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       The 30 Apr 1982 LAT announced that principal photography would begin the first week of Jul 1982 in Chicago, IL, with director Joseph Sedelmaier making his feature film debut, and financing and distribution supplied by Filmways Pictures. A summer 1983 release was anticipated. Principal photography began 12 Jul 1983, according to a HR production chart. However, Sedelmaier left the project in Jul 1982 over “creative differences” with star Rodney Dangerfield, as reported the 23 Aug 1982 DV. Photography was expected to resume in early Oct 1982 in New York City, with television veteran James Signorelli directing his first feature film. Sedelmaier revealed in the Aug 1983 Esquire that he rejected the screenplay, which was co-written by Dangerfield, believing the result would be an “instantly forgettable movie.” Production resumed 12 Oct 1982 in New York City, as reported in the 5 Nov 1982 Back Stage and the 9 Nov 1982 HR. The 7 Nov 1982 LAHExam reported that cinematographer Jack L. Richards filed suit against Filmways Pictures, rebranded as Orion Pictures Corporation, alleging that he was contracted as director of photography with a guarantee of $4,000 per week for a minimum of four weeks at the time production began. Richards was replaced when filming resumed, and he sued for compensatory damages. The outcome of the case has not been determined.
       According to production notes in AMPAS library files, photography took place primarily in New York City. Locations included the Abraham & Strauss department store in Brooklyn, the 2nd Avenue Stages on Manhattan’s Upper East Side, ...

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       The 30 Apr 1982 LAT announced that principal photography would begin the first week of Jul 1982 in Chicago, IL, with director Joseph Sedelmaier making his feature film debut, and financing and distribution supplied by Filmways Pictures. A summer 1983 release was anticipated. Principal photography began 12 Jul 1983, according to a HR production chart. However, Sedelmaier left the project in Jul 1982 over “creative differences” with star Rodney Dangerfield, as reported the 23 Aug 1982 DV. Photography was expected to resume in early Oct 1982 in New York City, with television veteran James Signorelli directing his first feature film. Sedelmaier revealed in the Aug 1983 Esquire that he rejected the screenplay, which was co-written by Dangerfield, believing the result would be an “instantly forgettable movie.” Production resumed 12 Oct 1982 in New York City, as reported in the 5 Nov 1982 Back Stage and the 9 Nov 1982 HR. The 7 Nov 1982 LAHExam reported that cinematographer Jack L. Richards filed suit against Filmways Pictures, rebranded as Orion Pictures Corporation, alleging that he was contracted as director of photography with a guarantee of $4,000 per week for a minimum of four weeks at the time production began. Richards was replaced when filming resumed, and he sued for compensatory damages. The outcome of the case has not been determined.
       According to production notes in AMPAS library files, photography took place primarily in New York City. Locations included the Abraham & Strauss department store in Brooklyn, the 2nd Avenue Stages on Manhattan’s Upper East Side, and a newly built model tract house on Staten Island that served as the Capuletti home. The 13 Jan 1983 HR reported that several days of photography also took place aboard The Carmac, a yacht docked at Ft. Lauderdale, FL. As stated in the production notes, the horserace sequence was filmed at Pompano Downs racetrack, near Ft. Lauderdale. Executive producer Estelle Endler was unable to find a racetrack in the New York City area that was willing to host a sequence in which a harness driver forces his frontrunning horse to lose by placing it in a stranglehold. When the production moved to FL, Endler received a telephone call from the public relations department at Pompano Downs, inquiring about tickets for an upcoming Dangerfield performance. She used the opportunity to describe the proposed racetrack scene, and was pleasantly surprised when the management approved it. The production faced another obstacle when it was discovered that the harness drivers had plans “to attend a championship football game several hundred miles away” on the same day the sequence was to be shot. The problem was solved by chartering a helicopter to transport the drivers at the completion of filming. To create the effect of smoke rising from the horse’s hooves as the animal skidded to a stop, powdered chocolate was placed on the track. The scene was shot twice, but only the first take was used, as the horses preferred licking chocolate powder from their legs to running. Principal photography ended 11 Jan 1983 in FL, as reported in the 12 Jan 1983 DV.
