Rumpelstiltskin (1987)

G | 84 mins | Fantasy, Children's works | 10 April 1987

Director:

David Irving

Writer:

David Irving

Cinematographer:

David Gurfinkel

Editor:

Tova Neeman

Production Designer:

Marek Dobrowolski

Production Company:

Cannon International
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HISTORY

       Rumpelstiltskin was the first film in a series of “Movie Tales” planned by Cannon Pictures. The 8 Apr 1986 DV reported the studio intended to produce twelve “Cannon Movie Tales” based on popular fairy tales. Other stories scheduled for the series included “Sleeping Beauty,” “Puss in Boots,” “Beauty and the Beast,” “Hansel and Gretel,” “The Emperor’s New Clothes,” “Snow White,” “Jack and the Beanstalk,” “Cinderella,” “The Frog Prince,” “The Pied Piper,” and “Little Red Riding Hood.” The plan was to make live-action fairy tale musicals for about $2 million each. Filming in Israel to keep costs down, Cannon intended to shoot multiple movies simultaneously using the same costumes, props, and sets since most fairy tales involved castles, kings, and queens. Crews could move easily from one movie to another. Cannon filmed interiors at a warehouse in Jaffa, outside Tel Aviv, while exteriors were being shot on the grounds of a new studio being built near Tel Aviv. Seven of the twelve tales were eventually made in 1987-1988.
       Writer-director David Irving was set to write and direct several of the “Cannon Movie Tales.” Promotional materials in AMPAS library files indicate that in addition to Rumpelstilkstin, Irving was scheduled to direct Sleeping Beauty, The Emperor’s New Clothes, and “The Pied Piper.” He directed the first two that same year, 1987, but the third title was apparently dropped from the series.
       David Irving’s sister, actress Amy Irving, agreed to star in the film because she was eager to do a musical. Her presence added star quality to the production, and enhanced her brother’s career. The 1 May 1986 LADN ...

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       Rumpelstiltskin was the first film in a series of “Movie Tales” planned by Cannon Pictures. The 8 Apr 1986 DV reported the studio intended to produce twelve “Cannon Movie Tales” based on popular fairy tales. Other stories scheduled for the series included “Sleeping Beauty,” “Puss in Boots,” “Beauty and the Beast,” “Hansel and Gretel,” “The Emperor’s New Clothes,” “Snow White,” “Jack and the Beanstalk,” “Cinderella,” “The Frog Prince,” “The Pied Piper,” and “Little Red Riding Hood.” The plan was to make live-action fairy tale musicals for about $2 million each. Filming in Israel to keep costs down, Cannon intended to shoot multiple movies simultaneously using the same costumes, props, and sets since most fairy tales involved castles, kings, and queens. Crews could move easily from one movie to another. Cannon filmed interiors at a warehouse in Jaffa, outside Tel Aviv, while exteriors were being shot on the grounds of a new studio being built near Tel Aviv. Seven of the twelve tales were eventually made in 1987-1988.
       Writer-director David Irving was set to write and direct several of the “Cannon Movie Tales.” Promotional materials in AMPAS library files indicate that in addition to Rumpelstilkstin, Irving was scheduled to direct Sleeping Beauty, The Emperor’s New Clothes, and “The Pied Piper.” He directed the first two that same year, 1987, but the third title was apparently dropped from the series.
       David Irving’s sister, actress Amy Irving, agreed to star in the film because she was eager to do a musical. Her presence added star quality to the production, and enhanced her brother’s career. The 1 May 1986 LADN reported that prominent director Steven Spielberg came to visit Amy Irving, his then wife, on the set several times, resulting in extra publicity for the movie.
       Principal photography began on 16 Mar 1986 in Israel, according to the 16 Apr 1986 DV production chart.
       Rumpelstiltskin opened on 191 screens on 10 Apr 1987, taking in $355,253 in its first ten days of release, the 22 Apr 1987 DV reported. A week before the theatrical release, Cannon announced a 24 Jun 1987 home video release date, something that may have reduced its box office take since home videos typically came out six months after the theatrical release at that time.
      End credits were not included on the print viewed by AFI. The credits listed are taken from promotional materials in AMPAS library files and may not reflect what appears onscreen.

