Crystal Heart (1987)

R | 103 mins | Drama, Romance | 6 February 1987

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HISTORY

       End credits also state: “‘Solid Gold’ excerpt courtesy of Paramount Pictures Corporation; ‘Video One’ excerpt courtesy of Tele-Ventures; ‘Levi’s’ logo and commercial courtesy of Levi Strauss & Co.; Joel Denver courtesy of ‘News on the Charts’/Westwood One.
       End credits also note that producer Carlos Vasallo directed the “Grendha Commercial, ‘Don’t Touch The Heart’ video, ‘Desire,’ and ‘Hearts Beat On’ musical numbers.”
       Crystal Heart marked the first international financing venture for Spain’s Izaro Film. The 21 May 1984 HR noted that filming was scheduled to start in Los Angeles, CA in Aug 1984 and the film’s working title was Crystal Cage. However, principal photography did not get underway until Oct 1984, the 16 Jun 1986 DV reported, and wrapped in early Jan 1985, the 15 Jan 1985 DV said. The 14 Mar 1986 DV stated that interiors were filmed in Madrid, Spain, then production moved to Los Angeles for four weeks of location shooting.
       Crystal Heart opened 6 Feb 1987 in limited release. The 28 Jan 1987 HR said six major cities were scheduled to play the film: Los Angeles and San Francisco, CA; Seattle, WA; Minneapolis, MN; Washington, D.C.; and Toronto, Canada.

      End credits include thanks to: “National Enquirer; Activision, Inc.; University of Southern California; Atari; Sony; El Corte Ingles; Adagio; B.O.C. Medishield; Carburos Metalicos; Northern Telecom; Ascien; Umos, S.A.; TWA Trans World Airlines.”
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       End credits also state: “‘Solid Gold’ excerpt courtesy of Paramount Pictures Corporation; ‘Video One’ excerpt courtesy of Tele-Ventures; ‘Levi’s’ logo and commercial courtesy of Levi Strauss & Co.; Joel Denver courtesy of ‘News on the Charts’/Westwood One.
       End credits also note that producer Carlos Vasallo directed the “Grendha Commercial, ‘Don’t Touch The Heart’ video, ‘Desire,’ and ‘Hearts Beat On’ musical numbers.”
       Crystal Heart marked the first international financing venture for Spain’s Izaro Film. The 21 May 1984 HR noted that filming was scheduled to start in Los Angeles, CA in Aug 1984 and the film’s working title was Crystal Cage. However, principal photography did not get underway until Oct 1984, the 16 Jun 1986 DV reported, and wrapped in early Jan 1985, the 15 Jan 1985 DV said. The 14 Mar 1986 DV stated that interiors were filmed in Madrid, Spain, then production moved to Los Angeles for four weeks of location shooting.
       Crystal Heart opened 6 Feb 1987 in limited release. The 28 Jan 1987 HR said six major cities were scheduled to play the film: Los Angeles and San Francisco, CA; Seattle, WA; Minneapolis, MN; Washington, D.C.; and Toronto, Canada.

      End credits include thanks to: “National Enquirer; Activision, Inc.; University of Southern California; Atari; Sony; El Corte Ingles; Adagio; B.O.C. Medishield; Carburos Metalicos; Northern Telecom; Ascien; Umos, S.A.; TWA Trans World Airlines.”

