Love at Large (1990)

R | 97 mins | Mystery, Romance | 9 March 1990

Director:

Alan Rudolph

Writer:

Alan Rudolph

Producer:

David Blocker

Cinematographer:

Elliot Davis

Editor:

Lisa Churgin

Production Designer:

Steven Legler

Production Company:

Twin Roads
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HISTORY

The 29 Jan 1989 Orange County Register hinted that actress Tracey Ullman was originally scheduled to appear in Love at Large, but she withdrew from the project to star in I Love You to Death (1990, see entry).
       According to production notes in AMPAS library files, principal photography took place in Portland, OR, and Bend, OR, where the “McGraw Ranch” was built. Filming began 11 Feb 1989, the 17 Feb 1989 DV noted. The 10 Aug 1989 issue of The Oregonian reported that a dinner scene was filmed at Portland’s Aero Club at Park Street and SW 9th Avenue.
       The world premiere took place on 28 Jan 1990, the closing night of the U.S. Film Festival in Park City, UT, the 30 Jan 1990 HR announced.
       Reviews were generally lukewarm, and the May 1990 Box predicted that Love at Large was destined for “neighborhood video stores.” Ticket sales were “desultory” and “grim,” according to the 14 Mar 1990 and 21 Mar 1990 editions of Var. Three weekends in fewer than 100 theaters grossed only $297,634.
       End credits include the following acknowledgments: “The producers wish to thank: John Binder; Susan Hill; the City of Portland; Deschutes County; Tri-Met; Portland Development Commission; Oregon State Film Commission; Moet & Chandon; Hood River Brewing Company; Full Sail Golden Ale; Crooked River Ranch; The Princeton Building; Lindsley Parsons; Familian Superbath Showrooms, Beaverton, Oregon; St. Johns' Panel Systems, Hillsboro, Oregon; Harold Schweiggert; Speigel Incorporated; The House of Seagrams; The Rock Creek Tavern; Great American Airways; The German Aide Society; United Airlines.” ...

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The 29 Jan 1989 Orange County Register hinted that actress Tracey Ullman was originally scheduled to appear in Love at Large, but she withdrew from the project to star in I Love You to Death (1990, see entry).
       According to production notes in AMPAS library files, principal photography took place in Portland, OR, and Bend, OR, where the “McGraw Ranch” was built. Filming began 11 Feb 1989, the 17 Feb 1989 DV noted. The 10 Aug 1989 issue of The Oregonian reported that a dinner scene was filmed at Portland’s Aero Club at Park Street and SW 9th Avenue.
       The world premiere took place on 28 Jan 1990, the closing night of the U.S. Film Festival in Park City, UT, the 30 Jan 1990 HR announced.
       Reviews were generally lukewarm, and the May 1990 Box predicted that Love at Large was destined for “neighborhood video stores.” Ticket sales were “desultory” and “grim,” according to the 14 Mar 1990 and 21 Mar 1990 editions of Var. Three weekends in fewer than 100 theaters grossed only $297,634.
       End credits include the following acknowledgments: “The producers wish to thank: John Binder; Susan Hill; the City of Portland; Deschutes County; Tri-Met; Portland Development Commission; Oregon State Film Commission; Moet & Chandon; Hood River Brewing Company; Full Sail Golden Ale; Crooked River Ranch; The Princeton Building; Lindsley Parsons; Familian Superbath Showrooms, Beaverton, Oregon; St. Johns' Panel Systems, Hillsboro, Oregon; Harold Schweiggert; Speigel Incorporated; The House of Seagrams; The Rock Creek Tavern; Great American Airways; The German Aide Society; United Airlines.”

