Vegas in Space (1993)

85 mins | Science fiction, Comedy | 27 August 1993

Director:

Phillip R. Ford

Producer:

Phillip R. Ford

Cinematographer:

Robin Clark

Production Designer:

Doris Fish

Production Company:

Fish/Ford Films
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HISTORY

Opening credits state: “Based on the party by Ginger Quest.”
       According to publicity materials in AMPAS library files, director Phillip R. Ford met San Francisco, CA, drag queen Doris Fish while he was still a film student, and agreed to direct her feature film debut. Fish collaborated with her friend, Miss X, on the screenplay, and also served as production, set, miniatures, costumes, makeup, and hair designer. The 16 Jul 1992 DV review indicated that filming was completed between 1983 and 1985, “in stops and starts,” as money became available. DV and the 31 Oct 1991 SFChron estimated a budget of $65,000--$70,000.
       Fish died from complications related to AIDS (Acquired Immune Deficiency Syndrome) before the film’s release.
       Vegas in Space played at several festivals, including the 1992 Chicago Film Festival, Sundance Film Festival, and the Boston Lesbian and Gay Film/Video Festival, before its theatrical release the following year. A 27 Aug 1993 LAT advertisement announced an “exclusive engagement” at the Nuart Theatre in Los Angeles, CA, while the 14 Dec 1993 Village Voice reported a New York City release date of 10 Dec 1993.
       The 23 Aug 1993 HR reviewer acknowledged that the filmmakers meant to create “a movie so trashy and self-parodying that wayward moviegoers would enjoy laughing it off the screen,” but concluded that the “drag gueen spoof” was a “nightmare of tackiness and amateurism," and “the joke is old in the first 10 minutes.” However, the 29 Aug 1993 LAT critic found the movie “an endearing drag travesty,” and enjoyed its “gossamer-like camp aesthetic” and “rich, bizarre costumes.” ...

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Opening credits state: “Based on the party by Ginger Quest.”
       According to publicity materials in AMPAS library files, director Phillip R. Ford met San Francisco, CA, drag queen Doris Fish while he was still a film student, and agreed to direct her feature film debut. Fish collaborated with her friend, Miss X, on the screenplay, and also served as production, set, miniatures, costumes, makeup, and hair designer. The 16 Jul 1992 DV review indicated that filming was completed between 1983 and 1985, “in stops and starts,” as money became available. DV and the 31 Oct 1991 SFChron estimated a budget of $65,000--$70,000.
       Fish died from complications related to AIDS (Acquired Immune Deficiency Syndrome) before the film’s release.
       Vegas in Space played at several festivals, including the 1992 Chicago Film Festival, Sundance Film Festival, and the Boston Lesbian and Gay Film/Video Festival, before its theatrical release the following year. A 27 Aug 1993 LAT advertisement announced an “exclusive engagement” at the Nuart Theatre in Los Angeles, CA, while the 14 Dec 1993 Village Voice reported a New York City release date of 10 Dec 1993.
       The 23 Aug 1993 HR reviewer acknowledged that the filmmakers meant to create “a movie so trashy and self-parodying that wayward moviegoers would enjoy laughing it off the screen,” but concluded that the “drag gueen spoof” was a “nightmare of tackiness and amateurism," and “the joke is old in the first 10 minutes.” However, the 29 Aug 1993 LAT critic found the movie “an endearing drag travesty,” and enjoyed its “gossamer-like camp aesthetic” and “rich, bizarre costumes.”
       End credits include the acknowledgments: “For their generous contributions and support, the producers wish to extend a very special thank you to: Laura Milligan; Paul Joseph; Earl and Camille Ford; Robert Hawk; Greg Foss; Dalton Bradley Chandler II; Mark Elliott; Randy West; David Lindsey; In-Camera Film and Video; Mark Oram; Full Frame Productions; Meredith Mac Intosh; Rob Foster; David Hopkins-Moore; Julie Hopkins-Moore; Raymond Keebaugh; John Canalli; Ron Pennington; Film Arts Foundation, San Francisco; West Graphics; San Francisco,” and, “Also thanks to: Greg Bonnell; Deborah Brubaker; Yvette Bozzini; Carmela Carlyle; Patrice Catanio; Douglas Conrad; Shirley Cope; Sanda Counts; Ken Coupland; Caroline Cunningham; Brain Driscoll; Scott Fallin; Mark Finch; Dan Goldstein; Marga Gomez; Steve Hagen; Marc Huestis; Brad Johnson; Toni and David Kafton; Robert and Caki Kennedy; Ira Kleinberg; Scrumbley Koldewyn; Mick La Salle; Bambi Lake; Phil Lortie; Eric Mason; John Mason; Jan Mauro; Marina McDougal; Joe McHenry; Peirre Merkl; Scott Miller; Randy Musgrave; Toni Navarro; Anne O’Toole; Esther K. Paik; Stephen Parr; Diet Popstitute; Lu Read; Jeff Rosenstock; Frances Rowell; Ambi Sextrous; Philip Justin Smith; Rico Schwartzberg; Shanti Project; Dan Stormes; Theater Artaud; Claire Tompkins; Gwyn Waters; Michael Weber; David Weissman; Kevin White; Ted White; Bob Zygarlicky.” A dedication also reads: “For Doris, With Love, August 11, 1952 – June 22, 1991.”

