Problem Child (1990)

PG | 81 mins | Comedy-drama | 27 July 1990

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HISTORY

The film is accompanied with voiceover by “Junior,” the title character: It begins with: “Nice night to be born, huh. Apparently my birth is not considered a blessed event. That’s me in the basket, and that’s my mother carrying me.”
       Opening credits include a title card: “‘Problem Child’ performed by The Beach Boys.”
       According to production notes in AMPAS library files, as well as the 11 Oct 1989 Var, Problem Child was filmed on various locations around Dallas, TX, including the Dallas Municipal Building and the Old City Jail. Other locations included the Lady of Victory Catholic Boarding School in Ft. Worth, TX, which stood in for the “St. Brutus” orphanage, and the Las Colinas Studios in Irving, TX, where interiors were shot. Two hundred elementary school children were hired as extras to celebrate when the title character leaves the orphanage. Principal photography began 2 Oct 1989, but following completion, John Ritter and Michael Oliver were set to return to Dallas on 8 Mar 1990 for “two weeks of reshoots,” the 26 Feb 1990 DV and 29 Jul 1990 Long Beach Press-Telegram reported. The original budget for Problem Child was projected to be $11 million, according to the 7 Dec 1989 NYT.
       Director Dennis Dugan auditioned approximately 500 children during a two-month search in New York City, Dallas, TX, Chicago, IL, and Los Angeles, CA.
       For a campfire scene, the producers used, but did not credit, “Samson the Wrestling Bear,” a tame 750-pound North American Black Bear with a nine-year history in show business, the 13 Mar 1990 Edmonton Journal noted. Samson’s claws ...

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The film is accompanied with voiceover by “Junior,” the title character: It begins with: “Nice night to be born, huh. Apparently my birth is not considered a blessed event. That’s me in the basket, and that’s my mother carrying me.”
       Opening credits include a title card: “‘Problem Child’ performed by The Beach Boys.”
       According to production notes in AMPAS library files, as well as the 11 Oct 1989 Var, Problem Child was filmed on various locations around Dallas, TX, including the Dallas Municipal Building and the Old City Jail. Other locations included the Lady of Victory Catholic Boarding School in Ft. Worth, TX, which stood in for the “St. Brutus” orphanage, and the Las Colinas Studios in Irving, TX, where interiors were shot. Two hundred elementary school children were hired as extras to celebrate when the title character leaves the orphanage. Principal photography began 2 Oct 1989, but following completion, John Ritter and Michael Oliver were set to return to Dallas on 8 Mar 1990 for “two weeks of reshoots,” the 26 Feb 1990 DV and 29 Jul 1990 Long Beach Press-Telegram reported. The original budget for Problem Child was projected to be $11 million, according to the 7 Dec 1989 NYT.
       Director Dennis Dugan auditioned approximately 500 children during a two-month search in New York City, Dallas, TX, Chicago, IL, and Los Angeles, CA.
       For a campfire scene, the producers used, but did not credit, “Samson the Wrestling Bear,” a tame 750-pound North American Black Bear with a nine-year history in show business, the 13 Mar 1990 Edmonton Journal noted. Samson’s claws and front teeth had been removed many years earlier.
       What appeared to be animal cruelty created controversy from cat lovers, the American Humane Association, and the Toronto Humane Society, the 26 Jul 1990 Austin American Statesman and 27 Jul 1990 Globe and Mail (Toronto, Canada) reported. In one scene, “Junior,” the problem child, throws “Fluffball,” the family cat, across the room, and in a later scene the feline walks with a splint on its leg. In television promotional clips and on a poster, the cat tumbles in a clothes dryer, although there is no corresponding scene in the movie as released. The cat was treated well on the set and doubled by a fake animal in the rough scenes, but critics objected mostly to the poster display of the little boy smiling “malevolently” at the cat’s predicament in the dryer. The American Humane Association rated Problem Child “acceptable” because of the “exceptional” treatment of the cat on the set, but “the promotion of this film … most definitely would be ‘unacceptable.’”
       Despite mostly negative reviews, Problem Child had a $10-million opening, the 6 Aug 1990 HR noted, and grossed $50 million in its first five months of release, according to the 20 Dec 1990 DV.
       When Problem Child appeared on NBC Television, censors cut three pages of material, including lines ridiculing the lead character as “a secondhand kid” and “not a real kid, he’s just adopted,” the 14 Sep 1991 LAT reported. Screenwriter Scott Alexander stated that other writers brought into the production wrote the lines denigrating adopted children. The National Committee for Adoption in Washington, D.C. called for a viewer boycott.
