The Vanishing (1993)

R | 109 mins | Drama | 5 February 1993

Director:

George Sluizer

Writer:

Todd Graff

Cinematographer:

Peter Suschitzky

Editor:

Bruce Green

Production Designer:

Jeannine C. Oppewall

Production Company:

Twentieth Century Fox
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HISTORY

The Vanishing is a remake of George Sluizer’s 1988 film, Spoorloos, a $1 million French-Dutch co-production based on Tim Krabbé’s 1984 novel, The Golden Egg. A news item in the 22 Apr 1991 HR announced that George Sluizer had recently agreed to direct an American version of the film for Twentieth Century Fox. According to a 14 Feb 1993 NYT article, when Fox had initially sought film rights to The Golden Egg, which Sluizer still owned, Sluizer agreed to the option only if he was brought on to direct the $20 million production.
       Screenwriter Todd Graff reportedly had American audiences in mind when taking a more “visceral” and less “cerebral” approach to the rewrite. Amongst the changes was a new, upbeat ending in which “Jeff Harriman” triumphs over the villain, “Barney Cousins.” In the original version, the lead character was not rescued after being drugged and buried alive, as noted in the Feb 1993 issue of Us magazine.
       Principal photography began 6 Apr 1992 in Los Angeles, CA, according to production notes in AMPAS library files and a 16 Jun 1992 HR production chart. Production headquarters were set up at a warehouse-studio in south Los Angeles. After a month of filming, the company moved to Seattle and Mt. St. Helens, WA. Barney Cousins’s cabin was filmed in a Snohomish, WA, log cabin owned by the Boy Scouts of America, and the Mini-Mart location was near North Bend, WA, known for its portrayal in the television series Twin Peaks (ABC, 8 Apr 1990--10 Jun 1991). In mid-Jun, filming moved to ...

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The Vanishing is a remake of George Sluizer’s 1988 film, Spoorloos, a $1 million French-Dutch co-production based on Tim Krabbé’s 1984 novel, The Golden Egg. A news item in the 22 Apr 1991 HR announced that George Sluizer had recently agreed to direct an American version of the film for Twentieth Century Fox. According to a 14 Feb 1993 NYT article, when Fox had initially sought film rights to The Golden Egg, which Sluizer still owned, Sluizer agreed to the option only if he was brought on to direct the $20 million production.
       Screenwriter Todd Graff reportedly had American audiences in mind when taking a more “visceral” and less “cerebral” approach to the rewrite. Amongst the changes was a new, upbeat ending in which “Jeff Harriman” triumphs over the villain, “Barney Cousins.” In the original version, the lead character was not rescued after being drugged and buried alive, as noted in the Feb 1993 issue of Us magazine.
       Principal photography began 6 Apr 1992 in Los Angeles, CA, according to production notes in AMPAS library files and a 16 Jun 1992 HR production chart. Production headquarters were set up at a warehouse-studio in south Los Angeles. After a month of filming, the company moved to Seattle and Mt. St. Helens, WA. Barney Cousins’s cabin was filmed in a Snohomish, WA, log cabin owned by the Boy Scouts of America, and the Mini-Mart location was near North Bend, WA, known for its portrayal in the television series Twin Peaks (ABC, 8 Apr 1990--10 Jun 1991). In mid-Jun, filming moved to Cody, WY, where a 3,000-foot tunnel leading into Yellowstone National Park doubled as the tunnel in which Jeff Harriman’s car runs out of gas.
       A 7 Aug 1992 HR brief mentioned that principal photography had concluded.
       Critical reception was tepid. After twelve days in theaters, the film had grossed only $9.8 million, according to the 17 Feb 1993 DV. Director George Sluizer, who did not have final cut, was reportedly disappointed with the released version of the film, which he claimed had gone “from a Hitchcock movie to ‘Friday the 13th,’” as quoted in the 25 May 1993 HR.
       End credits include “Special Thanks” to: Washington State Film Commission; Cities of Seattle, Bellevue, Monroe, Northbend, and Snohomish, Washington; Office of the Mayor of Seattle; United States Forest Service; Wyoming Film Commission; City of Cody Film Office; Wyoming Highway Patrol; Park County Sheriff’s Department; Cody Tunnel Engineering Department.

