Rawhead Rex (1987)

R | 89 mins | Horror | 27 March 1987

Director:

George Pavlou

Writer:

Clive Barker

Producers:

Kevin Attew, Don Hawkins

Cinematographer:

John Metcalfe

Production Designer:

Len Huntingford
Full page view
HISTORY

Rawhead Rex is based on a short story by British horror author Clive Barker. The story is contained in the third volume of Barker’s six volume Books of Blood series, first published in 1984. Barker also wrote the screenplay, his second screenplay to be produced and the first to be based on one of his published stories.
       Principal photography began on 17 Feb 1986, according to a 2 Apr 1986 DV production chart. With the initial working title Rawhead, the film shot entirely in Ireland on a seven-week shooting schedule, the 1 Mar 1986 Screen International reported.
       Empire Pictures acquired the North American distribution rights to Rawhead Rex, in a two-picture deal that also included the Barker-penned horror thriller Underworld, the 11 Mar 1986 DV reported. Rawhead Rex director George Pavlou also directed Underworld, which was scheduled for a summer 1986 release.
       Rawhead Rex opened on 203 screens on 27 Mar 1987, earning $1.8 million in its first three days of release, according to the 1 Apr 1987 DV box-office report.
       In 1988, NZI Finance (UK) and NZI Securities Australia sued Empire Entertainment for failure to make payments on a $1 million loan connected to the distribution of Underworld and Rawhead Rex. The 9 Mar 1988 Var reported the companies were also suing for $25 million in punitive damages. No further information about this lawsuit could be found.
       End credits state: “Miss Pipers knitwear from Lainey Keogh, Dublin,” “With thanks to Renault U.K. Ltd. ...

More Less

Rawhead Rex is based on a short story by British horror author Clive Barker. The story is contained in the third volume of Barker’s six volume Books of Blood series, first published in 1984. Barker also wrote the screenplay, his second screenplay to be produced and the first to be based on one of his published stories.
       Principal photography began on 17 Feb 1986, according to a 2 Apr 1986 DV production chart. With the initial working title Rawhead, the film shot entirely in Ireland on a seven-week shooting schedule, the 1 Mar 1986 Screen International reported.
       Empire Pictures acquired the North American distribution rights to Rawhead Rex, in a two-picture deal that also included the Barker-penned horror thriller Underworld, the 11 Mar 1986 DV reported. Rawhead Rex director George Pavlou also directed Underworld, which was scheduled for a summer 1986 release.
       Rawhead Rex opened on 203 screens on 27 Mar 1987, earning $1.8 million in its first three days of release, according to the 1 Apr 1987 DV box-office report.
       In 1988, NZI Finance (UK) and NZI Securities Australia sued Empire Entertainment for failure to make payments on a $1 million loan connected to the distribution of Underworld and Rawhead Rex. The 9 Mar 1988 Var reported the companies were also suing for $25 million in punitive damages. No further information about this lawsuit could be found.
       End credits state: “Miss Pipers knitwear from Lainey Keogh, Dublin,” “With thanks to Renault U.K. Ltd. for supplying Renault Espace vehicle,” and “Filmed entirely on location in County Wicklow, Ireland.”

