Dakota (1988)

PG | 97 mins | Drama | 2 December 1988

Director:

Fred Holmes

Cinematographer:

James Wrenn

Editor:

Leon Seith

Production Designer:

Pat O`Neal

Production Company:

Kuntz Brothers
Full page view
HISTORY

       End credits include the following: “This motion picture is dedicated to the memories of Mary F. Kuntz & Henry C. Worley.”
       The 3 Jun 1987 Var production chart reported that principal photography began on 18 May 1987, and filming locations included: Texas, Oklahoma, and Los Angeles, CA. Referring to the film by its working title, Dakota in Texas, an announcement in the 31 Jul 1987 HR reported the film’s principal photography was completed on 27 Jun 1987 near the Texas towns of Dallas and McKinney. The HR article stated the film’s budget was $1.1 million.
       A 19 Sep 1987 Billboard article reported that the film, referring to the working title of Dakota In Texas, was scheduled to be released early in 1988. It was later reported in a 2 Mar 1988 HR brief that the picture was to be screened for distribution companies during the week of 14 Mar 1988 in Los Angeles. The film opened on 2 Dec 1988 in Los Angeles, New York City, and Dallas, as stated in a 17 Nov 1988 HR news brief.
      End credits state: “The Producers wish to thank the following for their cooperation: Borden Diary; Fiesta Foods, Inc.; Associated Popcorn Distributors; Mothers Pies Co.; CSPH, Inc. dba Domino’s Pizza; Unique Product Placement; Entenmann’s Baked Goods; Mr. Jim’s Pizzeria; Northwest High School; Champion Ford; Jim Johnson Chevrolet; Yellow Checker Cab Co.; Justin Boot Co.; Milano Hat Co.; Five G’s; Culwell & Son; Wrangler Jeans; Origins; Fostex Corporation; Martha of Taos (Taos, New Mexico); Living Material Center; ...

More Less

       End credits include the following: “This motion picture is dedicated to the memories of Mary F. Kuntz & Henry C. Worley.”
       The 3 Jun 1987 Var production chart reported that principal photography began on 18 May 1987, and filming locations included: Texas, Oklahoma, and Los Angeles, CA. Referring to the film by its working title, Dakota in Texas, an announcement in the 31 Jul 1987 HR reported the film’s principal photography was completed on 27 Jun 1987 near the Texas towns of Dallas and McKinney. The HR article stated the film’s budget was $1.1 million.
       A 19 Sep 1987 Billboard article reported that the film, referring to the working title of Dakota In Texas, was scheduled to be released early in 1988. It was later reported in a 2 Mar 1988 HR brief that the picture was to be screened for distribution companies during the week of 14 Mar 1988 in Los Angeles. The film opened on 2 Dec 1988 in Los Angeles, New York City, and Dallas, as stated in a 17 Nov 1988 HR news brief.
      End credits state: “The Producers wish to thank the following for their cooperation: Borden Diary; Fiesta Foods, Inc.; Associated Popcorn Distributors; Mothers Pies Co.; CSPH, Inc. dba Domino’s Pizza; Unique Product Placement; Entenmann’s Baked Goods; Mr. Jim’s Pizzeria; Northwest High School; Champion Ford; Jim Johnson Chevrolet; Yellow Checker Cab Co.; Justin Boot Co.; Milano Hat Co.; Five G’s; Culwell & Son; Wrangler Jeans; Origins; Fostex Corporation; Martha of Taos (Taos, New Mexico); Living Material Center; Body Conscious; Snap-on-Tools; First National Computer Co.; Whistler Radar Detectors; American Red Cross; McKinney High School; Celebrity Studios; Body Strategy; Richard & Marlene Fuller; The Boys on Shift B (Station #7) Irving Fire Department; McFarland Associates (Prosthetics by Jim Thelan & John Craig); Texas Scottish Rite Hospital; The Wolf Run Ranch; Adam Roarke Film Actors Lab; and the Texas Film Commission.” End credits also state: “A special thanks to: Joe and Carolyn Camp; The Ralph Rampellini Family and the Circle T Ranch; Interstate Batteries of America, Inc. and The Great American Race without whose cooperation this film would not have been possible; [and] the city and citizens of Roanoke and McKinney, Texas.”