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GEOGRAPHIC LOCATIONS
SOURCE CITATIONS
SOURCE
DATE
PAGE
Daily Variety
15 Jan 1985
---
Daily Variety
14 Mar 1986
---
Daily Variety
16 Jun 1986
---
Daily Variety
6 Feb 1987
p. 3, 37
Hollywood Reporter
21 May 1984
---
Hollywood Reporter
28 Jan 1987
---
Los Angeles Times
6 Feb 1987
Calendar, p. 8
Variety
11 Feb 1987
p. 20
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION COMPANIES
PRODUCTION TEXTS
Carlos Vasallo presents
An Izaro Films Eagle Film Corporation Production
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTORS
Mus numbers and addl seq dir by
1st asst dir
PRODUCER
PHOTOGRAPHY
Dir of photog
Cam op
1st asst cam
1st asst cam
2d asst cam
2d asst cam
Still photog
Still photog
VCR op
Gaffer
Best boy
Best boy
Key grip
Key grip
Still photog eff
Cam facilities provided by
Cam facilities provided by
Cam accessories
Grip and lighting equip
Grip and lighting equip
Grip and lighting equip
ART DIRECTOR
FILM EDITORS
1st asst ed
1st asst ed
Ed equip
Ed equip
SET DECORATORS
Painter
Painter
Carpenter
Prop master
Prop asst
COSTUMES
Cost des
Ward asst
MUSIC
Mus services
Mus consultant
Orig mus rec and mixed at
Studio City, Ca
Orig mus rec and mixed at
West Hollywood, Ca
Orig mus rec and mixed at
Burbank, Ca
Orig mus rec and mixed at
Culver City, Ca
Orig mus rec and mixed at
Burbank, Ca
Orig mus rec and mixed at
Woodland Hills, Ca
Orig mus rec and mixed at
Hollywood, Ca
Orig mus rec and mixed at
Hollywood, Ca
Orig mus rec and mixed at
Culver City, Ca
Orig mus rec by
Orig mus rec by
Orig mus rec by
Orig mus rec by
Orig mus rec by
Orig mus rec by
Orig mus rec by
Orig mus rec by
Orig mus rec by
Orig mus rec by
Orig mus rec by
Orig mus rec by
Orig mus rec by
Orig mus rec by
Supv mixer
Mus mixed by
Mus mixed by
Thanks to
Thanks to
Thanks to
Thanks to
Thanks to
Thanks to
Thanks to
Thanks to
Thanks to
Thanks to
Thanks to
Special thanks to
Score performed by
Score performed by
SOUND
Loc sd mixer
Boom op
Boom op
Dial ed
Sd eff ed
Foley
Dial re-rec
ADR rec
Foley rec
Dolby Stereo consultant
Re-rec
Re-rec
Prod sd services
Foley studio
Post prod studios
Hollywood
VISUAL EFFECTS
Spec eff
Titles and opticals
DANCE
Choreog
MAKEUP
Makeup
Hairdresser
PRODUCTION MISC
Casting
Exec in charge of prod
Exec in charge of prod
Scr supv
Scr supv
Unit loc mgr
Prod secy
Spec asst to the dir
Spec asst to the prod
Spec asst to the prod
Unit cam car driver
Animal handlers
Prod asst
Prod asst
Prod asst
Prod asst
Prod asst
Prod asst
Prod asst
Driver/Runner
Driver/Runner
Driver/Runner
Dial ed
Products provided by
Transportation
Loc dressing rooms
Prod lab
Burbank
Prod lab
COLOR PERSONNEL
Col by
SOURCES
SONGS
“Don't Touch The Heart,” words and music by Jeff Neiman, produced by Joel Goldsmith, performed by Andrea Robinson, published by Jacaranda Music, Inc. (BMI); “Night Rockin,” words and music by Jamie James, produced by Robert Margouleff, performed by Jamie James, published by Jacaranda Music, Inc. (BMI), courtesy of Vanity Records; “Give It Up,” words and music by Joel Goldsmith and Jerry Riopelle, produced by Joel Goldsmith, performed by Jerry Riopelle, published by Jacaranda Music, Inc. (BMI); “Two Girls Dancing,” words and music by Jon St. James, produced by Jon St. James, performed by Formula One, published by French Lick Music (Admin. by Bug Music) (BMI); “Crossing Over,” words and music by Janis Liebhart and David Szpack, produced by Joel Goldsmith, performed Dennis Churchill, courtesy of White Sister, published by Jacaranda Music, Inc. (BMI); “Can't Run Away,” words and music by Randy Jackson and Liz Jackson, produced by Randy Jackson, performed by Room With a View, featuring Randy Jackson, published Pantry Music, Inc./Liverpool Music (ASCAP); “Desire,” words and music by Joel Goldsmith, Kevin Dukes and Andrea Robinson, produced by Joel Goldsmith, performed by Andrea Robinson, published by Jacaranda Music, Inc. (BMI); “Brave New World,” words and music by Jay Ferguson, produced by Michael Verdick and Jay Ferguson, performed by Jay Ferguson, published by Painless Music, Inc./Jacaranda Music, Inc. (BMI); “Hearts Beat On,” words and music by Kevin Dukes and Roger Freeland, produced by Joel Goldsmith, performed by Andrea Robinson, published by Jacaranda Music, Inc. (BMI); “Desperate Days,” words and music by Jon St. James, produced by Jon St. James, performed by Formula One, published by French Lick Music (Admin. By Bug Music) (BMI); “Castles In The Sand,” words and music by Jeff Neiman, produced by Joel Goldsmith, performed by Dennis Churchill (Courtesy of White Sister) and Lorraine Devon, published by Jacaranda Music, Inc.; “The Model,” words and music by Jon St. James, produced by Jon St. James, performed by SSQ, published by French Lick Music, Inc.; “Actions Speak Louder,” words and music by Baxter Robertson, produced by Tony Peluso, performed by Baxter Robertson, published by Que-Os Music (BMI); “Let Me Believe In You,” words and music by Jay Ferguson, produced by Jay Ferguson, performed by Jay Ferguson, published by Painless Music, Inc./Jacaranda Music, Inc. (BMI); “Over And Out” video, by Take Five, written by Brian Burrescia and Jeff Long, directed by Jeff Long, executive producer Sam Burrescia, “Over and Out” song, produced by Bartok & Lansky, words and music by Brian Burrescia; “Stop The KGB” video, copyright 1983, Frank Riviera, Raoul Quionones, performed by Frank Reeves and the Sneaker Boys, special performance by KGB Agent Deborah Diehl, audio engineer Jeff Adde, directed by Tim Snider, produced by Frank Reeves, Bill Citron (CMA Productions); “Working Girl,” written and performed by Jaynie Sustar, produced by Glen Feit and Jaynie Sustar, “Working Girl” video produced and directed by Tony Shiff for Bedonna Productions;
SONGWRITERS/COMPOSERS
+
DETAILS
Alternate Title:
Crystal Cage
Release Date:
6 February 1987
Premiere Information:
Los Angeles opening: 6 Feb 1987
Production Date:
Oct 1984--early Jan 1985
Physical Properties:
Sound
Dolby Stereo ® in Selected Theatres
Color
Duration(in mins):
103
MPAA Rating:
R
Countries:
Spain, United States
Language:
English
SYNOPSIS

