Amazing Grace and Chuck (1987)

PG | 116 mins | Drama, Fantasy | 10 April 1987

Director:

Mike Newell

Writer:

David Field

Producer:

David Field

Cinematographer:

Robert Elswit

Editor:

Peter Hollywood

Production Designer:

Dena Roth

Production Company:

Turnstar Productions, Inc.
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HISTORY

According to production notes in AMPAS library files, writer-producer David Field conceived the story while he was a studio executive at United Artists in the early 1980s. While listening to a story pitch, the idea came to mind and within an hour, Field wrote an eleven-page outline. That outline detailed the alliance between two beloved groups, often considered irrelevant when it comes to deciding serious world issues: children and athletes.
       When Field could not find anyone to write a screenplay from his outline, he wrote it himself, the 5 Jun 1987 LA Weekly reported. In a week’s time, he had a fifty-seven-page story treatment. Industry friends encouraged Field to write the full script, even though he was not a writer. He wrote six drafts before he was satisfied with his screenplay.
       Over the next four years, Field struggled to get the film made. The 26 May 1987 LAT reported that Howard Koch, Jr., head of production at Rastar, arranged financing with Turnstar, a joint venture between Ray Stark and Ted Turner. Field hired British director Mike Newell, after being impressed with his acclaimed 1985 drama Dance with a Stranger.
       Although over 3,000 boys auditioned for the role of “Chuck Murdock,” Field wanted to avoid experienced child actors, feeling the role required someone who lacked self-consciousness, but could embody both the naiveté and sense of responsibility that “Chuck” experienced. They found twelve-year-old Joshua Zuehlke, a Little League pitcher from Minneapolis, MN, after his mother saw a notice in the newspaper.
       The part of “Amazing Grace Smith” also proved difficult to cast, as the actor had to be someone who would ...

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According to production notes in AMPAS library files, writer-producer David Field conceived the story while he was a studio executive at United Artists in the early 1980s. While listening to a story pitch, the idea came to mind and within an hour, Field wrote an eleven-page outline. That outline detailed the alliance between two beloved groups, often considered irrelevant when it comes to deciding serious world issues: children and athletes.
       When Field could not find anyone to write a screenplay from his outline, he wrote it himself, the 5 Jun 1987 LA Weekly reported. In a week’s time, he had a fifty-seven-page story treatment. Industry friends encouraged Field to write the full script, even though he was not a writer. He wrote six drafts before he was satisfied with his screenplay.
       Over the next four years, Field struggled to get the film made. The 26 May 1987 LAT reported that Howard Koch, Jr., head of production at Rastar, arranged financing with Turnstar, a joint venture between Ray Stark and Ted Turner. Field hired British director Mike Newell, after being impressed with his acclaimed 1985 drama Dance with a Stranger.
       Although over 3,000 boys auditioned for the role of “Chuck Murdock,” Field wanted to avoid experienced child actors, feeling the role required someone who lacked self-consciousness, but could embody both the naiveté and sense of responsibility that “Chuck” experienced. They found twelve-year-old Joshua Zuehlke, a Little League pitcher from Minneapolis, MN, after his mother saw a notice in the newspaper.
       The part of “Amazing Grace Smith” also proved difficult to cast, as the actor had to be someone who would be convincing as a basketball superstar. After auditioning over 400 actors, professional basketball player Alex English, of the Denver Nuggets, was chosen.
       The film received the approval of Red Auerbach, president of the Boston Celtics basketball team. Auerbach allowed the Boston Celtics name to be used, authorized filming at Boston Garden arena, and also had a small part in the film. Permission was also given by the National Basketball Association (NBA), the National Football League (NFL), and Major League Baseball (MLB) to use their logos and team names as needed.
       Principal photography began on 7 Jul 1986 in Livingston and Bozeman, MT, according to the 16 Jul 1986 DV production chart. The film had a $5.4 million budget, as reported in the 4 May 1987 Newsweek.
       Amazing Grace and Chuck had its world premiere on 26 Mar 1987 as the closing night film of the AFI (American Film Institute) Fest in Hollywood, CA, the 30 Mar 1987 DV reported. The film opened in limited release on 10 Apr 1987, with additional openings in the following weeks, including New York City and Los Angeles, CA, on 22 May 1987, but never went into wide distribution.
       End credits state: “Special Thanks to: Red Auerbach and the Boston Celtics; Randy Auerbach; The National Basketball Association, It’s Staff, Players and Teams; The Boston Garden; The Denver Nuggets and The Philadelphia 76ers; The National Football League; Major League Baseball; The Westin Hotel, Copley Place Boston; Garry Wunderwald and the Montana Film Commission; The Citizens of Bozeman and Livingston, Montana.”
       Following credits, the film opens with: “Once upon a time there was a boy...” End credits begin with: “‘But wouldn’t it be nice’ [–] Amazing Grace Smith.”
       Actress Courtney Kutner’s name is misspelled in end credits as “Cortney.”

