Showdown in Little Tokyo (1991)

R | 78 mins | Drama | 23 August 1991

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HISTORY

The 13 Oct 1990 Screen International reported that actor Brandon Lee, son of the late actor-martial artist Bruce Lee, would make his U.S. feature film debut in Showdown in Little Tokyo, to begin production later in the year. Principal photography was postponed until Jan 1991, as noted in the 7 Mar 1991 DV.
       According to production notes in AMPAS library files, the costumes and tattoos worn by the “yakuza” characters were carefully researched for authenticity. Reel Creations, Inc., applied eleven removable full-body tattoos, making it the “the largest and most demanding tattoo job for a single film” at the time. The most elaborate tattoo was designed for the character “Yoshida,” played by actor Cary-Hiroyuki Tagawa, and required the work of six artists over a seven-hour period. The tattoo outlines were printed on paper and transferred directly to the skin, then colored by hand. Designer Patrick Tatopoulos explained that each tattoo was unique, and symbolized the individual personality traits of the characters.
       The first day of principal photography took place at the oldest sushi bar in Los Angeles, CA, a designated historic landmark, located on First Street in the city’s “Little Tokyo” district. Other locations included the Japanese-American museum, which provided the entrance for the “Bonsai Club”; the Mayan Club; the former Stroh’s Brewery, which provided the bathhouse set, along with several other interiors; and Franklin Canyon in Hollywood, CA. The 26 Feb 1991 Long Beach Press-Telegram reported that Little Tokyo was recreated in the city’s business district, on Broadway between the Promenade and Long Beach Boulevard. The producers originally planned to film ...

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The 13 Oct 1990 Screen International reported that actor Brandon Lee, son of the late actor-martial artist Bruce Lee, would make his U.S. feature film debut in Showdown in Little Tokyo, to begin production later in the year. Principal photography was postponed until Jan 1991, as noted in the 7 Mar 1991 DV.
       According to production notes in AMPAS library files, the costumes and tattoos worn by the “yakuza” characters were carefully researched for authenticity. Reel Creations, Inc., applied eleven removable full-body tattoos, making it the “the largest and most demanding tattoo job for a single film” at the time. The most elaborate tattoo was designed for the character “Yoshida,” played by actor Cary-Hiroyuki Tagawa, and required the work of six artists over a seven-hour period. The tattoo outlines were printed on paper and transferred directly to the skin, then colored by hand. Designer Patrick Tatopoulos explained that each tattoo was unique, and symbolized the individual personality traits of the characters.
       The first day of principal photography took place at the oldest sushi bar in Los Angeles, CA, a designated historic landmark, located on First Street in the city’s “Little Tokyo” district. Other locations included the Japanese-American museum, which provided the entrance for the “Bonsai Club”; the Mayan Club; the former Stroh’s Brewery, which provided the bathhouse set, along with several other interiors; and Franklin Canyon in Hollywood, CA. The 26 Feb 1991 Long Beach Press-Telegram reported that Little Tokyo was recreated in the city’s business district, on Broadway between the Promenade and Long Beach Boulevard. The producers originally planned to film in Little Tokyo, but were discouraged when business owners demanded payment for having their buildings appear on camera. An Oct 1991 release was expected. The 30 Mar 1991 Long Beach Press-Telegram noted that at least one business, Terry’s Cameras on Broadway, chose to keep the neon signage left on his storefront by the film crew, even though it was emblazoned with Japanese characters. Principal photography was completed 7 Mar 1991, as stated that day by DV.
       The 24 Jul 1991 DV reported that the film’s production company allegedly interrogated several employees regarding efforts by the International Alliance of Theatrical Stage Employees (IATSE) to organize the crew. Seventeen crewmembers staged a 26 Feb 1991 strike, hoping to force the production company to recognize the IATSE as their “collective bargaining agent.” The strike lasted one week, after which the employees agreed to return to work unconditionally, but were allegedly refused reinstatement. The National Labor Relations Board (NLRB) investigated the allegations and charged Little Tokyo Productions with “unfair labor practices.” Following a hearing on 11 Jul 1991, a settlement was reached in which the company would pay $5,000 in back wages to eleven of the striking crewmembers, notify all employees that they would not be interrogated regarding union activity in the workplace, and would not be refused reinstatement after a strike. The production company complied, admitting no wrongdoing.
       According to a full-page advertisement in the 18 Aug 1991 LAT, Showdown in Little Tokyo made its Los Angeles debut on 23 Aug 1991. Reviews were mixed.
       As reported in the 1 Apr 1993 LAT, Brandon Lee died 31 Mar 1993 following a special-effects accident on the set of his final film, The Crow (1994, see entry).
       End credits include the following statement: "Very special thanks to Asian Task Force, City of Los Angeles."

