Of Unknown Origin
(1983)
R | 90 mins | Horror | 23 November 1983
Director:
George P. CosmatosWriter:
Brian TaggertProducer:
Claude HerouxCinematographer:
Rene VerzierEditor:
Roberto SilviProduction Designer:
Anne PritchardProduction Company:
Of Unknown Origin Film Corp.
The 27 Mar 1981 Publishers Weekly announced the acquisition of motion picture rights for the Chauncey G. Parker III novel, The Visitor, by producers Pierre David, Claude Heroux, and Victor Solnicki of the Canadian firm, Filmplan International. Parker was guaranteed $100,000 if the film went into production, and another $50,000 if the budget exceeded $5 million. Neither Solnicki nor Filmplan International are named in onscreen credits.
According to production notes in AMPAS library files, director George P. Cosmatos was impressed with the novel’s cinematic potential, and traced the motion picture rights to executive producer Pierre David, who ultimately hired him to direct. Although the story was set in New York City, principal photography took place in Montreal, Canada, the location of the brownstone townhouse used in exterior scenes. The lavish interior was created on a soundstage, where it was systematically “maimed” as filming progressed. Cosmatos stated that one of his goals as director was to “create terror where terror belongs,” preferring to imply bloodshed rather than depict it.
A Warner Bros. Pictures press release, dated 29 Sep 1982, announced an agreement between the studio and David, through his company, Mutual Productions. Warner Bros. and Mutual would share worldwide distribution rights, although the latter retained “certain Canadian distribution rights.” Principal photography was scheduled to begin 17 Nov 1982 in Montreal and New York City, with a planned release in autumn 1983.
According to a studio press release of 15 Nov 1982, principal photography began 16 Nov 1982 in Montreal. The film marked the motion picture debut of actress and model Shannon Tweed. ...
The 27 Mar 1981 Publishers Weekly announced the acquisition of motion picture rights for the Chauncey G. Parker III novel, The Visitor, by producers Pierre David, Claude Heroux, and Victor Solnicki of the Canadian firm, Filmplan International. Parker was guaranteed $100,000 if the film went into production, and another $50,000 if the budget exceeded $5 million. Neither Solnicki nor Filmplan International are named in onscreen credits.
According to production notes in AMPAS library files, director George P. Cosmatos was impressed with the novel’s cinematic potential, and traced the motion picture rights to executive producer Pierre David, who ultimately hired him to direct. Although the story was set in New York City, principal photography took place in Montreal, Canada, the location of the brownstone townhouse used in exterior scenes. The lavish interior was created on a soundstage, where it was systematically “maimed” as filming progressed. Cosmatos stated that one of his goals as director was to “create terror where terror belongs,” preferring to imply bloodshed rather than depict it.
A Warner Bros. Pictures press release, dated 29 Sep 1982, announced an agreement between the studio and David, through his company, Mutual Productions. Warner Bros. and Mutual would share worldwide distribution rights, although the latter retained “certain Canadian distribution rights.” Principal photography was scheduled to begin 17 Nov 1982 in Montreal and New York City, with a planned release in autumn 1983.
According to a studio press release of 15 Nov 1982, principal photography began 16 Nov 1982 in Montreal. The film marked the motion picture debut of actress and model Shannon Tweed.
Of Unknown Origin opened 23 Nov 1983 to mixed reviews. While the 25 Nov 1983 LAT described the film as “fast, taut and darkly comic,” the 7 Dec 1983 Var stated that it was “of negligible commercial or artistic value.” The review in the Feb 1984 Box reported gross receipts of $540,446 from 199 theaters during the picture’s opening weekend, with a decline of fifty-four percent the following weekend.
End credits include the following statements: "Film clips from the motion picture based on the story, The Old Man and the Sea by Ernest Hemingway; from the film Ratopolis by the National Film Board of Canada"; "Our appreciation to the following publications: National Geographic, Money, Wall Street Journal, Fortune, Business Week, Pest Control; A Colour Atlas of the Rats by R. J. Olds, courtesy of John Wiley & Sons Inc."; "The welfare of the animals used in this film was considered throughout production. No animals were ever in danger of being harmed"; "©Guardian Trust Company, 618 St. Jacques Street, Montreal, Quebec, Canada (on behalf of unitholders), 1983."
In New York City, Bart Hughes and his wife, Meg, make love in the bedroom of their “brownstone” mansion, which they remodeled by hand. A short time later, Meg and their son, Peter, leave for a vacation in Vermont with Meg’s wealthy father. Bart has declined the invitation, preferring to finish a project for his employer, a large financial corporation, with the belief that the effort will earn him a promotion. Upon arriving at his office, Bart is informed that his project has been reassigned to coworker James Hall. Bart is outraged, until his boss, Eliot Riverton, assigns him the important task of writing a reorganization plan for the company’s branch offices, due in two weeks. Eliot also invites Bart to join him at a dinner party for the company’s Los Angeles, California, branch manager the following Thursday. That evening, Bart discovers a leak from the dishwasher that floods his kitchen floor. Clete, the superintendent of a neighboring apartment building, determines that the hole in the drainage hose was caused by a rat. He also informs Bart that rats can survive almost anything, including an atom bomb explosion, and warns that the females are twice as vicious as their male counterparts. Bart sets traps for the invader that evening, but when he examines them the next day, the bait has been removed and the traps are badly damaged. He spends his lunch break at the library researching rat behavior, and although he is horrified by the revelations, he shares them at the dinner party that evening, ruining the appetites of the other guests. Unable to find an exterminator ...
