Out for Justice (1991)

R | 91 mins | Drama | 12 April 1991

Full page view
HISTORY

The summary and note for this entry were completed with participation from the AFI Academic Network. Summary and note were written by participant Felipe Pruneda Sentíes, a student at University of Pittsburgh, with Lucy Fischer as academic advisor.

The film begins with the following written statement: “’While to the stranger’s eye one street was no different from another, we all knew where our ‘neighborhood’ somehow ended. Beyond that, a person was… a stranger.’ Arthur Miller, Playwright, raised in Brooklyn.”

       According to a 14 Oct 1990 LAT article, the working title of the film was The Price of Our Blood. Actor Steven Seagal told LAT that although Lance Hill wrote the script, he “completely” rewrote it. However, David Lee Henry was the only writer credited with the original screenplay in the film.
       18 Sep 1990 HR production charts announced that shooting for The Price of Our Blood was set to begin on 8 Oct 1990 in Los Angeles and New York. On 16 Oct 1990, HR production charts noted the film’s title was changed to The Night. According to a 9 Oct 1990 Var news item, The Night began principal photography on 9 Oct 1990.
       Critical reception was mixed and focused primarily on Seagal’s work in the lead role as “Gino Felino.” The 15 Apr 1991 DV review found in Seagal a “convincing action figure,” while Richard Harrington of the Washington Post on 17 Apr 1991 described Seagal’s performance as unintentionally “hilarious.” In her 13 Apr 1991 ...

More Less

The summary and note for this entry were completed with participation from the AFI Academic Network. Summary and note were written by participant Felipe Pruneda Sentíes, a student at University of Pittsburgh, with Lucy Fischer as academic advisor.

The film begins with the following written statement: “’While to the stranger’s eye one street was no different from another, we all knew where our ‘neighborhood’ somehow ended. Beyond that, a person was… a stranger.’ Arthur Miller, Playwright, raised in Brooklyn.”

       According to a 14 Oct 1990 LAT article, the working title of the film was The Price of Our Blood. Actor Steven Seagal told LAT that although Lance Hill wrote the script, he “completely” rewrote it. However, David Lee Henry was the only writer credited with the original screenplay in the film.
       18 Sep 1990 HR production charts announced that shooting for The Price of Our Blood was set to begin on 8 Oct 1990 in Los Angeles and New York. On 16 Oct 1990, HR production charts noted the film’s title was changed to The Night. According to a 9 Oct 1990 Var news item, The Night began principal photography on 9 Oct 1990.
       Critical reception was mixed and focused primarily on Seagal’s work in the lead role as “Gino Felino.” The 15 Apr 1991 DV review found in Seagal a “convincing action figure,” while Richard Harrington of the Washington Post on 17 Apr 1991 described Seagal’s performance as unintentionally “hilarious.” In her 13 Apr 1991 NYT review, Janet Maslin called Seagal’s “street-smart swagger and flair for wisecrack with a martial arts background and the pampered look of a Hollywood eminence” a “lively mix.”
       Out for Justice marked the feature film debut of actress Julianna Margulies.

