Girls Just Want to Have Fun (1985)

PG | 87 mins | Comedy | 12 April 1985

Director:

Alan Metter

Writer:

Amy Spies

Producer:

Chuck Russell

Cinematographer:

Thomas Ackerman

Production Designer:

Jeffrey Staggs

Production Company:

New World Pictures
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HISTORY

       Girls Just Want to Have Fun was inspired by Cyndi Lauper’s hit version of the Robert Hazard song of the same name. Lauper did not own rights to the song, and refused any association with the film, according to a Feb 1985 article in Esquire. Lauper reportedly objected to the film’s use of the song’s original lyrics, which gave the piece a dominant, male perspective. As noted in Esquire, Cyndi Lauper changed the lyric “My father says my boy what do they want from your life/ Father dear you are the fortunate one” to, “My mother says when you gonna live your life right; Oh mother dear we’re not the fortunate ones.” Lauper contended that she turned the piece “into a feminist song” and that any changes to her version were “not my statement at all.” Although Lauper was planning to produce her own feature film with music video director Edd Griles at the time, New World Pictures remained hopeful of her endorsement and scheduled a rough cut screening of Girls Just Want to Have Fun in Mar 1985. Deborah Galli ultimately performed the song in the film.
       With a budget of $3 to $5 million, production began late summer 1984, as noted in a 20 Jun 1984 Var news item.
       The film was a summer teen hit in 1985 and brought in $7 million its opening weekend, according to the 15 Jun 1985 Screen International.
      End credits include the following acknowledgements: "Special Thanks To: Jeff Schechtman, Chicago Film Commission, Chicago Transit Authority, Dreyer's Ice Cream, Pro Media, Teen ...

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       Girls Just Want to Have Fun was inspired by Cyndi Lauper’s hit version of the Robert Hazard song of the same name. Lauper did not own rights to the song, and refused any association with the film, according to a Feb 1985 article in Esquire. Lauper reportedly objected to the film’s use of the song’s original lyrics, which gave the piece a dominant, male perspective. As noted in Esquire, Cyndi Lauper changed the lyric “My father says my boy what do they want from your life/ Father dear you are the fortunate one” to, “My mother says when you gonna live your life right; Oh mother dear we’re not the fortunate ones.” Lauper contended that she turned the piece “into a feminist song” and that any changes to her version were “not my statement at all.” Although Lauper was planning to produce her own feature film with music video director Edd Griles at the time, New World Pictures remained hopeful of her endorsement and scheduled a rough cut screening of Girls Just Want to Have Fun in Mar 1985. Deborah Galli ultimately performed the song in the film.
       With a budget of $3 to $5 million, production began late summer 1984, as noted in a 20 Jun 1984 Var news item.
       The film was a summer teen hit in 1985 and brought in $7 million its opening weekend, according to the 15 Jun 1985 Screen International.
      End credits include the following acknowledgements: "Special Thanks To: Jeff Schechtman, Chicago Film Commission, Chicago Transit Authority, Dreyer's Ice Cream, Pro Media, Teen Magazine, Van Halen, Vienna Hotdogs, The Buttheads.”