       The 25 Apr 1993 Long Beach Press-Telegram reported that Michael Oliver received $40,000 for portraying Junior in Problem Child and was guaranteed $80,000 for Problem Child 2 (1991, see entry). However, just before principal photography began on the sequel, the boy’s mother threatened a walkout unless Universal Pictures raised his pay to $500,000. Universal agreed to the change and paid $250,000 up front, but later successfully sued Oliver’s family for the $170,000 difference.
       End credits give the following information, “Clip from Boys Town, provided by Turner Entertainment Co,” as well as these acknowledgments: “Special thanks to the Cities of Dallas, Irving, Mesquite, Framers Branch and Fort Worth, Texas; the State of Texas; Film Commission of North Texas; David Sameth.”

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GEOGRAPHIC LOCATIONS
SOURCE CITATIONS
SOURCE
DATE
PAGE
Austin (TX) American Statesman
26 Jul 1990
p. 3
Box Office
Oct 1990
---
Daily Variety
26 Feb 1990
p. 2
Daily Variety
30 Jul 1990
p. 2, 15
Daily Variety
3 Aug 1990
p. 6
Daily Variety
20 Dec 1990
p. 4
Edmonton Journal [Alberta, Canada]
13 Mar 1990
Section D, p. 10
The Globe and Mail (Toronto)
27 Jul 1990
Section C, p. 9
The Grand Rapids Press [Michigan]
20 Jul 1990
Section A, p. 1
Hollywood Reporter
30 Jul 1990
p. 5, 15
Hollywood Reporter
6 Aug 1990
---
Los Angeles Times
30 Jul 1990
Calendar, p. 10
Los Angeles Times
27 Apr 1993
Calendar, p. 2
Los Angeles Times
14 Sep 1991
Calendar, p. 7
Long Beach Press-Telegram
29 Jul 1990
---
Long Beach Press-Telegram
25 Apr 1993
---
New York Times
7 Dec 1989
Section C, p. 19
New York Times
28 Jul 1990
p. 12
Variety
11 Oct 1989
p. 29
Variety
1 Aug 1990
p. 66
CAST
NAME
CREDITED AS
CREDIT
Featuring
+ −
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION COMPANY
PRODUCTION TEXTS
A Universal Picture
Universal Pictures Presents
An Imagine Entertainment Production
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTORS
Unit prod mgr
1st asst dir
1st asst dir
2d asst dir
2d asst dir
2d unit dir
1st asst dir, 2d unit
2d asst dir, 2d unit
PRODUCERS
Assoc prod
Exec prod
PHOTOGRAPHY
Dir of photog
Cam op
1st asst A cam
2d asst A cam
1st asst B cam
2d asst B cam
Panaglide op
Loader
Chief lighting tech
Best boy
Key grip
Best boy
Dolly grip
Still photog
Dir of photog, 2d unit
Cam op, 2d unit
Cam op, 2d unit
1st cam asst, 2nd unit
First cam asst, 2nd unit
2d cam asst, 2d unit
2d cam asst, 2d unit
Loader, 2d unit
Chief lighting tech, 2d unit
Key grip, 2d unit
ART DIRECTORS
Prod des
Art dir
Asst art dir
Art dept coord
Storyboard artist
FILM EDITORS
Film ed
Film ed
Film ed
Asst film ed
Asst film ed
Asst film ed
Negative cutter
SET DECORATORS
Set dec
Leadman
Set dresser
Set dresser
Set dresser
On set dresser
Prop master
Asst prop master
Prop prod asst
Const coord
Key painter
Stand-by painter
Set painter
Set painter
Carpenter
Carpenter
Carpenter
Carpenter
Carpenter
Carpenter
Carpenter
Carpenter
Carpenter
Carpenter
Set dresser, 2d unit
Prop master, 2d unit
COSTUMES
Cost des
Ward supv
Ward supv
Ward asst
MUSIC
Scoring mixer
Mus contractor
SOUND
Boom op
Cable person
Supv sd ed
Sd ed
Sd ed
Sd ed
Supv ADR ed
ADR ed
Foley ed
Foley ed
Asst sd ed
Asst sd ed
Asst sd ed
Supv re-rec mixer
Re-rec mixer
Re-rec mixer
Charles Ajar, Jr.
