Who's the Man? (1993)

R | 89 mins | Comedy | 23 April 1993

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HISTORY

On 24 Sep 1992, Long Beach Press-Telegram announced that New Line Cinema had signed a low-budget motion picture deal with Ed Lover and Dr. Dré of the MTV network music video program, “Yo! MTV Raps.” The film, referred to as Who’s the Man, marked the feature film directorial debut of Ted Demme, nephew of Academy Award-winning director, Jonathan Demme. An article in the 19 Nov 1992 DV reported that Lover and Dré suggested Demme, a former schoolmate and producer of Yo! MTV Raps, after the project was assembled by the duo’s manager, Charlie Stettler, at Tin Pan Apple. As a result, the 28 Sep 1992 Var announced that New Line decided to extend its first-look agreement with de Passe Entertainment. Various sources estimated a budget of $4--$5 million.
       According to a 27 Oct 1992 HR production chart, the six-week location shoot began the previous day in New York City. Controversy arose when the 23 Nov 1992 issue of New York magazine reported that the production hired homeless people and drug addicts from the New York City borough of Harlem to appear as background actors, who were then underfed and denied their full promised payment after lengthy workdays. Although publicist Terrie Williams insisted that the production adhered to all Screen Actors Guild (SAG) regulations, the claims prompted a guild investigation.
       Reviews were mixed. According to the 26 Apr 1993 DV, Who’s the Man? opened at number two at the box-office, taking in a gross of $5 million.
       End credits state: “Special Thanks to: The personnel of the New York City Mayor’s ...

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On 24 Sep 1992, Long Beach Press-Telegram announced that New Line Cinema had signed a low-budget motion picture deal with Ed Lover and Dr. Dré of the MTV network music video program, “Yo! MTV Raps.” The film, referred to as Who’s the Man, marked the feature film directorial debut of Ted Demme, nephew of Academy Award-winning director, Jonathan Demme. An article in the 19 Nov 1992 DV reported that Lover and Dré suggested Demme, a former schoolmate and producer of Yo! MTV Raps, after the project was assembled by the duo’s manager, Charlie Stettler, at Tin Pan Apple. As a result, the 28 Sep 1992 Var announced that New Line decided to extend its first-look agreement with de Passe Entertainment. Various sources estimated a budget of $4--$5 million.
       According to a 27 Oct 1992 HR production chart, the six-week location shoot began the previous day in New York City. Controversy arose when the 23 Nov 1992 issue of New York magazine reported that the production hired homeless people and drug addicts from the New York City borough of Harlem to appear as background actors, who were then underfed and denied their full promised payment after lengthy workdays. Although publicist Terrie Williams insisted that the production adhered to all Screen Actors Guild (SAG) regulations, the claims prompted a guild investigation.
       Reviews were mixed. According to the 26 Apr 1993 DV, Who’s the Man? opened at number two at the box-office, taking in a gross of $5 million.
       End credits state: “Special Thanks to: The personnel of the New York City Mayor’s Office for Film, Theatre and Broadcasting; The members of the Special Operations Division of the New York City Police Department; MTV: Music Television; Bob Friedman, President, New Line Television; J. Lee Friedman; Jeremy Koch; Joey Violante; Craig Seli; Hypnotic Hats, Inc.; Zydeco Group; Cross Colors/Kari Kani; Starter; L.P.I. Sportswear; Major Damage; Van Grak, Inc.; Rapp Style.”
       Several cast members are listed differently in opening and end credits: Salt ‘N Pepa are credited separately as “Cheryl ‘Salt’ James” and “Pepa”; members of the musical group House of Pain are listed as Everlast, Danny Boy O’Connor, and Leor Dimant; Andre Blake is listed as “Andre B. Blake”; Todd I is listed as “Todd-I”; Melle Mel is “Grand Master Melle Mel”; while B-Real is the only member of Cypress Hill credited onscreen. Jam Master Jay of the group Run DMC is credited simply as “Jay.”
       Stunt player Gregg Smrz is credited onscreen as “Greg Srmz,” and accounting assistant Darryl A. Smith is credited as “Darry A. Smith.”