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GEOGRAPHIC LOCATIONS
SOURCE CITATIONS
SOURCE
DATE
PAGE
Daily Variety
5 Feb 1993
p. 4, 49
Daily Variety
17 Feb 1993
---
Hollywood Drama-Logue
13-19 Feb 1992
---
Hollywood Reporter
22 Apr 1991
---
Hollywood Reporter
16 Jun 1992
---
Hollywood Reporter
7 Aug 1992
---
Hollywood Reporter
5 Feb 1993
p. 6, 16
Hollywood Reporter
25 May 1993
---
Los Angeles Times
5 Feb 1993
p. 8
Long Beach Press-Telegram
22 Jun 1992
---
New York Times
5 Feb 1993
Section C, p. 3
New York Times
14 Feb 1993
Section A, p. 13
New York Times
14 Feb 1993
Section A, p. 20
Us
Feb 1993
---
Variety
8 Feb 1993
p. 73
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION COMPANY
PRODUCTION TEXTS
A Morra, Brezner, Steinberg & Tenenbaum production
A George Sluizer film
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTORS
Unit prod mgr
1st asst dir
2d asst dir
2d 2d asst dir
PRODUCERS
Co-prod
Exec prod
Exec prod
WRITER
PHOTOGRAPHY
Dir of photog
Cam op
Addl cam op
Katherine Butler
1st asst cam
1st asst cam
2d asst cam
Steadicam op
Steadicam op
Steadicam op
Steadicam asst
Steadicam asst
Steadicam asst
Gaffer
Best boy elec
Elec
Elec
Rigging gaffer
Key grip
Best boy grip
Dolly grip
Rigging key grip
Grip
Rigging grip
Still photog
Cam op, Aerial unit
Wescam tech, Aerial unit
Lighting equip supplied by
Musco light tech
Loc projection system supplied by
Cam op
1st asst cam
1st asst cam
1st asst cam
2d asst cam
ART DIRECTORS
Jeannine C. Oppewall
Prod des
Art dir
Art dept coord
FILM EDITORS
Film ed
Assoc ed
Asst ed
Negative cutter
SET DECORATORS
Anne Ahrens
Set dec
Set des
Leadman
Set dresser
Set dresser
Set dresser
Set dresser
Set dresser
Set dresser
Prop master
Asst prop
Asst prop
Const coord
Const foreman
Const foreman
Const foreman
Labor foreman
Propmaker
Paint supv
Standby painter
Painter
Greensman
COSTUMES
Cost des
Cost supv
Key costumer
Key costumer
Seamstress
MUSIC
Mus comp and cond
Supv mus ed
Scoring mixer
Musicians contractor
SOUND
Sd mixer
Boom op
Peggy Names
Cable person
Supv sd ed
Supv ADR ed
Supv foley ed
ADR asst
1st asst sd ed
Asst sd ed
Asst sd ed
Rerec mixer
Rerec mixer
Foley artist
Foley artist
Foley mixer
Foley rec
Charleen Richards
ADR mixer
Post prod sd services provided by
Stage rec
Stage rec
Loader
Loader
Loader
Rerec eng
Rerec eng
VISUAL EFFECTS
Translite backings
Spec eff coord
Spec eff supv
Titles and opt by
MAKEUP
Makeup supv
Sheryl Berkoff-Lowe
Makeup artist
Hairstylist
Addl hair stylist
PRODUCTION MISC
Risa Bramon Garcia
Casting
Casting
Scr supv
Asst prod coord (L.A.)
Asst to Mr. Brezner
Asst to Mr. Schiff
Asst to Mr. Schiff
Asst to Mr. Sluizer
Asst to Mr. Sluizer
Asst to Mr. Bridges
Asst to Mr. Sutherland
Loc mgr (L.A.)
Asst loc mgr (L.A.)
Loc consultant (Seattle)
Asst loc consultant (Seattle)
Loc intern (Seattle)
Bug wrangler
Transportation coord
Transportation capt
Transportation capt
Transportation capt
Unit pub
Projectionist
Casting assoc
Casting asst
Seattle casting
Extras casting (L.A.)
Extras casting (L.A.)
Extras casting (Seattle)
Extras casting asst
Prod accountant
Asst prod accountant
Payroll accountant
Accounting asst
Accounting asst
Prod asst/Office
Prod asst/Office
Prod asst/Office
Prod asst/Set
Prod asst/Set
Prod asst/Set
Prod asst/Set
Prod asst/Set
Prod asst/Set
Prod asst/Set
Prod asst/Set
Teacher/Welfare worker
Set medic
Craft service
Caterer, Tomkat's Catering
Caterer, Tomkat's Catering
Caterer, Tomkat's Catering
Caterer, Tomkat's Catering
Helicopter pilot, Aerial unit
STAND INS
Stunt coord
Stunts
Stunts
Stunts
Stunts
Stunts
Stunts
Stunts
COLOR PERSONNEL
Col timer
Col by
SOURCES
LITERARY
Based upon the novel "The Golden Egg" by Tim Krabbe (New York, 1984).
LITERARY SOURCE AUTHOR
SONGS
“Copacabana,” written by Barry Manilow, Bruce Sussman and Jack Feldman; “Wipe Out,” written by Ron Wilson, Robert Berryhill, James Fuller and Patrick Connelly; “Quittin’ Time,” written by Ray Benson and Tim DuBois, performed by Asleep at the Wheel, courtesy of Arista Records; “Sweet Rain,” written by James Michael Taylor, performed by Texas Water, courtesy of Old Hat Records.
SONGWRITERS/COMPOSERS
+ −
DETAILS
Release Date:
5 February 1993
Premiere Information:
Los Angeles and New York openings: 5 Feb 1993
Production Date:
began 6 Apr 1992
Copyright Info
Claimant
Date
Copyright Number
Twentieth Century Fox Film Corporation
1 February 1993
PA599063
Physical Properties:
Sound
Spectral recording Dolby Stereo SR™ in selected theatres
Color
Widescreen/ratio
1.85:1
Lenses
Filmed with Panavision® cameras & lenses
Duration(in mins):
109
MPAA Rating:
R
Country:
United States
Language:
English
PCA No:
31991
SYNOPSIS