Rec
ADR mixer
ADR rec
Foley mixer
Foley rec
Foley artist
Foley artist
Dolby Stereo consultant
VISUAL EFFECTS
Spec eff coord
Special eff unit
Special eff unit
Special eff unit
Special eff unit
Title des
Titles and opticals
MAKEUP
Key make-up artist
Key hair stylist
PRODUCTION MISC
Casting
Prod supv
Post prod supv
Scr supv
Prod coord
Loc mgr
Asst loc mgr
Prod accountant
Prod accountant
Prod accountant
Asst accountant
Asst accountant
2d asst accountant
Post prod asst
Ed prod asst
Prod secy
Receptionist
Asst to Mr. Simonds
Asst to Mr. Dugan
Asst to Mr. Ritter
Promotional coord
Unit pub
Addl casting
Assoc casting
Texas casting consultant
Extras casting coord
Asst extras casting
Asst extras casting
Transportation coord
Transportation capt
Driver
Driver
Driver
Utility
Utility
Utility
Animals supplied by
Animal coord
Animal handler
Tiger trainer
Circus rigging
Circus consultant
Prod asst
Prod asst
Prod asst
Prod asst
Prod asst
Prod asst
Prod asst
Prod asst
Prod asst
Dial coach
Studio teacher
Michael Oliver's sitter
First aid
Craft service
Police liaison
Scr supv, 2d unit
Transportation, 2d unit
Utility, 2d unit
Utility, 2d unit
Voice casting
STAND INS
Stunts
Stunts
Christine Baur
Stunts
Stunts
Stunts
Stunts
Stunts
Stunts
Stunts
Stunts
Stunts
Stunts
Stunts
Stunts
Stunts
Stunts
Stunts
Stunts
Stunts
Stunts
Stunts
Stunts
Stunts
Stunts
Stunts
Stunts
Stunts
Stunts
Stunts
Stunt coord
Circus stunt coord
COLOR PERSONNEL
Col timer
Col by
SOURCES
SONGS
"Problem Child" (End Title Song), written and produced by Terry Melcher, performed by The Beach Boys, single available on RCA Records, cassettes and CDs; "Bad To The Bone," written and performed by George Thorogood, courtesy of Capitol Records, by arrangement with CEMA Special Markets; "Real Wild Child," written by Johnny O'Keefe, Johnny Greenan, Dave Owens, performed by Iggy Pop, courtesy of A&M Records; "It's My Party," written by Herbert Weiner, John Gluck Jr., Wally Gold, performed by Leslie Gore, courtesy of PolyGram Special Projects, a division of PolyGram Records, Inc.; "Born To Be Wild," written by Mars Bonfire, performed by Steppenwolf, courtesy of MCA Records.
SONGWRITERS/COMPOSERS
+ −
DETAILS
Series:
Release Date:
27 July 1990
Premiere Information:
Los Angeles opening: 27 Jul 1990; New York opening: week of 28 Jul 1990
Production Date:
began 2 Oct 1989
Copyright Info
Claimant
Date
Copyright Number
Universal City Studios, Inc.
10 August 1990
PA479401
Physical Properties:
Sound
Dolby Stereo ® in Selected Theatres
Color
Lenses
Filmed with Panavision® cameras & lenses
Duration(in mins):
81
Length(in feet):
7,305
MPAA Rating:
PG
Country:
United States
Language:
English
PCA No:
30566
SYNOPSIS

A woman delivers an infant to a mansion, rings the doorbell, and hurries away. When the lady of the house picks up the baby boy, he urinates in her face. The maid leaves the basket at another house. Several years later, a woman drops the little boy off at another house. He poisons the cat and sucks a goldfish out of its tank with a vacuum cleaner. Abandoned at a trailer park, he becomes angry over a broken toy and demolishes his new home with a bulldozer. Taken to a Catholic orphanage called St. Brutus, the boy, now called “Junior,” devises booby traps for nuns. Meanwhile, in the town of Cold Water, a doctor informs Ben and Florence “Flo” Healy that she is infertile. Back at the orphanage, Junior continues wreaking havoc with the nuns and a priest. Watching “Bow-tie Killer” Martin Beck being recaptured on television after a prison break, he sympathizes with the criminal’s screams of being “misunderstood.” Junior takes a bow tie off a doll and wears it constantly, just like Martin Beck. Meanwhile, Ben Healy arrives at his job at Big Ben’s sporting goods store, owned by his father, “Big Ben” Healy, Sr. He observes a young boy and his father having a close rapport, and the father rhapsodizes to Ben that having a son “makes life worth living.” Ben is soon informed that his own father, Big Ben, is selling the store to the Hirohito Corporation and leaving him nothing, despite Ben’s ten years of working there without a raise or a promotion. Big Ben tells him, “Don’t trust anyone, especially your own father.” Making matters worse, neighbor Roy, who coaches a Little League ...

