Amongst Friends (1993)

R | 88 mins | Drama | 11 August 1993

Director:

Rob Weiss

Writer:

Rob Weiss

Producer:

Matthew Blumberg

Cinematographer:

Michael Bonvillain

Editor:

Leo Trombetta

Production Designer:

Terrence Foster

Production Companies:

Last Outlaw Films, Islet
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HISTORY

While the majority of the story takes place in 1993, cast credits erroneously contain the header, "1992," to denote the characters that appear in the present. The film also contains intermittent voice-over narration by Steve Parlavecchio’s character, “Andy.”
       End credits give “Special thanks” to John Pierson, Carl Weiss, Bob Fukuyama, Ira Deutchman, Fred Goldring, Ira Lippy, Tony Romano, Norb Valentino and Marie Valentino, and note, “The Producers would like to thank: Walter Alexander, Chandra Beard, Dave Bechtel, Larry Bernstein, the Blumberg Family, Barry Brown, Steve Castellano, John Clarin, Paul Cooper, Jack “Footsteps” Crilly, Mike D’Dangelo, Jack Deutchman, Alison Dollinger, Etta Dreyfuss, Neil “Elmo” Elman, Paula Erickson, Bruce Federman of Industry City Associates, John Franrome, Allen and Sharon Fuss, Nick and Alicea Georgiade, Vicki Germaise, Kathleen Gibson, Lindy Goetz, the Golant Family, Danny Goldberg, Jennifer Goodman, Jim Gotlieb, Eric Greenspan, Hayley Gruzman, Richard Hassamein, Nick Hawkins, Michael Herz, Eric Hirsch, the Hirsch Family, Sam Hoffman, Michael and Gena Jacobowitz, Melinda Jason, Harlen Kaplan, Steve Kaplan, Lloyd Kaufman, Michael Krumper, Scott Lahman, Teddy Leb, John Lesher, Kathryn Malta, Thomas Macciko, Liz Manne, Robert Marcus, Peter Malocin, Kerry McCarthy, Bob Maganza, Doug Morris, Karen Nakas, Khama Natale, John Novick, Kirk Paskal, Daniel Petersen-Snyder, Janet Pierson, David Pollick, Alyssa Rapaport, Mike Rapaport, Phil Rizzuto, Neal Rothleder, Sandi Ruttenberg, Ruthie Sachs, Sammy and Spider, Phil Sandhaus, Jeff Sass, David Schiff, Barbara Silk, Paul Sorvino, Helaine and Chuck Stein, Salo and Sonia Sternhell, David Sumka, the Sundance Film Festival, Paul Templeton, Michael “Tromps” Trompeter, Barry Tyerman, Marilyn Vance-Straker, Sasha and Fanny Wainstein, Suzi and Jerry Walpert, Erika Watson, Michael, Andy and Danny Weiss, Lydia Weiss, Vicks Weiss, Diane and Phil Weissman, Ned Wentworth, Jeani Ziering, ...

