Far and Away
(1992)
PG-13 | 140 mins | Adventure, Romance | 22 May 1992
Cast:
Tom Cruise, Nicole Kidman, Thomas Gibson [ More ]Director:
Ron HowardWriters:
Bob Dolman, Ron HowardProducers:
Brian Grazer, Ron HowardCinematographer:
Mikael SalomonEditors:
Michael Hill, Daniel HanleyProduction Designers:
Allan Cameron, Jack T. CollisProduction Company:
Imagine FilmsThe film opens with the following title card: “Western Ireland 1892. The tenant farmers, after generations of oppression and poverty, have begun to rebel against the unfair rents and cruel evictions imposed upon them by their wealthy landlords.”
Developed over the course of eight years, Far and Away went through several title changes. As noted in 24 Jun 1991 and 12 Aug 1991 Var briefs, working titles included: Untitled Ron Howard Project, An Irish Story, Fires Within, and Distant Shores, a title filmmakers were unable to clear with MGM/Pathé, which had a similarly titled project.
A 9 Mar 1990 DV article announced that Ron Howard would direct the film, based on a story he co-wrote with Bob Dolman. According to a 17 May 1992 LAT article, Howard’s inspiration came from an early childhood trip to Ireland, and his great-grandfather Ralph’s involvement in an 1893 Oklahoma land run.
Nicole Kidman and Emily Lloyd were named as frontrunners for the role of “Shannon Christie,” in the Jul 1991 issue of Los Angeles magazine. Tom Cruise, who was already cast as “Joseph Donnelly,” reportedly lobbied for Nicole Kidman, with whom he had worked on Days of Thunder (1990, see entry). However, according to Ron Howard, Cruise did not reveal he was also dating Nicole Kidman at the time. After Kidman was cast, and while the film was in pre-production, she and Cruise were married on 24 Dec 1990, as reported in the 28 Dec 1990 NYT.
Various sources, including items in the 1 Jun 1992 ...
The film opens with the following title card: “Western Ireland 1892. The tenant farmers, after generations of oppression and poverty, have begun to rebel against the unfair rents and cruel evictions imposed upon them by their wealthy landlords.”
Developed over the course of eight years, Far and Away went through several title changes. As noted in 24 Jun 1991 and 12 Aug 1991 Var briefs, working titles included: Untitled Ron Howard Project, An Irish Story, Fires Within, and Distant Shores, a title filmmakers were unable to clear with MGM/Pathé, which had a similarly titled project.
A 9 Mar 1990 DV article announced that Ron Howard would direct the film, based on a story he co-wrote with Bob Dolman. According to a 17 May 1992 LAT article, Howard’s inspiration came from an early childhood trip to Ireland, and his great-grandfather Ralph’s involvement in an 1893 Oklahoma land run.
Nicole Kidman and Emily Lloyd were named as frontrunners for the role of “Shannon Christie,” in the Jul 1991 issue of Los Angeles magazine. Tom Cruise, who was already cast as “Joseph Donnelly,” reportedly lobbied for Nicole Kidman, with whom he had worked on Days of Thunder (1990, see entry). However, according to Ron Howard, Cruise did not reveal he was also dating Nicole Kidman at the time. After Kidman was cast, and while the film was in pre-production, she and Cruise were married on 24 Dec 1990, as reported in the 28 Dec 1990 NYT.
Various sources, including items in the 1 Jun 1992 and 4 Jan 1993 LAT, cited production costs of $57-$62 million. Tom Cruise reportedly received a salary of $12 million, and, according to a 1 Apr 1991 HR item, the actor’s contract stipulated the film be shot in 65mm film.
Production notes in AMPAS library files and the 4 Jun 1991 HR production chart listed the start of principal photography as 28 May 1991. Billings, MT, stood in for Oklahoma, where land rush sequences were shot in early Jul 1991 on a 12,000-acre ranch, and entailed the use of 400 horses, 800 extras, 200 wagons, nine cameras, and a helicopter. On 6 Aug 1991, production moved from Montana to Ardmore Studios outside Dublin, Ireland. Location filming in Ireland took place at the Kilruddy Estate, built by the 2nd Earl of Meath in 1651, which stood in for the home of “Daniel Christie,” and in a section of Dublin’s Temple Bar district, which was dressed to look like 1890s Boston, MA.
Far and Away was the first feature film to be shot in Super Panavision 70 since 1982’s Tron (see entry). A 1 Apr 1991 HR brief stated that Crest Film & TV Lab had “recently installed the first commercial 65mm-70mm ‘Telecine’ system,” and, with Far and Away, would be the first laboratory ever to transfer 65mm film negative to video.
Early in production, as reported in an issue of Spy magazine, Tom Cruise was allegedly dissatisfied with the sound of his voice and requested that filmmakers purchase a $100,000 “electronic voice-enhancer” recommended by his friends in the Church of Scientology. However, Ron Howard was quoted in the 17 May 1992 LAT as saying that Cruise had never been unhappy with the sound of his voice, but wanted to use the “double-miking system” because he was an audiophile. Howard confirmed that Cruise paid for the equipment.