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GEOGRAPHIC LOCATIONS
SOURCE CITATIONS
SOURCE
DATE
PAGE
Daily Variety
8 Apr 1986
---
Daily Variety
16 Apr 1986
---
Daily Variety
13 Apr 1987
---
Daily Variety
22 Apr 1987
---
Hollywood Reporter
13 Apr 1987
p. 3, 14
Los Angeles Daily News
1 May 1986
---
Los Angeles Times
13 Apr 1987
Calendar, p. 7
Variety
9 Apr 1986
p. 4
Variety
15 Apr 1987
p. 17
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION COMPANY
PRODUCTION TEXTS
The Cannon Group, Inc. presents
a Golan-Globus production
of a David Irving film
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTORS
Prod mgr
1st asst dir
2d asst dir
3d asst dir
Prod mgr, 2d unit -- Italy
PRODUCERS
Assoc prod
Exec prod
WRITER
PHOTOGRAPHY
Dir of photog
Focus puller
Clapper loader
Best boy elec
Generator op
Key grip
Best boy grip
Grip
Grip
Stills photog
Cam, 2d unit -- Italy
Focus puller, 2d unit -- Italy
Grip, 2d unit -- Italy
Stills photog, 2d unit -- Italy
ART DIRECTORS
Art dir
FILM EDITORS
Asst ed
Asst ed
Post-prod supv
SET DECORATORS
Scenic artist
Scenic artist
Draughtsperson
Draughtsperson
Set dec
Set dresser
Set dresser
Asst set dresser
Prop master
Asst props
Const mgr
Chief carpenter
Prod buyer
COSTUMES
Cost des
Ward mistress
Ward mistress
Ward mistress
Asst to des (London)
Period cutter
Period cutter
Period cutter
Costumer
Costumer
Costumer
Costumer
Costumer
Costumer
Costumer
MUSIC
Mus soundtrack rec at
London
Mus supv
Mus dir (Israel)
Mus dir (London)
Orch by
Mus performed by
Mus performed by
Mus soundtrack rec at
Soundtrack mixed at
SOUND
Boom op
Sd mixer
Effects ed
Asst eff ed
VISUAL EFFECTS
Spec eff supv
Asst spec eff
Asst spec eff
Asst spec eff
DANCE
Choreog
MAKEUP
Makeup supv/Des
Hair stylist
Makeup artist
Makeup artist
PRODUCTION MISC
Scr supv
Prod coord
Prod secy
Dial coach
Loc mgr
Loc secy
Loc asst
Loc asst
Loc asst
Loc asst
Loc asst
Animal wrangler
Asst animal wrangler
Raven wrangler
Transportation capt
Driver
Driver
Casting (Israel)
Casting (London)
Extras casting
Prod auditor
Prod coord (L.A.)
Prod coord (N.Y.)
Prod coord (London)
Prod asst, 2d unit -- Italy
Transportation, 2d unit -- Italy
Studios, facilities and services provided by
COLOR PERSONNEL
SOURCES
LITERARY
Based on the fairy tale Rumpelstiltskin, collected by the Brothers Grimm: Jakob Grimm and Wilhelm Grimm in Children's and Household Tales (1812, 1857).
LITERARY SOURCE AUTHORS
SONGS
“When I’m Queen Of The Castle,” sung by Amy Irving, music and lyrics by Max Robert; “I Need A Miracle,” sung by Amy Irving and Stuart Zagni, music and lyrics by Max Robert; “I’m Greedy,” sung by Clive Revill, music and lyrics by Max Robert; “I Love The Miller’s Daughter,” sung by Amy Irving and Stuart Zagnit, lyrics by Jules Irving, music by Max Robert; “One Little Name,” sung by Amy Irving, music and lyrics by Max Robert; “My Name Is Rumpelstiltskin,” sung by Billy Barty, lyrics by David Irving and Max Robert, music by Max Robert.
PERFORMED BY
+
SONGWRITER/COMPOSER
DETAILS
Release Date:
10 April 1987
Premiere Information:
Los Angeles opening: 10 Apr 1987; New York opening: 12 Jun 1987.
Production Date:
began 16 Mar 1986
Copyright Info
Claimant
Date
Copyright Number
Cannon Films, Inc., & Cannon International
29 October 1987
PA345210
Physical Properties:
Sound
Dolby Stereo
Color
Duration(in mins):
84
Length(in feet):
7,539
MPAA Rating:
G
Country:
United States
Language:
English
SYNOPSIS