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While the majority of the story takes place in 1993, cast credits erroneously contain the header, "1992," to denote the characters that appear in the present. The film also contains intermittent voice-over narration by Steve Parlavecchio’s character, “Andy.”
       End credits give “Special thanks” to John Pierson, Carl Weiss, Bob Fukuyama, Ira Deutchman, Fred Goldring, Ira Lippy, Tony Romano, Norb Valentino and Marie Valentino, and note, “The Producers would like to thank: Walter Alexander, Chandra Beard, Dave Bechtel, Larry Bernstein, the Blumberg Family, Barry Brown, Steve Castellano, John Clarin, Paul Cooper, Jack “Footsteps” Crilly, Mike D’Dangelo, Jack Deutchman, Alison Dollinger, Etta Dreyfuss, Neil “Elmo” Elman, Paula Erickson, Bruce Federman of Industry City Associates, John Franrome, Allen and Sharon Fuss, Nick and Alicea Georgiade, Vicki Germaise, Kathleen Gibson, Lindy Goetz, the Golant Family, Danny Goldberg, Jennifer Goodman, Jim Gotlieb, Eric Greenspan, Hayley Gruzman, Richard Hassamein, Nick Hawkins, Michael Herz, Eric Hirsch, the Hirsch Family, Sam Hoffman, Michael and Gena Jacobowitz, Melinda Jason, Harlen Kaplan, Steve Kaplan, Lloyd Kaufman, Michael Krumper, Scott Lahman, Teddy Leb, John Lesher, Kathryn Malta, Thomas Macciko, Liz Manne, Robert Marcus, Peter Malocin, Kerry McCarthy, Bob Maganza, Doug Morris, Karen Nakas, Khama Natale, John Novick, Kirk Paskal, Daniel Petersen-Snyder, Janet Pierson, David Pollick, Alyssa Rapaport, Mike Rapaport, Phil Rizzuto, Neal Rothleder, Sandi Ruttenberg, Ruthie Sachs, Sammy and Spider, Phil Sandhaus, Jeff Sass, David Schiff, Barbara Silk, Paul Sorvino, Helaine and Chuck Stein, Salo and Sonia Sternhell, David Sumka, the Sundance Film Festival, Paul Templeton, Michael “Tromps” Trompeter, Barry Tyerman, Marilyn Vance-Straker, Sasha and Fanny Wainstein, Suzi and Jerry Walpert, Erika Watson, Michael, Andy and Danny Weiss, Lydia Weiss, Vicks Weiss, Diane and Phil Weissman, Ned Wentworth, Jeani Ziering, Auto Europa, Bank Leumi (Hewlett, NY), the Five Towns (Government Film Offices), Horn Cycle Shop, Major League Baseball Properties, Montana (Hewlett, NY), New York Yankees, Parker-Ziering, Inc. (Cedarhurst, NY); Bialostok Chiropractic (Cedarshurst, NY); Budokas Karate Association (Cedarshurst, NY); Casino Caravans (Elmont, NY); the Chateau Coffee Shop (Cedarshurst, NY); Congregation Beth Emeth (Hewlett, NY); the Gallery Four Restaurant (Lynbrook, NY); Gary Owens Bar (Long Beach, NY); Geardin 2000 Hair Studio (Hewlett, NY); Justin’s Restaurant (Cedarshurst, NY); Keystone Yacht Club (Woodmere, NY); Let’s Make A Deal (Jamaica, NY); McArdle’s Bar & Grill (Cedarshurst, NY); Mel’s Seafood Restaurant (Cedarshurst, NY); OTB (Queens, NY); Port O’ Call (Queens, NY); Raoul’s Brasserie (Manhattan, NY); Reggina Bakery (Queens, NY); Sherwood Diner (Lawrence, NY); Tamaqua Bar & Grill (Brooklyn, NY); Viva Loco Restaurant (Bellmore, NY); Westbury Beach Club (Atlantic Beach, NY); The Willow (Cedarshurst, NY); Jill and Jay Gordon; Helene and Robert Berman & Kings Pharmacy of Hillside Avenue; Dom Rodgers Interiors, Inc.; New York State Governor’s Office; New York City Film Office.”
       The following statement also appears: “And Special Thanks to these vendors who support independent film makers: Camera provided by TCS (Technological Cinevideo Services); Developing and Dailies by TVC Labs; Color Timing by Technicolor, New York; Negative Cutting by World Cinevision; Grip & Electric equipment rentals Sunlights; Dolly rental by General Camera; Music Courtesy of Warner Special Products; Music courtesy of Sony Music; Post Production Services by Todd-AO Studios East; Titles and Opticals Film Effects; Insurance Blumberg Associates.”
       According to the Aug 1993 issue of Details magazine, first-time filmmaker and Parsons School of Design dropout Rob Weiss spent two weeks writing a semi-autobiographical screenplay about his experiences growing up in the Five Towns area of Long Island, NY. Then twenty-four and living at home, Weiss showed the screenplay to his father, Carl Weiss, who contributed $40,000 and raised an additional $20,000 from friends. The Aug 1993 Vogue stated that Weiss began casting, claiming to have seen over 1,000 actors before selecting the three leads.
       While the project was supposedly intended only as a 16mm short film, independent financier John Pierson viewed a partial cut and gave Weiss money to expand the picture to feature length. However, the 18 Nov 1991 HR stated Pierson was president of Islet, Island World’s completion fund subsidiary, and was approached by Weiss when a $30,000 investment fell through during the final two weeks of filming. With Pierson’s $263,000 contribution, Islet was given fifty percent partnership in the project and increased the budget to $800,000. Paul Sorvino, father to actress, casting director, and associate producer Mira Sorvino, was listed as one of the financiers, although he does not receive onscreen credit. Conflicting information in the 22 Feb 1993 DV and 1 Mar 1993 Var estimated the budget at $4 million and $1 million, respectively. The budget was reportedly so tight that the prop department was forced to use paper triangles in place of Dorito’s tortilla chips.
       Although the 22 Jul 1991 Var listed a start date of 3 Aug 1991, a 24 Sep 1991 HR production chart stated that principal photography began the following month, on 21 Sep 1991, in Long Island, NY. The six-week schedule concluded 12 Nov 1991.
       According to Vogue, Amongst Friends received overwhelmingly positive reception when it premiered at the Sundance Film Festival in Park City, UT, on 29 Jan 1993.
The 22 Feb 1993 DV announced that Fine Line Features had acquired North American distribution rights for nearly $750,000, and Details indicated that the film’s popularity led to Weiss signing a multipicture deal with Universal Pictures.
       However, upon its national commercial release on 11 Aug 1993, the film earned largely negative reviews, with several critics citing imitative comparisons to Mean Streets (1973, see entry).