       Easy Money opened 19 Aug 1983 to mixed reviews. While critics appreciated the film’s many humorous moments, they took exception with the somewhat implausible plotline. However, several praised actor Taylor Negron for his performance as “Julio.” According to the Nov 1983 Box, the film opened in 1,100 theaters and earned $20,000 in its first eighteen days of release. The 22 Sept DV reported that gross receipts reached $24,707,420 within the first month.
      End credits include the following statements: "Special thanks to Bennett Tramer;" "The producers wish to thank: The New York City Mayors Office for Motion Pictures and Television, Abraham & Strauss Department Store; Brooklyn, N.Y., Michele Piccione for Alfred Angelo Bridals, Pompono Park Harness Track--Pompono Beach, Florida, Florida Dept. of Commerce/Broward Industrial Board--Motion Picture and TV Offices, Sam Flecker of Able Photographers."

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GEOGRAPHIC LOCATIONS
SOURCE CITATIONS
SOURCE
DATE
PAGE
Back Stage
5 Nov 1982
---
Box Office
Nov 1983
---
Daily Variety
23 Aug 1982
---
Daily Variety
12 Jan 1983
---
Daily Variety
22 Sep 1983
---
Esquire
Aug 1983
---
Hollywood Reporter
9 Nov 1982
---
Hollywood Reporter
13 Jan 1983
---
Hollywood Reporter
18 Aug 1983
p. 3
LAHExam
7 Nov 1982
---
Los Angeles Times
30 Apr 1982
---
Los Angeles Times
19 Aug 1983
p. 2
New York Times
19 Aug 1983
p. 8
Variety
13 Oct 1982
p. 15
Variety
24 Aug 1983
p. 14
CAST
NAME
CREDITED AS
CREDIT
Tom Noonan
(Off-camera) Singers:
Ford models:
[and]
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PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION COMPANY
PRODUCTION TEXTS
An Orion Pictures Release
An Orion Pictures Release
NAME
CREDITED AS
CREDIT
DIRECTORS
1st asst dir
2d asst dir
D.G.A. trainee
PRODUCERS
Exec prod
PHOTOGRAPHY
Dir of photog
1st asst cam
2d asst cam
Still photog
Gaffer
Best boy
Key grip
Dolly grip
ART DIRECTORS
Prod des
Asst to prod des
FILM EDITORS
Co-ed
1st asst film ed
1st asst film ed
Asst film ed
Apprentice film ed
Ed room asst
Ed room asst
SET DECORATORS
Set dec
Prop master
Scenic artist
Const grip
Chief carpenter
COSTUMES
Joe Aulisi
Cost des
Asst to cost des
Ward supv
Ward supv
MUSIC
Title song comp by
Norman Hollyn
Mus ed
Asst mus ed
Original soundtrack orch
Original soundtrack rec at
SOUND
Sd mixer
Supv sd eff ed
Rerec mixer
Rerec mixer
Rerec mixer
Sd eff ed
Sd eff ed
Looping ed
Asst sd eff ed
Asst sd eff ed
Asst sd eff ed
Asst looping ed
VISUAL EFFECTS
Title seq des
Title opt by
MAKEUP
Makeup artist
Hairstylist
PRODUCTION MISC
Bonnie Timmerman
Casting
Addl casting/Extras casting
Scr supv
Asst to Mr. Lee
Loc mgr
Prod accountant
Prod off coord
Transportation capt
Unit pub
Asst prod accountant
Loc asst
Loc asst
Studio mgr
Asst P.O.C.