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GEOGRAPHIC LOCATIONS
SOURCE CITATIONS
SOURCE
DATE
PAGE
Daily Variety
7 Mar 1991
---
Daily Variety
24 Jul 1991
---
Hollywood Reporter
26 Aug 1991
p. 11, 21
Hollywood Reporter
7 Apr 1992
---
Long Beach Press-Telegram
26 Feb 1991
Section B, pp. 1-2
Long Beach Press-Telegram
30 Mar 1991
---
Los Angeles Times
18 Aug 1991
p. 17
Los Angeles Times
26 Aug 1991
p. 7
Los Angeles Times
1 Apr 1993
---
New York Times
22 Sep 1991
p. 58
Screen International
13 Oct 1990
---
Variety
2 Sep 1991
p. 66
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION TEXTS
BRAND NAMES
Warner Bros. presents
A Mark L. Lester/Martin E. Caan production
A Mark L. Lester film
Distributed by Warner Bros.
A Time Warner Company
NAME
CREDITED AS
CREDIT
DIRECTORS
2d unit dir
Unit prod mgr
1st asst dir
2d asst dir
DGA trainee
PRODUCERS
PHOTOGRAPHY
Dir of photog
1st asst cam
1st asst cam
2d asst cam
Cam op
Cam op
Video playback
Chief lighting tech
Best boy elec
Key grip
Best boy grip
Dolly grip
Still photog
ART DIRECTORS
Prod des
Art dir
Story board artist
FILM EDITORS
Film ed
Film ed
1st asst ed
Asst ed
Apprentice ed
Negative cutter
SET DECORATORS
Set dec
Linda Brown
Asst dec
Leadman
Set dresser
Prop master
Asst props
Const coord
Const foreman
Scenic painter
Scenic painter
Stand-by painter
Sign writer
COSTUMES
Cost des
Costumer
MUSIC
SOUND
Prod sd mixer
Boom op
Supv sd ed
Dial ed
ADR ed
Sd eff ed
Sd eff ed
Sd eff ed
Sd eff ed
Sd eff ed
Foley ed
Foley ed
Foley ed
Foley artist
Foley artist
Foley artist
Mary Rogers
Foley artist
Asst sd ed
Asst sd ed
Asst sd ed
Asst sd ed
Asst sd ed
Walter Goss
Rerec mixer
Rerec mixer
Rerec mixer
Completion bond company
VISUAL EFFECTS
Spec eff coord
Titles and opticals
Main title des
MAKEUP
Key makeup
Fred Blau
Tattoo process by
Tattoo process by
Tattoos des by
Head tattoo artist
Prosthetics makeup des by
Key prosthetics makeup artist
PRODUCTION MISC
Prod supv
Casting coord
Fitness and physique trainer to Mr. Lundgren
Karate trainer to Mr. Lundgren
Loc capt
Loc mgr
Scr supv
Prod coord
Asst prod coord
Asst to Mr. Lester
Asst to Mr. Lundgren
Prod aide
Prod aide
Prod aide
Prod aide
Prod aide
Prod aide
Prod aide
Prod auditor
Prod auditor
Post prod auditor
Post prod auditor
Extras casting
Transportation coord
Transportation capt
Catering
Craft services
Craft services
Pub and promotion services
Completion bond company
STAND INS
Stunt coord
Stunts
Stunts
Stunts
Stunts
Stunts
Stunts
Stunts
Stunts
Stunts
Stunts
Stunts
Stunts
Stunts
Stunts
Stunts
Stunts
Stunts
Stunts
Stunts
Stunts
Stunts
Stunts
Stunts
Stunts
Stunts
Stunts
Stunts
Stunts
Stunts
Stunts
Stunts
Stunts
Stunts
Stunts
Stunts
Stunts
Stunts
Stunts
Stunts
Stunts
Stunts
Stunts
Fight coord
Asst martial arts choreog
COLOR PERSONNEL
Ray Martin
Col timer
Col by
SOURCES
SONGS
“Slow Hand,” written by John Bettis and Michael Clark; “Round And Round,” written and produced by Kris Kurry, performed by K. K. Wilde, courtesy of Platinum Records, Inc.; “The Woman In Me,” written and produced by Walter “Kandor” Kahn, performed by Natalie, courtesy of Sunshine Entertainment and Scully Music Co.; “Boys Night Out,” written by Kris Kurry and Eddie Wilde, produced by Kris Kurry, performed by K. K. Wilde, courtesy of Platinum Records, Inc.
PERFORMED BY
SONGWRITERS/COMPOSERS
+ −
DETAILS
Release Date:
23 August 1991
Premiere Information:
Los Angeles opening: 23 Aug 1991; New York opening: 20 Sep 1991
Production Date:
Jan--7 Mar 1991
Copyright Info
Claimant
Date
Copyright Number
Warner Brothers, Inc.
30 March 1992
PA562616
Physical Properties:
Sound
Dolby Stereo ® in Selected Theatres
Color
Duration(in mins):
78
MPAA Rating:
R
Country:
United States
Language:
English
PCA No:
31312
SYNOPSIS