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GEOGRAPHIC LOCATIONS
SOURCE CITATIONS
SOURCE
DATE
PAGE
Box Office
May 1990
Section R, p. 38
Daily Variety
17 Feb 1989
p. 26
Daily Variety
29 Jan 1990
p. 3, 22
Daily Variety
27 Mar 1990
p. 10
Hollywood Reporter
3 Mar 1989
---
Hollywood Reporter
30 Jan 1990
p. 4, 24
Los Angeles Times
25 Dec 1988
Calendar, p. 51
Los Angeles Times
9 Mar 1990
p. 8
New York Times
9 Mar 1990
p. 8
Orange County Register
29 Jan 1989
Section K, p. 9
The Oregonian (Portland)
10 Aug 1989
---
Variety
27 Dec 1989
p. 6
Variety
7 Feb 1990
p. 32
Variety
14 Mar 1990
p. 25
Variety
21 Mar 1990
p. 29
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION COMPANY
PRODUCTION TEXTS
An Orion Pictures Release
A David Blocker Production
An Alan Rudolph Film
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTORS
Unit prod mgr
1st asst dir
PRODUCERS
Assoc prod
WRITER
PHOTOGRAPHY
Dir of photog
Addl photog
1st asst cam
Dee Arbucci
2d asst cam
2d 2d asst cam
Still photog
Addl cam op
Addl cam asst
Key/Dolly grip
Best boy
Grip
Gaffer
Best boy
Elec
Elec
Elec
Grip/Elec
Addl grip/Elec
ART DIRECTORS
Prod des
Art dir
Assoc art dir
Asst art dir
Art dept asst
Art dept asst
Art dept asst
Art dept asst
FILM EDITORS
Film ed
1st asst film ed
2d asst film ed
Apprentice film ed
Negative cutter
SET DECORATORS
Set dresser
Set dresser
Scenic painter
Const coord
Asst const coord
Prop master
Asst prop master
2d asst prop
On-set dresser
Lead person
Swing gang
Swing gang
Swing gang
Swing gang
Swing gang
Greensman
Carpenter
Carpenter
Carpenter
Carpenter
Carpenter
Carpenter
Carpenter
Carpenter
Carpenter
Carpenter
Laborer
Laborer
Laborer
Laborer
Laborer
Laborer
Laborer
Artwork by, Sculptor
Artwork by, Sculptor
Artwork by, Sculptor
Artwork by, Painter
Selected paintings courtesy of
Selected paintings courtesy of
Michele Russo paintings courtesy of
Gregory Grenin paintings courtesy of
Selected paintings courtesy of
COSTUMES
Cost des
Key costumer
Asst costumer
Asst costumer
Seamstress
Elizabeth Perkins' dream dress by
Anne Archer's finale suit by
Neil Young's ward provided by
Principal tuxedos provided by
Hats des by
MUSIC
Band leader, Blue Danube musicians
Guitar, Blue Danube musicians
Bass, Blue Danube musicians
Drums, Blue Danube musicians
Vibes, Blue Danube musicians
Guitar, The Raincity Industrial Art Ensemble
Trumpet/Electronics, The Raincity Industrial Art E
Harpsichord, The Raincity Industrial Art Ensemble
Drums/Percussion, The Raincity Industrial Art Ense
Keyboards, The Raincity Industrial Art Ensemble
Harp, The Raincity Industrial Art Ensemble
Background vocalist, The Raincity Industrial Art E
Guitar, The Raincity Industrial Art Ensemble
Addl mus co-prod by
Mus rec and mixed at
Mus rec and mixed at
Mus contracting, for Earle Tones Inc.
SOUND
Supv sd ed
ADR and Dial ed
Dial ed
Sd eff ed
Sd eff ed
Douglas Kent
Asst sd ed
Asst dial ed
Apprentice sd ed
Prod sd mixer
Boom person
Cable person
Re-rec mixer
Re-rec mixer
Re-rec facilities
ADR/Foley mixer
Foley artist
Edward Steidele
Foley artist
Post sd facilities
VISUAL EFFECTS
Spec eff
Asst eff
Titles and opt eff
Title des
MAKEUP
Makeup artist
Hairstylist
Doreen Vantyne
Asst makeup/Hair
PRODUCTION MISC
Casting
Prod exec
Prod coord
Asst prod coord
Scr supv
Loc mgr
Asst loc mgr
Loc asst
Prod secy
Prod secy
Post prod asst
Post prod asst
Casting assoc
Patti Kalles
Loc casting
Extras casting
Extra casting asst
Transportation coord
Transportation capt
Picture car coord
Asst picture car coord
Driver
Driver
Driver
Driver
Driver
Driver
Driver
Driver
Driver
Driver
Driver
Key prod asst
Prod asst
Prod asst
Prod asst
Prod asst
Prod asst
Prod asst
Prod asst
Prod asst
Prod asst
Prod asst
Caterer
Caterer
Asst caterer
Asst caterer
Asst caterer
Craft service
Prod accountant
Asst auditor
Financial consultant
Medical consultant
Medical tech
Projectionist
Projectionist
Head wrangler
Wrangler
Wrangler
Wrangler
Prod payroll
Prod payroll
Post prod accounting
Travel arr
STAND INS
Stunt player
Stunt player
Stunt player
Stunt player
Stunt player
Stunt coord
Stand-in
Stand-in
Stand-in
Stand-in
Stand-in
COLOR PERSONNEL
Col by
Col timer
SOURCES
SONGS
"Searching For A Heart," performed by Warren Zevon, written by Warren Zevon, produced by Mark Isham, Steven Krause and David Torn; "Ain't No Cure For Love," written and performed by Leonard Cohen, courtesy of CBS Records, Music Licensing Department; "You Don't Know What Love Is," performed by Warren Zevon, written by Gene DePaul and Don Raye, produced by Mark Isham; "You Don't Know What Love Is," performed by Anne Archer, written by Gene DePaul and Don Raye, produced by Mark Isham; "Living Easy," performed by Grady Walker, written by Grady Walker, Kathy Walker and David Moordigian; "Manhattan Skyline," performed by Grady Walker, written by Grady Walker and David Moordigian; "Don't Cry For Me," performed by Grady Walker, written by Grady Walker and Greg Walker; "Tomahawk" (traditional), performed by Tarwater, courtesy of American Heritage Music Co.
SONGWRITERS/COMPOSERS
+
DETAILS
Release Date:
9 March 1990
Premiere Information:
U.S. Film Festival premiere: 28 Jan 1990; Los Angeles and New York openings: 9 Mar 1990
Production Date:
began 11 Feb 1989
Copyright Info
Claimant
Date
Copyright Number
Orion Pictures Corporation
12 April 1990
PA464019
Physical Properties:
Sound
Dolby Stereo ® in Selected Theatres
Color
Duration(in mins):
97
Length(in feet):
8,751
MPAA Rating:
R
Country:
United States
Language:
English
PCA No:
30036
SYNOPSIS