Florida prod mgr
Wedding seq coord
Asst to Mr. Signorelli
Asst to Mr. Nicolella
Asst to Ms. Endler
Asst to Ms. Endler
Prod asst
Prod asst
Prod asst
Post prod supv
Prod services by
STAND INS
Stunt coord
Racetrack stunt coord
Stunt player
Stunt player
Stunt player
Stunt player
Stunt player
Stunt player
Stunt player
Stunt player
Stunt player
Stunt player
Stunt player
Stunt player
Stunt player
Stunt player
COLOR PERSONNEL
Col by
SOURCES
SONGS
"Easy Money," by Billy Joel, ©1983 Joel Songs, performed by Billy Joel, produced by Phil Ramone, orchestration: Dave Matthews, engineer: Jim Boyer, courtesy of Columbia Records; "In The Beginning," by Alan Fryer, Bradford Kelly and Laurie Marlowe, ©1982 MCA Music, Trans-Pacific Music, Inc., and Irving Music, Inc., performed by Heaven, courtesy of Columbia Records; "We Want Action," by Carlene Carter and Nick Lowe, © 1983 Rare Blue Music, Inc. and Plangent Visions Music, Ltd., performed by Nick Lowe, courtesy of Columbia Records; "Love's Got A Line On You," by Zachary Smith and Patty Smyth, © 1983 Blackwood Music, Inc., Just Friends Music and Pink Smoke Music, performed by Scandal, courtesy of Columbia Records; "Funiculi, Funicula," by G. Turco and Luigi Denza © Associated Music Publishers, Inc. as agent for G. Ricordi, performed by Rodney Dangerfield; "Teach Me Tonight," by Sammy Cahn and Gene DePaul, © Cahn Music Co. and Hub Music Co.; Scene from "The Island Of Dr. Moreau" by Laurence Rosenthal, © Harlene Music Publishing Co.; "So Near...Yet So Far," adapted from Franz Liszt's "Liebestraum," arranged by G. H. Lapides, © Ritvale Music Corp., performed by Jerry Vale, courtesy of Columbia Records; "It's Raining Men," by Paul Jabara and Paul Shaffer, ©1982 Songs of Manhattan Island Music, a division of Whitehaven Publishing Corp., Olga Music, and Postvalda Music, performed by The Weather Girls, courtesy of Columbia Records; "Happy Birthday To You," by M. Hill and P. Hill, Summy-Birchard Music, Division of Birch Tree Group, Ltd./ASCAP.
PERFORMED BY
SONGWRITERS/COMPOSERS
+ −
DETAILS
Release Date:
19 August 1983
Premiere Information:
Los Angeles and New York openings: 19 Aug 1983
Production Date:
12 Oct 1982--11 Jan 1983
Copyright Info
Claimant
Date
Copyright Number
Easy Money Associates, a Greenberg Brothers partnership
5 January 1984
PA196248
Physical Properties:
Sound
Color
Lenses/Prints
Cameras and lenses by Arriflex®; Prints by DeLuxe
Duration(in mins):
95
MPAA Rating:
R
Country:
United States
Language:
English
PCA No:
26910
SYNOPSIS

On Staten Island, New York, photographer Monty Capuletti documents a little girl’s fifth birthday. While entertaining the child, three marijuana cigarettes fall out of a hand puppet, and Monty fumbles for an excuse. At his home office, Monty sorts through the debris on his desk, which includes partially eaten food, parking tickets, date books, liquor, and drugs. Elsewhere in New York City, Monty’s mother-in-law, Mrs. Kathleen Monahan, conducts a business meeting with her nephew, Clive Barlow, at Monahan’s, the department store she inherited from her late husband. The agenda includes firing the cleaning staff, reneging on a charitable donation, and spending the weekend at the Capuletti home for the wedding of Mrs. Monahan's granddaughter, Allison. Mrs. Monahan and her nephew arrive the day before the wedding, and Monty is forced to endure her insults until his friend, plumber Nicky Cerone, appears with his utility van. As Nicky drives to the bakery to pick up Allison’s wedding cake, Monty bemoans Mrs. Monahan’s disapproval of his vices, but also admits he has no self-control. Once the enormous cake is placed inside the van, Monty and Nicky invite their friends, Louie, the bartender, and Paddy, to join them at the racetrack where they place a large bet on a horse. When the jockey intentionally causes the horse to lose, Nicky leaps onto the track and beats him with his own riding crop. That evening, Nicky attacks the bartender at a strip club for insulting his plumbing skills. Meanwhile, at the Capuletti home, Monty’s wife, Rose, tells Allison of her father’s warmth and sensitivity, unaware that elsewhere, an intoxicated Monty is losing another ...

