American Justice (1986)

R | 90 mins | Drama, Mystery | 19 September 1986

Director:

Gary Grillo

Writer:

Dennis A. Pratt

Cinematographer:

Steve Yaconelli

Editor:

Steve Mirkovich

Production Designer:

Bruce Crone

Production Companies:

Hunter Productions, MFG Enterprises
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HISTORY

       End credits also note, “Knives by Jimmy Lile, The Arkansas Knifesmith,” and, “Filmed on location in Tucson, Arizona.”
       American Justice marked the first feature film for director Gary Grillo and screenwriter Dennis A. Pratt, both of whom had previously done episodic television. It also was the first feature film from Hunter Productions, an independent production company formed in 1984 by Jack Lucarelli and Jameson Parker, according to the 4 Mar 1985 HR. Lucarelli starred in the film as “Joe Case,” while Parker played “Dave Buchanan.”
       The film was also the first theatrical pairing of actors Jameson Parker and Gerald McRaney, who were the lead actors in the long-running television detective series Simon and Simon (Columbia Broadcasting System, 24 Nov 1981—22 Mar 1989), portraying brothers "A.J." and "Rick Simon," respectively. McRaney plays the crooked sheriff’s deputy, “Jake Wheeler,” in the film.
       Principal photography began on 11 Mar 1985 in Tucson, AZ, according to the 3 Apr 1985 DV production chart. The film had a $3 million budget and a six-week shooting schedule. During filming, the picture had the working title, Jackals, which remained the title in overseas distribution.
       In Apr 1986, The Movie Store acquired domestic distribution rights and changed the title to American Justice, according to a 16 Apr 1986 DV report. The company planned to initially release the film in New York, NY; Los Angeles, CA; and Chicago, IL; then gradually open the film on 300 screens nationwide. That release plan soon changed, as the 15 May 1986 HR announced the film would open 6 Jun ...

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       End credits also note, “Knives by Jimmy Lile, The Arkansas Knifesmith,” and, “Filmed on location in Tucson, Arizona.”
       American Justice marked the first feature film for director Gary Grillo and screenwriter Dennis A. Pratt, both of whom had previously done episodic television. It also was the first feature film from Hunter Productions, an independent production company formed in 1984 by Jack Lucarelli and Jameson Parker, according to the 4 Mar 1985 HR. Lucarelli starred in the film as “Joe Case,” while Parker played “Dave Buchanan.”
       The film was also the first theatrical pairing of actors Jameson Parker and Gerald McRaney, who were the lead actors in the long-running television detective series Simon and Simon (Columbia Broadcasting System, 24 Nov 1981—22 Mar 1989), portraying brothers "A.J." and "Rick Simon," respectively. McRaney plays the crooked sheriff’s deputy, “Jake Wheeler,” in the film.
       Principal photography began on 11 Mar 1985 in Tucson, AZ, according to the 3 Apr 1985 DV production chart. The film had a $3 million budget and a six-week shooting schedule. During filming, the picture had the working title, Jackals, which remained the title in overseas distribution.
       In Apr 1986, The Movie Store acquired domestic distribution rights and changed the title to American Justice, according to a 16 Apr 1986 DV report. The company planned to initially release the film in New York, NY; Los Angeles, CA; and Chicago, IL; then gradually open the film on 300 screens nationwide. That release plan soon changed, as the 15 May 1986 HR announced the film would open 6 Jun 1986 in San Antonio, TX, and play in other markets in the Southwest United States throughout the summer, before getting a nationwide release. However, that release plan cannot be verified. The 17 Sep 1986 DV box-office chart indicated the film had taken in $32,000 playing on eighteen screens, but does not indicate where the screens were located. American Justice opened in New York City on 19 Sep 1986, and in Los Angeles on 30 Jan 1987.
      End credits include thanks from producers to: “Arizona Film Commission; Tucson Film Commission; Tucson Police Department; Pima County Sheriff’s Department, Mackie Matlock, Joe Woolridge; U.S. Repeating Arms.”