Private investigator Harry Dobbs argues with Doris, his jealous girl friend, but just as they are about to make up, he receives a telephone call from Miss Dolan, a prospective client. Despite hearing Doris shouting in the background about “another woman,” Miss Dolan hires Harry, agrees to his $500 retainer fee, and asks him to meet her at the Blue Danube Supper Club. Arriving there, Harry meets a beautiful, classy woman who wants him to follow a man named Rick. Miss Dolan pays the detective a $2,000 retainer, describes the quarry, and informs Harry that Rick will be at the club at 9:00 p.m. She warns that Rick appears charming but is very dangerous. After telling Harry the name of the expensive hotel where he can contact her, Miss Dolan leaves without giving him Rick’s last name. A man fitting Rick’s description arrives later with a woman. They kiss on the dance floor, and when they leave, Harry Dobbs follows and jots down the license plate number. After stopping at a neighborhood grocery store, Rick takes the woman home to a middle-class house, where three children are waiting, and goes inside. Harry returns to the grocer and learns the man’s name is Mr. King. The next day he watches as the woman, the older family nanny, and the three kids walk Mr. King to his car. Harry follows him to an office building downtown and sees Fredrick King’s name listed on a lobby board under Wickman Investment Company. At the Blue Danube, Harry tells Miss Dolan about Rick’s other identity as a married man. He offers to call off the surveillance and return half the retainer, but Miss Dolan ...

