Immediate Family (1989)

PG-13 | 95 mins | Drama | 27 October 1989

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HISTORY

       The 12 Oct 1988 Var noted that the title had been changed from Parental Guidance to Immediate Family.
       Principal photography began 24 Oct 1988 in Vancouver, Canada, according to an 18 Oct 1988 HR production chart. An item in the 21 Feb 1989 HR noted that filming had been completed.
       The 24 Oct 1989 Los Angeles, CA, premiere at Mann’s Chinese Theatre raised $250,000 for the Pediatric AIDS Foundation, as noted in a 26 Oct 1989 LAT item.
       Critical reception was mixed. The 25 Oct 1989 HR review equated the film to a Hallmark card and the 27 Oct 1989 LAT review described the writing as “leaden” and better suited to television, while an NYT review of the same date called the film “thoroughly compelling” and praised the cast, especially Mary Stuart Masterson’s “sharp and fresh” performance as “Lucy.” Masterson was awarded “Best Supporting Actress” for the role by the National Board of Review, as reported in a 27 Feb 1990 LAT brief.

      End credits include the following statements: "People Weekly is a registered trademark of Time Inc., used with permission,” and, “Special Thanks: to the city of Vancouver, province of British Columbia.”
...

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       The 12 Oct 1988 Var noted that the title had been changed from Parental Guidance to Immediate Family.
       Principal photography began 24 Oct 1988 in Vancouver, Canada, according to an 18 Oct 1988 HR production chart. An item in the 21 Feb 1989 HR noted that filming had been completed.
       The 24 Oct 1989 Los Angeles, CA, premiere at Mann’s Chinese Theatre raised $250,000 for the Pediatric AIDS Foundation, as noted in a 26 Oct 1989 LAT item.
       Critical reception was mixed. The 25 Oct 1989 HR review equated the film to a Hallmark card and the 27 Oct 1989 LAT review described the writing as “leaden” and better suited to television, while an NYT review of the same date called the film “thoroughly compelling” and praised the cast, especially Mary Stuart Masterson’s “sharp and fresh” performance as “Lucy.” Masterson was awarded “Best Supporting Actress” for the role by the National Board of Review, as reported in a 27 Feb 1990 LAT brief.

      End credits include the following statements: "People Weekly is a registered trademark of Time Inc., used with permission,” and, “Special Thanks: to the city of Vancouver, province of British Columbia.”