In New York City, Bart Hughes and his wife, Meg, make love in the bedroom of their “brownstone” mansion, which they remodeled by hand. A short time later, Meg and their son, Peter, leave for a vacation in Vermont with Meg’s wealthy father. Bart has declined the invitation, preferring to finish a project for his employer, a large financial corporation, with the belief that the effort will earn him a promotion. Upon arriving at his office, Bart is informed that his project has been reassigned to coworker James Hall. Bart is outraged, until his boss, Eliot Riverton, assigns him the important task of writing a reorganization plan for the company’s branch offices, due in two weeks. Eliot also invites Bart to join him at a dinner party for the company’s Los Angeles, California, branch manager the following Thursday. That evening, Bart discovers a leak from the dishwasher that floods his kitchen floor. Clete, the superintendent of a neighboring apartment building, determines that the hole in the drainage hose was caused by a rat. He also informs Bart that rats can survive almost anything, including an atom bomb explosion, and warns that the females are twice as vicious as their male counterparts. Bart sets traps for the invader that evening, but when he examines them the next day, the bait has been removed and the traps are badly damaged. He spends his lunch break at the library researching rat behavior, and although he is horrified by the revelations, he shares them at the dinner party that evening, ruining the appetites of the other guests. Unable to find an exterminator on short notice, Bart seeks help from a hardware salesman, who recommends the use of poison. Meanwhile, the rat creeps through the house, leaving behind a path of destruction. Bart wakes in the middle of the night and is terrified by the sight of the rat inside the toilet bowl. He flushes the toilet, but the animal survives and makes its way back into the house. The next evening, Bart searches for his nemesis in the basement, and finds a litter of newborn rat pups. When Bart kills the pups, he narrowly escapes the mother rat’s retaliation. At the office, Eliot compliments Bart on the quality of his work, but asks if the tight deadline is giving him undo stress. Bart assures Eliot that his troubles are not work-related, and they will soon be under control. After work, Bart shares a taxicab with his secretary, Lorrie Wells, and invites her into his home. Lorrie expresses admiration for Bart’s handiwork, then asks if his recent troubles are related to his marriage. Bart responds by kissing Lorrie, but she is distracted by the sound of the scurrying rat and is anxious to leave. Afterward, Bart notices a stray cat outside the front door and takes it in, hoping it will eliminate the invader. Days later, when he discovers the cat slaughtered, Bart makes another unsuccessful attempt to hire an exterminator. He telephones Meg, begging for her return, but she has no desire to shorten her vacation. The next morning, Bart enters the basement, armed with a baseball bat, but quickly retreats, realizing he is no match for the rat. Bart is further daunted upon finding the report he has been preparing for the last week, chewed to pieces. Unshaven and disheveled, Bart approaches Eliot in the lobby of the office building, and declares that his first priority is to address his troubles at home. Eliot asks only that Bart not allow the other employees to see him in his miserable condition. Later, Bart injures his hand while retrieving a rattrap, and drinks whiskey in the bathtub until he falls asleep. He dreams of a happy reunion with his family, interrupted by the rat attacking Meg, and Peter accidentally ingesting poison. As Bart regains consciousness, the creature descends from the ceiling, forcing him to take refuge on a hammock suspended above the bedroom floor. Meg attempts to reach him by telephone, as does Eliot, but neither is successful, as the rat has severed the line. Donning leg and arm pads, and reinforcing his baseball bat with nails and the jaws of broken rattraps, Bart enters the basement to face his nemesis. He swings wildly at the rat, rupturing pipes and flooding the basement. Bart continues his pursuit as the rat enters a scale model of the house, which he pummels with the bat until the creature is dead. He walks through his vandalized living room to the front door, as Meg and Peter return home. When Meg inquires about the damage to their home, Bart replies, “I had a party.”
TOP SEARCHES
Mr. Smith Goes to Washington
According to HR news items, "The Gentleman from Montana" (an unpublished story by Lewis R. Foster, alternately called "The Gentleman from Wyoming" by both contemporary and modern ... >>
The Grapes of Wrath
According to materials contained in the Twentieth Century-Fox Records of the Legal Department at the UCLA Theater Arts Library, Fox paid John Steinbeck $70,000 for the rights to his ... >>
Casablanca
In the onscreen credits, actor S. Z. Sakall's name is incorrectly spelled "S. K. Sakall." HR news items add the following information about the production: ... >>
Citizen Kane
This film's end credits begin with the statement, “Most of the principal actors in Citizen Kane are new to motion pictures. The Mercury Theatre is proud ... >>
Gone with the Wind
[Note from the Editors : the following information is based on contemporary news items, feature articles, reviews, interviews, memoranda and corporate records. Information obtained from modern sources is ... >>