Jack the Bear
(1993)
PG-13 | 114 mins | Drama | 2 April 1993
Director:
Marshall HerskovitzWriter:
Steven ZaillianProducer:
Bruce GilbertCinematographer:
Fred MurphyEditor:
Steven RosenblumProduction Designer:
Lilly KilvertProduction Companies:
Twentieth Century Fox, American Filmworks, Lucky Dog ProductionsThe film includes intermittent voice-over narration by Robert J. Steinmiller, Jr.’s character, “Jack Leary.”
End credits state: “Footage from Invasion of the Body Snatchers provided by Republic Pictures Home Video; Footage from Them provided by Warner Bros.; Footage from ‘Cookie Jar Empty/Full’ provided by Sesame Street Children’s Television Workshop; 1972 World Series stock footage provided by Phoenix Communications Group; Footage from Abbott and Costello Meet Frankenstein, Frankenstein, and The Wolfman provided by MCA/Universal; Footage from Lost in Space provided by Space Productions; Footage from Cheaper by the Dozen and The Fly provided by Twentieth Century Fox Film Corp.”; and, “The Producers wish to thank the faculty and student body of Los Feliz Hills School, the Franklin Hills Residents Association.”
Electrician Victor Svimonoff is credited onscreen as “Vic Svimonof.”
According to the 4 Feb 1982 DV, CBS Theatrical Films and IPC Films had been developing a motion picture adaptation of Dan McCall’s 1974 novel, Jack the Bear, since the late 1970s. In 1978, IPC founders Jane Fonda and Bruce Gilbert considered Fonda’s former husband, Roger Vadim, to direct a script written by Larry D. Cohen, but claimed Fonda would not be involved. Three years later, the 21 Aug 1985 DV listed Bob Rafelson as director, and a 7 Nov 1985 DV news item suggested Jack Nicholson was attached to star.
However, by the end of the decade, a 1 Aug 1989 DV brief reported that production was moving ahead on a script by Steven Zaillian, with former CBS Theatrical Films employee Ron Yerxa ...
The film includes intermittent voice-over narration by Robert J. Steinmiller, Jr.’s character, “Jack Leary.”
End credits state: “Footage from Invasion of the Body Snatchers provided by Republic Pictures Home Video; Footage from Them provided by Warner Bros.; Footage from ‘Cookie Jar Empty/Full’ provided by Sesame Street Children’s Television Workshop; 1972 World Series stock footage provided by Phoenix Communications Group; Footage from Abbott and Costello Meet Frankenstein, Frankenstein, and The Wolfman provided by MCA/Universal; Footage from Lost in Space provided by Space Productions; Footage from Cheaper by the Dozen and The Fly provided by Twentieth Century Fox Film Corp.”; and, “The Producers wish to thank the faculty and student body of Los Feliz Hills School, the Franklin Hills Residents Association.”
Electrician Victor Svimonoff is credited onscreen as “Vic Svimonof.”
According to the 4 Feb 1982 DV, CBS Theatrical Films and IPC Films had been developing a motion picture adaptation of Dan McCall’s 1974 novel, Jack the Bear, since the late 1970s. In 1978, IPC founders Jane Fonda and Bruce Gilbert considered Fonda’s former husband, Roger Vadim, to direct a script written by Larry D. Cohen, but claimed Fonda would not be involved. Three years later, the 21 Aug 1985 DV listed Bob Rafelson as director, and a 7 Nov 1985 DV news item suggested Jack Nicholson was attached to star.
However, by the end of the decade, a 1 Aug 1989 DV brief reported that production was moving ahead on a script by Steven Zaillian, with former CBS Theatrical Films employee Ron Yerxa serving as co-producer. The 6 Dec 1990 HR indicated that Jack the Bear was the first feature film directed by Marshall Herskovitz, co-creator of the television series, thirtysomething (ABC Television Network, 29 Sep 1987—3 Sep 1991).