The film opened to tepid reviews. A 1 Jun 1992 LAT article reported disappointing box-office returns of $23 million after ten days in release, and noted the picture was Universal’s “costliest” since 1990’s Havana (see entry). Although the 4 Jan 1993 LAT cited a cumulative domestic gross of $58 million, the film was said to be doing “respectable business” overseas. According to a 13 Oct 1992 DV advertisement, Far and Away had earned $112,907,856 worldwide, and was still in release.
Two lawsuits arose from accidents on set. As noted in a 14 Jun 1992 LAT article, after being thrown over his horse-drawn wagon, Dick Cox sued filmmakers for purposely provoking a stampede during the land rush sequence filmed in Montana. Cox claimed that participants on horseback were not warned that a cannon would be fired (to replicate the start of the real-life Cherokee Strip Land Run), which spooked the horses, as did a helicopter flying overhead. An unnamed crewmember defended Howard, stating that the director was “overly concerned that anybody get hurt,” but acknowledged that four people were injured and one horse died during filming. The second lawsuit was brought by Spacecam, an aerial photography company, which sought punitive damages after a helicopter accident resulted in the loss of $1 million in equipment. Camera operator Ronald Goodman also endured injuries and hypothermia. Spacecam accused Imagine Entertainment of sending the helicopter out in bad weather, and causing Spacecam financial burden by not paying a $3,100 per day rental fee in the interim before the lost equipment was replaced. The outcome of both lawsuits could not be determined as of the writing of this Note.
End credits include the following acknowledgements: “Grateful appreciation to: State of Montana; People of Billings, Montana; Montana Film Commissioner, Lonnie Stimac; Burlington Northern Railroad; State of Oklahoma; Montana Rail Link; Dermot King; Joe Brown; St. Vincents Hospital, Billings, Montana; Montana State University Interns; Montana Highway Patrol; The People of Ireland; Waterford Crystal; Guinness Ireland Limited; Temple Bar Properties Limited; Dublin Corporation; Kerry County Council; Allied Irish Bank; Bank of Ireland Private Banking; Prestbury Security; Fungi the Dingle Dolphin.”
Distant Shores
Fires Within
Untitled Ron Howard Project
In 1892 Western Ireland, Joseph Donnelly and his brothers work as tenant farmers on land owned by the wealthy Daniel Christie. When Joseph’s father, Joe Donnelly, is hurt during a peasant uprising, he appears to die, but, in a miraculous turn, comes back to life as Joseph hovers over him. Joe urges his son to follow his ambitions, says that land is a man’s soul, then dies again. On the way to his father’s burial, Joseph is harassed over unpaid rent by Daniel Christie’s enforcer, Stephen Chase, who burns the Donnellys’ house down. Vowing revenge, Joseph takes a gun and rides his donkey to a pub frequented by Daniel Christie. When a well-dressed man arrives, Joseph finds him affable at first, until he realizes the man is Daniel Christie. He follows Christie home, but cannot bring himself to shoot. After spending the night in Christie’s stable, Joseph is discovered by Shannon, Christie’s beautiful daughter, who spears the intruder’s leg with a pitchfork. and screams for her father. Daniel arrives, and Joseph draws his gun, announcing his intentions to kill the man. However, he aims poorly, and the recoil causes him to fall over. An unconscious Joseph is taken to an upstairs bedroom, where Daniel’s wife, Nora, tends to his wounds. Although Joseph is due to be hanged, he provokes Stephen Chase, who challenges him to a duel the next morning. That night, Shannon sneaks into Joseph’s room and announces that she is running away. She calls herself a modern woman, and states her plans to sail to America, where the government is giving away land to its citizens. Joseph does not believe her. Shannon offers to take him ...