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GEOGRAPHIC LOCATIONS
SOURCE CITATIONS
SOURCE
DATE
PAGE
Daily Variety
22 Feb 1993
---
Details
Aug 1993
p. 132
Hollywood Reporter
24 Sep 1991
---
Hollywood Reporter
18 Nov 1991
---
Hollywood Reporter
4 Feb 1993
p. 8, 14
Los Angeles Times
11 Aug 1993
p. 4
New York Times
23 Jul 1993
p. 10
Variety
22 Jul 1991
---
Variety
15 Feb 1993
p. 84
Variety
1 Mar 1993
---
Vogue
Aug 1993
---
CAST
NAME
CREDITED AS
CREDIT
Late eighties
as
Late eighties
as
Late eighties
as
Late eighties
as
Early eighties
as
1992
as
+

NAME
CREDITED AS
CREDIT
Late eighties
as
Late eighties
as
Late eighties
as
Late eighties
as
Early eighties
as
1992
as
Early eighties
Early eighties
Early eighties
Early eighties
Early eighties
Early eighties
Early eighties
Early eighties
Early eighties
Early eighties
Early eighties
Late eighties
Late eighties
Late eighties
Late eighties
+
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION COMPANIES
PRODUCTION TEXTS
Islet Presents
A Last Outlaw Films Production
A Rob Weiss Film
NAME
CREDITED AS
CREDIT
DIRECTORS
Dir
Prod mgr
Prod mgr
1st asst dir
2d asst dir
2d unit dir
2d unit prod mgr
PRODUCERS
Co-prod
Assoc prod
Assoc prod
Assoc prod
Exec prod
WRITER
Wrt
PHOTOGRAPHY
Dir of photog
1st asst cam
2d asst cam
Addl 1st A.C.
Addl 1st A.C.
Addl 2d A.C.
SteadiCam op
SteadiCam asst cam
Gaffer
Key/Dolly grip
Addl dolly grip
Best boy elec
Still photog
2d unit dir of photog
ART DIRECTORS
Prod des
Art dir
Art dir
Storyboard artist
FILM EDITORS
Asst ed
Apprentice ed
Addl film ed
Addl asst film ed
Negative cutter
Negative cutting by
SET DECORATORS
Carpenter
Swing
Set dresser
Set dresser
COSTUMES
Costumer des
Costumer des
MUSIC
Mus score wrt and prod by
Mus score rec at
London
Mus coord
Mus clearances
Mus score performed by
Prod by
With thanks to
Courtesy of
SOUND
Sd rec
Boom op
Supv sd ed
Asst sd ed
Asst sd ed
Mixer
ADR and foley mixer
Foley artist
Post prod services by
VISUAL EFFECTS
Titles and opticals
MAKEUP
Makeup artist
Addl makeup
Addl makeup
PRODUCTION MISC
Prod coord
Scr supv
Extras casting
Addl casting
Prod asst
Prod asst
Prod asst
Prod asst
Prod asst
Prod asst
Craft services
Loc mgr
Line prod
Islet prod exec
Islet prod exec
Dir's asst
Post-prod supv
Post-prod supv
Developing and dailies by
Release prints by
Toronto
STAND INS
Fight coord
COLOR PERSONNEL
Dailies timer
Col timer
Col timing by
New York
SOURCES
SONGS
"Innocent Child," performed by Big Audio Dynamite II, written by Mick Jones, copyright (c) 1991 The Voice of London Inc., courtesy of Columbia Records, by arrangement with Sony Music Licensing; "Wild Thing," performed by Tone Loc, written by M. Young, T. Smith, M. Dike and M. Ross, published by Varry White Music, Inc., courtesy of Delicious Vinyl/Atlantic Recording Corp., by arrangement with Warner Special Products; "Kids Alright," written and performed by Bettie Serveert, courtesy of Matador Records/4AD, by arrangement with Warner Special Products; "Vertical Interlude," performed by AMG, written by J. Lewis and C. Branch, courtesy of Select Records, by arrangement with Warner Special Products; "Passing Me By," performed by The Pharcyde, written by E. Wilcox, R. Robinson, D. Stewart, T. Hardson and J. Martinez, courtesy of Delicious Vinyl/Atlantic Recording Corp., by arrangement with Warner Special Products, sample of "Summer In The City" performed