Despite various reports that filming was scheduled to begin in Mar 1991, the 26 Apr 1991 Screen International and 18 Jun 1991 HR confirmed that production began 8 Apr 1991. The 24 Nov 1990 Screen International indicated that Danny DeVito’s commitment to star delayed his directing of Twentieth Century Fox’s Hoffa (1992, see entry) and his reported role in Hollywood Pictures’ Super Mario Bros. (1993, see entry).
According to the May 1991 edition of the Franklin Hills Overview, in late Dec 1990, representatives from Twentieth Century Fox contacted the Franklin Hills, CA, Residents Association in hope of gaining permission to use the Los Feliz Hills school as a location in the film. The community accepted, viewing the deal as an opportunity to ease the school’s recent financial difficulties. In addition, crewmembers spent ten weeks constructing facades of Victorian-era homes that would transform a nearby street into the “Leary” family’s Oakland, CA, neighborhood. Filming at this location was expected to begin 26 Apr 1991, and last roughly five weeks, with the majority of scenes shot between 7:00 a.m. and 10:00 p.m. Production allotted an additional two weeks to tear down the sets and return the neighborhood to its original condition. The 27 Aug 1992 LAT reported that nonprofit organizations Rebuild L.A. and Christmas in April collaborated with Fox to repurpose the lumber, windows, and doors of eleven homes and five garages built for the film, making the materials available to rehabilitate twenty-five houses in South Central Los Angeles following the 1992 Los Angeles riots. A 19 Jul 1991 DV indicated that filming also took place on Stage 9 of the Fox studios. The 9 Aug 1991 HR announced completion of principal photography on 25 Jul 1991.
More than a year later, a 4 Oct 1992 LAT article reported that Fox had previously decided to postpone the Christmas 1991 release, sparking several rumors about the studio’s faith in the project. Herskovitz contested, however, that the delay was caused because he had intended to shoot four days of additional footage that would “clarify some plot points.” Due to DeVito’s limited availability during the production of Hoffa, filming was not completed until Jul 1992. The director also cited Jack the Bear’s above-average number of scenes and “stream of consciousness feel,” which complicated the post-production process. Fox planned to screen the film in the months leading up to its anticipated Easter 1993 release.
Following the film’s 2 Apr 1993 opening in sixty-four theaters, a 12 Apr 1993 DV item reported a box-office gross of only $250,000.
Following the death of his wife in the early 1970s, television personality John Leary relocates to Oakland, California, with his two sons: twelve-year-old Jack and three-year-old Dylan. Due to his job hosting the late-night horror movie program, Midnight Shriek, Leary quickly gains popularity among the eccentric neighborhood children, who believe in monsters and live in fear of their crippled neighbor, Norman Strick. One evening, the children spray-paint Norman’s front stoop, but are frightened away by his vicious dog. As Jack sneaks back to bed, Norman arrives at the Leary household with his foot bloodied. Without revealing Jack’s involvement in the prank, Norman claims to have cut himself while investigating a noise in his yard, and Leary takes him to the hospital. Over time, Leary’s former in-laws become increasingly critical of his heavy drinking and his decision to leave the boys with a babysitter while he is at work. On the first day of the new school year, Leary oversleeps, forcing Jack to take a tearful Dylan to preschool. Tragedy strikes the neighborhood when the grandmother and guardian of a child named Dexter Mitchell dies of a drug overdose. The incident reminds Leary of his responsibilities as a parent, and he resolves to walk his sons to school every day. When a girl named Karen Morris shows romantic interest in Jack, he invites her over for dinner. After the meal, Leary leads them in a series of games, and Jack shyly kisses Karen goodnight. As the young lovers grow closer and the Oakland Athletics win the World Series, Jack believes “everything is falling into place.” On ...
