By the Sword (1993)

R | 91 mins | Drama | 24 September 1993

Director:

Jeremy Kagan

Cinematographer:

Arthur Albert

Production Designer:

Gary Frutkoff

Production Company:

The Movie Group
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HISTORY

The 14 Feb 1990 DV announced the picture was being prepared by director Jeremy Kagan.
       According to the 8 Nov 1990 DV, production on By the Sword had been completed.
       The film screened at the Vancouver International Film Festival, as reported in the 8 Oct 1991 DV film review, and at the Palm Springs International Film Festival, according to the 13 Jan 1992 HR film review.
       End credits acknowledge: “Promotional Wardrobe Provided by: Adidas, Go Silk L-Zinger International, Victoria’s Secret, Tweeds/Smythe and Company, Zin-Kin Shoes,” and “The Producers Would Like to Thank: Joel Sill, Lynda Watson, The Westside Fencing Center of Los Angeles, The Pacific Fencing Club of San Francisco.” ...

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The 14 Feb 1990 DV announced the picture was being prepared by director Jeremy Kagan.
       According to the 8 Nov 1990 DV, production on By the Sword had been completed.
       The film screened at the Vancouver International Film Festival, as reported in the 8 Oct 1991 DV film review, and at the Palm Springs International Film Festival, according to the 13 Jan 1992 HR film review.
       End credits acknowledge: “Promotional Wardrobe Provided by: Adidas, Go Silk L-Zinger International, Victoria’s Secret, Tweeds/Smythe and Company, Zin-Kin Shoes,” and “The Producers Would Like to Thank: Joel Sill, Lynda Watson, The Westside Fencing Center of Los Angeles, The Pacific Fencing Club of San Francisco.”

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SOURCE CITATIONS
SOURCE
DATE
PAGE
Daily Variety
14 Feb 1990
---
Daily Variety
8 Nov 1990
---
Daily Variety
8 Oct 1991
p. 16
Hollywood Reporter
13 Jan 1992
p. 11, 38
Los Angeles Times
24 Sep 1993
p. 17
New York Times
22 Oct 1993
p. 15
Variety
14 Oct 1991
p. 246
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION COMPANY
PRODUCTION TEXTS
The Movie Group presents
The Movie Group in association with SVS presents
A Foil/Film Horizon production
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTORS
Prod mgr
1st asst dir
2d asst dir
2d 2d asst dir
Unit prod mgr, New York crew
1st asst dir, New York crew
2d asst dir, New York crew
DGA trainee, New York crew
PRODUCERS
Co-prod
Co-prod
Co-prod
Co-prod
Assoc prod
Exec prod
Exec prod
Exec prod
Supv prod
WRITERS
Addl dial
PHOTOGRAPHY
Dir of photog
1st asst cam
2d asst cam
2d unit dir of photog
2d unit 1st asst cam
2d unit 1st asst cam
Louma crane op
Gaffer
Best boy elec
Key rigger
Key grip
Best boy grip
Dolly grip
Still photog
Still photog
Cam op, New York crew
1st asst cam, New York crew
Gaffer, New York crew
Key grip, New York crew
Steadicam op, New York crew
Still photog, New York crew
2d as, New York crew
Dolly grip, New York crew
Best boy elec, New York crew
Lighting and grip equip
ART DIRECTORS
Prod des
Art dir
Asst art dir
Art dept coord
Art dept coord
FILM EDITORS
Apprentice ed
Negative cutting, Aftr-7
Negative cutting
SET DECORATORS
Const coord
Lead scenic
Set dec
Asst dec
Lead person
Swing person
Lead person
On-set dresser
Const foreman
Scenic foreman
Prop master
Prop asst
Carpenter
Carpenter
Carpenter
Carpenter
Carpenter
Prop master, New York crew
Asst prop master, New York crew
COSTUMES
Cost des
Asst cost des
Costumer
Men's ward, New York crew
Women's ward, New York crew
MUSIC
Guitar solos
Mus ed
Asst mus ed
SOUND
Sd mixer
Boom op
Cable person
Sd supv
Sd des
ADR ed
Sd eff ed
Asst dial ed
Apprentice dial ed
Supv re-rec mixer
Re-rec mixer
Re-rec mixer
Sd mixer, New York crew
Sd ed and Dolby Stereo mix
Saul Zaentz Film Center staff
Saul Zaentz Film Center staff
Saul Zaentz Film Center staff
Saul Zaentz Film Center staff
Saul Zaentz Film Center staff
Saul Zaentz Film Center staff
VISUAL EFFECTS
Spec eff supv
Effectsman
Effectsman
Titles and opticals by
Title typography by
Spec visual eff
DANCE
Choreog
MAKEUP
Makeup & Hair supv
Mr. Abraham's makeup & hair
Makeup asst
Hairstylist
PRODUCTION MISC
Casting
Prod coord
Prod accountant
Scr supv
Transportation coord
Stage mgr
Loc mgr
Addl prod coord
Prod secy
Asst to Mr. Staggs
Asst to Mr. Staggs
Asst to Mr. Kagan
Asst to Mr. Abraham
Asst to Mr. Roberts
On-set supv
John Martin
Medic
Fencing adv
Mr. Abraham's fencing coach
Mr. Robert's fencing coach
Prod controller
Post prod accountant
Casting asst
Casting asst
Completion bond
Insurance broker
Craft services
Prod asst
Prod asst
Prod asst
Prod asst
Prod asst
Bruce Coleman
Prod asst
Prod asst
Prod asst
Loc mgr, New York crew
Prod coord, New York crew
Prod secy, New York crew
Loc asst, New York crew
Scr supv, New York crew
Transportation capt, New York crew
Parking coord, New York crew
Asst to prods, New York crew
Prod asst, New York crew
Prod asst, New York crew
(A Post Group/Pacific Title joint venture)
Fencing equip
STAND INS
Stunts
Stunts
Bob Anderson
Sword master
COLOR PERSONNEL
Col timer
Film processing
DETAILS
Release Date:
24 September 1993
Premiere Information:
Los Angeles opening: 24 Sep 1993; New York opening: 22 Oct 1993
Production Date:

Physical Properties:
Sound
Dolby Stereo ® in Selected Theatres
Color
Lenses
Super 35mm Arriflex cameras and lenses
Duration(in mins):
91
MPAA Rating:
R
Country:
United States
Language:
English
PCA No:
30019
SYNOPSIS

In New York City, a middle-aged man named Maximilian Suba visits a fencing class taught by Maestro Villard, and waits to speak with him. Villard prepares star pupils Jimmy Trebor and Hobbs for a competition to qualify for nationals, which will take place in forty-six days. After class, a young woman named Erin Clavelli approaches Villard in hopes of studying with him, and is accepted as a beginner to train with his apprentice, Danny Gallagher. Suba tells Villard he would like a job as a fencing teacher. However, when Villard tests his fencing stances, Suba is told he needs more training. Villard offers him a job as a locker room attendant, and Suba accepts. Later, while Suba moves into a run-down apartment, he unpacks newspaper clippings from Villard’s illustrious career, and experiences a flashback to a fencing duel. At the fencing salle, Suba sees a rapier in a case, and Villard tells him it belonged to his dead father. Erin arrives for her first day of class, meets the other students, and attracts the attention of Jimmy Trebor. In the fencing salle, Suba suffers flashbacks of a duel from his past. When he practices a stance, he falls to the ground. Coach Danny Gallagher offers to give him instructions, but Suba dismisses him. When Villard asks Suba where he learned his old-world style, Suba refuses to reveal anything about himself. Jimmy expresses his interest in Erin and tries to dispel her reservations about his playboy reputation. That night, Villard has a nightmare about watching his father being killed during a duel. Sometime later, Villard ...