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A woman delivers an infant to a mansion, rings the doorbell, and hurries away. When the lady of the house picks up the baby boy, he urinates in her face. The maid leaves the basket at another house. Several years later, a woman drops the little boy off at another house. He poisons the cat and sucks a goldfish out of its tank with a vacuum cleaner. Abandoned at a trailer park, he becomes angry over a broken toy and demolishes his new home with a bulldozer. Taken to a Catholic orphanage called St. Brutus, the boy, now called “Junior,” devises booby traps for nuns. Meanwhile, in the town of Cold Water, a doctor informs Ben and Florence “Flo” Healy that she is infertile. Back at the orphanage, Junior continues wreaking havoc with the nuns and a priest. Watching “Bow-tie Killer” Martin Beck being recaptured on television after a prison break, he sympathizes with the criminal’s screams of being “misunderstood.” Junior takes a bow tie off a doll and wears it constantly, just like Martin Beck. Meanwhile, Ben Healy arrives at his job at Big Ben’s sporting goods store, owned by his father, “Big Ben” Healy, Sr. He observes a young boy and his father having a close rapport, and the father rhapsodizes to Ben that having a son “makes life worth living.” Ben is soon informed that his own father, Big Ben, is selling the store to the Hirohito Corporation and leaving him nothing, despite Ben’s ten years of working there without a raise or a promotion. Big Ben tells him, “Don’t trust anyone, especially your own father.” Making matters worse, neighbor Roy, who coaches a Little League baseball team that always beats the team Ben coaches, joyfully shows Ben a sonogram of his soon-to-be-born son. At St. Brutus, several nuns display Junior’s disturbing drawings of skeletons, monsters, and headless bodies to Mr. Peabody, the orphanage psychologist. When Mr. Peabody brings the boy into his office, Junior realizes that the only way to get out of the orphanage is to make the psychologist hate him as much as the nuns do, so he insults Mr. Peabody with profanity. In class, while other children craft letters to Great Britain’s Queen Elizabeth and South Africa’s Bishop Tutu, Junior writes to Martin Beck. He tells the convict he wears a bow tie just like him, and brags that he is “getting out” soon. Meanwhile, Ben Healy wishes for a boy of his own. He convinces Flo that a child would be a wonderful fashion accessory for her, as well as an entrée to all the children’s parties in their upscale neighborhood. When Ben and Flo visit St. Brutus, Mr. Peabody promises to accelerate the normal seven-year wait by providing them with a seven-year old boy named Junior. Flo accepts the arrangement because she can skip the diaper years and immediately attend neighborhood children's parties. The Healys pick up Junior at the orphanage, and the moment they leave, nuns lock the gates and celebrate. Arriving at his new home, Junior knocks everything off the living room mantel, then frightens Fluffball the cat and Polly the parrot. Ben and Flo invite Big Ben to the house for a surprise, but he is outraged that they have adopted a child who may be genetically inferior. When Junior sets his own bedroom on fire because he hates the clown decorations, Big Ben declares him a “bad seed,” prompting Junior to throw the cat at him, propelling the elder Healy down the stairs. As ambulance attendants wheel Big Ben out of the house, Junior steals his wallet. Meanwhile, during a psychiatric test, Martin Beck strangles Dr. Rupert Camarillo, puts on the doctor's clothes, and leaves the prison in his car. Late at night, Ben Healy finds Junior wandering around the house and serves him milk in the kitchen. When Junior laments that his new parents will soon want to get rid of him, good-hearted Ben swears that they will be together forever, because he is determined to be a good dad. The next day, neighbor Mrs. Henderson and little daughter, Lucy, visit. Lucy does not want Junior at her sixth birthday party, but after pressure from her mother, she grudgingly invites him. Ben takes Junior camping with Roy’s family. Angry at being ignored by Roy’s six children, Junior urinates on the campfire and uses a pork chop to lure a bear into camp. Ben thinks the bear is merely Roy in a costume, and changes his mind only after it throws him onto a tent. When Roy arrives moments later in a bear costume, Ben mistakes him for the real bear and knocks him unconscious with a skillet. On Saturday, Junior attends Lucy Henderson’s party wearing a devil costume. The other children reject Junior because “he’s not even a real kid, he’s adopted,” and Lucy refuses to let him watch her magic show. Ben placates Junior by giving him a petrified prune his own grandfather bequeathed him as a boy, and makes