Less

GEOGRAPHIC LOCATIONS
SOURCE CITATIONS
SOURCE
DATE
PAGE
Daily Variety
7 Feb 1986
---
Daily Variety
11 Mar 1986
---
Daily Variety
2 Apr 1986
---
Daily Variety
27 Mar 1987
p. 3, 36
Daily Variety
1 Apr 1987
---
Hollywood Reporter
1 Apr 1987
p. 7
Los Angeles Times
31 Mar 1987
p. 2
Screen International
1 Mar 1986
---
Variety
1 Apr 1987
p. 14
Variety
9 Mar 1988
---
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTORS
Prod mgr
1st asst dir
2d asst dir
3d asst dir
Trainee asst dir
Trainee asst dir
PRODUCERS
Co-prod
Exec prod
Exec prod
WRITER
PHOTOGRAPHY
Photog
Cam op
Focus puller
Clapper loader
Gaffer, Standby
Chargehand, Standby
Elec, Standby
Elec, Standby
Elec, Standby
Generator op, Standby
Generator op, Standby
Cam, 2d unit
Asst cam, 2d unit
Grip, 2d unit
Traiinee cam asst, 2d unit
Gaffer, 2d unit
Elec, 2d unit
Generator op, 2d unit
Steady-Cam, 2d unit
Steady-Cam, 2d unit
ART DIRECTORS
Art dir
Des asst
Sr sculptor
Artwork coord
Asst art dir
FILM EDITORS
Supv ed
Asst ed, England
Asst ed, Ireland
Asst ed, Ireland
SET DECORATORS
Prod buyer
Stained glass
Title glasswork
Prop master
Dressing props
Dressing props
S/B props
S/B props
Const mgr
Carpenter
Carpenter
Carpenter
Carpenter
Carpenter
Rigger
Plasterer
Plasterer
Stagehand
Bobby Scott
Painter
Painter
Carpenter, Standby
Painter, Standby
Stagehand, Standby
Rigger, Standby
Plasterer, Standby
Props, 2d unit
Rigger, 2d unit
COSTUMES
Rawhead Rex cost des
Cost maker
Cost des
Ward mistress
Ward asst
Ward asst
MUSIC
Mus comp and orch by
Mus cond
Mus rec at
SOUND
Sd mixer
Pat Doyle
Boom op
Sd trainee
Rec eng
Dial ed
Footsteps ed
Asst sd ed
Asst sd ed
Re-rec mixer
Asst re-rec mixer
Addl voices
Lips Inc.
VISUAL EFFECTS
Creature eff
Creature eff
Animatronics eng
Mechanical eng
Mouldmaker
Mouldmaker
Studio asst
Studio asst
Electro-mechanical eng
Opt eff des
Eff artwork
Opt cam
Spec eff supv
Sr tech
Sr tech
MAKEUP
Eff makeup artist
Makeup artist
Hairdresser
PRODUCTION MISC
Casting
Scr supv
Accountant
Asst accountant
Unit mgr
Prod secy
Prod asst
London contact
Exec prod's prod asst
Prod's asst
Post prod coord
Prod coord, 2d unit
Driver
Driver
Driver
Driver
Driver
Driver
Pub consultant
Pub, Ireland
STAND INS
Stunt coord
Stunts
Stunts
Stunts
Stunts
Stunts
Stunts
Stunts
Stunts
Stunts
Stunts
Stunts
SOURCES
LITERARY
Based on the short story "Rawhead Rex" appearing in the third volume of the six volume Books of Blood (1984--1985) series by Clive Barker.
LITERARY SOURCE AUTHOR
DETAILS
Alternate Title:
Rawhead
Release Date:
27 March 1987
Premiere Information:
Los Angeles opening: 27 Mar 1987
Production Date:
17 Feb--early Apr 1986
Physical Properties:
Sound
Dolby Stereo ® in selected theatres.
Color
Duration(in mins):
89
MPAA Rating:
R
Countries:
Ireland, United Kingdom, United States
Language:
English
SYNOPSIS

American Howard Hallenbeck brings his family to rural Ireland for a vacation while he researches sites of religious significance. He is especially interested in sacred locations that predate Christianity, particularly those associated with Neolithic sites and fertility cults. Howard comes to the village of Rathmorne asking town priest, Reverend Coot, if he can photograph the graves and examine the parish records, believing the church was built on such a sacred site. Meanwhile, farmers use a tractor to remove a stone pillar in the middle of a field, but the pillar will not budge. When the other farmers leave, Tom Garron notices smoke erupting around the pillar foundation. A moment later, lighting strikes the pillar, which falls to the ground and Rawhead, a nine-foot tall beast with a demon’s face, emerges from the dirt. As this happens, Howard notices the eyes of a beast depicted in one of the church's stained glass windows glowing a bright red. The stained-glass beast resembles Rawhead. Later, Declan O’Brien, the church “verger” who helps with services and performs handyman duties, touches a chest on the altar. The heat from the chest scorches his hand, demonic images fill his mind, and the demon possesses him. Elsewhere, farmer Dennis Nicholson’s wife, Jenny, sends her husband outside to bolt the barn door. Dennis thought he had already latched the door, but discovers the bolt has been broken. Inside, Rawhead attacks Dennis, then goes to the house and attacks Jenny. However, when the demon notices she is pregnant, he does not kill her. When a villager finds Jenny Nicholson, she attacks him as if possessed, then backs down and screams in agony. Police take her away in ...

