Of Unknown Origin (1983)

R | 90 mins | Horror | 23 November 1983

Director:

George P. Cosmatos

Writer:

Brian Taggert

Producer:

Claude Heroux

Cinematographer:

Rene Verzier

Editor:

Roberto Silvi

Production Designer:

Anne Pritchard

Production Company:

Of Unknown Origin Film Corp.
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HISTORY

       The 27 Mar 1981 Publishers Weekly announced the acquisition of motion picture rights for the Chauncey G. Parker III novel, The Visitor, by producers Pierre David, Claude Heroux, and Victor Solnicki of the Canadian firm, Filmplan International. Parker was guaranteed $100,000 if the film went into production, and another $50,000 if the budget exceeded $5 million. Neither Solnicki nor Filmplan International are named in onscreen credits.
       According to production notes in AMPAS library files, director George P. Cosmatos was impressed with the novel’s cinematic potential, and traced the motion picture rights to executive producer Pierre David, who ultimately hired him to direct. Although the story was set in New York City, principal photography took place in Montreal, Canada, the location of the brownstone townhouse used in exterior scenes. The lavish interior was created on a soundstage, where it was systematically “maimed” as filming progressed. Cosmatos stated that one of his goals as director was to “create terror where terror belongs,” preferring to imply bloodshed rather than depict it.
       A Warner Bros. Pictures press release, dated 29 Sep 1982, announced an agreement between the studio and David, through his company, Mutual Productions. Warner Bros. and Mutual would share worldwide distribution rights, although the latter retained “certain Canadian distribution rights.” Principal photography was scheduled to begin 17 Nov 1982 in Montreal and New York City, with a planned release in autumn 1983.
       According to a studio press release of 15 Nov 1982, principal photography began 16 Nov 1982 in Montreal. The film marked the motion picture debut of actress and model Shannon Tweed. ...

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       The 27 Mar 1981 Publishers Weekly announced the acquisition of motion picture rights for the Chauncey G. Parker III novel, The Visitor, by producers Pierre David, Claude Heroux, and Victor Solnicki of the Canadian firm, Filmplan International. Parker was guaranteed $100,000 if the film went into production, and another $50,000 if the budget exceeded $5 million. Neither Solnicki nor Filmplan International are named in onscreen credits.
       According to production notes in AMPAS library files, director George P. Cosmatos was impressed with the novel’s cinematic potential, and traced the motion picture rights to executive producer Pierre David, who ultimately hired him to direct. Although the story was set in New York City, principal photography took place in Montreal, Canada, the location of the brownstone townhouse used in exterior scenes. The lavish interior was created on a soundstage, where it was systematically “maimed” as filming progressed. Cosmatos stated that one of his goals as director was to “create terror where terror belongs,” preferring to imply bloodshed rather than depict it.
       A Warner Bros. Pictures press release, dated 29 Sep 1982, announced an agreement between the studio and David, through his company, Mutual Productions. Warner Bros. and Mutual would share worldwide distribution rights, although the latter retained “certain Canadian distribution rights.” Principal photography was scheduled to begin 17 Nov 1982 in Montreal and New York City, with a planned release in autumn 1983.
       According to a studio press release of 15 Nov 1982, principal photography began 16 Nov 1982 in Montreal. The film marked the motion picture debut of actress and model Shannon Tweed.
       Of Unknown Origin opened 23 Nov 1983 to mixed reviews. While the 25 Nov 1983 LAT described the film as “fast, taut and darkly comic,” the 7 Dec 1983 Var stated that it was “of negligible commercial or artistic value.” The review in the Feb 1984 Box reported gross receipts of $540,446 from 199 theaters during the picture’s opening weekend, with a decline of fifty-four percent the following weekend.
      End credits include the following statements: "Film clips from the motion picture based on the story, The Old Man and the Sea by Ernest Hemingway; from the film Ratopolis by the National Film Board of Canada"; "Our appreciation to the following publications: National Geographic, Money, Wall Street Journal, Fortune, Business Week, Pest Control; A Colour Atlas of the Rats by R. J. Olds, courtesy of John Wiley & Sons Inc."; "The welfare of the animals used in this film was considered throughout production. No animals were ever in danger of being harmed"; "©Guardian Trust Company, 618 St. Jacques Street, Montreal, Quebec, Canada (on behalf of unitholders), 1983."