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GEOGRAPHIC LOCATIONS
SOURCE CITATIONS
SOURCE
DATE
PAGE
Daily Variety
19 Nov 1992
---
Daily Variety
26 Apr 1993
---
Hollywood Reporter
27 Oct 1992
---
Hollywood Reporter
23 Apr 1993
p. 12, 28
Long Beach Press-Telegram
24 Sep 1992
Section D, p. 4
Los Angeles Times
23 Apr 1993
Calendar, p. 10
New York
23 Nov 1992
---
New York Times
23 Apr 1993
p. 19
Variety
28 Sep 1992
---
Variety
26 Apr 1993
p. 69
CAST
NAME
CREDITED AS
CREDIT
Starring:
The Guru
Yolanda Whitaker (Yo-Yo)
Featuring
as "Nighttrain"
Terrence Dashon Howard
(Full Force)
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PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION TEXTS
New Line Cinema presents
A New Line Production
In Association with Tin Pan Apple/de Passe Entertainment/Thomas Entertainment
A Film by Ted Demme
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTORS
Dir
Unit prod mgr
1st asst dir
2d asst dir
2d 2d asst dir
PRODUCERS
Line prod
Exec prod
WRITERS
Story
Story
PHOTOGRAPHY
Dir of photog
1st asst cam
Steadicam®
Steadicam® asst
Adger Cowans
Still photog
Best boy
Best boy
Key grip
Dolly grip
Cam prod asst
Video playback
Cam & grip equip
Cam & grip equip
Panavision® equip supplied by
ART DIRECTORS
Prod des
Asst to Ruth Ammon
Art dept coord
FILM EDITORS
Film ed
1st asst ed
2d asst ed
2d asst ed
Post prod supv
Negative cutting
SET DECORATORS
Prop master
Asst props
Set dec
Lead person/Dresser
On set dresser
Set dresser
Set dresser
Asst to Sue Raney
Const coord
Scenic artist
COSTUMES
Cost des
Ward supv
Ward asst
Asst to cost des
Cost dept asst
Fashion show designs by
at Wilbourn Exclusives
MUSIC
Nic. tenBroek
Mus
Mus ed
Asst mus ed
Mus supv
Mus supv
Spec mus pub
Mus legal adv
Piano/Keyboards, Mus score musician
Nic. tenBroek
Keyboards, Mus score musician
Guitars/MPC-60, Mus score musician
Tenor sax, Mus score musician
John B. Williams
Bass, Mus score musician
Drums, Mus score musician
SOUND
Boom op
Supv sd ed
Dial ed
ADR supv
ADR ed
Asst sd ed
Asst sd ed
Foley artist
Foley eng
ADR eng
ADR eng
Re-rec mixer
Re-rec mixer
Sound One studio mgr
Post prod sd by
VISUAL EFFECTS
Spec eff
Titles & opticals by
Main title des
MAKEUP
Key makeup
Barber/Addl hairstylist
Wig des
PRODUCTION MISC
Casting
Prod exec
Exec in charge of post prod
Prod controller
Prod coord
Prod accountant
Contracts supv
Business affairs asst
Asst prod office coord
Asst auditor
Accounting asst
Casting asst
Asst to the prods
Office asst
Office asst
Intern
Intern
Asst to Mr. Demme
Asst to Doctor Dré
Loc mgr
Asst loc mgr
Asst loc mgr
Asst loc mgr
Product placement
Product placement coord
Teamster capt
Parking coord
Set prod asst
Set prod asst
Set prod asst
Set prod asst
Set prod asst
Caterers
Craft service
Extras casting
Extras casting asst
Extras casting asst
Security
Security
Security
Security
Unit pub
The Terrie Williams Agency
Unit pub
The Terrie Williams Agency
Electronic press kit
Payroll services
Insurance provided by
STAND INS
Stunt coord
Stunt player
Stunt player
Stunt player
Stand-in
Stand-in
COLOR PERSONNEL
Col timer
Processing by
SOURCES
SONGS