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Private investigator Harry Dobbs argues with Doris, his jealous girl friend, but just as they are about to make up, he receives a telephone call from Miss Dolan, a prospective client. Despite hearing Doris shouting in the background about “another woman,” Miss Dolan hires Harry, agrees to his $500 retainer fee, and asks him to meet her at the Blue Danube Supper Club. Arriving there, Harry meets a beautiful, classy woman who wants him to follow a man named Rick. Miss Dolan pays the detective a $2,000 retainer, describes the quarry, and informs Harry that Rick will be at the club at 9:00 p.m. She warns that Rick appears charming but is very dangerous. After telling Harry the name of the expensive hotel where he can contact her, Miss Dolan leaves without giving him Rick’s last name. A man fitting Rick’s description arrives later with a woman. They kiss on the dance floor, and when they leave, Harry Dobbs follows and jots down the license plate number. After stopping at a neighborhood grocery store, Rick takes the woman home to a middle-class house, where three children are waiting, and goes inside. Harry returns to the grocer and learns the man’s name is Mr. King. The next day he watches as the woman, the older family nanny, and the three kids walk Mr. King to his car. Harry follows him to an office building downtown and sees Fredrick King’s name listed on a lobby board under Wickman Investment Company. At the Blue Danube, Harry tells Miss Dolan about Rick’s other identity as a married man. He offers to call off the surveillance and return half the retainer, but Miss Dolan insists he keep going. Another woman, Stella Wynkowski, eyes Harry as she walks past him. When Miss Dolan leaves, he follows her to a nightclub, where she croons torch songs with the band. The next morning, Harry follows King to the airport and buys a ticket on King’s flight. At the destination, Harry watches King put his briefcase in a locker and go into a bathroom with a large bag. When King emerges, he is wearing a cowboy hat and Western clothes. Harry’s cab follows King’s cab, as Stella Wynkowski follows them in a car. King is dropped off at a garage and drives away in a pickup truck, which Harry follows to the Crooked River Ranch. He takes photographs of King being greeted by a woman and child. Nearby, Stella watches Harry. She follows him to the Sunrise Motel in the nearby town of Culver, and checks in separately. Harry telephones Miss Dolan and describes the ranch and Rick’s second family. Next, Harry telephones his girl friend, Doris, but she screams at him and hangs up. Going for a walk, Harry notices Stella half dressed through her window. The next morning, Harry buys a used car for $250 and drives to the ranch. Using the ploy of being lost, he engages the woman of the house, Ellen McGraw, and offers to pay to use her telephone. She offers Harry a cup of coffee. Feigning a telephone conversation using the name Harry Johnson, Harry witnesses Ellen in a tender moment with Art, one of the ranch hands. As Mr. King, now James “Jim” McGraw, enters the house, Harry greets him warmly and thanks him for the use of his telephone. Later, Harry follows King/McGraw to the nearby Rock Creek Tavern, where McGraw makes a telephone call to a woman. Stella sits nearby, drinking a beer. McGraw talks with Cal, the bartender, who asks how long he will be around before returning to his “other spread.” Later, on the road, Harry's car breaks down. As Stella stops behind him, Harry recognizes her from the Sunrise Motel and asks her to drive him there. Later, Stella telephones her client, Doris, to inform her that Harry is actually working on a case and not cheating, but Doris becomes jealous and fires her. That night, Miss Dolan telephones Harry to inform him she has relocated to the Devonshire Hotel under another name because Rick has threatened her. Harry flies home in the morning, notices Stella on the airplane, and sits across the row from her. He asks if she is working for King/McGraw. She criticizes his detective skills because he got too close to his quarry, and he calls her careless at her job for picking him up on the road. Noticing Stella is reading a love manual, Harry discusses the topic. Stella gets him to talk about his girl friend, and Harry says he still loves Doris despite her jealousy. As they part company at the airport, Stella gives Harry her name, but not the name of her client. Harry visits Miss Dolan at the Devonshire to deliver his report. She begins to seduce Harry, but a knock on the door frightens her. It is the bellhop with her dry-cleaning. Harry gets another room on the same floor of the hotel, and the bellhop reports that information to an older man named Harvey. Meanwhile, Corrine Dart, head of the detective agency where Stella works, fires her because the client, Doris, does not like her. The next morning, Harry cannot find Miss Dolan in her room. Harry drives to Mrs. King’s home, identifies himself as Mr. King’s old friend, and asks if the names James McGraw or Miss Dolan mean anything to her, because he wants to get in touch. When Harry returns to his car, Stella is waiting. They drive to the Blue Danube, where she suggests he needs a business partner with a woman’s intuition. Stella agrees to fly back to the McGraw ranch for Harry, and they kiss. As they leave the club, Harvey, the older man at the Devonshire Hotel, is watching. Back at the hotel, Harry telephones Stella and tells her to be careful. When Stella hangs up, her former boyfriend Marty telephones and asks if there is someone else. Stella hangs up on him. Pounding awakens Harry, and when he opens the door, Harvey hits him, but Harry pulls a gun and chases him off. Meanwhile, Stella drives to the ranch and asks to use the telephone. Feigning a telephone call, she watches Ellen kissing Art, the ranch hand. McGraw walks in, catches them, and berates Ellen after Art hurries away. Stella returns to her car. Harry revisits Mrs. King, but she becomes suspicious, asks if he is an enemy of her husband, and drives Harry away, calling him “the Devil.” At the Rock Creek Tavern, the half-drunk McGraw sits next to Stella and talks about the exhilaration of living life dangerously. When she drops hints that she knows his “King” identity, McGraw becomes threatening. However, Art enters the bar and confronts McGraw about ruining Ellen’s life. As the two men fight, Stella slips away. Harry returns to the Blue Danube and sees Miss Dolan leaving with Rick, who resembles the Fredrick King he has been following, but is not the same man. Harry discovers that Rick’s chauffeur and bodyguard is Harvey, the man who attacked him. Stella Wynkowski returns to the ranch and tells Ellen and her daughter that she has come to take them away. Ellen packs and lets Stella drive her and her daughter to the airport. Harry Dobbs follows Rick home, hits Harvey as he opens the front door, and knocks Rick out a window. Miss Dolan is sitting in bed, waiting for Rick, but Harry makes her leave with him. Now back in town, Stella sees Harry and Miss Dolan and follows them to the train station. Miss Dolan, who finally reveals that her first name is Gwendolyn, asks Harry if he loves her, but Harry reveals that he loves someone else. He puts her on the train. Meanwhile, Fredrick King returns to Mrs. King. Stella returns home, and her ex-boyfriend, Marty, forces his way in, insisting he wants her back. Stella chases him out with a gun. Harry is already waiting inside Stella’s apartment. He reveals that he was following the wrong man all along. As Harry confesses his love, they realize they have both solved the other’s case. They make love.

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Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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