Eating (1990)

110 mins | Comedy-drama | 16 November 1990

Director:

Henry Jaglom

Writer:

Henry Jaglom

Producer:

Judith Wolinsky

Cinematographer:

Hanania Baer

Production Company:

Jagfilms
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HISTORY

       Although performers are not listed in music credits, "The Way You Look Tonight," originally recorded by Fred Astaire, is sung onscreen by Frances Bergen.
       Director Henry Jaglom told the 5 Jul 1988 WSJ that he had selected the all-female cast for Eating by mid-May 1988. His main criterion was that they talk “about food from their own personal experiences.” He discussed ideas with the film’s thirty-eight actresses instead of rehearsing them, and worked from a story sketch rather than a script. Most dialogue was improvised. Among the “players” were several actresses, a professional chef (Lisa-Marie Sobel), an agent, a yoga instructor, a dancer, a horse trainer, a fitness instructor, and the mother (Frances Bergen) of actress friend Candice Bergen. Jaglom filmed exclusively at a mansion with a swimming pool and guest cottage in the Hancock Park section of Los Angeles, CA. Included in the filming were direct-to-the-camera confessions about food, which he incorporated into the story by adding the connecting figure of a French documentary filmmaker named “Martine,” portrayed by French actress Nelly Alard. Jaglom later created the narrative in the editing room. The WSJ noted that Jaglom filmed for a week, but according to the 1 May 1991 NYT, principal photography lasted three weeks. The 21 Sep 1988 Var reported that filming took place in May 1988. As Jaglom explained to Toronto, Canada’s 30 Jun 1989 The Globe and Mail, “It takes me a year and a half in the editing room to find my structure.” He finished the final cut at the end of Dec 1989, he told the 2 Jan 1990 Orange ...

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       Although performers are not listed in music credits, "The Way You Look Tonight," originally recorded by Fred Astaire, is sung onscreen by Frances Bergen.
       Director Henry Jaglom told the 5 Jul 1988 WSJ that he had selected the all-female cast for Eating by mid-May 1988. His main criterion was that they talk “about food from their own personal experiences.” He discussed ideas with the film’s thirty-eight actresses instead of rehearsing them, and worked from a story sketch rather than a script. Most dialogue was improvised. Among the “players” were several actresses, a professional chef (Lisa-Marie Sobel), an agent, a yoga instructor, a dancer, a horse trainer, a fitness instructor, and the mother (Frances Bergen) of actress friend Candice Bergen. Jaglom filmed exclusively at a mansion with a swimming pool and guest cottage in the Hancock Park section of Los Angeles, CA. Included in the filming were direct-to-the-camera confessions about food, which he incorporated into the story by adding the connecting figure of a French documentary filmmaker named “Martine,” portrayed by French actress Nelly Alard. Jaglom later created the narrative in the editing room. The WSJ noted that Jaglom filmed for a week, but according to the 1 May 1991 NYT, principal photography lasted three weeks. The 21 Sep 1988 Var reported that filming took place in May 1988. As Jaglom explained to Toronto, Canada’s 30 Jun 1989 The Globe and Mail, “It takes me a year and a half in the editing room to find my structure.” He finished the final cut at the end of Dec 1989, he told the 2 Jan 1990 Orange County Register.
       The world premiere was held 6 Sep 1990 at the Cinetex ’90 Film Festival at Bally’s Casino Resort in Las Vegas, NV, according to the 11 Sep 1990 HR.
      End credits contain the following dedication: “For my mother, Marie.” Names of the characters are not listed in film credits, but were included in promotional materials. The 10 Sep 1990 DV review identified actress Frances Bergen’s character as “Whitney,” but in the 15 Nov 1990 HR review, she was listed as “Mrs. Williams.” The character’s name is never spoken in the film.