Following the death of his wife in the early 1970s, television personality John Leary relocates to Oakland, California, with his two sons: twelve-year-old Jack and three-year-old Dylan. Due to his job hosting the late-night horror movie program, Midnight Shriek, Leary quickly gains popularity among the eccentric neighborhood children, who believe in monsters and live in fear of their crippled neighbor, Norman Strick. One evening, the children spray-paint Norman’s front stoop, but are frightened away by his vicious dog. As Jack sneaks back to bed, Norman arrives at the Leary household with his foot bloodied. Without revealing Jack’s involvement in the prank, Norman claims to have cut himself while investigating a noise in his yard, and Leary takes him to the hospital. Over time, Leary’s former in-laws become increasingly critical of his heavy drinking and his decision to leave the boys with a babysitter while he is at work. On the first day of the new school year, Leary oversleeps, forcing Jack to take a tearful Dylan to preschool. Tragedy strikes the neighborhood when the grandmother and guardian of a child named Dexter Mitchell dies of a drug overdose. The incident reminds Leary of his responsibilities as a parent, and he resolves to walk his sons to school every day. When a girl named Karen Morris shows romantic interest in Jack, he invites her over for dinner. After the meal, Leary leads them in a series of games, and Jack shyly kisses Karen goodnight. As the young lovers grow closer and the Oakland Athletics win the World Series, Jack believes “everything is falling into place.” On Halloween, Jack decides he is too mature to go trick-or-treating in costume, and opts to pass out candy at home instead. After visiting with Norman Strick, Dexter Mitchell shows up at the Leary house dressed in a Nazi uniform. Horrified, Jack immediately tells his father, who remains skeptical until Norman knocks on the door collecting campaign contributions for a Neo-Nazi state assembly candidate. Just then, the Learys’ black babysitter enters the house, and Jack closes the door in Norman’s face. That night on his television show, Leary goes on a drunken tirade lambasting Norman’s beliefs. The next morning, Jack finds Norman’s dog poisoned on their front lawn, and police wrongly suspect Leary. In the following weeks, Leary’s producer suspends him from the show, and Karen breaks up with Jack. Embarrassed by his father’s behavior, Jack implores him to start acting like an adult. Instead, Leary withdraws, leaving Jack to tend to his younger brother. One afternoon, Dylan and Dexter watch television while Jack retreats to the attic to cry about the loss of his mother. Upon his return, Dexter announces that Norman kidnapped Dylan and drove away in a white car. Police investigate, and Leary speaks about the issue to the viewers of his television show. As tension settles over the house, Jack remembers the argument between his parents that preceded his mother’s death in a car accident. A few days later, Leary and Jack learn that Dylan has been found in a muddy creek across town. After three days in the hospital, the boy is allowed to return home, but he refuses to speak. Meanwhile, stress causes Jack to lash out at his schoolteacher, and Leary loses his temper with his in-laws. Finally cracking, he goes to the Strick house and threatens Norman’s elderly parents with a baseball bat, beating dents into Norman’s prized Thunderbird convertible. As a result, the Leary children are sent to stay with their grandparents in Los Angeles, California. Miserable there, Jack books a one-way airplane ticket back to Oakland to retrieve his father, whose anguish has caused him to struggle at work. Late that night, Leary returns home and begins fixing a sandwich, unaware that his son is asleep upstairs. In the basement, Norman secretly cuts the power line, pitching the house into darkness. Jack hears the intruder, but mistakenly clubs his father on the head, knocking him unconscious. Norman emerges from the hall closet and chases the boy out the upstairs bathroom window. Jack becomes trapped on a tree branch, but Norman loses his footing and falls among a pack of ferocious dogs in the yard below. Sometime later, Leary cleans up the house for Dylan’s homecoming. Although he continues his job as a “creature-feature” host, he refuses to play-act as a monster for the neighborhood children. One night, Jack plays his mother’s favorite song on the piano and begins to sob, uncertain about their family’s future. Dylan approaches and speaks aloud for the first time since his recovery, identifying the name of the song as “Jack the Bear.” In time, Leary watches as his sons resume their lives and play in the yard with their friends.
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