On Empty,” written and performed by Jackson Browne, Swallow Music (ASCAP), courtesy of Elecktra-Asylum Records, by arrangement with Warner Special Projects; “Queen Of Hearts,” performed by Juice Newton, written by Hank DeVito, Drunk Monkey Music (ASCAP), courtesy of Capitol Records; “El Casorio De Los Compas,” written and performed by Yolocamba Ita, courtesy of Discos Pentagrama S.A.; “Gloria,” written and performed by Yolocamba Ita, courtesy of Discos Pentagrama S.A.; “Carnaval Grande,” performed by Fortaleza, written by Ramiro De La Zerda and Yayo Joffre; “Los Vientos De Octubre,” instrumental written and performed by Yolocamba Ita, courtesy of Discos Pentagrama S.A.; “El Campecino,” performed by Trio Hnos Carcamo, written by R. De De A., courtesy of Discos Lando Records; “Con Farabundo And Romero,” performed by Yolocamba Ita, written by Luis Enrique Majia Godoy of Nicaragua, courtesy of Discos Pentagrama S.A.; “Bahia De Jiquilisco,” performed by Trio Hnos Carcamo, written by Oscar Baltazar, courtesy of Discos Lando Records; “El Salvador Ta Venciendo,” performed by Yolocamba Ita, written by Victor and Alejandro of Chile, courtesy of Discos Pentagrama S.A.; “A Silva,” written and performed by Yolocamba Ita, courtesy of Discos Pentagrama S.A.; “En San Salvador,” performed by Trio Azteca, written by Culberto Garia Medina; “Away From You,” performed by Network, written by Jim Opum and Terry Brock.
PERFORMED BY
+ −
SONGWRITERS/COMPOSERS
+ −
DETAILS
Alternate Titles:
Outpost Salvador
South of the Border
Release Date:
5 March 1986
Premiere Information:
New York opening: 5 Mar 1986; Los Angeles opening: 11 Apr 1986
Production Date:
24 Jun--early Sep 1985
Physical Properties:
Sound
Color
Duration(in mins):
124
MPAA Rating:
R
Country:
United States
Language:
English
PCA No:
28014
SYNOPSIS

In San Francisco, California, photojournalist-writer Richard Boyle has a short temper, unpaid debts, and struggles with addiction, making him unstable and perpetually unemployed. When Boyle is evicted, arrested, and deserted by his wife and newborn child, he is bailed out of jail by his close friend, disc jockey “Dr. Rock,” who has domestic troubles of his own and agrees to an impromptu road trip to El Salvador. Boyle worked in the country years earlier and glorifies El Salvador as a tropical beach resort, brimming with affordable drugs and prostitutes, but fails to mention the nation is in the throes of a violent civil war, in which the U.S.-backed military government is massacring its impoverished, Socialist-leaning citizens. Unknown to Dr. Rock, Boyle is on a mission to document the conflict. He hopes the photographs will restore his financial wellbeing, and his professional credibility. Arriving in El Salvador, Boyle witnesses the execution of a student who does not have cédula identity documents and realizes the situation is more dangerous than expected. When he and Dr. Rock are detained, Boyle declares he is a friend of Colonel Julio Figueroa, a right-wing commander he once interviewed. Their lives are spared, even though Boyle is reviled by the military’s “death squad” leader, Major Max. At a rural village, Boyle reunites with his former lover, Maria, who explains that the father of her son and infant daughter was “disappeared” by the government. Civilians are regularly taken away without cause, massacred, and buried in unmarked graves, leaving their families uncertain ...