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GEOGRAPHIC LOCATIONS
SOURCE CITATIONS
SOURCE
DATE
PAGE
Daily Variety
10 Sep 1990
p. 8
Globe and Mail (Toronto)
30 Jun 1989
Section C, p. 3
Hollywood Reporter
11 Sep 1990
p. 41
Hollywood Reporter
15 Nov 1990
p. 5, 16
Los Angeles Times
3 Dec 1989
Calendar, p. 23
Los Angeles Times
16 Nov 1990
p. 10
Los Angeles Times
22 Nov 1990
Section F, p. 1
New York Times
1 May 1991
Section C, p. 1, 8
New York Times
3 May 1991
p. 8
Orange County Register
2 Jan 1990
Section F, p. 4
San Diego Union
21 Nov 1990
Section C, p. 4
Variety
21 Sep 1988
---
Variety
1 Oct 1990
pp. 83-84
Wall Street Journal
5 Jul 1988
p. 1
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION COMPANY
PRODUCTION TEXTS
An International Rainbow Picture
A Jagfilm
International Rainbow Pictures presents
A Film by Henry Jaglom
A Jagfilm from International Rainbow Pictures
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTOR
PRODUCER
WRITER
PHOTOGRAPHY
Dir of photog
1st asst cam
1st asst cam
2d asst cam
2d asst cam
Best boy/Elec
Key grip
Lighting and grip equip by
FILM EDITORS
Assoc ed
Asst ed
Negative cutting by
SET DECORATOR
Set dec
COSTUMES
Cost supv
SOUND
Sd rec
Boom op
Michael Riley
Boom op
Rerec mixer
Rerec mixer
VISUAL EFFECTS
Titles and opticals by
MAKEUP
PRODUCTION MISC
Scr supv
Creative consultant
Creative consultant
Casting consultant
Asst to the dir
Craft services
Craft services
Catering services by
COLOR PERSONNEL
Col timer
Col by
SOURCES
SONGS
"The Way You Look Tonight," lyrics by Dorothy Fields, music by Jerome Kern, courtesy of PolyGram International Publishing.
SONGWRITER/COMPOSER
DETAILS
Release Date:
16 November 1990
Premiere Information:
Cinetex '90 world premiere: 6 Sep 1990; Los Angeles opening: 16 Nov 1990; New York opening: 3 May 1991
Production Date:
May 1988
Copyright Info
Claimant
Date
Copyright Number
Jagfilms, Inc.
6 October 1992
PA589965
Physical Properties:
Sound
Color
Lenses
Cameras and lenses by Arriflex®
Duration(in mins):
110
Country:
United States
Language:
English
SYNOPSIS

At her Los Angeles, California, home, Helene Bradley hosts an all-women birthday party for herself and friends Sadie and Kate. Helene is celebrating her fortieth birthday, Sadie is about to turn fifty, and Kate recently reached thirty. Martine, a French filmmaker staying at the house, decides to shoot the party for a television documentary. She begins by turning the camera on herself and asking, “Do you have any problem with food?” Helene deals herself a hand of Tarot cards to see what her fortieth year has in store for her. She asks her stepdaughter, Lydia, if Frank, Lydia’s father and Helene’s husband, always runs away on birthdays. Soon afterward, Frank calls to assure Helene he will home by 7:00 that evening. Other women, including Kate, Sophie, Sadie, and Sadie’s daughter, Jennifer, arrive. Seeing Martine wearing a bikini bottom beside the swimming pool, Sophie compliments her beautiful body, but confides that Helene Bradley has a poor body image of herself. Sadie, a theatrical agent, complains about being tired of fighting the effects of aging. She has a thirty-four year-old boyfriend, but feels jealous, especially when daughter Jennifer is around. When Helene’s mother, Mrs. Whitney Williams, arrives to drop something off, Helene begs her to stay for the party. Sophie compliments Kate on her twelve-year marriage, adding that she could not live or have sex with anyone that long. As other women arrive with presents, they discuss food, sex, and their bodies. Jennifer admits she loves food, but is self-conscious about eating in front of others. “It’s like sex,” she says. Lydia tells Martine that she was nine when her father married Helene, but she has always maintained a good relationship ...