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On Staten Island, New York, photographer Monty Capuletti documents a little girl’s fifth birthday. While entertaining the child, three marijuana cigarettes fall out of a hand puppet, and Monty fumbles for an excuse. At his home office, Monty sorts through the debris on his desk, which includes partially eaten food, parking tickets, date books, liquor, and drugs. Elsewhere in New York City, Monty’s mother-in-law, Mrs. Kathleen Monahan, conducts a business meeting with her nephew, Clive Barlow, at Monahan’s, the department store she inherited from her late husband. The agenda includes firing the cleaning staff, reneging on a charitable donation, and spending the weekend at the Capuletti home for the wedding of Mrs. Monahan's granddaughter, Allison. Mrs. Monahan and her nephew arrive the day before the wedding, and Monty is forced to endure her insults until his friend, plumber Nicky Cerone, appears with his utility van. As Nicky drives to the bakery to pick up Allison’s wedding cake, Monty bemoans Mrs. Monahan’s disapproval of his vices, but also admits he has no self-control. Once the enormous cake is placed inside the van, Monty and Nicky invite their friends, Louie, the bartender, and Paddy, to join them at the racetrack where they place a large bet on a horse. When the jockey intentionally causes the horse to lose, Nicky leaps onto the track and beats him with his own riding crop. That evening, Nicky attacks the bartender at a strip club for insulting his plumbing skills. Meanwhile, at the Capuletti home, Monty’s wife, Rose, tells Allison of her father’s warmth and sensitivity, unaware that elsewhere, an intoxicated Monty is losing another large sum of money in a crap game. Nicky smokes marijuana as he drives Monty home, and destroys the wedding cake when he drives the van into a wall. Allison is married the next morning in a Catholic church, followed by a crowded reception in the tiny back yard of the Capuletti home. Repulsed by his new son-in-law, a gangster named Julio, Monty welcomes him to the family only after being prodded by Nicky. The newlyweds leave for their honeymoon in a “lowrider,” and Julio anticipates a night of lovemaking, unaware that Allison is a steadfast virgin. Upon reaching their destination, Allison is offended by Julio’s advances and returns to her parents’ home. Later that week, Monty is contacted by attorney Daniel Scrappleton, informing him that Mrs. Monahan died in an airplane crash. Rose is to receive the bulk of the estate, including the department store, providing Monty is able, over the course of a year, to abstain from all vice and keep his weight under 175 pounds. If Monty fails, Clive will be the beneficiary. Monty agrees to the terms, convinced by his younger daughter, Belinda, that Rose deserves the inheritance. Under Belinda’s watchful eye, Monty stays on his diet, exercises regularly, and abstains from his vices, despite Clive’s repeated efforts to sabotage him. One night, Julio attempts to reconcile with Allison by making an impassioned speech from the Capuletti’s front yard, prompted by his friend, Hector, who is obscured by foliage. The two men start to bicker, and Allison, Belinda, and Rose stare in bemusement as Julio appears to argue with a shrub. On another occasion, Julio and Hector attempt to enter the house through the second-story bathroom, but are thwarted when Monty heeds the call of nature. As the year wears on, Monty’s nerves are frayed, and during a photography session, he offends the doting parents of an uncooperative child, ruining his reputation in the community. Monty is plagued by insomnia, and when he tells Rose that he is unable to find work, she strengthens his resolve by reminiscing about the night he proposed to her. Hoping to get a new perspective on Rose’s inheritance, Monty and Nicky visit Monahan’s department store, where they are treated with contempt by the staff for their lack of fashion. Following an altercation with a salesclerk, they ask to see Clive, who is in a meeting with his buyers. When Monty and Nicky explain that the men’s clothing offered by Monahan’s is not sufficiently masculine, Clive hires Monty as a fashion consultant, with the intention of humiliating him. Monty creates the “Regular Guy Look,” comprised of loose-fitting shirts and pants, laceless shoes, and white socks. The ensuing fashion show is greeted with derision by the fashion press, compelling Monty to drown his humiliation in alcohol. While leaving for Louie’s bar, Julio approaches the house with a pistol in his hand, intent on reclaiming his wife by force. Monty tackles Julio, who accidentally shoots him in the buttocks. With only a month remaining before the execution of the will, Monty’s five weeks in traction ensure his family of inheriting the Monahan estate. In addition, the “Regular Guy Look” has been embraced by the public, making Monty a fashion icon. The following Christmas, the Capulettis, the Monahans, and their friends celebrate aboard a yacht. Julio is reunited with Allison, although he lacks the stamina to keep up with her insatiable sexual appetite. Scrappleton boards the yacht accompanied by Mrs. Monahan, who announces that she faked her own death as a test of Monty’s will power, and he has won her approval. After moving his family into the opulent Monahan mansion, Monty continues to impress his mother-in-law with his self-control, while keeping her ignorant of his ongoing poker game in the basement, where he shares beer and pizza with Nicky, Paddy, and Louie.

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Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.