Less

GEOGRAPHIC LOCATIONS
SOURCE CITATIONS
SOURCE
DATE
PAGE
Daily Variety
9 Oct 1990
---
Daily Variety
15 Apr 1991
p. 2, 15
Hollywood Reporter
18 Sep 1990
---
Hollywood Reporter
16 Oct 1990
---
Hollywood Reporter
15 Apr 1991
p. 8, 19
Los Angeles Times
14 Oct 1990
---
Los Angeles Times
16 Apr 1991
p. 5
New York Times
13 Apr 1991
p. 12
Variety
9 Oct 1990
---
Variety
22 Apr 1991
p. 50
WSJ
17 Apr 1991
Section C, p. 3
CAST
NAME
CREDITED AS
CREDIT
William Forsythe
[and]
Frankie's guys
Vittorio's men
+
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION COMPANY
PRODUCTION TEXT
A John Flynn Film
NAME
CREDITED AS
CREDIT
DIRECTORS
Unit prod mgr
Edwin C. Atkins
Unit prod mgr
1st asst dir
2d 2d asst dir
PRODUCERS
Exec prod
Assoc prod
WRITER
PHOTOGRAPHY
Dir of photog
Addl photog, Brooklyn, N.Y.
Cam op
Cam op, Brooklyn, N.Y.
1st asst cam
1st asst cam, Brooklyn, N.Y.
2d asst cam
2d asst cam, Brooklyn, N.Y.
2d asst cam, Brooklyn, N.Y.
2d asst cam, Brooklyn, N.Y.
Chief lighting tech
Asst chief lighting tech
Key grip
Key grip, Brooklyn, N.Y.
Best boy grip
Dolly grip
Dolly grip
Dolly grip, Brooklyn, N.Y.
Still photog
Still photog, Brooklyn, N.Y.
Gaffer, Brooklyn, N.Y.
2d elec, Brooklyn, N.Y.
Cranes and dollies by
ART DIRECTORS
Prod des
FILM EDITORS
Film ed
Film ed
Addl ed
1st asst ed
Negative cutter
SET DECORATORS
Set dec
Set dec
Set dec, Brooklyn, N.Y.
Set des
Lead person
Lead person
Set dresser
Prop master
Prop master, Brooklyn, N.Y.
Asst prop, Brooklyn, N.Y.
Const coord
Const coord, Brooklyn, N.Y.
Const foreman
COSTUMES
Cost des
Cost supv
Mr. Seagal's tailor
Asst ward, Brooklyn, N.Y.
Jill Anderson
Asst ward, Brooklyn, N.Y.
MUSIC
Mus rec and mixed
Mus rec and mixed
Orch rec
SOUND
Prod sd mixer
Sd mixer, Brooklyn, N.Y.
Boom op
Boom, Brooklyn, N.Y.
Supv sd ed
Sd ed
ADR ed
Rerec mixer
Rerec mixer
Rerec mixer
VISUAL EFFECTS
Spec eff coord
Spec eff
Spec eff
Spec eff
Steven Kirshoff
Spec eff, Brooklyn, N.Y.
Titles and opticals by
Main title des
MAKEUP
Hair & make-up supv
Make-up artist
Make up, Brooklyn, N.Y.
Hair stylist
Hair stylist, Brooklyn, N.Y.
PRODUCTION MISC
Casting
Casting
Extra casting NY, Brooklyn, N.Y.
Casting assoc, Brooklyn, N.Y.
Loc mgr
Loc mgr, Brooklyn, N.Y.
Loc coord, Brooklyn, N.Y.
Scr supv
DGA trainee
Prod office coord
Prod secy
Prod aide
Prod aide
Prod aide
Prod aide
Prod aide
Prod accountant
Asst accountant
Asst to Mr. Seagal
Asst to Mr. Kopelson
Asst to Mr. Macgregor-Scott
Asst to Mr. Nasso
Transportation coord
Transportation capt
Transportation capt, Brooklyn, N.Y.
Transportation co-capt, Brooklyn, N.Y.
Stunt mechanic
Animal handler
Mr. Seagal's gunsmith
Prod assoc, Brooklyn, N.Y.
Prod coord, Brooklyn, N.Y.
Tech adv, Brooklyn, N.Y.
COLOR PERSONNEL
Col timer
Col timer
SOURCES
SONGS
"Don't Stand in My Way," written by Steven Seagal, David Michael Frank and Todd Smallwood, produced by Steven Seagal and David Michael Frank, performed by Gregg Allman; "Shake the Firm," written and produced by Robert Jason and David Michael Frank, performed by Cool J.T.; "Bad Side of Town," written by David Michael Frank, Steven Seagal and Todd Smallwood, produced by David Michael Frank and Robert Jason, performed by Sherwood Ball; "When the Night Comes Down," written by Todd Smallwood and David Michael Frank, produced by David Michael Frank and Robert Jason, performed by Todd Smallwood; "Puerto Riqueño," written and produced by David Michael Frank and Robert Jason, performed by Michael Jimenez; "Dime Corazon," written and produced by David Michael Frank and Robert Jason, performed by Ali Olmo; "Temptation," written by Todd Smallwood and Tom Whitlock, produced by David Michael Frank and Robert Jason, performed by Teresa Belmont James; "Long Way Home," written by Todd Smallwood and David Michael Frank, produced by David Michael Frank and Robert Jason, performed by Louis Price, courtesy of Motown Record Company L.P. and West Grand Music; "The Bigger They Are (The Harder They Fall)," written and produced by Robert Jason and David Michael Frank, performed by Cool J.T.; "One Good Man," written and produced by Robert Jason and David Michael Frank, performed by Kymberli Armstrong; "No Sleep Till Brooklyn," written by Beastie Boys and Rick Rubin, performed by Beastie Boys, courtesy of Def Jam/Columbia Records, by arrangement with Sony Music Licensing.
SONGWRITERS/COMPOSERS
+
DETAILS
Release Date:
12 April 1991
Premiere Information:
Los Angeles opening: 12 Apr 1991; New York opening: week of 13 Apr 1991
Production Date:

Copyright Info
Claimant
Date
Copyright Number
Warner Brothers, Inc.
21 June 1991
PA526653
Physical Properties:
Sound
Dolby Stereo ® in Selected Theatres
Color
Technicolor®
Widescreen/ratio
2.35: 1
Lenses/Prints
Filmed with Panavision® cameras and lenses; prints by Technicolor®
Duration(in mins):
91
MPAA Rating:
R
Country:
United States
Language:
English
PCA No:
31043
SYNOPSIS

On the streets of Brooklyn, New York, police detective Gino Felino and his partner, Bobby Lupo, stake out prostitutes, but when they see a pimp beating a young lady, they run to her rescue with a team of undercover officers. Elsewhere in Brooklyn, mobster Richie Madano promises to give his gang the cash in his vault if they follow his orders. Later, Richie shoots Lupo dead in front of his wife, Laurie, and their two children and leaves a Polaroid photograph on the policeman’s chest. At his apartment, Gino prepares for a game of catch with his son, Tony, when he receives a phone call from police headquarters, informing him of Lupo’s killing. Gino calls his estranged wife, Vicky, and arranges for her to take care of Tony. She meets Gino at the crime scene and comforts Laurie while police captain Ronny Donziger tells Gino witnesses identified Richie as the killer. Donziger says Richie reportedly left an object on Lupo’s body, but it was not discovered. Despite Vicky’s protests, Gino decides to avenge the death of his best friend and asks Donziger for a rifle. Before leaving, Gino tells Vicky that she does not understand the code of revenge in their neighborhood and promises to be at their divorce hearing. Meanwhile, a member of the Italian mafia and Gino’s childhood friend, Frankie, learns about the murder and orders his men to procure Richie before the police track him down. When Gino meets with mob boss Don Vittorio, he learns that Richie is not a member of the Vittorio’s clan. Although Vittorio argues that the mafia should execute Richie, ...