In Los Angeles, California, twenty-two-year-old Christopher Newley suffers from an unspecified autoimmune disease that has forced him to live in a hermitically sealed room his entire life. His room is equipped with the latest in video, music and workout equipment, but Chris has no physical contact with other human beings. His meals, mail and newspapers are delivered to him through an airtight passage to ensure no germs enter his living environment. His millionaire father, Frank Newley, head of Newley Satellites, is working on a special astronaut-like suit so Chris can leave the glass-enclosed room someday. Chris has been exchanging letters with rising pop singer Alley Daniels, who has a strong local following, but has not yet had a breakout national hit. Chris watches Alley’s music videos frequently and dreams of being able to meet her in person, even if a glass wall will separate them. He writes Alley requesting she come to visit him. She is nervous about the idea, but her manager and lover, Jean-Claude, encourages her to go. Chris gives her a song he has written for her when she comes to the house. However, Chris is so excited to be in Alley’s presence, monitor alarms go off when his blood pressure rises and heart palpitates. Alley leaves quickly, while Chris’ mother, Diana, chastises him for having a visitor. Jean-Claude persuades Alley to film a commercial for Grendha Shoes, which should help her get national exposure. Alley says she does not like the idea of doing commercials; she wants a record deal instead. Jean-Claude says he is working on that, then telephones the National Enquirer tabloid magazine offering a story on the ...