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In New York City, a middle-aged man named Maximilian Suba visits a fencing class taught by Maestro Villard, and waits to speak with him. Villard prepares star pupils Jimmy Trebor and Hobbs for a competition to qualify for nationals, which will take place in forty-six days. After class, a young woman named Erin Clavelli approaches Villard in hopes of studying with him, and is accepted as a beginner to train with his apprentice, Danny Gallagher. Suba tells Villard he would like a job as a fencing teacher. However, when Villard tests his fencing stances, Suba is told he needs more training. Villard offers him a job as a locker room attendant, and Suba accepts. Later, while Suba moves into a run-down apartment, he unpacks newspaper clippings from Villard’s illustrious career, and experiences a flashback to a fencing duel. At the fencing salle, Suba sees a rapier in a case, and Villard tells him it belonged to his dead father. Erin arrives for her first day of class, meets the other students, and attracts the attention of Jimmy Trebor. In the fencing salle, Suba suffers flashbacks of a duel from his past. When he practices a stance, he falls to the ground. Coach Danny Gallagher offers to give him instructions, but Suba dismisses him. When Villard asks Suba where he learned his old-world style, Suba refuses to reveal anything about himself. Jimmy expresses his interest in Erin and tries to dispel her reservations about his playboy reputation. That night, Villard has a nightmare about watching his father being killed during a duel. Sometime later, Villard sees Suba give advice to Jimmy, and chastises him for interfering, even though his comments improved Jimmy’s lunge. Villard investigates Suba’s background and waits for the results of his inquiry. In time, Suba accepts Danny’s offer to coach him, but asks that they conduct their sessions at night. Meanwhile, Erin and Jimmy become lovers. Villard examines the registry from the salle that his father owned before him, and discovers that Suba was a student of his father’s thirty years earlier. Villard keeps the knowledge to himself, and focuses on training Jimmy Trebor outside the studio. The Maestro demands that Jimmy lose his compassion for others in order to win the upcoming competition. Meanwhile, Suba sees an attractive woman named Rachel at the grocery store, but is too afraid to speak to her. Later, she approaches him in the park and gives him her telephone number. Following Villard’s advice, Jimmy ends his relationship with Erin, calling her a distraction. Erin’s friend from class, Gigi Tanos, consoles her over the break-up. Suba practices with Danny after hours, and impresses his coach. Villard watches, then steps in to challenge Suba. The maestro is also impressed, and Suba proclaims that he gave up fencing because “there was no one left to beat.” Suba takes Rachel on a date and reveals that he was just released from prison after serving a twenty-year sentence for killing a man. Suba blames it on being young and stupid, and hopes that Rachel will give him a chance, as he is a changed man. She appreciates his honesty and agrees to stay for coffee. At the salle, Suba continues his janitorial duties, and is surprised when Villard asks him to practice with Jimmy Trebor. Afterward, Suba is angry that Villard used him to embarrass Jimmy. Maestro Villard asks Suba for his opinion on the students, and encourages him to start teaching. When Suba instructs the beginning class, he quickly proves to be more than just a janitor. After a successful day, Suba still believes that Villard is using him to embarrass the students. However, Villard denies the claims and is disappointed that Suba did not exceed his expectations. Suba’s memories of killing a man, with a young boy as witness, continue to haunt him, but he returns to the salle with a fresh approach to teaching. In time, students Jimmy and Hobbs face off to see who will go to nationals, and Jimmy severely wounds Hobbs, putting him out of contention. Maestro Villard is proud of Jimmy’s performance, but Erin chastises his new aggression. Villard asks Suba if he wonders what it would be like to put a sword into a man, and tells him he saw his father get killed by his protégé. Villard explains that the young student was jealous of his father’s success, even wanting his wife, and challenged him to a duel. Villard claims his father was merely good and not the best, or else he would not have been killed. Suba asks if Villard admires the man who killed his father, and the maestro admits to admiring the best. In time, Suba sleeps with Rachel, and their relationship becomes serious. Villard announces a tournament at which students of every level will compete with each other, with the winner going to the nationals. Sometime later, Villard receives information that Maximilian Suba died nine years before, and visits Suba at home to confront his deception. Villard suspects he is the man who killed his father, but is disappointed that Suba does not live up to his expectations as a champion fencer. Villard forbids Suba from returning to the salle. At the fencing tournament, the students ask about Suba, and Villard tells Erin not to expect him. When Suba arrives, Villard is not pleased. Erin is called to compete with Jimmy, but she wants to forfeit as he is far more advanced. Suba encourages her to use Jimmy’s weaknesses against him. When Erin earns a few points, Jimmy becomes aggressive and knocks her down. However, while she lies on the floor, Jimmy does not attack her, and Villard reprimands him for holding back. Suba calls Villard an animal, and challenges him to a duel, presenting Villard with his father’s rapier from the display case. Suba insists that using sharp rapiers and not practice weapons is the fight that Villard has always wanted. As the men duel, Suba reveals that Villard’s father challenged him when he was a protégé, and that as a young student he had “worshiped killing,” feeling no remorse when he killed his maestro. Their violent battle continues as the students look on, and both draw blood from the other. However, when Suba knocks Villard’s weapon from his hand, he chooses not to murder his opponent, and declares the fight over. Villard picks up the rapier and approaches Suba, but instead of striking, he breaks his own sword, and declares the lesson over. Suba salutes Maestro Villard with his sword, and Villard returns the gesture.

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Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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