More Less

On the streets of Brooklyn, New York, police detective Gino Felino and his partner, Bobby Lupo, stake out prostitutes, but when they see a pimp beating a young lady, they run to her rescue with a team of undercover officers. Elsewhere in Brooklyn, mobster Richie Madano promises to give his gang the cash in his vault if they follow his orders. Later, Richie shoots Lupo dead in front of his wife, Laurie, and their two children and leaves a Polaroid photograph on the policeman’s chest. At his apartment, Gino prepares for a game of catch with his son, Tony, when he receives a phone call from police headquarters, informing him of Lupo’s killing. Gino calls his estranged wife, Vicky, and arranges for her to take care of Tony. She meets Gino at the crime scene and comforts Laurie while police captain Ronny Donziger tells Gino witnesses identified Richie as the killer. Donziger says Richie reportedly left an object on Lupo’s body, but it was not discovered. Despite Vicky’s protests, Gino decides to avenge the death of his best friend and asks Donziger for a rifle. Before leaving, Gino tells Vicky that she does not understand the code of revenge in their neighborhood and promises to be at their divorce hearing. Meanwhile, a member of the Italian mafia and Gino’s childhood friend, Frankie, learns about the murder and orders his men to procure Richie before the police track him down. When Gino meets with mob boss Don Vittorio, he learns that Richie is not a member of the Vittorio’s clan. Although Vittorio argues that the mafia should execute Richie, Gino is undeterred from his mission. Reporting back to Donziger, Gino sees the driver in front of him dump a puppy onto the street in a garbage bag and nearly hits it with his car. Holding the dog in his arms, Gino prays that he will one day make the offender pay for his crime. Gino drives through crime-ridden Brooklyn with the puppy in search of Richie and enlists the aid of Picalino, a boy who sells soda on a street corner. Eventually, Gino finds Richie recruiting more supporters, but the gangster and his henchmen climb into their car and speed away. Although Gino gives chase, his car is blocked by a truck and Richie and his men stop at a butcher shop for ammunition. As they run away, they order the merchants to attack Gino, but the policeman overcomes them. That night, Gino buys food for his puppy and runs into Frankie, who claims there is little difference between police officers and gangsters. Frankie and his men then go to a bar owned by Richie’s brother, Vinnie, and threaten him to obtain information about the murder, but Vinnie claims ignorance. Meanwhile, Gino visits Richie’s parents, and Mrs. Madano begs him not to kill their son. When Gino asks where Richie is, Mr. Madano says he knows nothing and Gino warns that Richie will not survive unless he turns himself in. Elsewhere, Richie and his gang barge into the home of a former prostitute, Rica, and her sister Elena, looking for sex. Although Rica objects, she is intimidated by Richie and follows him into the bedroom. Back at Vinnie’s bar, Gino tries to threaten patrons for information about Richie, but nobody responds because he is a police officer. After knocking out the bartender, Gino shoots his gun into the ceiling and orders the bar patrons to gather together. When Vinnie questions Gino’s resolve, Gino drops the cartridge from his gun and challenges the patrons to come after him for the trophy of his police badge. He beats his attackers, breaks Vinnie’s nose and announces he will return. Meanwhile, the police raid Vittorio’s strip clubs in search of Richie and the mob boss becomes increasingly eager to capture him. At a restaurant, Vittorio appeals to Gino, but Gino vows that he is not sympathetic to the mafia. Elsewhere, at an illicit auto mechanic shop, Richie obtains a police radio while Gino visits a nightclub owned by Richie’s sister, Patti. As Gino waits for Patti, the waitress leaves a napkin on the table with the name “Roxanne” written on it. Although Gino threatens Patti with prison time for her unlicensed gun, she denies having information about Lupo’s murder, and he arrests her. Back at the police station, Gino breaks the lock on Lupo’s desk to find cocaine and pornographic Polaroid photographs of Lupo and a lover. When Mr. Madano comes to the police station, he confesses to Gino that his son is a menace and he wants the suffering to end. Later, Gino interrogates Patti about Lupo’s pictures, but, fearing for her life, Patti refuses and Gino arranges for her and Mr. Madano to spend the night in police custody. Later, Gino receives a radio dispatch summoning him home as Richie listens from his car. When Gino returns to his apartment and tells Vicky about his childhood, they kiss and agree to reconcile, but Richie’s henchmen arrive and a gunfight ensues. After killing the attackers, Gino leaves his family under police protection and returns to Patti’s club. When the waitress identifies Roxanne from Lupo’s Polaroid, Gino finds her address in Patti’s Rolodex. Meanwhile, Richie arrives at Vinnie’s bar. After beating his brother for failing to fend off investigators, Richie and his henchmen kill a gang of Vittorio’s men. At Roxanne’s apartment, Gino finds two Polaroids on her murdered body. When Donziger arrives, Gino shows him the photographs and reports that Lupo was having an affair with both Terry, the waitress, and Roxanne. Gino visits Laurie and finds the Polaroid that Richie left on Lupo’s body in her purse. Gino concludes that Laurie sent the photograph to Richie in a fit of jealousy, but she insists that she did not mean to have him killed. Back in his car, Gino receives a call from Picalino, who reports that Richie is at Rica’s apartment. Sneaking inside, Gino finds Richie’s men partying with drugs and women. After Gino shoots several henchmen dead and blows the leg off of another, he looks for Richie in Rica’s bedroom. She indicates that Richie is hiding in the bathroom and the men exchange gunfire through a thin wall. Richie steps forward with his gun to his head, pulling the trigger to prove he is out of ammunition, and challenges Gino to arrest him. Instead, Gino drops the cartridge from his own gun. The men fight, but Richie is no match for Gino and after Richie goes after him with a corkscrew, Gino uses it to pierce his adversary’s forehead. When Frankie arrives, Gino takes the mobster’s gun and fires twice into Richie’s dead body. He tells Frankie to take credit for the hit. Sometime later, Gino and Vicky walk on the boardwalk with their puppy and Gino sees the man who threw the dog onto the street. Gino kicks the offender in the testicles and, as he falls to the ground, the puppy urinates on his face and the couple walks away arm in arm.

Less

Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

TOP SEARCHES

Gone with the Wind

[Note from the Editors : the following information is based on contemporary news items, feature articles, reviews, interviews, memoranda and corporate records. Information obtained from modern sources is ... >>

Mr. Smith Goes to Washington

According to HR news items, "The Gentleman from Montana" (an unpublished story by Lewis R. Foster, alternately called "The Gentleman from Wyoming" by both contemporary and modern ... >>

It's a Wonderful Life

Philip Van Doren Stern's story, which, according to many contemporary and modern sources, was originally written in Nov 1939, was enclosed by him in his 1943 Christmas cards. Although ... >>

The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.