In the Little Tokyo district of Los Angeles, California, police detective Chris Kenner disrupts an illegal kickboxing match at the Bonsai Club. Tanaka, the club owner, orders the boxers to attack Chris, who handily defeats them. Thugs draw their weapons and a gunfight ensues. After dispatching numerous yakuza, Chris follows the leaders outside and leaps over their moving car as they try to run him over. In the morning, Chris’s breakfast is interrupted as yakuza try to extort money from restaurateur Mama Yamaguchi. Chris defeats the thugs with his martial artistry and leaves the restaurant in shambles. Detective Johnny Murata arrives on the scene and assumes Chris is a criminal. Their martial arts battle is cut short by yakuza gunfire, and as they take cover, Johnny realizes that Chris is his new partner. The detectives take a suspect into custody, but he is unresponsive to their questioning. However, Chris recognizes the elaborate tattoos covering the man’s upper body, and recalls his own parents’ murder by a member of the yakuza. The gangster reveals his affiliation with a group known as the “Iron Claw,” then commits suicide by breaking his own neck. At a scrap metal yard, Yoshida, leader of the Iron Claw, watches as a compactor crushes Tanaka inside his car, ignoring the club owner’s cries for mercy. Yoshida assumes control of the Bonsai Club through his company, the Red Dragon Brewery, and invites the employees to a celebration that evening. At the party, Minako, the club’s featured singer, scolds her coworker, Angel, for smoking crack cocaine. However, Angel needs the drug to overcome her ...