by Quincy Jones courtesy of A&M Records, Trio Music Co., Inc. (BMI) and Alley Music Corp.; "The Skydreamer," performed by T-99, written by P. DeMeyer and O. Abbeloos, courtesy of Columbia Records, by arrangement with Sony Music Licensing; "Never," performed by T42, written by W. Loconto, courtesy of Columbia Records, by arrangement with Sony Music Licensing; "Love Scene," performed by Tony Bennett, written by Duke Ellington, courtesy of Columbia Records, by arrangement with Sony Music Licensing; "Train Going Backwards," performed by Dramarama, written by J. Easdale, courtesy of Chameleon Records/Elektra Entertainment, by arrangement with Warner Special Products; "Intro," written and performed by Jude Cole, courtesy of Reprise Records, by arrangement with Warner Special Products; "I Shall Be Released," performed by The Band, written by Bob Dylan, courtesy of Capitol Records, under license from CEMA Special Markets; "Brass Monkey," performed by The Beastie Boys, written by Adam Horovitz, Adam Yauch, Michael Diamond and Rick Rubin, courtesy of Def Jam/Columbia Records, by arrangement with Sony Music Licensing; "Brooklyn," performed by MC Lyte, lyrics by Lyte, music by T. Fyffe, F. Grant and M. Riley, courtesy of Atlantic Recording Corp., by arrangement with Warner Special Products; "It's A Shame About Ray," performed by Lemonheads, written by Tom Morgan and Evan Dando, courtesy of Atlantic Recording Corp., by arrangement with Warner Special Products; "I Could Have Lied," performed by Red Hot Chili Peppers, written by A. Kiedis, Flea, J. Frusciante and C. Smith, courtesy of Warner Bros. Records, Inc., by arrangement with Warner Special Products; "Jesus Built My Hotrod," performed by Ministry, written by A. Jourgensen, P. Barker, P. Rieflin, M. Balch and G.J. Haynes, courtesy of Sire Records, by arrangement with Warner Special Products; "Wild Child," performed by Da Youngsta's, written by J. Tineo, A. Goodman, T. Dawson, Q. Goodman and T. Goodman, courtesy of EastWest Records America, by arrangement with Sony Music Licensing; "All The Young Dudes," performed by Mott the Hoople, written by David Bowie, courtesy of Columbia Records, by arrangement with Sony Music Licensing, used by permission of Chrysalis Songs and Screen Gems-EMI Music Inc. on behalf of Tintoretto Music and Fleur Music; "Confusion," performed by Act of Mercy, written by Lou Mastantuono and John Teto, courtesy of Shu-Shu Boy Publishing; "Crawl," performed by Sweet Water, written by Credo, Czeisler and Sweet Water, courtesy of Atlantic Recording Corp., by arrangement with Warner Special Products; "Piece of Pie," performed by Stone Temple Pilots, written by Weiland and R. DeLeo, courtesy of Atlantic Recording Corp., by arrangement with Warner Special Products; "Long Island," written and performed by Mick Jones, courtesy of Jones Production Ltd., published by The Voice of London, Inc.
SONGWRITERS/COMPOSERS
+
DETAILS
Release Date:
11 August 1993
Premiere Information:
Sundance Film Festival premiere: 29 Jan 1993; New York opening: week of 23 Jul 1993; Los Angeles opening: 11 Aug 1993
Production Date:
21 Sep--12 Nov 1991 in New York
Copyright Info
Claimant
Date
Copyright Number
Islet, Inc.
13 September 1993
PA625512
Physical Properties:
Sound
Color
Duration(in mins):
88
MPAA Rating:
R
Country:
United States
Language:
English
SYNOPSIS