At his mountain cabin, chemistry teacher Barney Cousins prepares to abduct a woman using a handkerchief soaked in chloroform. Elsewhere, Jeff Harriman and Diane Shaver, a young couple from Seattle, Washington, drive through Mt. St. Helens on vacation. Jeff’s car runs out of gas in a highway tunnel, and Diane panics as a truck nearly runs them over. The couple argues, and Jeff sets out alone to get gas. When he returns, they drive to a Mini-Mart where Diane makes Jeff promise to never abandon her again. She offers to drive the next leg and takes the car keys with her when she goes inside to use the bathroom. Jeff awaits her return, but becomes worried after several minutes have passed. He searches for Diane, to no avail. Later, he reports her missing and loses his temper when a policeman suggests Diane left of her own volition. Jeff spends the night in the parking lot, smoking Diane’s discarded cigarette butts and burying his face in her sweater. Three years later, Jeff has not given up his search for Diane. At the school where Barney Cousins teaches, Barney’s colleague points out a new missing persons poster for Diane and remarks that Jeff posts a fresh sign every three months. Barney admires Jeff’s perseverance. One night, an exhausted Jeff goes to a diner and meets Rita Baker, a feisty waitress who recognizes him from high school. Rita takes an interest in Jeff and encourages him to get some rest on a cot in back of the diner. Sometime later, Rita moves into Jeff’s apartment. Riffling through his things, she is disturbed to find a loaded gun, but Jeff claims he ...