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GEOGRAPHIC LOCATIONS
SOURCE CITATIONS
SOURCE
DATE
PAGE
Esquire
Feb 1985
p. 128
Hollywood Reporter
8 Apr 1985
p. 3, 19
Los Angeles Times
12 Apr 1985
p. 1, 12
New York Times
12 May 1985
p. 55
Screen International
15 Jun 1985
---
Variety
20 Jun 1984
---
Variety
10 Apr 1985
p. 18
CAST
NAME
CREDITED AS
CREDIT
Special appearance by
as the
Dancers:
+
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION COMPANY
PRODUCTION TEXT
New World Productions and James G. Robinson present
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTORS
Prod mgr
1st asst dir
1st asst dir
2d asst dir
2d asst dir
PRODUCERS
Assoc prod
Prod consultant
Exec prod
WRITER
Wrt
PHOTOGRAPHY
Dir of photog
Cam op
1st asst cam
2d asst cam
Still photog
Best boy
Elec
Panaspot op
Key grip
2d grip
Grip
Panaspots and Panabeams provided by
ART DIRECTORS
Prod des
Art dir
Art dept p.a.
FILM EDITORS
Film ed
Asst ed
Asst ed
2d asst ed
Negative cutter
SET DECORATORS
Set dec
Dance TV set des
Const coord
Lead carpenter
Lead painter
Set dresser/Lead person
Swing/Art
Swing
Pictorial consultant
Prop master
Asst prop master
COSTUMES
Asst ward
MUSIC
Mus supv
Orig score comp
Mus ed
Mus consultant
Assoc mus supv
Mus bus affairs coord
Assoc mus consultant
SOUND
Boom op
Supv sd ed
Post prod re-rec
Supv mixer
Mus mixer
ADR mixer
Dolby stereo consultant
VISUAL EFFECTS
Main title des
Spec eff
Title opt by
DANCE
Choreog
Gymnastics coord
Addl choreog [audition scene]
Asst choreog
Asst to Mr. Sallid
MAKEUP
Makeup supv
Asst makeup artist
Hairstylist
PRODUCTION MISC
Casting
Prod consultant
Prod assoc
Prod coord
Asst accountant
Secy to prod
Loc mgr
Scr supv
Scr supv
Addl scr supv
Craft services
Craft services
Casting assoc
Extras casting
Extras coord
Prod asst
Prod asst
Prod asst
First aid
Transportation capt
Transportation co-capt
Completion bond representative
STAND INS
Stunt coord
Stunt player
Stunt player
Stunt player
Stunt player
Stunt player
Stunt player
Stunt player
Stunt player
Stunt player
Stunt player
Stunt player
Stunt player
Stunt player
COLOR PERSONNEL
Col timer
SOURCES
SONGS
“Shout,” performed by Alex Brown, written and produced by Marti Sharron & Gary Skardina; “Dancing In The Streets,” performed by Animotion, written by William Stevenson, Marvin Gaye, Ivory Joe Hunter, produced by Don Perry & Bob Summers, Animotion appears courtesy of PolyGram, Inc.; “Too Cruel,” performed by Amy Hart, written by Amy Hart & Tim Tobias, produced by John Ryan; “Wake Up The Neighborhood,” performed by Holland, written by Tom Holland, Joey Cettner, Mike Batio, produced by Tom Werman, Holland appears courtesy of Atlantic Recording Corp.; “On The Loose,” performed by Chris Farren, written by Glenn Frey & Jack Tempchin, produced by Don Perry & Bob Summers; “I Can Fly,” performed by Rainey, written by Duncan Pain, Mark Holding, Don Grady, Lauri Riley, produced by Bob Summers, Don Perry, Jay Levy; “Dancing In Heaven (Orbital Be-Bop),” performed by Q-Feel, written and produced by Martin Page & Brian Fairweather, Q-Feel appears courtesy of Zomba Productions, Ltd.; “Technique,” performed by Rainey, written by Jack Levy & Jack Conrad, produced by Jay Levy, Don Perry & Bob Summers; “Girls Just Want To Have Fun,” performed by Deborah Galli with Tami Holbrook, Meredith Marshall, written by Robert Hazard, produced by Don Perry and Bob Summers; “Day-O (Banana Boat Song),” written by Lord Burgess & Attaway; “You’re Sixteen, You’re Beautiful (And You’re Mine),” written by Dick Sherman & Bob Sherman.
SONGWRITERS/COMPOSERS
+
DETAILS
Release Date:
12 April 1985
Premiere Information:
Los Angeles opening: 12 Apr 1985; New York opening: 10 May 1985
Production Date:
began late summer 1984
Copyright Info
Claimant
Date
Copyright Number
New World Pictures
16 April 1985
PA252500
Physical Properties:
Sound
Dolby Stereo
Color
Lenses
Arriflex camera and lenses provided by Otto Nemenz International, Inc.
Prints
Prints by CFI
Duration(in mins):
87
MPAA Rating:
PG
Country:
United States
Language:
English
PCA No:
27713
SYNOPSIS