Less

GEOGRAPHIC LOCATIONS
SOURCE CITATIONS
SOURCE
DATE
PAGE
Billboard
19 Sep 1987
p. 6, 93
Daily Variety
21 Oct 1988
p. 3, 28
Daily Variety
25 Oct 1988
p. 12
Hollywood Reporter
31 Jul 1987
---
Hollywood Reporter
2 Mar 1988
---
Hollywood Reporter
17 Nov 1988
---
Hollywood Reporter
7 Dec 1988
p. 28
Los Angeles Times
2 Dec 1988
p. 8
New York Times
2 Dec 1988
p. 8
Variety
3 Jun 1987
p. 6
Variety
17 Jun 1987
p. 11
Variety
26 Oct 1988
p. 14
Variety
2 Nov 1988
p. 23
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION COMPANY
PRODUCTION TEXT
Kuntz Bros., Inc. presents
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTORS
Prod mgr
2d asst dir
2d 2d asst dir
PHOTOGRAPHY
Dir of photog
1st asst cam
2d asst cam
Gaffer
Best boy elec
Key/Dolly grip
Best boy grip
Grip/Elec swing
Grip/Elec swing
Still photog
Still photog
Dir of photog, 2d unit crew
1st asst cam, 2d unit crew
1st asst cam, 2d unit crew
1st asst cam, 2d unit crew
Grip/Elec crew, 2d unit crew
Grip/Elec crew, 2d unit crew
Grip/Elec crew, 2d unit crew
Grip/Elec crew, 2d unit crew
Grip/Elec crew, 2d unit crew
Grip/Elec crew, 2d unit crew
Grip/Elec crew, 2d unit crew
Grip/Elec crew, 2d unit crew
ART DIRECTORS
Art dir
Art dept asst
Art dept swing
Art dept swing
FILM EDITORS
Asst ed
SET DECORATORS
Prop master
Set dresser/Props
Picture vehicles/Props
Leadman
Leadman
COSTUMES
Ward supv
Ward asst
Ward asst
Ward asst
Ward asst, 2d unit crew
MUSIC
Orig mus & scoring
Mus consultant
SOUND
Sd mixer
Boom op
Sd eff ed
Sd eff ed
Rec eng
Re-rec mixer
Asst re-rec mixer
Sd eff rec
Sd transfers
Loc sd, 2d unit crew
VISUAL EFFECTS
Titles & opticals
Typography by
Spec eff
Spec eff
Spec eff
Spec eff
Spec eff
Spec eff
MAKEUP
Make-up/Hair
Asst make-up
PRODUCTION MISC
Prod supv
Loc mgr
Prod coord
Prod auditor/Accountant
Scr supv
Prod secy
Office asst
Bus mgr - Kuntz Bros., Inc.
Prod asst
Prod asst
Prod asst
Prod asst
Prod asst
Addl casting
Wrangler
Craft service
Paramedic
Caterer
Caterer
[Rather Risque] Owned, trained & ridden by
Loc coord, 2d unit crew
Loc scout, 2d unit crew
Tech adv, 2d unit crew
Tech adv, 2d unit crew
Prod asst, 2d unit crew
Prod asst, 2d unit crew
Prod asst, 2d unit crew
Prod asst, 2d unit crew
Prod asst, 2d unit crew
Antique car owner, 2d unit crew
Antique car owner, 2d unit crew
Antique car owner, 2d unit crew
Antique car owner, 2d unit crew
Antique car owner, 2d unit crew
Antique car owner, 2d unit crew
Antique car owner, 2d unit crew
Antique car owner, 2d unit crew
"Penelope Calliope" hand-crafted by, 2d unit crew
Prod services by
Dallas, Texas
Post prod facilities provided by
STAND INS
Stand-in
Stand-in
Stunts
Stunts
Stunts
Stunts
Stunts
Stunts
SOURCES
MUSIC
Songs written, produced and performed by Chris Christian, courtesy of Home Sweet Home Records, Inc., “Dakota’s Theme,” “The Chase,” “Enchanted Romance,” “Casey’s Quest”; “Texas Sand,” written and produced by Chris Christian, performed by Wayne Watson, courtesy of Home Sweet Home Records, Inc. and Dayspring Records.
SONGS
“As Each Day Goes By,” written and produced by Chris Christian, performed by Wayne Watson, courtesy of Home Sweet Home Records, Inc. and Dayspring Records; “Only Wanna Be With You,” written by David Martin and Chris Christian, produced and performed by Chris Christian, courtesy of Home Sweet Home Records, Inc.; “Day Like Today,” written and produced by Jeremy Dalton and Chris Christian, performed by Chris Christian, courtesy of Home Sweet Home Records, Inc.; “Dancing At The Policeman’s Ball,” written, produced and performed by Mark Heard, courtesy of Home Sweet Home Records, Inc.; “Love Did It Again,” written by Joe Ninowski, Jeremy Dalton & Chris Christian, produced by Chris Christian and Jeremy Dalton, performed by Chris Christian, courtesy of Home Sweet Home Records, Inc.; “As If I Were The Only One (To Love),” written by Dwight Liles and Regina Wilson, produced by Chris Christian, performed by Luke Garrett, courtesy of Home Sweet Home Records, Inc.; “Solace,” and “Shadow Colt,” written, produced and performed by Frank J. Kuntz, Jr., courtesy of Freddie Footwork Publishing; “Great American Race March,” written and produced by Frank J. Kuntz, Jr., arranged by Steve Ganci, courtesy of Freddie Footwork Publishing; “Life Ain’t Got No Reason And It Sure Don’t Rhyme,” written by J. Clark Wilcox, produced by Charlie McCoy; performed by The Shoppe, courtesy of The Shoppe, Inc.; “Three Way Love,” written and produced by J. Clark Wilcox, performed by The Shoppe, courtesy of The Shoppe, Inc.
SONGWRITERS/COMPOSERS
+
DETAILS
Alternate Titles:
Dakota in Texas
Dakota In Texas
Release Date:
2 December 1988
Premiere Information:
Los Angeles opening: 2 Dec 1988; New York opening: week of 2 Dec 1988
Production Date:
18 May--27 Jun 1987 in Texas, Oklahoma, Los Angeles
Physical Properties:
Sound
Color
Lenses
Camera and lenses by Panavision ®
Duration(in mins):
97
MPAA Rating:
PG
Country:
United States
Language:
English
SYNOPSIS