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At his mountain cabin, chemistry teacher Barney Cousins prepares to abduct a woman using a handkerchief soaked in chloroform. Elsewhere, Jeff Harriman and Diane Shaver, a young couple from Seattle, Washington, drive through Mt. St. Helens on vacation. Jeff’s car runs out of gas in a highway tunnel, and Diane panics as a truck nearly runs them over. The couple argues, and Jeff sets out alone to get gas. When he returns, they drive to a Mini-Mart where Diane makes Jeff promise to never abandon her again. She offers to drive the next leg and takes the car keys with her when she goes inside to use the bathroom. Jeff awaits her return, but becomes worried after several minutes have passed. He searches for Diane, to no avail. Later, he reports her missing and loses his temper when a policeman suggests Diane left of her own volition. Jeff spends the night in the parking lot, smoking Diane’s discarded cigarette butts and burying his face in her sweater. Three years later, Jeff has not given up his search for Diane. At the school where Barney Cousins teaches, Barney’s colleague points out a new missing persons poster for Diane and remarks that Jeff posts a fresh sign every three months. Barney admires Jeff’s perseverance. One night, an exhausted Jeff goes to a diner and meets Rita Baker, a feisty waitress who recognizes him from high school. Rita takes an interest in Jeff and encourages him to get some rest on a cot in back of the diner. Sometime later, Rita moves into Jeff’s apartment. Riffling through his things, she is disturbed to find a loaded gun, but Jeff claims he needs it for protection. After submitting his novel to publishers, Jeff takes a meeting with Arthur Bernard, an editor who turns down the book but commissions Jeff to write one about his search for Diane, instead. Although he has tried to put Diane’s disappearance behind him now that he is with Rita, Jeff agrees and begins work on the book. Rita is curious about Jeff’s new project, but he refuses to discuss it. Pretending to join the Army Reserves, he secretly sets up an office at a nearby motel. One day, Rita snoops around on Jeff’s computer and discovers his scheme. She surprises Jeff at the motel and finds his room plastered with newspaper articles about Diane’s disappearance. Rita takes Jeff back to the Mini-Mart where Diane went missing and tells him he must choose between her and his obsession with Diane. Jeff admits that not knowing what happened to Diane has nearly driven him crazy, but he promises Rita he loves only her, and agrees to give up writing the book. Sometime later, Barney Cousins notices that Jeff has stopped his search. Barney types a letter to Jeff, arranging to meet him at a yacht club. Jeff goes to the appointed meeting spot, and has Rita meet him there. Barney observes from afar as Rita reprimands Jeff. She refuses to believe that the letter came from Diane’s actual kidnapper and urges Jeff to hand the letter over to police. Jeff insists on pursuing the man himself, and Rita storms away. At their apartment, she packs her things to leave. Barney sneaks inside with a chloroform-soaked handkerchief, but Rita leaves before he has a chance to attack. When Jeff returns home, Barney introduces himself as Diane’s captor. Livid, Jeff kicks him down the stairwell outside his apartment. Barney offers to show Jeff what happened to Diane, insisting that Jeff drive away with him. Jeff reluctantly agrees, and Barney takes him back to the Mini-Mart. He offers Jeff a drugged cup of coffee, saying that Jeff must go through exactly what Diane went through if he wants to find out what happened to her. Despite his misgivings, Jeff drinks the coffee. Meanwhile, Rita gets drunk at a bar and calls home. She hears the new answering machine greeting Jeff was leaving when Barney introduced himself. Hearing Barney’s voice, Rita panics and rushes home. She questions her mentally ill neighbor, Miss Carmichael, who saw Jeff leave with Barney. She recalls Barney’s license plate number from memory. At the police station, Rita falsely reports that her car was stolen, using Barney’s license plate number to ascertain his last name and home address. Outside Barney’s house, Rita sees Barney’s thirteen-year-old daughter, Denise, who believes her dad is having a romantic love affair and excitedly assumes Rita is his mistress. Rita goes along with the ruse and tricks Denise into giving her directions to Barney’s cabin. Jeff wakes up in a coffin and panics as he realizes he has been buried alive. Rita arrives at the cabin. Outside, Barney creeps up behind her, but she knocks him over the head and runs through the woods and into the cabin, where she calls police. However, the telephone receiver is covered in chloroform and she drops it in a stupor. Barney corners Rita and offers her a cup of drugged coffee. He tells her if she wants to know what happened to Jeff, she must experience exactly what he did. Rita notices wood chips on Barney’s shoes and a shovel leaning against a wall, and recalls a mound of dirt outside where Jeff might have been buried. She convinces Barney that she kidnapped Denise and tells him he must drink the coffee to find out what happened to her. Barney complies and passes out. Rita runs outside with the shovel and digs up Jeff’s coffin. She finds him alive but unconscious just before Barney comes up behind her with a saw. Barney wrestles Rita to the ground. Gasping for air, Jeff regains consciousness and uses the shovel to deliver a fatal blow to Barney’s head. Jeff and Rita embrace, and Jeff assures her, “It’s over.” Sometime later, Jeff and Rita have lunch with Arthur Bernard, the book editor who earlier commissioned a book about Diane. Although Rita tells Bernard that she and Jeff want to put it behind them, Bernard insists that Jeff write about their horrific real-life experience just as a waiter delivers two coffees, and Rita and Jeff wave him away.

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Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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