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In the Little Tokyo district of Los Angeles, California, police detective Chris Kenner disrupts an illegal kickboxing match at the Bonsai Club. Tanaka, the club owner, orders the boxers to attack Chris, who handily defeats them. Thugs draw their weapons and a gunfight ensues. After dispatching numerous yakuza, Chris follows the leaders outside and leaps over their moving car as they try to run him over. In the morning, Chris’s breakfast is interrupted as yakuza try to extort money from restaurateur Mama Yamaguchi. Chris defeats the thugs with his martial artistry and leaves the restaurant in shambles. Detective Johnny Murata arrives on the scene and assumes Chris is a criminal. Their martial arts battle is cut short by yakuza gunfire, and as they take cover, Johnny realizes that Chris is his new partner. The detectives take a suspect into custody, but he is unresponsive to their questioning. However, Chris recognizes the elaborate tattoos covering the man’s upper body, and recalls his own parents’ murder by a member of the yakuza. The gangster reveals his affiliation with a group known as the “Iron Claw,” then commits suicide by breaking his own neck. At a scrap metal yard, Yoshida, leader of the Iron Claw, watches as a compactor crushes Tanaka inside his car, ignoring the club owner’s cries for mercy. Yoshida assumes control of the Bonsai Club through his company, the Red Dragon Brewery, and invites the employees to a celebration that evening. At the party, Minako, the club’s featured singer, scolds her coworker, Angel, for smoking crack cocaine. However, Angel needs the drug to overcome her terror, as Yoshida’s lieutenant, Sato, and his henchmen approach. Sato takes Angel to Yoshida, who is aware of her close alliance with Tanaka. A video camera documents the meeting, during which Yoshida gives Angel a pipe filled with methamphetamine, then cuts off her head with a samurai sword. In the morning, coroner Nonnie Russell describes the beheading to Chris and Johnny, noting that Angel would have died either way, as she had ingested a deadly form of methamphetamine called “ice,” only available in Japan. Later, Chris is surprised when Johnny, a Japanese American, admits his ignorance of Japanese culture, despite his knowledge of martial arts. Chris, however, lived in Japan as a child and knows the language as well as the customs. The detectives force their way into the Bonsai Club and question Minako about Angel’s disappearance. Unaware of her friend’s murder, Minako offers little information. Yoshida’s men take Chris and Johnny to Yoshida, whom Chris recognizes as the man who killed his parents. Chris informs the gangsters that witnesses saw him and Johnny enter the club, and Yoshida allows them to leave. Afterward, when Chris explains his need to avenge his parents, Johnny offers assistance, provided Chris follow police procedures. They arrive at the Red Dragon brewery, where Yoshida is recruiting street gangs and outlaw motorcycle clubs to distribute “ice.” When an outlaw biker disputes Yoshida’s terms, the yakuza boss cuts off the man’s hand, inducing the others to comply. Later, Yoshida molests Minako and imprisons her in his mansion. Chris and Johnny spy on the mansion from a hilltop and discover Minako attempting to commit suicide. They come to her rescue, killing several guards along the way, and escape in Sato’s car. Outraged by the incident, Yoshida demands Chris’s head. After Minako is safely ensconced in Chris’s loft apartment, the detectives follow Yoshida and his henchmen to a bathhouse, intent on arresting him for murder and drug trafficking. The henchmen fight Chris and Johnny, allowing Yoshida to escape. Chris brings Minako and Johnny to his Japanese-style home, and after relaxing in the hot tub, Chris and Minako make love. Later that night, Iron Claw members invade the house and abduct the three occupants. Yoshida’s henchman, Hagata, subjects the detectives to electric shocks, until Chris breaks free and electrocutes his torturer. However, when he and Johnny try to escape, a forklift places their car in a grinding machine. The detectives survive the ordeal, but are presumed dead by the yakuza. Sometime later, Yoshida addresses his gangland distributors, saying “ice” is ready for shipment. Outside, Chris and Johnny commandeer a brewery truck and crash through the warehouse doors. Unwilling to endanger themselves, the street gangs abandon Yoshida, and a gunfight ensues, resulting in many dead Iron Claw members. While Yoshida escapes, using Minako as human shield, Johnny throws Sato into a vat of grain alcohol, followed by a lit cigarette lighter. The detective runs to safety as the exploding vat triggers a chain reaction. After rescuing Minako, Chris chases Yoshida through the streets during a Japanese-themed parade. Acquiring weapons from a pair of mock samurai horsemen, Chris and Yoshida engage in a sword fight in front of the astonished crowd. Chris impales Yoshida, then pins his body to a rotating wheel powered by fireworks. Yoshida screams as the wheel reaches its maximum speed before exploding. Minako and Chris embrace, while the crowd bows in admiration. Johnny and Chris find humor in having to report the incident, as the crime scene has been destroyed and all of the suspects are dead.

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Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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