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GEOGRAPHIC LOCATIONS
PERSONAL & COMPANY INDEX CREDITS
HISTORY CREDITS
CREDIT TYPE
CREDIT
Corporate note credit:
Personal note credit:
SOURCE CITATIONS
SOURCE
DATE
PAGE
Box Office
Feb 1984
---
Hollywood Reporter
30 Sep 1982
---
Hollywood Reporter
29 Nov 1983
p. 3. 28
Los Angeles Times
25 Nov 1983
p. 13
New York Times
24 Nov 1983
p. 17
Publishers Weekly
27 Mar 1981
---
Variety
6 Oct 1982
---
Variety
7 Dec 1983
p. 14, 18
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION COMPANY
PRODUCTION TEXTS
Pierre David and Lawrence Nesis present
a George P. Cosmatos film
A film produced with the participation of the Canadian Film Develpment Corporation
and Famous Players Limited
NAME
CREDITED AS
CREDIT
DIRECTORS
1st asst dir
Asst dir
Unit mgr
PRODUCERS
Exec prod
WRITER
PHOTOGRAPHY
Dir of photog
Cam op
Best boy
Focus puller
Focus puller
Focus puller
Loader
Key grip
Stills photog
Laboratory
Panaflex cam and lenses
ART DIRECTORS
Prod des
Art dept coord
FILM EDITORS
Asst ed
Asst ed
Negative cutting
SET DECORATORS
Set dec
Set dresser
Set dresser
Set dresser
Set dresser
Set dresser
Set dresser
Set dresser
Prop master
Asst prop man
Const coord
Const crew
Const crew
Const crew
Const crew
Const crew
Const crew
COSTUMES
Ward
Ms. Shannon Tweed's ward furnished by
Watches by
MUSIC
Mus comp
Mus supv
SOUND
Supv sd ed
Boom op
Sd eff ed
Dial ed
Foley
Asst sd ed
Asst sd ed
Asst sd ed
Mixing facilities
Sd rerec
Rec eng
VISUAL EFFECTS
Sculptor
Sculptor
Spec eff make-up
Spec eff
Spec eff
MAKEUP
Makeup
Hairdresser
Hairdresser
PRODUCTION MISC
Post prod supv
Prod supv
Asst to the dir
Animal handling supv
Animal trainer
Casting
Casting
Asst casting
Pub
Admin
Prod accountant
Prod accountant
Asst accountant
Asst accountant
Prod secy
Asst to exec prod
Prod asst
Prod asst
Prod asst
Prod asst
Prod asst
Prod asst
Prod asst
Prod asst
Prod asst
Prod asst
Prod asst
Prod asst
Prod asst
Prod asst
STAND INS
Stunt people
COLOR PERSONNEL
Col timer
SOURCES
LITERARY
Based on the novel The Visitor by Chauncey G. Parker III (publication date undetermined).
LITERARY SOURCE AUTHOR
DETAILS
Release Date:
23 November 1983
Premiere Information:
Los Angeles and New York openings: 23 Nov 1983
Production Date:
began 16 Nov 1982 in Montreal, Canada
Copyright Info
Claimant
Date
Copyright Number
Guardian Trust Company
22 February 1984
PA208888
Physical Properties:
Sound
Color
Duration(in mins):
90
MPAA Rating:
R
Countries:
Canada, United States
Language:
English
SYNOPSIS

In New York City, Bart Hughes and his wife, Meg, make love in the bedroom of their “brownstone” mansion, which they remodeled by hand. A short time later, Meg and their son, Peter, leave for a vacation in Vermont with Meg’s wealthy father. Bart has declined the invitation, preferring to finish a project for his employer, a large financial corporation, with the belief that the effort will earn him a promotion. Upon arriving at his office, Bart is informed that his project has been reassigned to coworker James Hall. Bart is outraged, until his boss, Eliot Riverton, assigns him the important task of writing a reorganization plan for the company’s branch offices, due in two weeks. Eliot also invites Bart to join him at a dinner party for the company’s Los Angeles, California, branch manager the following Thursday. That evening, Bart discovers a leak from the dishwasher that floods his kitchen floor. Clete, the superintendent of a neighboring apartment building, determines that the hole in the drainage hose was caused by a rat. He also informs Bart that rats can survive almost anything, including an atom bomb explosion, and warns that the females are twice as vicious as their male counterparts. Bart sets traps for the invader that evening, but when he examines them the next day, the bait has been removed and the traps are badly damaged. He spends his lunch break at the library researching rat behavior, and although he is horrified by the revelations, he shares them at the dinner party that evening, ruining the appetites of the other guests. Unable to find an exterminator ...