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GEOGRAPHIC LOCATIONS
SOURCE CITATIONS
SOURCE
DATE
PAGE
Chicago Tribune
9 Oct 1992
p. 36
Daily Variety
16 Jul 1992
---
Gay Community News
4 Jul 1992
p. 7
Hollywood Reporter
23 Aug 1993
p. 12, 14
LA Weekly
3-9 Sep 1993
p. 69
Los Angeles Times
29 Aug 1993
Calendar, p. 15
San Francisco Chronicle
31 Oct 1992
Section E, p. 2
Variety
10 Aug 1992
p. 57
Village Voice
14 Dec 1993
---
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION COMPANY
PRODUCTION TEXTS
Lloyd Kaufman and Michael Herz present
A Troma Team Release
A Fish/Ford Film
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTOR
PRODUCERS
Assoc prod
Exec prod
WRITERS
Scr
Addl dial
Addl dial
PHOTOGRAPHY
Dir of photog
Stills
ART DIRECTORS
Prod des
Asst art dir
FILM EDITORS
Ed Jones
Film ed
Film ed
Asst film ed
Asst film ed
Negative conforming
SET DECORATOR
Sets des by
COSTUMES
Cost des by
MUSIC
Songs by
Songs by
Score
Addl mus comp by
SOUND
Sd des
Sd rec
Post prod sd
Addl sd rec
Addl sd rec
Addl sd rec
Addl sd rec
Sd eff ed
Sd eff ed
Sd des
Sd supv
VISUAL EFFECTS
Miniatures des by
Visual eff des by
Pyrotechnics
Opticals, Guerrilla Opticals
Opticals, Guerrilla Opticals
Titles
MAKEUP
Makeup and hair des by
PRODUCTION MISC
Dir's asst
Dir's asst
Prod asst
Prod asst
Prod asst
Prod asst
Prod asst
Continuity
STAND INS
Addl dial performed by
Addl dial performed by
Addl dial performed by
Addl dial performed by
COLOR PERSONNEL
Col timer
Processing and prints
SOURCES
SONGS
"Love Theme From Vegas In Space," music and lyrics by Timmy Spence, performed by Timmy Spence and Kate Guthorn, engineered by Oliver Di Ciccio/Mobius Music; "Moonwalk," written, arranged and performed by Timmy Spence, produced by Barry Beam, engineered by Jim Keylor; "Doom Room," music and lyrics by Ramona Fischer, performed by Ramona Fischer and Jeanette Szudy, arranged by Jeanette Szudy, engineered by Tom Mallon; "Space Surfing," music and lyrics by Ramona Fischer, arranged and performed by The Showgirls From Earth, engineered by Tom Mallon; "(Hey Hey) Walk This Way," music by J. Raoul Brody and Bob Davis, lyrics by Miss X, Connie Champagne, J. Raoul Brody and Bob Davis, performed by Connie Champagne with Pearl E. Gates and Michael Benbrook, engineered by Andy Murdock.
SONGWRITERS/COMPOSERS
+
DETAILS
Release Date:
27 August 1993
Premiere Information:
Los Angeles opening: 27 Aug 1993; New York opening: 10 Dec 1993
Production Date:
1983--1985
Copyright Info
Claimant
Date
Copyright Number
Fish/Ford Films
10 March 1993
PA606107
Physical Properties:
Sound
Color
Black and White
gauge
16mm
Duration(in mins):
85
Country:
United States
Language:
English
SYNOPSIS