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In Los Angeles, California, twenty-two-year-old Christopher Newley suffers from an unspecified autoimmune disease that has forced him to live in a hermitically sealed room his entire life. His room is equipped with the latest in video, music and workout equipment, but Chris has no physical contact with other human beings. His meals, mail and newspapers are delivered to him through an airtight passage to ensure no germs enter his living environment. His millionaire father, Frank Newley, head of Newley Satellites, is working on a special astronaut-like suit so Chris can leave the glass-enclosed room someday. Chris has been exchanging letters with rising pop singer Alley Daniels, who has a strong local following, but has not yet had a breakout national hit. Chris watches Alley’s music videos frequently and dreams of being able to meet her in person, even if a glass wall will separate them. He writes Alley requesting she come to visit him. She is nervous about the idea, but her manager and lover, Jean-Claude, encourages her to go. Chris gives her a song he has written for her when she comes to the house. However, Chris is so excited to be in Alley’s presence, monitor alarms go off when his blood pressure rises and heart palpitates. Alley leaves quickly, while Chris’ mother, Diana, chastises him for having a visitor. Jean-Claude persuades Alley to film a commercial for Grendha Shoes, which should help her get national exposure. Alley says she does not like the idea of doing commercials; she wants a record deal instead. Jean-Claude says he is working on that, then telephones the National Enquirer tabloid magazine offering a story on the “bubble boy.” Alley goes to visit Chris again, apologizing for upsetting him on the first visit. She plays a cassette tape of a new song and dances for him. With some encouragement, Chris starts dancing too. They get along well and he kisses her against the glass wall. After that, Alley visits Chris frequently. Jean-Claude tires to persuade Ray, a music promoter, to let Alley be the opening act on the European tour of the hot new group, The Cats, but Ray says she is not big enough yet. When Jean-Claude says he can get Alley on the cover of the National Enquirer, Ray says he will book her as soon as she appears on the cover. Chris is delighted when Alley sneaks a tiny dog named “Feedback” into the house. However, even though Chris is protected behind the glass wall, his mother is distressed by the dog’s presence. Diana Newley takes Alley aside, wondering what she really wants. Alley is offended by the question. Afterward, Chris asks Alley to marry him, promising she will be rich, but she does not give him an answer. Alley throws a small party at her Hollywood Hills house and introduces Jean-Claude to Jasper, who has arranged a show for her at The Roxy nightclub on the Sunset Strip. Jean-Claude tells her of his plan to get her on the cover of the National Enquirer. Alley says she does not want to exploit Chris in that way. However, a few days later, Alley and Chris are posing as a couple for a National Enquirer photographer. Noting that the glass wall separates them, a reporter asks about intimate details of their relationship. Jean-Claude suggests there are plenty of other men who can satisfy Alley’s sexual needs. Hearing that, Chris becomes angry and kicks everyone out. He decides Alley was just using him for publicity, but a week later when the magazine comes out, he has the cover framed. Alley apologizes to Chris, saying she is confused by her feelings. Chris reports he has never felt this like this before and says he loves her. Alley says she loves him too. The two simulate making love, each pressing against the glass wall, pretending to touch the other. Alley agrees to be the opening act for The Cats on their European tour, but puts off telling Chris, worried about how he will react to the news that she will be gone for eight weeks. However, Chris learns of the tour while watching the local “Video One” music channel. He telephones Alley repeatedly, but gets her answering machine. As Alley makes preparations for her European tour, Jean-Claude demands sex as his reward for arranging it. Alley refuses and he slaps her. When Chris telephones again, Jean-Claude answers and says that Alley is busy having sex with him. Upset, Chris begins pacing the floor and throws his keyboard at the glass wall, breaking it. Chris steps outside his room for the first time and runs out of the house. His live-in nurse, Justine, sees him running away, but does not try to stop him, merely saying to herself, “Good luck, Christopher.” As he runs through the streets in the early morning hours, Chris enjoys being outside. He rolls in the grass, smells flowers, and plays with a small dog. Meanwhile, Alley drives to Chris’s house trying to explain. When she learns he is out, she drives around the area, searching for him. A newspaper deliveryman gives Chris a ride to Alley’s house where he waits for her to return. When she gets back, they kiss, touching each other for the first time. They shower together, then go to the beach, where they ride bicycles and play games at an amusement park. Later, they make love. When they return to Alley’s house, Jean-Claude tries to apologize, but Alley fires him. Alley does her show at The Roxy, with Chris in the front row, cheering for her. Afterward, Alley accepts his marriage proposal. The two perform a commitment ceremony and make love on the beach. Police try to arrest them for sleeping on the beach, but the officer recognizes them from the National Enquirer story and instead asks for their autographs. As they walk on the beach, Chris begins to get weak and begs Alley to hold him as tight as she can. At the hospital, Chris is put in intensive care, but doctors say there is nothing they can do for him. He is able to hug his parents for the first time and tells them he loves them. Alley stays with him at the hospital until he dies. After the funeral, Diana Newley wishes Alley well with her career, while Frank Newley gives her a family ring to serve as a wedding ring, saying Chris wanted her to have it. Afterward, Alley does a show and performs the song Chris wrote for her.


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Offscreen Credit
Name Occurs Before Title
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