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GEOGRAPHIC LOCATIONS
SOURCE CITATIONS
SOURCE
DATE
PAGE
Daily Variety
3 Apr 1985
---
Daily Variety
16 Apr 1986
p. 1, 14
Daily Variety
16 May 1986
---
Daily Variety
17 Sep 1986
---
Hollywood Reporter
4 Mar 1985
p. 1, 20
Hollywood Reporter
15 May 1986
---
Hollywood Reporter
17 Feb 1987
p. 3, 54
Los Angeles Times
3 Feb 1987
p. 3
New York Times
19 Sep 1986
p. 6
Variety
21 May 1986
p. 34
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION COMPANIES
PRODUCTION TEXT
A Hunter/MFG Production
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTORS
Unit prod mgr
1st asst dir
2d asst dir
2d 2d asst dir
2d unit dir
PRODUCERS
Assoc prod
Exec prod
WRITER
PHOTOGRAPHY
Dir of photog
2d unit dir of photog
Cam op
Lighting gaffer
Key grip
1st asst cam
1st asst cam
2d asst cam
Best boy
Dolly grip
Addl photog by
Stills
ART DIRECTOR
Art dir
FILM EDITORS
Negative cutter
SET DECORATORS
Set dec
Prop master
Lead person
Swing gang
Asst propmaster
Carpenter
Painter
COSTUMES
Cost supv
Costumer
Seamstress
Ward asst
MUSIC
Mus soundtrack prod by
Mus ed
Mus rec at
SOUND
Sd mixer
Boom op
Sound cable man
Supv sd ed
Supv sd ed
Sd ed
Sd ed
Asst sd ed
Re-rec mixer
Re-rec mixer
Re-rec mixer
Synthesizers programmed by
Post prod sd by
Post prod sd by
Main title ethereal voice by
VISUAL EFFECTS
Spec eff coord
Spec eff
Opticals by
MAKEUP
Makeup supv
Makeup artist
PRODUCTION MISC
Prod coord
Scr supv
Loc mgr
Loc mgr
Prod accountant
Asst accountant
Casting
Creative consultant
Extra casting
Extra casting
First aid man
Wrangler
Loc projectionist
Equip rental
Prod assoc
Craft service
Catering
Catering
Unit pub
Tranportation coord
Transportation capt
Transportation co-capt
Driver
Driver
Driver
Driver
Driver
Driver
Driver
Driver
STAND INS
Stunt coord
Stand-in
Stand-in
Stand-in
Stand-in
Stunts
Stunts
Stunts
Stunts
COLOR PERSONNEL
DeLuxe Labratories, Inc.
DeLuxe Labratories, Inc.
DeLuxe Labratories, Inc.
Col timer
Col by
SOURCES
SONGS
"Red River Valley," performed by Dean Armstrong Trio; "Tryin' To Say Goodbye," music and lyrics by Paul Chihara, Candy Chase and Gary Chase, vocal by Jeannie Wilson, produced by Craig Huxley; "Body Builder Blues," music composed and produced by Craig Huxley, published by Shades Music Company, courtesy of Sonic Atmospheres Records; "The Price You Pay," music and lyrics by Paul Chihara, Candy Chase and Gary Chase, vocal by David Goss, produced by Craig Huxley.
SONGWRITERS/COMPOSERS
+
SONGWRITERS/COMPOSERS
+
DETAILS
Alternate Title:
Jackals
Release Date:
19 September 1986
Premiere Information:
New York opening: 19 Sep 1986; Los Angeles opening: 30 Jan 1987
Production Date:
11 Mar--late Apr 1985
Physical Properties:
Sound
Color
Col by DeLuxe
Lenses
Lenses and Panaflex® camera by Panavision®
Duration(in mins):
90
MPAA Rating:
R
Country:
United States
Language:
English
PCA No:
27876
SYNOPSIS

Big city cop Joe Case arrives in a small town on the Mexican border to visit his former police partner, Dave Buchanan, now a sheriff’s deputy. After getting settled, Joe joins Dave and his wife, Jess, on a horseback ride through the desert wilderness. Jess Buchanan’s Uncle Warner, whom she describes as “the best tracker in the whole country,” accompanies them. As they approach a canyon, Warner advises that the horse Joe is riding might not be able to ride fast enough through the canyon, so Joe turns back while the others continue. Meanwhile, a group of illegal aliens sneaks across the border from Mexico and are immediately arrested by sheriff’s deputies. However, one young woman in the group is taken away, held hostage in a barn, and raped. When the young woman escapes, her captors give chase. As she dashes through the wilderness, she runs into Joe on horseback, returning to the Buchanan house. Scared by her sudden appearance, Joe’s horse throws him to the ground. Joe goes after the woman, but she is recaptured. Hiding in the brush, Joe watches as the men drag her away. Moments later, when she escapes again, Jake Wheeler, the leader of the group, shoots her in the back, killing her. The next day, Dave Buchanan takes Joe to tell Sheriff Lawrence Mitchell what he saw. As he makes his report, Joe is stunned to see that Jake Wheeler is a deputy sheriff. As soon as they leave, Joe tells Dave that Wheeler is the man who shot the girl. Meanwhile, Wheeler has his men dig up the body, and by the time the sheriff’s cars arrive at the murder spot, there ...