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GEOGRAPHIC LOCATIONS
SOURCE CITATIONS
SOURCE
DATE
PAGE
Daily Variety
16 Dec 1988
---
Hollywood Reporter
18 Oct 1988
---
Hollywood Reporter
21 Feb 1989
---
Hollywood Reporter
25 Oct 1989
p. 4, 15
Los Angeles Times
26 Oct 1989
Section E, p. 14
Los Angeles Times
27 Oct 1989
p. 4
Los Angeles Times
27 Feb 1990
Calendar, p. 8
New York Times
27 Oct 1989
p. 18
Variety
12 Oct 1988
---
Variety
18 Oct 1989
p. 25
CAST
NAME
CREDITED AS
CREDIT
Kids on blanket:
+
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION TEXTS
Columbia Pictures presents
A Lawrence Kasdan production
in association with Sanford/Pillsbury Productions
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTORS
Prod mgr
1st asst dir
1st asst dir
2d asst dir
2d asst dir
3d asst dir
PRODUCERS
Assoc prod
Exec prod
WRITER
PHOTOGRAPHY
Dir of photog
Cam op
1st asst cam
2d asst cam
Chief lighting tech
Chief lighting tech
Best boy
Best boy
Key grip
Grip best boy
Dolly grip
Stills photog
Cam trainee
Cam trainee
Grip
Generator op
Lamp op/Rigging gaffer
Lamp op
ART DIRECTORS
Prod des
Art dir
Illustrator
Asst art dir
Art dept trainee
FILM EDITORS
1st asst ed
2d asst ed
2d asst ed
Loc asst ed
Loc asst ed
Negative cutter
SET DECORATORS
Prop master
Const coord
Asst set dec
Set buyer
Set dresser
Set dresser
Set dresser
Set dresser
Props buyer
Asst props buyer
Lead carpenter
Head greensman
Lead man/Setup
Head scenic painter
Lead scenic painter
COSTUMES
Cost des
Cost supv
Cost dept head
Costumer
Costumer
Cutter/Costumer
Seamstress
MUSIC
Scoring mixer
Scoring mixer
SOUND
Sd des & supv
Sd ed
Sd ed
Asst sd ed
Asst sd ed
Asst sd ed
Re-rec mixer
Re-rec mixer
Re-rec mixer
ADR supv
ADR asst
Foley supv
Foley mixer
ADR mixer
ADR mixer
Prod sd
Boom op
Boom op
VISUAL EFFECTS
MAKEUP
Hairstylist
Hairstylist, Ms. Close
Hairstylist, Ms. Close
Makeup artist
Makeup artist, Ms. Close
Makeup artist, Ms. Close
Makeup & hair, Mr. Woods
PRODUCTION MISC
Casting
Casting
Canadian casting
Scr supv
Extras casting by
Extras casting by
Animal trainer
Animal trainer
Prod coord
Asst prod coord
Asst to Mr. Kaplan
Asst to the prods
Prod accountant
Asst accountant
Prod asst
Prod asst
Prod asst
Prod asst
Prod asst
Transportation coord
Transportation coord
Driver capt
Driver capt
Craft service/First aid
Unit pub
Catering
Catering
Loc asst
Sanford/Pillsbury Productions
Sanford/Pillsbury Productions
Accountant
Casting asst
Extras casting asst
Asst chef
Set security
Driver
Driver
Driver
Driver
Driver
Driver
Driver
Driver
Driver
Pub trainee
STAND INS
Stunts
Stunts
Stunts
COLOR PERSONNEL
Col timer
Col by
SOURCES
MUSIC
"Trio In E Flat Major, Opus 3," written by Ludwig van Beethoven, performed by Mozart String Trio, courtesy of Denon/Nippon Columbia Co., Ltd., by arrangement with Warner Special Products.
SONGS
"Creatures Of Love," written by David Byrne, Chris Frantz, Jerry Harrison & Tina Weymouth, performed by Talking Heads, courtesy of EMI Records, Ltd. & Sire Records, by arrangement with Warner Special Products; "My City Was Gone," written by Chrissie Hynde, performed by The Pretenders, courtesy of WEA Records Limited/Sire Records; "Salem Girls," written by Michael Caronia, performed by Dead On for Dead On Productions; "Sexual Graduation," written and performed by Robert "White" Johnson & Mark Gendel; "Into The Mystic," written and performed by Van Morrison, courtesy of Warner Bros. Records Inc., by arrangement with Warner Special Products; "Crazy Mama," written and performed by J. J. Cale, courtesy of PolyGram Special Products, a division of PolyGram Records, Inc.; "Over The Edge," written by Paul Barrere, performed by Little Feat, courtesy of Warner Bros. Records Inc.; "Motherless Children," written by Eric Clapton & Carl Radle, performed by Eric Clapton, courtesy of PolyGram Special Products, a division of PolyGram Records, Inc.; "Try A Little Tenderness," written by Harry Woods, Jimmy Campbell, & Reg Connelly, performed by Otis Redding, courtesy of Atlantic Recording Corp., by arrangement with Warner Special Products; "I Can See Clearly Now," written and performed by Johnny Nash, courtesy of CBS Records, Music Licensing Department; "Full Moon," written by Michael Caronia, performed by Dead On for Dead On Productions.
SONGWRITERS/COMPOSERS
+
DETAILS
Alternate Title:
Parental Guidance
Release Date:
27 October 1989
Premiere Information:
Los Angeles premiere: 24 Oct 1989; Los Angeles and New York openings: 27 Oct 1989
Production Date:
24 Oct 1988--Feb 1989 in Vancouver
Copyright Info
Claimant
Date
Copyright Number
Firestar Film Enterprises
16 November 1989
PA436747
Physical Properties:
Sound
Dolby Stereo ® in Selected Theatres
Color
Lenses
Lenses and Panaflex® camera by Panavision®
Duration(in mins):
95
MPAA Rating:
PG-13
Countries:
Canada, United States
Language:
English
PCA No:
29907
SYNOPSIS

After numerous failed fertility treatments, childless couple Linda and Michael Spector meet with attorney Susan Drew, who explains the process of “open adoption,” in which adoptive parents meet with expectant mothers before they give birth. The Spectors agree to give it a try, and one day, Linda receives a call from seventeen-year-old Lucy Moore, who is eight months pregnant. Linda nervously asks Lucy about her family history, and the girl reveals that her mother died in a car accident when she was seven years old. Lucy never knew her father, but heard that he was handsome and Irish. She also claims that Sam, the father of her unborn child, is her best friend. In turn, Linda offers some information about herself. Joining Sam in his car, Lucy tells him that Linda was more forthcoming than others she has called. Soon after, she takes a bus from her hometown of New Lanceville, Ohio, to meet the Spectors in Seattle, Washington. Although working-class Lucy is initially nervous around the affluent couple, she loosens up when they go out for Chinese food. The next day, Linda joins Lucy at a doctor’s appointment, and they learn from a sonogram that the baby is a boy. Linda excitedly shares the news with Michael that night. Back in Susan Drew’s office, Lucy agrees to move out of the maternity ward immediately after having the baby, and promises to allow the Spectors to administer the baby’s feedings. Lucy visits the Spectors’ home, and notices a flowering plum tree visible from the window in the nursery. She suggests Linda place the crib by the window, so the baby will see the tree’s pink blossoms in the spring. ...