In a small medieval village, Katie, the beautiful daughter of the local miller, dreams of being married to a king, living in a castle, and justly ruling the land. As Katie sings of her desires, she notices a man on a white horse admiring her from across the pond. The man is Prince Henry, son of King Mezzer and Queen Grizelda. Prince Henry tells his companions to refer to him only as “Henry,” so that people will not know who he really is. Soon, King Mezzer’s men come to collect taxes, taking the miller’s only sack of grain. Victor, the miller, argues that he cannot feed his family without the grain, and that he has already paid the king seven sacks of grain this year, but the collectors ignore him. However, Prince Henry arrives and orders them to let the miller keep his grain. Henry also compliments Katie on her singing voice. She becomes smitten. Meanwhile, the miller lies to his friends that his daughter can spin straw into gold on her spinning wheel, and rumors spread throughout the village. When word gets to King Mezzer, he sends for Katie and demands she spin a bale of straw into gold for him. Locking her in a room with a spinning wheel, he orders the job to be done by the next day. Queen Grizelda warns that she will be punished if she does not accomplish the task. As Katie cries, wondering how she can perform this impossible task, Rumpelstiltskin, a magical elf, appears, inquiring about her tears. He offers to spin the straw into gold in exchange for the necklace Katie wears around her neck. They agree to the ...

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In a small medieval village, Katie, the beautiful daughter of the local miller, dreams of being married to a king, living in a castle, and justly ruling the land. As Katie sings of her desires, she notices a man on a white horse admiring her from across the pond. The man is Prince Henry, son of King Mezzer and Queen Grizelda. Prince Henry tells his companions to refer to him only as “Henry,” so that people will not know who he really is. Soon, King Mezzer’s men come to collect taxes, taking the miller’s only sack of grain. Victor, the miller, argues that he cannot feed his family without the grain, and that he has already paid the king seven sacks of grain this year, but the collectors ignore him. However, Prince Henry arrives and orders them to let the miller keep his grain. Henry also compliments Katie on her singing voice. She becomes smitten. Meanwhile, the miller lies to his friends that his daughter can spin straw into gold on her spinning wheel, and rumors spread throughout the village. When word gets to King Mezzer, he sends for Katie and demands she spin a bale of straw into gold for him. Locking her in a room with a spinning wheel, he orders the job to be done by the next day. Queen Grizelda warns that she will be punished if she does not accomplish the task. As Katie cries, wondering how she can perform this impossible task, Rumpelstiltskin, a magical elf, appears, inquiring about her tears. He offers to spin the straw into gold in exchange for the necklace Katie wears around her neck. They agree to the deal and Rumpelstiltskin quickly spins the bale of straw into golden thread. After the elf departs, Prince Henry comes to check on Katie and is astonished by what she has done. King Mezzer is equally amazed, offers Katie a royal title if she can perform the golden feat again, and locks her in the room with a dozen bales of straw. Katie calls out to the magical elf, whose name she does not know, begging for help. Rumpelstiltskin appears and offers to perform the task in exchange for the gold ring Katie is wearing. She agrees, and Rumpelstiltskin spins the straw into many barrels of golden thread. The king is delighted by this new wealth, but invokes an ancient law which decrees that a person must prove her heart is pure three times. If Katie can spin straw into gold a third time, she can marry his son. However, the queen reminds Katie that if she fails, she will be killed. The king fills a room with dozens of bales of straw. Meanwhile, the queen sends a young mute girl named Emily to hide in the room to determine how Katie is performing her golden feat. Katie calls to the magical elf once again, but also discovers Emily spying on her. Rumpelstiltskin agrees to spin the straw again, but since Katie has nothing to offer in exchange, he suggests that she pledge to give her firstborn child to him. Katie reluctantly agrees to the deal. Rumpelstiltskin spins the straw into gold, King Mezzer faints upon seeing all the gold, and Katie declares that she does not want to spin ever again. She and Henry are married, but she is haunted by worries of giving up her firstborn child. A year later, she gives birth to a son, John, and the elf appears, demanding the infant but Katie protests. Rumpelstiltskin’s talking pet raven suggests he create a contest for the child. If Katie can guess the elf’s name in three days’ time, she can keep her baby. If not, she must give up the infant as previously arranged. On the first day, Katie lists many names, but none are correct. On the second day, she goes through many books listing names, but, again, cannot find the right one. That night, Katie sends two of the king’s man, Alf and Ralph, to spy on the elf, hoping they will learn his name. In the meantime, Rumpelstiltskin’s talking raven flies to the young mute Emily’s bedroom and tells her the elf’s real name. Emily struggles to say the word aloud, but cannot form the sounds. On the third day, the elf comes to the castle prepared to take the baby. However, Emily finally finds her voice and reveals his name to Katie. When she says Rumpelstiltskin’s name aloud, the elf becomes enraged. The castle floor opens and the elf falls into the deepest recesses of the earth. As the floor closes, Prince Henry rushes in to be with his wife and newborn son.

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Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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