In 1892 Western Ireland, Joseph Donnelly and his brothers work as tenant farmers on land owned by the wealthy Daniel Christie. When Joseph’s father, Joe Donnelly, is hurt during a peasant uprising, he appears to die, but, in a miraculous turn, comes back to life as Joseph hovers over him. Joe urges his son to follow his ambitions, says that land is a man’s soul, then dies again. On the way to his father’s burial, Joseph is harassed over unpaid rent by Daniel Christie’s enforcer, Stephen Chase, who burns the Donnellys’ house down. Vowing revenge, Joseph takes a gun and rides his donkey to a pub frequented by Daniel Christie. When a well-dressed man arrives, Joseph finds him affable at first, until he realizes the man is Daniel Christie. He follows Christie home, but cannot bring himself to shoot. After spending the night in Christie’s stable, Joseph is discovered by Shannon, Christie’s beautiful daughter, who spears the intruder’s leg with a pitchfork. and screams for her father. Daniel arrives, and Joseph draws his gun, announcing his intentions to kill the man. However, he aims poorly, and the recoil causes him to fall over. An unconscious Joseph is taken to an upstairs bedroom, where Daniel’s wife, Nora, tends to his wounds. Although Joseph is due to be hanged, he provokes Stephen Chase, who challenges him to a duel the next morning. That night, Shannon sneaks into Joseph’s room and announces that she is running away. She calls herself a modern woman, and states her plans to sail to America, where the government is giving away land to its citizens. Joseph does not believe her. Shannon offers to take him with her, if he will act as her “servant boy,” but he is offended and refuses. The next morning, when the duel between Stephen and Joseph begins, a heavy fog prevents them from seeing each other clearly. Shannon interrupts on a horse-drawn carriage, and entices Joseph to escape with her. She pays for his passage to America, and he reluctantly acts as her servant on the ship. Shannon meets Mr. McGuire, an Irish-American man who advises her to procure a wagon and horses the minute she arrives in America, as the land race will be in Oklahoma, 1,000 miles from where they land in Boston, Massachusetts. Shannon reveals that instead of money, she has brought with her a number of valuable, ancient spoons. McGuire promises to help her sell them when they arrive in Boston. Shannon ignores Joseph when he suggests McGuire is untrustworthy. Soon, the ship docks at Boston Harbor, and Joseph bids Shannon goodbye. She joins Mr. McGuire, who is suddenly shot dead by two thugs. Shannon’s spoons spill out of McGuire’s coat, and she realizes he stole from her. Passersby scramble for the spoons, and as she cries out for help, Joseph comes to her aid. They follow a young Irish boy named Dermody to a social club owned by Mike Kelly, a powerful ward boss who runs a gambling racket. Joseph urges Shannon to blend in with the lower classes and tells Kelly she is his sister. Kelly arranges for them to share a room at a local boardinghouse, and the two begin working at a chicken factory. Shannon detests the work and insults her boss, resulting in lost wages. As they are forced to live in close quarters, sexual tension between Shannon and Joseph mounts. One night, she asks him if she is beautiful, and he responds earnestly that he has never seen anything like her. Satisfied, she goes to sleep. Joseph is tortured by the sound of lovemaking coming through the walls. He goes to Mike Kelly’s social club and challenges a boxer to a match. Despite his smallish stature, Joseph beats the man and his subsequent challengers. He wins prizefighting money and quickly gains a reputation as an undefeated boxer. Meanwhile, back in Ireland, Daniel Christie reveals to his wife, Nora, that Shannon has been sending letters from America. Just then, angry peasants storm the house and burn it down. In the aftermath of the attack, Stephen Chase offers to accompany the Christies to America to help them find Shannon. In Boston, as Joseph gains confidence and spends money on suits and hats, Shannon becomes annoyed by his cocksure attitude. She is also jealous when a burlesque dancer named Grace pursues him. Shannon warns Joseph that Mike Kelly is only using him and asserts that she can make just as much money as he can. On the night of a big fight against an Italian boxer, Joseph sees Shannon dancing in burlesque. He tries to drag her off the stage, and promises not to box anymore. However, when Kelly lures him with more money, Shannon encourages Joseph to go through with the match. The Italian beats him easily, however, and Kelly immediately turns on Joseph, throwing him into the street. When he regains consciousness, Joseph stumbles home. On the way, he sees Stephen Chase passing out photographs of Shannon, and alerting people to bring her to the Christie’s Boston residence if they find her. Joseph returns home to find Kelly and his heavies waiting. Taking all of Joseph’s savings, they throw him and Shannon out of the boardinghouse. For the next few days, Joseph and Shannon wander the streets in freezing weather, searching for work and food. One night, they break into an empty mansion. The well-appointed home reminds Shannon of her old life. Joseph offers to serve her at the dining table, but instead, she invites him to sit with her and pretend they are a married couple. Just as they profess their “pretend” love for each other, the owners return home and chase them out at gunpoint. Shannon is shot in the back as they flee, and Joseph has no other choice but deliver her to her parents. Eight months later, while working on a railroad crew in the Ozark Mountains, Joseph is inspired to join a wagon train of pioneers on their way to the Oklahoma land rush. He arrives at the starting line the day before the race, and buys an old but reliable horse. He runs into Shannon, who is accompanied by her parents and Stephen Chase. They wish each other luck and bid an awkward goodbye. That night, Joseph’s newly purchased horse dies. His only choice the next morning is to ride an untamed horse. As the race begins, Joseph has a hard time controlling the animal, but Shannon, who is an expert equestrian, rides past and advises him to take the horse by the bit. Joseph follows Stephen, who claims he has found the perfect plot of land. Arriving at the edge of the plot, Joseph sees Stephen and Shannon crossing a river. Stephen attempts to shoot him, but Joseph overpowers him and charges ahead. He is the first to reach the flag that marks the plot, but just before he drives his own flag into the ground, Chase charges him. They tussle, and Joseph is pinned underneath Chase’s horse. Shannon rushes to Joseph’s aid. When Chase realizes that Shannon has chosen Joseph over him, he leaves in defeat. Shannon begs Joseph not to die, but he passes away. As she weeps over his lifeless body, she admits she loved him the first time she saw him. Like his father, Joe, on his deathbed, Joseph miraculously revives. Shannon kisses him, and they drive their flag into the ground together.
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