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GEOGRAPHIC LOCATIONS
SOURCE CITATIONS
SOURCE
DATE
PAGE
Daily Variety
16 Jul 1986
---
Daily Variety
30 Mar 1987
p. 2, 19
Hollywood Reporter
30 Mar 1987
p. 6, 19
Los Angeles Herald Examiner
30 Mar 1987
---
Los Angeles Times
22 May 1987
p. 1
Los Angeles Times
26 May 1987
Section H, p. 1, 9
LA Weekly
5 Jun 1987
p. 33, 35
Newsweek
4 May 1987
---
New York Times
22 May 1987
p. 30
Variety
1 Apr 1987
p. 16
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION COMPANY
PRODUCTION TEXTS
Tri-Star Pictures and Rastar Present
A Turnstar/David Field Production
From Tri-Star-ML Delphi Premier Productions
From Rastar
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTORS
Unit prod mgr
1st asst dir
2d asst dir
PRODUCERS
Exec prod
WRITER
PHOTOGRAPHY
Dir of photog
1st asst cam
2d asst cam
3d asst cam
Gaffer
Elec best boy
Best boy
Still photog
ART DIRECTORS
Prod des
Art dir
Art dept buyer
FILM EDITORS
1st asst ed
2d asst ed
2d asst ed
SET DECORATORS
Set des
Leadperson
Swing gang
Swing gang
Asst prop master
Const coord
Carpenter foreman
Labor foreman
Paint coord
COSTUMES
Cost des
Women's cost
Men's cost
Ward asst
MUSIC
Mus ed
Supv mus ed
Scoring services
SOUND
Prod sd mixer
Re-rec mixer -- U.K.
Re-rec mixer -- U.K.
Re-rec mixer -- U.S.
Re-rec mixer -- U.S.
Re-rec mixer -- U.S.
Boom op
Dial ed
Foley ed
Asst sd ed
Asst sd ed
Looping coord
VISUAL EFFECTS
Spec eff supv
Spec vis eff -- USA
Spec vis eff -- UK
Titles and opticals
MAKEUP
Makeup artist
Hairstylist
Addl hair/Makeup
Transportation coord
PRODUCTION MISC
Exec consultant
Loc mgr
Loc mgr
Loc asst
Asst to Mr. Field and Mr. Newell
Prod coord
Asst prod coord
Prod asst
Prod asst
Prod asst
Prod asst
Prod asst
Prod asst
Prod asst
Prod accountant
Asst accountant
Extras casting/Bozeman, MT
Extras casting/Bozeman, MT
Extras casting/Boston, MA
Post prod facilities
Tech consultant
Transportation coord
Transportation capt
Baseball consultant
STAND INS
Stunt coord
COLOR PERSONNEL
Col by
SOURCES
SONGS
“Chuck’s Lament (A Child’s Dream),” performed by Crosby, Stills & Nash, composed and produced by David Crosby, Stephen Stills, Graham Nash and Joe Vitale; “Undefeated,” written and performed by Little Steven, courtesy of EMI America Records; “Love Has No Pride,” performed by Bonnie Raitt, written by Eric Kaz and Lybby Titus, courtesy of Warner Bros. Records Inc., by arrangement with Warner Special Products.
SONGWRITERS/COMPOSERS
+
DETAILS
Release Date:
10 April 1987
Premiere Information:
World Premier at AFI Fest in Los Angeles: 26 Mar 1987; Los Angeles and New York openings: 22 May 1987
Production Date:
began 7 Jul 1986
Copyright Info
Claimant
Date
Copyright Number
Tri-Star Pictures, Inc.
25 August 1987
PA339895
Physical Properties:
Color
Dolby Stereo ® in selected theatres.
Prints
Prints by by Technicolor ®
Duration(in mins):
116
MPAA Rating:
PG
Country:
United States
Language:
English
PCA No:
28388
SYNOPSIS

In the rural town of Livingston, Montana, twelve-year-old Chuck Murdock has nightmares about nuclear war after his class visits a nearby underground missile silo. Chuck, who is the star pitcher on his Little League baseball team, the Livingston Mustangs, refuses to participate in a game because of his anti-nuclear stance. His teammates elect to forfeit the game rather than lose using a backup pitcher. Chuck’s schoolmates tease him about not playing, and accuse him of being angry and selfish, but his protest becomes national news. “Amazing Grace” Smith, a star player on the Boston Celtics, wants to join Chuck in his protest and resigns his $1 million-per-year job. At a press conference, he tells reporters that he is leaving basketball until there are no more nuclear weapons. Amazing’s resignation makes headlines worldwide and people question what could possibly make one of the most consistent players in professional basketball abandon his career. Amazing relocates to Livingston, and buys a dilapidated old barn, which he plans to turn into his temporary home. He and Chuck become fast friends. Chuck’s father, Russell Murdock, a former Air Force fighter pilot who owns the local lumberyard, tells his wife, Pamela, that he doubts Amazing’s sincerity. However, Pamela believes her husband is jealous of the athlete. Two of Amazing’s friends, George Maston and “Hot Dog” McNally, members of the Miami Dolphins football team, come to visit. Chuck and Amazing take them to view the missile launch site and military police threaten to arrest them. By day’s end, Hot Dog joins their cause. Following a moment of skepticism, George joins as well. George and Hot Dog return to Miami and announce their resignations. Soon other athletes ...