In the early 1980s, best friends Andy, Trevor, and Billy have a privileged childhood in the wealthy Jewish neighborhood of Five Towns, Long Island, New York. As teenagers, they admire their grandfathers, who once turned to organized crime to escape poverty. Accustomed to stealing and using drugs, the trio choose not to attend college and start a drug dealing business. One night, Trevor postpones a date with his girl friend, Laura, to complete a drug drop for Andy. When the buyers turn out to be undercover policemen, Trevor is arrested and remains in prison for over two years. Meanwhile, Billy succeeds at running his own independent drug operation, and his friendship with Andy gradually dissolves. In 1993, Andy agrees to help Billy execute a deal for Vic and Eddie Feretti, two brothers from Cedarshurst, New York. When the boys realize they owe an additional $20,000, Billy instructs Andy to obtain the cash by robbing a nightclub. At a Five Towns diner, Billy and Adam run into Trevor, now released from prison and preparing for a cross-country motorcycle trip with an acquaintance named “Friend.” Upon summoning the courage to visit Laura’s house, Trevor is heartbroken to see her with Billy, whom he mistakes as her new lover. Realizing they are short on funds, Friend convinces Trevor to get involved with the Feretti deal. That night, Andy, Trevor, Friend, and other accomplices don ski masks and rob a club owned by gangster, Jack Trattner. Afterward, they pay their dues to the Ferettis and spend the night celebrating with alcohol and drugs. Trevor sneaks away and finally meets Laura to apologize for not responding to her letters while in prison. The next ...

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In the early 1980s, best friends Andy, Trevor, and Billy have a privileged childhood in the wealthy Jewish neighborhood of Five Towns, Long Island, New York. As teenagers, they admire their grandfathers, who once turned to organized crime to escape poverty. Accustomed to stealing and using drugs, the trio choose not to attend college and start a drug dealing business. One night, Trevor postpones a date with his girl friend, Laura, to complete a drug drop for Andy. When the buyers turn out to be undercover policemen, Trevor is arrested and remains in prison for over two years. Meanwhile, Billy succeeds at running his own independent drug operation, and his friendship with Andy gradually dissolves. In 1993, Andy agrees to help Billy execute a deal for Vic and Eddie Feretti, two brothers from Cedarshurst, New York. When the boys realize they owe an additional $20,000, Billy instructs Andy to obtain the cash by robbing a nightclub. At a Five Towns diner, Billy and Adam run into Trevor, now released from prison and preparing for a cross-country motorcycle trip with an acquaintance named “Friend.” Upon summoning the courage to visit Laura’s house, Trevor is heartbroken to see her with Billy, whom he mistakes as her new lover. Realizing they are short on funds, Friend convinces Trevor to get involved with the Feretti deal. That night, Andy, Trevor, Friend, and other accomplices don ski masks and rob a club owned by gangster, Jack Trattner. Afterward, they pay their dues to the Ferettis and spend the night celebrating with alcohol and drugs. Trevor sneaks away and finally meets Laura to apologize for not responding to her letters while in prison. The next morning, Trattner’s protégé, Michael, awakens Andy by pointing a gun at his head. He takes the robbers to Trattner, who lectures them about respecting their elders. After realizing that Trattner is a friend of his grandfather, Andy promises to have the money returned within a week. However, Jack proposes that Andy, Trevor, and Friend earn the money back by running errands and administering his smuggling deals. With his motorcycle trip delayed indefinitely, Trevor returns to Laura, and the couple rekindle their relationship once Laura assures him she and Billy were never romantically involved. One afternoon, Andy runs into a former high school classmate, now an engaged law school graduate, who unwittingly belittles Andy for remaining in Long Island. While continuing to oversee his own business, Billy betrays his friends by demeaning Andy and telling Jack that Trevor is an unreliable drug addict. In exchange for Jack’s management advice, Billy agrees to murder Trevor. After kidnapping Trevor outside Laura’s house, Billy fights him in an alley. Denying Trevor’s claim that he is jealous of his relationship with Laura, Billy shoots Trevor multiple times in the chest and head. A few days after Trevor’s unexplained disappearance, the Feretti brothers tell Andy that Billy was responsible. Seeking revenge, Andy hides in Billy’s house and shoots him dead. The next morning, Andy pays back the remainder of his debts to Jack by taking out a loan with the Feretti brothers. The gangster invites him to stay, declaring he is “amongst friends,” but Billy declines the offer. Instead, he packs his belongings onto Trevor’s motorcycle with the intention of accompanying Friend to California. Before he leaves, however, he sits outside the park and recalls happier childhood memories with Billy and Trevor.

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Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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