House Party 2
(1991)
R | 94 mins | Comedy | 23 October 1991
Directors:
Doug McHenry, George Jackson, Jeff LengyelWriters:
Rusty Cundieff, Daryl G. NickensProducers:
Doug McHenry, George JacksonCinematographer:
Francis KennyEditor:
Joel GoodmanProduction Designer:
Michelle MinchProduction Company:
Juno PixThe 20 Apr 1990 HR announced plans by New Line Cinema to make a sequel to its hit release, House Party (1990, see entry), which earned over $16 million in three weeks. Preproduction was underway by late 1991, as reported in the 2 Dec 1991 LAT. The “under $5-million” picture was to be the feature film debut of music-video director Paris Barclay. Brothers Warrington and Reginald Hudlin, who produced and directed House Party, were expected to serve as executive producers. However, Reginald Hudlin told the 6 Jan 1991 LAT that he and his brother would have no creative involvement in the production, as they never received a serious offer from New Line. Regardless, the brothers maintained a financial interest in the franchise.
A casting call notice appeared in the 31 Jan 1991 Hollywood Drama-Logue, seeking actors to play “Jamal,” a white college student with African-American mannerisms, and “Zora,” an “Afro-centric” feminist. According to the 2 Apr and 15 May 1991 HR, principal photography began 1 Apr 1991 and was completed 14 May 1991. Although Paris Barclay was credited in the earlier news item, producers Doug McHenry and George Jackson assumed directorial duties while filming was in progress.
The 22 Jul 1991 HR announced that New Line was considering a promotional partnership with the Burger King restaurant chain, pending a vote from franchisees. A decision was expected by late Aug 1991. New Line was also in negotiations with the United Negro College Fund and American Telephone and Telegraph (AT&T), for a promotional campaign targeting college campuses, ...
The 20 Apr 1990 HR announced plans by New Line Cinema to make a sequel to its hit release, House Party (1990, see entry), which earned over $16 million in three weeks. Preproduction was underway by late 1991, as reported in the 2 Dec 1991 LAT. The “under $5-million” picture was to be the feature film debut of music-video director Paris Barclay. Brothers Warrington and Reginald Hudlin, who produced and directed House Party, were expected to serve as executive producers. However, Reginald Hudlin told the 6 Jan 1991 LAT that he and his brother would have no creative involvement in the production, as they never received a serious offer from New Line. Regardless, the brothers maintained a financial interest in the franchise.
A casting call notice appeared in the 31 Jan 1991 Hollywood Drama-Logue, seeking actors to play “Jamal,” a white college student with African-American mannerisms, and “Zora,” an “Afro-centric” feminist. According to the 2 Apr and 15 May 1991 HR, principal photography began 1 Apr 1991 and was completed 14 May 1991. Although Paris Barclay was credited in the earlier news item, producers Doug McHenry and George Jackson assumed directorial duties while filming was in progress.
The 22 Jul 1991 HR announced that New Line was considering a promotional partnership with the Burger King restaurant chain, pending a vote from franchisees. A decision was expected by late Aug 1991. New Line was also in negotiations with the United Negro College Fund and American Telephone and Telegraph (AT&T), for a promotional campaign targeting college campuses, which would coincide with the film’s autumn release.
Mitch Goldman, president and chief operating officer of New Line Distribution, Inc., told the 26 Jul 1991 HR that a “wider” release was planned for House Party 2, based on the success of its predecessor. The company sought to open in larger venues to avoid turning away customers, and offered to fund additional security guards to help theaters maintain crowd control. New Line was also considering a Wednesday debut to reduce the possibility of large, unruly opening-day crowds.
House Party 2 premiered 21 Oct 1991 at the Cineplex Odeon in the Century City district of Los Angeles, CA, as reported in the 9 Oct 1991 DV.. Proceeds from the event, described as a “Pajama Jammie Jam,” benefited the Los Aneles Urban League and the Gary Hendler Minority Filmmaker’s Program at the American Film Institute. A reception was held at the Twenty/20 nightclub after the screening. The 25 Oct 1991 DV stated that the picture opened 23 Oct 1991 in 1,121 theaters, earning $742,565 in one day. House Party 2 marked the directorial debut of Doug McHenry and George Jackson. Despite lukewarm critical reviews, the 30 Oct 1991 HR credited the film’s $6 million opening week with increasing overall box-office receipts by three percent, following a thirteen-week decline.
The review in the 23 Oct 1991 HR cited the title as House Party 2: The Pajama Jam!
Credits include the following statement: "This film is dedicated to the loving memory of Robin Harris 'Pops'."
End credits include the following statements: "Special Thanks to Reginald and Warrington Hudlin"; "Special thanks to Dr. Betty Shabazz; Mattie and Exetta Harris; Joe Boxer Corp.; Adidas; Ford Showcase; Mark Siegal; Michael Harpster; Darryll Brooks & Carol Kirkendall."
The name of the band, Wreckx-n-Effect, was misspelled in end credits as "Wrecks 'n' Effect."