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At her Los Angeles, California, home, Helene Bradley hosts an all-women birthday party for herself and friends Sadie and Kate. Helene is celebrating her fortieth birthday, Sadie is about to turn fifty, and Kate recently reached thirty. Martine, a French filmmaker staying at the house, decides to shoot the party for a television documentary. She begins by turning the camera on herself and asking, “Do you have any problem with food?” Helene deals herself a hand of Tarot cards to see what her fortieth year has in store for her. She asks her stepdaughter, Lydia, if Frank, Lydia’s father and Helene’s husband, always runs away on birthdays. Soon afterward, Frank calls to assure Helene he will home by 7:00 that evening. Other women, including Kate, Sophie, Sadie, and Sadie’s daughter, Jennifer, arrive. Seeing Martine wearing a bikini bottom beside the swimming pool, Sophie compliments her beautiful body, but confides that Helene Bradley has a poor body image of herself. Sadie, a theatrical agent, complains about being tired of fighting the effects of aging. She has a thirty-four year-old boyfriend, but feels jealous, especially when daughter Jennifer is around. When Helene’s mother, Mrs. Whitney Williams, arrives to drop something off, Helene begs her to stay for the party. Sophie compliments Kate on her twelve-year marriage, adding that she could not live or have sex with anyone that long. As other women arrive with presents, they discuss food, sex, and their bodies. Jennifer admits she loves food, but is self-conscious about eating in front of others. “It’s like sex,” she says. Lydia tells Martine that she was nine when her father married Helene, but she has always maintained a good relationship with him and her stepmother. Martine replies that her father was always distant. When Helene’s younger sister, Nancy, arrives, Helene begs her not to dominate their mother’s time at the party. Lydia tells Whitney, her step-grandmother, that she feels self-conscious about eating Frank and Helene’s food because it implies an acceptance of their beliefs. Sophie gives Helene two “batacas”—padded bats—for a birthday present and demonstrates how to use them to “get out your rage.” They hit each other with the harmless bats, screaming, “I hate you!” Jennifer begs her agent mother, Sadie, to get her an acting job, but Sadie does not want her to be an actress. As the oldest, most serene woman at the party, Whitney attracts the others’ needs to confess their insecurities. Most of the guests think they are too fat. Whitney expresses confusion about why attractive, successful women are so insecure about their ages, their bodies, and “all this food business.” Whitney asks daughter Nancy why a woman would eat and vomit, especially since Nancy’s husband is so successful. However, Nancy claims she always had a weight problem, whereas Helene was always thin. Sophie eats her own macrobiotic meal because she hates the greasy, “horrible food” Helene serves. She expresses her concern to Whitney about Helene’s “horrible, horrible husband.” Whitney responds that Sophie is too negative about everything. When Whitney compliments Martine on being the envy of other women at the party, the French photographer confides her lifelong insecurity about being “too big,” and wishes she were more “delicate” instead of “big-hipped and perfect for having babies.” Whitney recalls that when she was young, she worked as a “personality model,” not a fashion model, because she enjoyed being “normal weight.” Two guests arrive and present Helene with “screaming cups,” open-ended half balls with foam interiors for muffling sound. The women laugh as they scream into them at the top of their lungs. When Jennifer complains to Sophie that her mother refuses to represent her as an actress, Sophie replies, “Your mother hates you!” Milly sits down with Dr. Penson, a plastic surgeon, to discuss her many unsatisfying “breast enhancements,” and wonders if a facelift might offset the problem. Jennifer tells Lydia that her mother’s younger boyfriend keeps looking at her, and sometimes sneaks her food. She feels guilty because that morning she revealed to him that the party was a celebration for her mother’s fiftieth birthday, an age considerably greater than Sadie had revealed to him. Jackie, one of Sadie’s clients, whispers to another client, Eloise, that she is leaving for a bigger agent, but does not know how to break the news. Eloise begs Jackie to “take me with you.” Kate and Martine discuss abortions they had when they were younger, and Martine regrets being beyond marriage or having babies. When the three-dozen women gather for cutting three birthday cakes, the first piece of cake is passed from hand to hand, but nobody eats it. Whitney enjoys her own piece of cake and exclaims how good it tastes. Sadie catches daughter Jennifer eating a large piece of cake alone and lectures her on staying thin if she hopes to find a good husband. Sophie slips into an empty room to telephone her psychiatrist, because she is having a hard time keeping herself together. Afterward, she chants and calms herself with the excuse that “it’s only a group of women” she is dealing with. Martine begins filming women talking about their relationships with food. One admits she is “at the mercy of food.” Others reveal how in childhood food became a substitute for love, or an escape from emotional pain. One claims she is looking for a man who excites her as much as “a baked potato.” Helene explains that food has replaced sex for many women, and confesses she recently woke up in the middle of the night eating ice cream. When Frank telephones Helene that he will not be home as promised, she is crushed. Helene confesses to her mother that Frank has been spending more time away. Hearing Helene’s lament, Sophie tells her Frank is having an affair, everyone else at the party is aware of it, and according to gossip the other woman is a brunette attending the party. Sophie suggests Helene “get in touch” with her rage, and Helene goes into the kitchen and cries as she eats a piece of cake. Whitney tells her daughter that familiarity naturally breeds contempt, but women must “carry on,” accept an occasional infidelity, and keep the marriage intact until the husband returns. Sophie quizzes Martine about her “relationship” with Frank. One guest confesses she had an affair with Frank in college, but that was fifteen years ago. In front of all the guests, Whitney sings “The Way You Look Tonight” to Helene as a birthday present. Sophie finds Jennifer ravenously eating cake in the bathroom. The young woman confesses she is striking back at her mother, who wants her to be thin. Caterers serve the main meal, and the women eat as they talk to Martine’s camera. When Helene telephones Frank and discovers he is not where he is supposed to be, he confesses the truth about his affair. Later, Helene cries as she tells Nancy that Frank is not coming home. Unable to deal with her sister’s pain, Nancy hurries away and gets Kate, but when Kate tries to commiserate, Helene accuses her of being Frank’s lover. Asked where she got that idea, Helene blames Sophie. Kate searches for Sophie and finds her vomiting in the bathroom. Sophie cowers as Kate screams at her, then confesses her jealousy over Kate’s successful marriage and “perfect life.” Later, as the party breaks up, Helene feels more accepting of, even relieved by, her new status as a woman alone. “It’s scary, but exciting,” she declares. Martine replies that unlike Helene, she has always been alone, but now feels ready to enjoy a more permanent relationship.

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Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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