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After numerous failed fertility treatments, childless couple Linda and Michael Spector meet with attorney Susan Drew, who explains the process of “open adoption,” in which adoptive parents meet with expectant mothers before they give birth. The Spectors agree to give it a try, and one day, Linda receives a call from seventeen-year-old Lucy Moore, who is eight months pregnant. Linda nervously asks Lucy about her family history, and the girl reveals that her mother died in a car accident when she was seven years old. Lucy never knew her father, but heard that he was handsome and Irish. She also claims that Sam, the father of her unborn child, is her best friend. In turn, Linda offers some information about herself. Joining Sam in his car, Lucy tells him that Linda was more forthcoming than others she has called. Soon after, she takes a bus from her hometown of New Lanceville, Ohio, to meet the Spectors in Seattle, Washington. Although working-class Lucy is initially nervous around the affluent couple, she loosens up when they go out for Chinese food. The next day, Linda joins Lucy at a doctor’s appointment, and they learn from a sonogram that the baby is a boy. Linda excitedly shares the news with Michael that night. Back in Susan Drew’s office, Lucy agrees to move out of the maternity ward immediately after having the baby, and promises to allow the Spectors to administer the baby’s feedings. Lucy visits the Spectors’ home, and notices a flowering plum tree visible from the window in the nursery. She suggests Linda place the crib by the window, so the baby will see the tree’s pink blossoms in the spring. Later, she watches a sports game with Michael and shares family photographs, including a snapshot of her seventeen-year-old mother, smoking a cigarette and holding Lucy as a baby. She also shares a picture of Sam, and the Spectors closely examine his photograph. As Lucy’s due date nears, Sam comes to Seattle for a short visit. The Spectors are taken aback by his abrasive sense of humor and anecdotes about his alcoholic father. However, they are impressed by the young couple’s obvious love for each other. Sam, who currently works as a record store clerk but has ambitions to be a songwriter and keyboard player, discusses plans for the baby that he and Lucy will someday keep, when they are ready. Sam and Lucy persuade Michael to lend them his convertible, and when they return from a drive, the couples go together to the bus station, where Lucy cries as she kisses Sam goodbye. That night, while staying with the Spectors, Lucy goes into labor. The couple rushes her to the hospital and stays by her side through the childbirth. Lucy declines to hold the baby after Michael cuts the umbilical cord, allowing Linda to cradle the infant instead. Lucy is moved to another floor of the hospital, and the Spectors visit her to say goodbye. Lucy cries, and Linda responds that there are no rules against keeping in touch. Hours later, Lucy wanders into the maternity ward to view her baby. She surprises the Spectors with a visit as they feed him the next day, and Michael asks her opinion on the name William. Lucy approves, as long as they do not call him “Billy.” Back in her shared hospital room, Lucy becomes despondent when a patient asks about her baby. The next day, Linda and Michael hurry to the hospital to take baby William home, but they are greeted by Susan Drew, who informs them that Lucy has changed her mind and wants to keep her child. Lucy apologizes to the distraught couple. Suggesting she might be suffering from postpartum depression, Michael begs her to reconsider and insists that William will suffer. However, Lucy stands by her decision and informs him the baby’s name is now Andrew. Lucy returns home to New Lanceville, where she lives with her stepfather, and her rowdy stepbrother and stepsister. Struggling to take care of the baby on her own, she chain smokes, argues with her younger siblings, and takes refuge at Sam’s house despite his mother’s disapproval. One night, Sam informs her that he fought with his boss, who fired him from the record store, and Lucy begs him to ask the store to take him back. Meanwhile, the Spectors meet with their attorney, Susan, again, but Linda resists the idea of meeting another birth mother so soon. At home, she suggests they take advantage of their freedom by taking a tropical vacation. On the verge of tears, she babbles that she might even pursue a law degree before collapsing into Michael’s arms. Later that night, their doorbell rings. On the front doorstep, Michael finds Lucy and Sam with the baby. Admitting they are not fit parents, Sam asks if the Spectors could love their baby again. Michael takes the child just as Lucy asks to use the bathroom and runs upstairs to the nursery. Linda finds her in the baby’s room with a note addressed to William. She asks Linda to read the letter to him, and the women embrace. In the letter, Lucy tells William this is the hardest day of her life, but she knows she is doing the right thing and hopes he will someday forgive her. She promises that Linda and Michael will be wonderful parents, now that they have the baby of their dreams, and she knows in her heart that God will love them all. In the spring, the Spectors’ plum tree is covered in pink blossoms as Lucy predicted. Linda looks out at the tree as she holds William in the nursery. Sometime later, as she finishes up her shift as a hairstylist, Lucy glimpses a picture of baby William and the Spectors’ dog. Sam eagerly awaits her outside the salon.

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Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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