Junior promise he will take care of it as a symbol of the bond between them. Angry at Lucy, Junior bursts all the balloons, drags a lawn sprinkler into Lucy’s bedroom, and throws her birthday presents into the swimming pool. He also puts firecrackers in the birthday cake and drops a frog into the punch bowl. That night, Flo demands Ben punish the boy for ruining Lucy’s party, but when he goes to Junior’s bedroom, he merely tells him to contemplate his misdeeds. Meanwhile, Martin Beck heads for Cold River, where, on “Founder’s Day,” Big Ben Healy is being feted as a candidate for city mayor. Big Ben gives a speech at the baseball field, where Ben and Roy are coaching opposing teams. Ben puts Junior in uniform, despite the boy’s protests that he knows nothing about baseball. When he goes to bat, Junior swings at a pitch, loses his grip, and sends the bat flying into Big Ben’s windshield. As the boys on the other team chant insults, Junior gets a hit and carries the bat around the bases, knocking down opposing players as he runs to home base. Ben takes Junior to the local church to talk with the priest, but Junior hides in the priest’s side of the confession booth. Ben steps in to confess for his “problem” child and lament how everyone hates the boy. Junior listens, but when Ben wonders if he should return the boy to the orphanage, Junior says, “No, it’s the worst thing you can do.” However, Ben has already stepped out of the booth and does not hear Junior’s words. When Mr. Peabody admits to Ben and Flo that Junior was returned thirty times before they adopted him, Ben defends the boy and declares that they are going to love him even when he is bad. Outside, Junior steals Ben’s car, despite being unable to see over the steering wheel. With Ben hanging onto the hood, Junior crashes into Big Ben’s store. Later, Ben receives a telephone call informing him that his bank account has been emptied by Big Ben to pay for the damage. In shock from the accident and the loss of his money, Ben goes to Junior’s room holding a “Home Sweet Home” pillow to suffocate him, but suddenly Martin Beck arrives. Thinking he has found a like-minded pal, Beck is angry to discover that “J. R.” is a seven-year-old boy. Assuring the escaped killer that he is turning eight in two weeks, Junior introduces him to Ben and Flo as “Uncle Marty,” and Flo is excited that a relative has claimed the boy. She invites Beck to spend the night, feeds him, and raves about what a great boy Junior is. When Beck kisses her in the kitchen, Flo sexually succumbs. The next morning, Uncle Marty leaves a ransom note on the wall demanding $100,000 if Ben wants to see Flo and Junior alive again, but Ben is still too dazed from the accident to respond. Seeing Beck’s photograph in the morning paper under the headline “Bow Tie Killer Manhunt,” Ben is happy that Flo and Junior have gone. Meanwhile, in Beck’s car, Junior is unhappy that Beck dislikes him. Flo is tied up in the back seat, angry because she thought she and Beck were going on a sexual adventure. Beck stuffs her in a suitcase and puts her in the trunk. At home, as Ben throws Junior’s toys out the window, he sees a pleasing drawing of “Mr. Healy” and realizes his son actually likes him. He drives to the store, where Big Ben is preparing to make a television appearance. Ben asks for $100,000, but his dad tells him to get lost. Flipping on the television “feed,” Ben allows the TV audience to watch Big Ben brag about selling out to the Japanese and screwing the people of Cold Water. Ben drives home in time to receive Beck’s telephone call ordering him to bring money to the tiger cage at the circus. Ben steals Roy’s station wagon and confronts the killer. Junior kicks Beck in the groin, escapes, and runs into the circus tent. As he climbs among the trapeze artists, Beck follows, but Junior loosens a line and drops him to ground. Beck gets into his car and escapes, with Ben and Junior pursuing in Roy’s car. A bump sends the suitcase containing Flo onto the roof of Roy’s car. Using Roy’s rifle, Junior shoots out one of Beck’s tires, causing him to crash. As Ben rear-ends Martin Beck, the luggage flies off the roof and into the bed of a passing truck. Beck fires a gun at Ben and hits him. Thinking his dad is dead, Junior cries for Ben to wake up. He revives unharmed, because his father’s campaign button and the fossilized prune in his pocket stopped the bullet. The boy gets rid of his bow tie. As police haul Martin Beck away, Junior wonders why Ben loves him, but is willing to love him back. Meanwhile, in the back of a truck, Flo opens the suitcase and finds herself staring into the rear end of a flatulent pig.

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Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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