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In the rural town of Livingston, Montana, twelve-year-old Chuck Murdock has nightmares about nuclear war after his class visits a nearby underground missile silo. Chuck, who is the star pitcher on his Little League baseball team, the Livingston Mustangs, refuses to participate in a game because of his anti-nuclear stance. His teammates elect to forfeit the game rather than lose using a backup pitcher. Chuck’s schoolmates tease him about not playing, and accuse him of being angry and selfish, but his protest becomes national news. “Amazing Grace” Smith, a star player on the Boston Celtics, wants to join Chuck in his protest and resigns his $1 million-per-year job. At a press conference, he tells reporters that he is leaving basketball until there are no more nuclear weapons. Amazing’s resignation makes headlines worldwide and people question what could possibly make one of the most consistent players in professional basketball abandon his career. Amazing relocates to Livingston, and buys a dilapidated old barn, which he plans to turn into his temporary home. He and Chuck become fast friends. Chuck’s father, Russell Murdock, a former Air Force fighter pilot who owns the local lumberyard, tells his wife, Pamela, that he doubts Amazing’s sincerity. However, Pamela believes her husband is jealous of the athlete. Two of Amazing’s friends, George Maston and “Hot Dog” McNally, members of the Miami Dolphins football team, come to visit. Chuck and Amazing take them to view the missile launch site and military police threaten to arrest them. By day’s end, Hot Dog joins their cause. Following a moment of skepticism, George joins as well. George and Hot Dog return to Miami and announce their resignations. Soon other athletes come to Livingston to work for the movement, headquartered in Amazing’s barn. Russell Murdock berates his son, telling him to spend more time with the family. Meanwhile, the Murdock’s neighbors resent the constant presence of reporters on their block, and harass the family. Montana Senator Johnny B. Goode approaches Russell, asking him to call off his son’s protest, as it is creating unrest across the nation. Meanwhile, the President of the United States invites Chuck to the White House and informs the boy that he is in nuclear disarmament talks with the Soviet Union. The Soviets need to believe that the American people firmly support the President, and Chuck’s cause is undermining that support. Amazing’s financial advisor, Lynn Taylor, warns the athlete that a powerful industrialist named Alexander Jeffries is making threats against him. Their cause has inspired workers’ strikes and rioting all over the world, resulting in economic and political instability. Amazing confronts Jeffries, saying he is not intimidated. In retaliation, Jeffries blows up the athlete’s private airplane, killing him. The next morning, Chuck makes a brief statement to the news media. When reporters demand more, Chuck refuses to speak, and instead holds up three fingers. News of the incident travels quickly, and many other children refuse to speak in a show of solidarity. Soon, all professional sports teams, college teams and school teams stop playing, while more workers stage walkouts. The President and the Soviet premier meet to address the problem, and agree to disarm all nuclear weapons over the next seven years. The President asks Chuck to join him in telling the nation about the disarmament plan, but the boy refuses. Since Chuck is still not speaking, Russell Murdock explains that a lot can happen in seven years, including a change in government officials in both the U.S. and the Soviet Union. Because the anti-nuclear movement is at its peak, now is the time to push for total disarmament. Lynn Taylor and some of Amazing’s sports buddies plot to retaliate against Alexander Jeffries for Amazing’s murder. Although they cannot prove his guilt, they intimidate him by hiring the Goodyear blimp to circle his office building in Boston, Massachusetts. Emblazoned on the blimp is the message, “Mr. Jeffries, We Can See You,” signed “Friends of Amazing.” When the President learns that Jeffries was likely responsible for Amazing’s death, he orders the industrialist to divest himself of all stocks and resign from all boards immediately, or he will have the Internal Revenue Service (IRS) and the Federal Bureau of Investigation (FBI) harassing him for the rest of his life. The President visits Chuck, showing him the nuclear disarmament agreement he has negotiated with the Soviet premier. Although Chuck is still not speaking, the President gives the boy his direct telephone number, telling him to call anytime. At the President’s urging, Chuck returns to baseball. Reporters from around the world are on hand to cover the Little League game, and the President is in the stands as well. Chuck goes to the pitcher’s mound and signals the catcher, who holds up his middle three fingers to honor Amazing. The people in the stands follow suit. Touched by this display, Chuck looks to the sky, saying, “Hello, Amazing,” and pitches the first ball of the season.

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Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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