In Los Angeles, California, John Dakota sits by the grave of his little brother, Eric, before riding cross-country on his motorcycle. Elsewhere, Charles Dakota, John’s father, tells his wife he never wants to see his son again. During the trip, John stops in the town of Dillon, Texas. He gets in a fistfight with two young locals, Bo Sandoval and Rooster, when they insult him. After getting arrested, Sheriff Johnson tells him to pay the property damages, or remain in jail. Walt Lechner, an employee of Diamond Ranch, arrives and suggests the young man work for him to pay his debt. Sheriff Johnson agrees, but keeps the motorcycle at the station. John introduces himself as “Dakota” to Walt and his son, Casey, who has a prosthetic leg. Early the next morning at Diamond Ranch, Walt shows Dakota the thoroughbred stables. Later, Dakota meets Walt’s daughter, Molly, who shows him how to work with the horses and maintain the stables. That afternoon, Casey tells Dakota that Mr. Diamond, the ranch owner, will be entering a 1911 Oldsmobile speedster in the Great American Race, a cross-country event for antique cars. Casey also mentions that Dillon, Texas, is the halfway point. That evening, Bo Sandoval and Rooster work the night shift at Sandoval Feed and Milling, which is owned by Bo’s father. Bo confesses to Rooster that his debts are becoming a problem. The next morning, Rob Diamond, Mr. Diamond’s son, flirts with Molly as she rides her favorite horse, Maverick. Meanwhile in the stable, Dakota sees Mr. Diamond’s hired mechanic working on the Oldsmobile, and ...