House Party II
Christopher Robinson, Jr., known as “Kid,” plans to attend college after his church awards him a full scholarship. “Play,” a record store manager and Kid’s musical partner, tries to discourage his friend’s educational ambitions, believing they have a bright future as rap artists. In a final effort to change Kid’s mind, Play introduces him to Sheila Landreaux, a talent scout who offers to finance the team’s demonstration recording. However, Kid declines, determined to earn his degree and satisfy his late father’s dying wish. He arrives at college later that day and meets his new roommate, Jamal, a white student obsessed with African American “hip-hop” culture. Kid’s girl friend, Sidney, also begins her college career, and shares a dormitory with Zora, a feminist who criticizes her blind devotion to Kid. Elsewhere on campus, an elderly woman named Mrs. Deevers finds employment as security guards for her three dull-witted grandsons. Meanwhile, Play convinces Sheila Landreaux of his potential as a solo act, prompting an aspiring disc jockey named Bilal to offer his services as accompanist. While registering for classes, Kid realizes he left his endorsed tuition check in Play’s car. Although Play promises to deliver the check, he loans the money to Sheila Landreaux after she claims her partner, Rick, gambled away their production funds. At the college, Kid is summoned to Dean Kramer’s office and given one more week to pay his tuition or face expulsion. When Play learns of his friend’s predicament, he tries to contact Sheila and discovers she is a fraud, known by numerous identities for swindling aspiring artists. Kid reluctantly approaches Sidney to ask for a loan from her wealthy parents. ...
Christopher Robinson, Jr., known as “Kid,” plans to attend college after his church awards him a full scholarship. “Play,” a record store manager and Kid’s musical partner, tries to discourage his friend’s educational ambitions, believing they have a bright future as rap artists. In a final effort to change Kid’s mind, Play introduces him to Sheila Landreaux, a talent scout who offers to finance the team’s demonstration recording. However, Kid declines, determined to earn his degree and satisfy his late father’s dying wish. He arrives at college later that day and meets his new roommate, Jamal, a white student obsessed with African American “hip-hop” culture. Kid’s girl friend, Sidney, also begins her college career, and shares a dormitory with Zora, a feminist who criticizes her blind devotion to Kid. Elsewhere on campus, an elderly woman named Mrs. Deevers finds employment as security guards for her three dull-witted grandsons. Meanwhile, Play convinces Sheila Landreaux of his potential as a solo act, prompting an aspiring disc jockey named Bilal to offer his services as accompanist. While registering for classes, Kid realizes he left his endorsed tuition check in Play’s car. Although Play promises to deliver the check, he loans the money to Sheila Landreaux after she claims her partner, Rick, gambled away their production funds. At the college, Kid is summoned to Dean Kramer’s office and given one more week to pay his tuition or face expulsion. When Play learns of his friend’s predicament, he tries to contact Sheila and discovers she is a fraud, known by numerous identities for swindling aspiring artists. Kid reluctantly approaches Sidney to ask for a loan from her wealthy parents. However, she assumes from Kid’s solemn tone that he wants to “see other people,” and ends their relationship. Dean Kramer’s young assistant, Miles, offers to arrange an extension on Kid’s deadline and takes the last of his money to secure the deal. Later, Kid exasperates Professor Sinclair, who teaches African American history, by consistently being late for class and failing to do his homework. The professor demands a twenty-page paper demonstrating Kid’s understanding of his reading assignments, or he will receive a failing grade. Hoping to earn tuition money, Kid finds employment in the faculty dining hall under the irascible Mr. Lee, while struggling to complete his class work. Meanwhile, Play concocts a plan to raise money for his friend by throwing a party, in which pajama-clad male students pay admission to the faculty dining hall to dance with young women in negligees. When Kid discovers that Miles has made no effort to extend his deadline, he agrees to the plan. At a political demonstration, Zora makes a speech that evolves into a rap routine, attracting the attention of Rick, who offers her a recording contract. Aware that Kid is facing expulsion, Miles uses the opportunity to make advances on Sidney. Although Sidney is flattered by the attention, Zora hints that Miles is not of good character. Word of the party spreads quickly through the campus, ensuring a large crowd. On the night of the party, Sidney dresses in emulation of Zora, who advises her to develop her own unique identity. When they arrive at the dining hall, Sidney witnesses an innocent embrace between Kid and another girl, which she mistakes for romance. Although Miles knows the truth, he pretends to agree with Sidney’s assumption, hoping to prevent the couple from reconciling. Rick also attends, accompanied by Sheila Landreaux, alias “Miriam Mobuto,” with plans to swindle Zora. The Deever boys learn about the unauthorized party and search the campus, intent on shutting it down. While performing a rap routine with Play, Kid notices Miles attempting to seduce Sidney and goes to her defense. As the Deever boys enter the party, Play exposes Sheila and Rick as swindlers. Zora punches Sheila unconscious and the Deevers pursue Rick. When Kid confronts Miles on the dining hall roof, his rival tumbles through the skylight into a large cake below. Dean Kramer enters and demands an explanation. After Play identifies Sheila, Rick, and Miles as swindlers, the dean commends the Deevers and fires Miles. He orders the partygoers to disperse and gives Kid one hour to restore the hall to its original state. Kid apologizes to his boss, Mr. Lee, and donates the proceeds from the party to cover repairs. By morning, Kid has reconciled with Sidney, but is despondent over having to leave school. Professor Sinclair is impressed with Kid’s paper and encourages him to continue his education when he is able. Play accepts responsibility for his friend’s plight and replaces the tuition money by selling his car. He now considers Kid an investment, and promises regular visits to monitor his friend’s progress.
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