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In New York City, Bart Hughes and his wife, Meg, make love in the bedroom of their “brownstone” mansion, which they remodeled by hand. A short time later, Meg and their son, Peter, leave for a vacation in Vermont with Meg’s wealthy father. Bart has declined the invitation, preferring to finish a project for his employer, a large financial corporation, with the belief that the effort will earn him a promotion. Upon arriving at his office, Bart is informed that his project has been reassigned to coworker James Hall. Bart is outraged, until his boss, Eliot Riverton, assigns him the important task of writing a reorganization plan for the company’s branch offices, due in two weeks. Eliot also invites Bart to join him at a dinner party for the company’s Los Angeles, California, branch manager the following Thursday. That evening, Bart discovers a leak from the dishwasher that floods his kitchen floor. Clete, the superintendent of a neighboring apartment building, determines that the hole in the drainage hose was caused by a rat. He also informs Bart that rats can survive almost anything, including an atom bomb explosion, and warns that the females are twice as vicious as their male counterparts. Bart sets traps for the invader that evening, but when he examines them the next day, the bait has been removed and the traps are badly damaged. He spends his lunch break at the library researching rat behavior, and although he is horrified by the revelations, he shares them at the dinner party that evening, ruining the appetites of the other guests. Unable to find an exterminator on short notice, Bart seeks help from a hardware salesman, who recommends the use of poison. Meanwhile, the rat creeps through the house, leaving behind a path of destruction. Bart wakes in the middle of the night and is terrified by the sight of the rat inside the toilet bowl. He flushes the toilet, but the animal survives and makes its way back into the house. The next evening, Bart searches for his nemesis in the basement, and finds a litter of newborn rat pups. When Bart kills the pups, he narrowly escapes the mother rat’s retaliation. At the office, Eliot compliments Bart on the quality of his work, but asks if the tight deadline is giving him undo stress. Bart assures Eliot that his troubles are not work-related, and they will soon be under control. After work, Bart shares a taxicab with his secretary, Lorrie Wells, and invites her into his home. Lorrie expresses admiration for Bart’s handiwork, then asks if his recent troubles are related to his marriage. Bart responds by kissing Lorrie, but she is distracted by the sound of the scurrying rat and is anxious to leave. Afterward, Bart notices a stray cat outside the front door and takes it in, hoping it will eliminate the invader. Days later, when he discovers the cat slaughtered, Bart makes another unsuccessful attempt to hire an exterminator. He telephones Meg, begging for her return, but she has no desire to shorten her vacation. The next morning, Bart enters the basement, armed with a baseball bat, but quickly retreats, realizing he is no match for the rat. Bart is further daunted upon finding the report he has been preparing for the last week, chewed to pieces. Unshaven and disheveled, Bart approaches Eliot in the lobby of the office building, and declares that his first priority is to address his troubles at home. Eliot asks only that Bart not allow the other employees to see him in his miserable condition. Later, Bart injures his hand while retrieving a rattrap, and drinks whiskey in the bathtub until he falls asleep. He dreams of a happy reunion with his family, interrupted by the rat attacking Meg, and Peter accidentally ingesting poison. As Bart regains consciousness, the creature descends from the ceiling, forcing him to take refuge on a hammock suspended above the bedroom floor. Meg attempts to reach him by telephone, as does Eliot, but neither is successful, as the rat has severed the line. Donning leg and arm pads, and reinforcing his baseball bat with nails and the jaws of broken rattraps, Bart enters the basement to face his nemesis. He swings wildly at the rat, rupturing pipes and flooding the basement. Bart continues his pursuit as the rat enters a scale model of the house, which he pummels with the bat until the creature is dead. He walks through his vandalized living room to the front door, as Meg and Peter return home. When Meg inquires about the damage to their home, Bart replies, “I had a party.”

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Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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