More Less

In Los Angeles, California, John Dakota sits by the grave of his little brother, Eric, before riding cross-country on his motorcycle. Elsewhere, Charles Dakota, John’s father, tells his wife he never wants to see his son again. During the trip, John stops in the town of Dillon, Texas. He gets in a fistfight with two young locals, Bo Sandoval and Rooster, when they insult him. After getting arrested, Sheriff Johnson tells him to pay the property damages, or remain in jail. Walt Lechner, an employee of Diamond Ranch, arrives and suggests the young man work for him to pay his debt. Sheriff Johnson agrees, but keeps the motorcycle at the station. John introduces himself as “Dakota” to Walt and his son, Casey, who has a prosthetic leg. Early the next morning at Diamond Ranch, Walt shows Dakota the thoroughbred stables. Later, Dakota meets Walt’s daughter, Molly, who shows him how to work with the horses and maintain the stables. That afternoon, Casey tells Dakota that Mr. Diamond, the ranch owner, will be entering a 1911 Oldsmobile speedster in the Great American Race, a cross-country event for antique cars. Casey also mentions that Dillon, Texas, is the halfway point. That evening, Bo Sandoval and Rooster work the night shift at Sandoval Feed and Milling, which is owned by Bo’s father. Bo confesses to Rooster that his debts are becoming a problem. The next morning, Rob Diamond, Mr. Diamond’s son, flirts with Molly as she rides her favorite horse, Maverick. Meanwhile in the stable, Dakota sees Mr. Diamond’s hired mechanic working on the Oldsmobile, and assists in fixing the car. Later, Dakota drives Casey to his physical therapy session. On the way, Casey tells Dakota he lost his leg to bone cancer. During the session, Casey’s teacher, Aunt Zard, tells Dakota that with encouragement Casey can do anything. That evening, Molly informs her father, Walt, that Dakota is not a good role model for Casey. However, Walt disagrees and believes Dakota is starting to open up with the family. A few days later, Walt asks Mr. Diamond if he has located a new mechanic for the Oldsmobile after firing the first one. When Diamond says no, Walt suggests Dakota, and Diamond agrees. As Dakota and Casey work on the car, Rob arrives and asks Molly to have dinner with him and his family. She agrees, and leaves with him. At another physical therapy session on a lake, Aunt Zard tells Dakota about a rite of passage called “The Quest,” in which a young person challenges him or herself. For Casey’s quest, Aunt Zard believes he could rock climb Dillon Pinnacle, a nearby rock formation. Dakota agrees to help Casey train before leaving Dillon for good. Later, Walt tells Dakota his fines from the fight with Bo Sandoval and Rooster have been settled and he is free to leave town. However, Dakota decides to stay. That night at the Sandoval Feed and Milling, Bo receives a visit from the man to whom he owes. The man tells Bo the debt will be cleared if he stores illegal goods at the granary. That evening, Molly graduates from school, and attends a dance with Rob. Dakota attends as well and is challenged by Bo to an arm wrestling competition. Bo cheats and tells Dakota he is not welcomed. After the dance, Rob drives Molly to a spot in the woods. As they kiss, Molly becomes uncomfortable with Rob’s advances and asks him to take her home. Later, she goes to the stable and finds Dakota. He invites her to town for ice cream. As they share a banana split, Rob sees them. The following day, Dakota calls the Great American Race registration committee and learns that his father, Charles Dakota, is participating and will be at the midpoint in Dillon. Dakota continues to train Casey for his Dillon Pinnacle climb. Meanwhile at Sandoval Feed and Milling, Bo’s creditor stores illegal goods in the silo. The next day, Mr. Diamond offers Dakota the mechanic position as Rob drives in the Great American Race. However, Dakota declines. When Molly asks why, Dakota tells her he does not want to see his father. Dakota recalls sneaking home from his private school to spend time with his little brother, Eric. While hanging out near a water tower, Eric climbed to the top. Dakota hurried after him, but Eric fell and was killed. His father blamed him and ordered Dakota to leave. That night on the ranch, Dakota awakens Casey and tells him he needs to complete his Dillon Pinnacle climb on Saturday before he leaves town. The following day, Rob kisses Molly goodbye as he leaves for Los Angeles to start the Great American Race. That night, Molly asks Dakota for help as one of the horses goes into labor. After the foal is born, Molly and Dakota ride horseback to Enchanted Rock, Molly’s favorite place, on Maverick. She tells Dakota he needs to talk to his father. Meanwhile, Bo tells Rooster his creditor was arrested and he does not know what to do with the illegal items. Rooster suggests setting the mill on fire. Later, Walt, Molly, and Dakota drive to Dillon Pinnacle to watch Casey as he climbs to the top. Elsewhere, Bo arrives at Diamond Ranch for a delivery. Sneaking into Dakota’s room, Bo sees a newspaper clipping on Eric’s death. Bo returns to the mill and informs Rooster of his plan to frame Dakota for the silo fire. Later, the Great American Race drivers arrive in town. At a celebratory dance, Casey hands Molly a note from Dakota, telling her about his brother’s death and how he has not forgiven himself. Molly notices Bo acting strangely and asks Casey to keep an eye on him. She locates Dakota at Enchanted Rock, where he tells her he is not running anymore and kisses her. They get on Dakota’s motorcycle and drive to the mill to check on Bo. Rooster and Bo start the fire as Dakota and Molly arrive. While running, Bo knocks himself unconscious inside the silo. As Rooster and Molly escape, Dakota runs back for Bo. They escape as the fire department arrives. Days later, Dakota leaves to catch up with the Great American Race, and to meet up with his father.

Less

Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

TOP SEARCHES

Mr. Smith Goes to Washington

According to HR news items, "The Gentleman from Montana" (an unpublished story by Lewis R. Foster, alternately called "The Gentleman from Wyoming" by both contemporary and modern ... >>

The Grapes of Wrath

According to materials contained in the Twentieth Century-Fox Records of the Legal Department at the UCLA Theater Arts Library, Fox paid John Steinbeck $70,000 for the rights to his ... >>

King Kong

The working titles of this film were The Eighth Wonder, The Beast and Kong. In the opening credits, the cast list is ... >>

Casablanca

In the onscreen credits, actor S. Z. Sakall's name is incorrectly spelled "S. K. Sakall." HR news items add the following information about the production: ... >>

Psycho

Actor Vaughn Taylor's surname is misspelled "Tayler" in the onscreen credits. Several Jun and Jul 1959 HR news items erroneously refer to the film as Psyche. ... >>

The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.