A new student named Janey Glenn stands before her classmates at an all-girls Catholic high school. She nervously reveals that she has lived around the world, as her now retired father, Col. Glenn, was in the Army. Janey loves to dance and is excited about her move to Chicago, Illinois, where they shoot her favorite television show, “Dance TV” (DTV). On the school bus, Janey meets Lynne Stone, a rebellious classmate, who transforms her uniform into a stylish outfit by turning it inside out. Lynne invites Janey to join her at a babysitting job so Janey will not miss the beginning of DTV. The girls both love the show, and when it is announced that DTV is auditioning a new dance couple, they plan to compete. When her strict father forbids her from going, Janey sneaks away and meets Lynn at the audition. While Janey performs gymnastics and impresses the judges, Lynne is knocked down by her dance partner, and eliminated from the competition. Selected as a finalist, Janey is paired with a dancer named Jeff Malene for the on-camera finals. When Lynne learns that a rival dancer, Natalie, sabotaged her audition, she vows revenge. Later, Jeff Malene telephones Janey to set up a rehearsal, but she fails to appear. The next day, Lynne orchestrates a distraction at school so Janey can sneak out to meet Jeff. While rehearsing, their rival competitor, Natalie, spies on them and learns that Janey is a truant. Posing as a nun, Natalie calls Janey’s father and reports her absence. Meanwhile, rehearsals do not go well for Jeff and Janey. ...

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A new student named Janey Glenn stands before her classmates at an all-girls Catholic high school. She nervously reveals that she has lived around the world, as her now retired father, Col. Glenn, was in the Army. Janey loves to dance and is excited about her move to Chicago, Illinois, where they shoot her favorite television show, “Dance TV” (DTV). On the school bus, Janey meets Lynne Stone, a rebellious classmate, who transforms her uniform into a stylish outfit by turning it inside out. Lynne invites Janey to join her at a babysitting job so Janey will not miss the beginning of DTV. The girls both love the show, and when it is announced that DTV is auditioning a new dance couple, they plan to compete. When her strict father forbids her from going, Janey sneaks away and meets Lynn at the audition. While Janey performs gymnastics and impresses the judges, Lynne is knocked down by her dance partner, and eliminated from the competition. Selected as a finalist, Janey is paired with a dancer named Jeff Malene for the on-camera finals. When Lynne learns that a rival dancer, Natalie, sabotaged her audition, she vows revenge. Later, Jeff Malene telephones Janey to set up a rehearsal, but she fails to appear. The next day, Lynne orchestrates a distraction at school so Janey can sneak out to meet Jeff. While rehearsing, their rival competitor, Natalie, spies on them and learns that Janey is a truant. Posing as a nun, Natalie calls Janey’s father and reports her absence. Meanwhile, rehearsals do not go well for Jeff and Janey. Natalie flirts with Jeff outside, and invites him to her debutante ball. Returning home with Lynne, Janey’s little brother, Zach, informs her that “Sister Natalie” called and reported her truancy to their father. Lynne concocts a story to help her friend avoid punishment. Later, the girls learn of Natalie’s invitation-only country club party, and take their revenge, making copies of the invitation and distributing them to juvenile delinquents around town. That night, Natalie’s party is ruined when groups of wild teenagers crash the scene. Mayhem ensues, and Jeff is impressed to learn that Janey is the mastermind behind the invasion, and Natalie vows vengeance. Sometime later, Janey sneaks out to meet Jeff for another rehearsal, at a local dance club. When a club goer tries to seduce Janey, Jeff punches him. The couple escapes on Jeff’s motorcycle and Janey kisses her partner. Their dance rehearsals continue over the next week, while Janey continues to lie to her father and sneak away at night. Natalie asks her wealthy father, J.P. Sands, to help her win the contest and exact revenge. In turn, Sands corners Jeff and threatens to fire his father, who works at one of his factories. Later, at rehearsal, Jeff yells at Janey and quits without explanation. When Janey creeps back to her bedroom, she sets off an alarm that her father recently installed, and is prohibited from going out again. Meanwhile, Jeff tells his father of Sands’s threats, but Mr. Malene encourages his son to remain in the competition. The day of the finals, Zach tells his sister that Jeff is going to dance after all, and Janey sneaks out to meet him with Lynne’s help. They race to the DTV studio just in time for the show. Back at home, Janey’s parents turn on their television to see Janey on DTV, prompting Col. Glenn to drive to the studio. Meanwhile, a tie is declared between Jeff and Janey, and Natalie and her partner. A dance-off ensues. Janey’s father arrives to see his daughter dancing and the judges declare Jeff and Janey the winners. As her father cheers, Janey offers him a salute. When the show’s host summons Rikki, Miss Dance TV, to the stage, she quits the show backstage and fails to come on camera. Lynne seizes the opportunity to take her place. Riding onstage in a horse-drawn cart, she is declared the “new Miss Dance TV.” Elsewhere, Natalie whines to her unsympathetic father. Janey and Lynne embrace and congratulate each other.

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Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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