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Big city cop Joe Case arrives in a small town on the Mexican border to visit his former police partner, Dave Buchanan, now a sheriff’s deputy. After getting settled, Joe joins Dave and his wife, Jess, on a horseback ride through the desert wilderness. Jess Buchanan’s Uncle Warner, whom she describes as “the best tracker in the whole country,” accompanies them. As they approach a canyon, Warner advises that the horse Joe is riding might not be able to ride fast enough through the canyon, so Joe turns back while the others continue. Meanwhile, a group of illegal aliens sneaks across the border from Mexico and are immediately arrested by sheriff’s deputies. However, one young woman in the group is taken away, held hostage in a barn, and raped. When the young woman escapes, her captors give chase. As she dashes through the wilderness, she runs into Joe on horseback, returning to the Buchanan house. Scared by her sudden appearance, Joe’s horse throws him to the ground. Joe goes after the woman, but she is recaptured. Hiding in the brush, Joe watches as the men drag her away. Moments later, when she escapes again, Jake Wheeler, the leader of the group, shoots her in the back, killing her. The next day, Dave Buchanan takes Joe to tell Sheriff Lawrence Mitchell what he saw. As he makes his report, Joe is stunned to see that Jake Wheeler is a deputy sheriff. As soon as they leave, Joe tells Dave that Wheeler is the man who shot the girl. Meanwhile, Wheeler has his men dig up the body, and by the time the sheriff’s cars arrive at the murder spot, there is nothing to find. Joe Case makes a veiled accusation toward Wheeler, who punches him in the face. Wheeler advises Dave, “You better cool your boy down.” After they leave, Joe tells Dave he accused Wheeler to see what kind of reaction he would get. Later, Sheriff Mitchell tells Dave that he believes his deputy and advises him to keep Joe away from Wheeler. When Joe returns to the murder spot, he finds a sheriff’s deputy napping in his car rather than guarding the area. Soon, Dave arrives with Uncle Warner, who examines the area by following footprints and other telltale signs. Warner determines where the woman’s body was buried and also points out the spot where she fell upon being shot. They find the trail where she ran and the barn where she was being held. Dave arrests a man inside the barn, but when they leave, Wheeler, who has been observing from afar, shoots and kills the man with a high-powered rifle. Joe, Dave and Warner dash back into the barn, but Wheeler keeps shooting. The three run out the back of the barn and find safety. At the morgue, the sheriff lies to Dave and Joe, saying that he knows where Wheeler was during the shooting and he is not responsible. However, he promises they will find out who shot at them. Joe comments to Dave that if the dead woman were white rather than Mexican, the deputies would be investigating the crime with more enthusiasm. Dave replies that if the woman were white, they would likely already know who she was. Meanwhile, Wheeler stops by a building and picks up an envelope full of cash. The next day while checking out a lead at a salvage yard, Joe Case recognizes one of the men from the shooting. Knowing he has been spotted, the man gets in his truck and drives away while Joe and Dave give chase in their truck. The man’s truck overturns and he starts running, with Joe and Dave following close behind. The man makes it to the border and crosses before Joe and Dave can capture him. Joe wants to follow him into Mexico, but Dave reminds him they do not have jurisdiction there. Back at the Buchanan home, Dave’s wife, Jess, is preparing dinner when Wheeler sneaks in. She holds a knife out to defend herself, but Wheeler turns the knife toward her. He tells Jess he can come in any time and take her, then leaves. Dave telephones the sheriff’s station, but Wheeler overhears the deputy taking the message. Wheeler goes home and stuffs cash into a duffle bag. His wife wants to go with him, but Wheeler leaves without her and goes to see the sheriff at home where he admits that he killed the woman. Wheeler comments that the sheriff knew what was happening all along, but wanted to get rich, so he looked the other way when illegal aliens paid money for help crossing the border, then were arrested on the American side. The sheriff advises Wheeler to take the money and run. Armed with shotguns, Joe and Dave go to a building, but are ambushed by Wheeler’s men. Many shots are fired and Dave is hit. Wheeler takes Dave’s shotgun and shoots him to death. In another part of the building, Joe Case is also shot and believed to be dead. Wheeler instructs his men to place Joe’s body beside Dave’s, then set the building on fire. However, as Joe is carried into the room, he stabs his captor in the back with a knife and escapes. Joe drives Dave’s truck back to the Buchanan house and Jess immediately realizes her husband is dead. Joe goes to the sheriff for information and reminds him that some of Wheeler’s men who killed Dave are sheriff’s deputies. The sheriff reluctantly tells him to go to the Cantina Paloma in Mexico and ask for a man named Romo. At the cantina, Joe approaches Romo, demanding to know Wheeler’s whereabouts. Romo pulls a knife on him, but Joe pulls a gun on him. Romo takes him to a spot in the desert where he finds Wheeler standing with a four other deputies. However, the deputies back away, leaving Joe and Wheeler to fight alone. Joe shoots Wheeler with his shotgun. Wheeler falls to the ground dead and Joe walks away.

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Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.