Vel Croford, Empress of Earth, sends a team of male space cadets to respond to a distress call on the planet Clitoris, home of the glitzy resort complex known as “Vegas in Space.” Because males are banned from the planet, the travelers take gender-reversal pills and go undercover as mid-twentieth century showgirls sent to entertain the Clitorian ruler, Nueva Gabor, at her annual sleepover party. As they transform, the crew adopt female names: Captain Dan Tracey becomes Captain “Tracey Daniels,” while Lieutenants Mike Shadows and Steve Dane choose to be called “Sheila” and “Debbie.” On the planet’s surface, Vice Empress Princess Angel gives them a tour and introduces them to Nueva Gabor. The empress informs the agents that they have been summoned to the planet to investigate a recent surge in crime, including the theft of her precious “Girlinium” gems, which are essential to maintaining the planet’s orbit around the sun. Without them, the resort is in danger of being destroyed by progressively violent seismic activity. Although considered the prime suspect, Clitorian Queen of Police Veneer is equally worried about the planet’s fate. During Nueva Gabor’s sleepover, Sheila uncovers Princess Angel’s hidden boudoir, filled with strange masks and gadgets. Queen Veneer chases Angel through the party, but an earthquake strikes and knocks Angel to the ground. The impact causes her head to pop off, revealing that she is actually an animatronic doll, and the Girlinium stones are hidden underneath her wig. With the planet’s safety restored, Nueva Gabor and the citizens rejoice. Queen Veneer decides to take a long overdue vacation to planet Mexico, and Tracey steps in as her temporary replacement. Accompanied by two new recruits, Sheila and ...

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Vel Croford, Empress of Earth, sends a team of male space cadets to respond to a distress call on the planet Clitoris, home of the glitzy resort complex known as “Vegas in Space.” Because males are banned from the planet, the travelers take gender-reversal pills and go undercover as mid-twentieth century showgirls sent to entertain the Clitorian ruler, Nueva Gabor, at her annual sleepover party. As they transform, the crew adopt female names: Captain Dan Tracey becomes Captain “Tracey Daniels,” while Lieutenants Mike Shadows and Steve Dane choose to be called “Sheila” and “Debbie.” On the planet’s surface, Vice Empress Princess Angel gives them a tour and introduces them to Nueva Gabor. The empress informs the agents that they have been summoned to the planet to investigate a recent surge in crime, including the theft of her precious ���Girlinium” gems, which are essential to maintaining the planet’s orbit around the sun. Without them, the resort is in danger of being destroyed by progressively violent seismic activity. Although considered the prime suspect, Clitorian Queen of Police Veneer is equally worried about the planet’s fate. During Nueva Gabor’s sleepover, Sheila uncovers Princess Angel’s hidden boudoir, filled with strange masks and gadgets. Queen Veneer chases Angel through the party, but an earthquake strikes and knocks Angel to the ground. The impact causes her head to pop off, revealing that she is actually an animatronic doll, and the Girlinium stones are hidden underneath her wig. With the planet’s safety restored, Nueva Gabor and the citizens rejoice. Queen Veneer decides to take a long overdue vacation to planet Mexico, and Tracey steps in as her temporary replacement. Accompanied by two new recruits, Sheila and Debbie return to Earth for their new mission.

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Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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