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In San Francisco, California, photojournalist-writer Richard Boyle has a short temper, unpaid debts, and struggles with addiction, making him unstable and perpetually unemployed. When Boyle is evicted, arrested, and deserted by his wife and newborn child, he is bailed out of jail by his close friend, disc jockey “Dr. Rock,” who has domestic troubles of his own and agrees to an impromptu road trip to El Salvador. Boyle worked in the country years earlier and glorifies El Salvador as a tropical beach resort, brimming with affordable drugs and prostitutes, but fails to mention the nation is in the throes of a violent civil war, in which the U.S.-backed military government is massacring its impoverished, Socialist-leaning citizens. Unknown to Dr. Rock, Boyle is on a mission to document the conflict. He hopes the photographs will restore his financial wellbeing, and his professional credibility. Arriving in El Salvador, Boyle witnesses the execution of a student who does not have cédula identity documents and realizes the situation is more dangerous than expected. When he and Dr. Rock are detained, Boyle declares he is a friend of Colonel Julio Figueroa, a right-wing commander he once interviewed. Their lives are spared, even though Boyle is reviled by the military’s “death squad” leader, Major Max. At a rural village, Boyle reunites with his former lover, Maria, who explains that the father of her son and infant daughter was “disappeared” by the government. Civilians are regularly taken away without cause, massacred, and buried in unmarked graves, leaving their families uncertain of their whereabouts. Maria is wary of Boyle’s debaucherous lifestyle, but he falsely promises to stay sober and they make love. Sometime later, Boyle drives to the capital city of San Salvador and meets a successful colleague named John Cassady. Although he declines Boyle’s request for work, John shows his friend the site of a recent “death squad” massacre, and they take photographs of the corpses. Back in town, Boyle reunites with companions from his previous visit, including a young nun named Cathy Moore. She later introduces him to American Ambassador Thomas Kelly, but Boyle insults the official by declaring that the war is immoral. Referring to the recent murders of citizens without cédula identity cards, and the Central Intelligence Agency (CIA)-trained “death squads,” Boyle argues that the U.S. is undermining its democratic ideals by supporting El Salvador’s totalitarian government. In the coming days, Ronald Reagan is elected U.S. president after campaigning on a platform of zero tolerance for so-called Communists in Central America, and he convinces his supporters that El Salvador’s rebel farmers are Russian-backed terrorists who plan to take over the U.S. With increasing support from America, Major Max orders his henchmen to murder El Salvador’s religious leaders who have been speaking out against the war. Meanwhile, Boyle’s traveling companion, Dr. Rock, is desperate to leave the county, but he has no money, and Boyle remains unable to pay him back for the bail bond. Dr. Rock befriends Maria’s rabble-rousing brother, Carlos, and the two are detained for marijuana possession. With the help of Cathy Moore, Boyle bribes his friend out of prison, but Carlos remains captive and Maria panics, fearing that she and her children are also at risk. Boyle appeals to Ambassador Kelly, explaining that the siblings do not have cédulas and will be murdered. However, Boyle’s previous condemnation of the U.S. government has made him unpopular, and the favor is declined. With all hope lost for Carlos, Boyle proposes to Maria, hoping she will be protected under their marriage license, but she refuses to marry an atheist alcoholic. Boyle proves his faith by going to Archbishop Romero for confession and vows to become more virtuous. As Romero gives communion at the altar, he is assassinated by one of Major Max’s henchmen and a gun battle ensues. Sometime later, Major Max claims the murder was orchestrated by rebels and Boyle yells in protest, exacerbating Max’s antagonism. When Maria gets word of Carlos’s death, she believes the violence was incited by her lover’s outspoken politics and breaks off the affair. Boyle consoles himself at a bar and sees Cathy Moore, who encourages him to restore his relationship. Unaware that Major Max’s assistant is listening, she reports that she will be braving the dangerous country roads to retrieve her fellow nuns from the airport. The following evening, Cathy’s bus is stopped by National Guard officers who rape and murder the nuns. When government officials try to cover up the incident, Ambassador Kelly is outraged and cuts U.S. aid to El Salvador. Mourning the loss of his friends, Boyle joins a press team on their mission to the “guerrilla” rebels’ secret camp, where he learns about an upcoming coup. As he photographs the fighters, he realizes they do not have Russian weapons, disproving Reagan’s anti-Communist justification for the war. Returning to San Salvador, Boyle takes his film negative to U.S. officials and alerts them to the deceit, hoping it will end the conflict. He offers to hand over the photographs in return for Maria’s security, but the men deny his request, and advise him to leave the country before he is killed by Major Max. Meanwhile, Dr. Rock, who has finally adapted to life in El Salvador, acquires a forged cédula for Maria and her children. Boyle reconciles with his lover, but their escape is postponed when John Cassady invites his friend to photograph the rebels’ conquest of Santa Ana. There, they dodge gunfire and Boyle is devastated when his camera breaks. Back in San Salvador, Ambassador Kelly’s advisors convince him to lift the embargo. As an American warplane flies overhead and deploys its arsenal, John runs in its path to capture the U.S.’s incursion in the battle, and is mortally wounded. With his dying breath, John asks Boyle to deliver his film to the press, so the world will know the truth about El Salvador. When Boyle recovers from his own injuries, he drives out of the country with Dr. Rock, Maria, and the children, praying they will escape undetected. However, Boyle is detained at a border checkpoint, where he is tortured and threatened with death. As officials expose John’s film negative, Dr. Rock makes a frantic telephone call to Ambassador Kelly, and Boyle’s life is saved at the last minute. The officials treat Boyle to a conciliatory feast, and he reveals that he hid one last roll of John’s film in his boot heel. Boyle, Maria, and the children board a bus to San Francisco, believing they are finally safe, but the vehicle is stopped by immigration officers. Despite Boyle’s protests, the men detain Maria’s family and he is escorted to a police car, heading in the opposite direction.

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Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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