More Less

American Howard Hallenbeck brings his family to rural Ireland for a vacation while he researches sites of religious significance. He is especially interested in sacred locations that predate Christianity, particularly those associated with Neolithic sites and fertility cults. Howard comes to the village of Rathmorne asking town priest, Reverend Coot, if he can photograph the graves and examine the parish records, believing the church was built on such a sacred site. Meanwhile, farmers use a tractor to remove a stone pillar in the middle of a field, but the pillar will not budge. When the other farmers leave, Tom Garron notices smoke erupting around the pillar foundation. A moment later, lighting strikes the pillar, which falls to the ground and Rawhead, a nine-foot tall beast with a demon’s face, emerges from the dirt. As this happens, Howard notices the eyes of a beast depicted in one of the church's stained glass windows glowing a bright red. The stained-glass beast resembles Rawhead. Later, Declan O’Brien, the church “verger” who helps with services and performs handyman duties, touches a chest on the altar. The heat from the chest scorches his hand, demonic images fill his mind, and the demon possesses him. Elsewhere, farmer Dennis Nicholson’s wife, Jenny, sends her husband outside to bolt the barn door. Dennis thought he had already latched the door, but discovers the bolt has been broken. Inside, Rawhead attacks Dennis, then goes to the house and attacks Jenny. However, when the demon notices she is pregnant, he does not kill her. When a villager finds Jenny Nicholson, she attacks him as if possessed, then backs down and screams in agony. Police take her away in an ambulance. Rawhead drags Dennis Nicholson’s body through the woods and ties him upside down from a tree branch and begins eating his remains. In a nearby trailer park, teenagers Andy Johnson and Katrina take a walk in the woods and discover Dennis Nicholson’s body. They run screaming, but Rawhead intercepts them and kills Andy. When Katrina returns to the trailer park, she tells the residents what happened. The villagers go into the woods and find the bodies of Dennis and Andy, but their heads have been removed. At the town pub where Howard Hallenbeck and his family rent rooms, Howard cannot sleep and takes a walk. He notices Rawhead standing on a nearby hilltop, but the creature quickly disappears. The next day, Howard reports that he saw something not human, but police dismiss him. Soon after, farmer Tom Garron’s body is discovered at the site of the stone pillar. Police now have three unexplained deaths to investigate. At the church, Rev. Coot cannot locate the parish records. Howard photographs the stained glass windows, but notices the demon’s eyes no longer glow. He sees the window inscription, which translates to, “Death goes in fear of what it cannot be.” Declan O’Brien finds Howard in the sanctuary, breaks his Polaroid camera, and chases him away. Howard and his family check out of the pub, pack their car, and leave town. A few miles outside the village, Howard’s toddler daughter, Minty, reports that she needs to urinate. Howard pulls to the side of the road, and he and his wife take the girl into the nearby field. As this happens, Rawhead emerges from the woods, and grabs Howard’s young son, Robbie, from the car. Howard rushes to rescue his son, but is too late. The family returns to the village to report Robbie’s murder. Howard returns to the church where the possessed Declan O’Brien informs him that centuries ago, they buried the devil alive deep in the dirt, but he survived. Declan declares, “The darks ones come back. They always do.” When Howard deduces that the creature depicted in the stained glass is the creature that killed his son, Rev. Coot dismisses the idea. A few moments later when Coot touches the chest on the altar, his hand is scorched, but he resists the demonic images that result from touching the chest. At the trailer park, Rawhead pushes one of the trailers over and pulls out one of the occupants. The other residents try to pull Rawhead off their friend without success. One of the residents ignites a gas canister, but the explosion does not affect the demon. Police search for Rawhead, who comes upon Detective Inspector Isaac Gissing and hypnotizes him. Rawhead goes to the church graveyard and Declan O’Brien kneels before him. Rawhead urinates on Declan to baptize him. Rev. Coot hides in the basement, where he discovers the missing parish records, containing drawings and instructions for destroying Rawhead. Declan finds Coot in the basement and proclaims that Rawhead is a god and used to be the king of the region, long before Christianity was brought to Ireland. Police surround the church, while Rawhead attacks Coot in the sanctuary. Rawhead carries the reverend outside and throws him onto a grave. Police are about to fire when the possessed Det. Insp. Gissing pours a canister of gasoline onto the road and lights a match, setting police cars ablaze. Gissing kneels at Rawhead’s feet. Howard Hallenbeck goes to the sanctuary and finds Declan has torn it apart. Declan tries to choke him, but Howard fights him off. Howard tries to open the chest on the altar, but the heat scorches his hand. He uses a candlestick to open the chest without touching it. Inside, he discovers religious trinkets and fertility symbols. He goes to the graveyard with the fertility statue, but it has no effect. Rawhead pushes him to the ground, then kills Declan. Howard’s wife, Elaine, picks up the fertility symbol, and it emits green beams which engulf Rawhead and push him into a grave. The fertility statue turns into the Virgin Mary. Howard realizes that it had to be a woman holding the fertility statue to activate the spell. After the villagers bury the dead, things returns to normal, but Rawhead emerges from the grave again.

Less

Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

TOP SEARCHES

Mr. Smith Goes to Washington

According to HR news items, "The Gentleman from Montana" (an unpublished story by Lewis R. Foster, alternately called "The Gentleman from Wyoming" by both contemporary and modern ... >>

Casablanca

In the onscreen credits, actor S. Z. Sakall's name is incorrectly spelled "S. K. Sakall." HR news items add the following information about the production: ... >>

The Terminator

A full-page advertisement in the 24 Feb 1984 DV announced the recent start of principal photography, referring to the film by its working title, Terminator. ... >>

Gone with the Wind

[Note from the Editors : the following information is based on contemporary news items, feature articles, reviews, interviews, memoranda and corporate records. Information obtained from modern sources is ... >>

The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.