"Precious Lord, Take My Hand," vocal by Bowlegged Lou (Courtesy of Capitol Records), written by Thomas A. Dorsey, produced by Full Force, published by Warner/Chappell Music, Inc.; "Follow The Leader," performed by Eric B. & Rakim (Courtesy of MCA Records), written by Eric B. & Rakim, published by EMI Blackwood Music Inc. and Eric B. & Rakim Music. All rights controlled and administered by EMI Blackwood Music Inc.; "Hip Hop Hurray," performed by Naughty By Nature (Courtesy of Tommy Boy Records), written by Keir Gist, Vincent Brown, Anthony Criss, published by T-Boy Music Publishing, Inc./Naughty Music; "Movin' On Up," written by Jeff Barry and Janet Dubois, used by permission of EMI Belfast Music, Inc.; “Party And Bullshit,” performed by BIG, produced by Easy Mo Bee for Bee Mo Easy Productions, written by Big and Easy Mo Bee, used by permission of Big and EMI April Music Inc./Bee Mo Easy Music and New Line Tunes. Incorporates elements from “I’ll Be There,” written by Geordie/Hutch/West/Davis, used under license from Jobette Music Co., Inc./Stone Diamond Music Corp., performed by Johnny Hammond Smith and used courtesy of Fantasy Inc. Incorporates elements from “The Show,” written by R. Walters/D. Davis, used under license from Danica Music/Entertaining Music./Performed by Doug E. Fresh and used under license from Danya Records; “Let’s Go Through The Motions,” performed by Jodeci, produced by DeVante Swing for Swing Mob Productions, additional production by Darryl Pearson, written by Devante and Chad “Dr. Guess” Elliot, used by permission of EMI April Music Inc. and De Swing Mob, Inc.; “What’s Next On The Menu?,” performed by Pete Rock & C. L. Smooth (Courtesy of Elektra Records, a division of Warner Communications Inc.), produced by Pete Rock for Mecca & the Soul Brother Productions, lyrics by C. L. Smooth, music by Peter Phillips, published by New Line Tunes, Pete Rock Music and Smooth Flowing Music. Incorporates elements from “Summer Madness,” written by A. Taylor/R. McKenns/R. Bell/G. Brown/R. Westfield/D. Thomas/C. Smith, used under license from Warner-Tamerlane Publishing Corp./Second Decade Music Co., performed by Kool & The Gang, used courtesy of Polygram Special Markets. Incorporates elements from “Nautilus,” used courtesy of Tappan Zee Records, Inc./Remidi Music; “You Don’t Have To Worry,” performed by Mary J. Blige, produced by Eddie “DJ Eddie F.” Ferrell for Untouchables Entertainment, co-produced by Kenny “K-Smoove” Kornegay & Darin “Piano Man” Whittington for Untouchables Entertainment, lyrics by Kenny “G-Love” Greene, music by Eddie “DJ Eddie F.” Ferrell and Kenny “K-Smoove” Kornegay, published by Warner/Chappell Music, Inc. and MCA Music Pub., a division of MCA, Inc,. Frabensha Publishing. Incorproates elements from “Papa Don’t Take No Mess,” written by Brown/Wesley/Starks/Bobbit, used under license from Dynatone Publishing Co./Unichappell Music Inc., performed by James Brown, used courtesy of Polygram Special Markets; “Hittin’ Switches,” performed by Erick Sermon (Courtesy of RAL/Chaos/Columbia), produced by Erick Sermon for Grand Royal Productions (P) 1993 Rush Associated Labels, lyrics and music by Erick Sermon, published by New Line Tunes and Grand Royal Records; “Hotness,” performed by Heavy D & Buju Banton, produced by Dave Kelly, written by Dave Kelly, Buju Banton and Heavy D, Buju Banton appears courtesy of Mercury Records, used by permission of EMI April Music Inc., Across 110th St. Publishing, E-Z-Duz-It Publishing, EMI Music Publishing Ltd. and New Line Tunes, the foregoing administered by EMI Blackwood Music Inc., and Germain Music; “Who’s The Man?,” performed by House of Pain (Courtesy of Tommy Boy Music, Inc.), produced by DJ Lethal & Everlast for Buzztone Entertainment, lyrics by Everlast & Danny Boy, music by DJ Lethal & Everlast, published by New Line Tunes, T-Girl Music, Inc. and Lethal Dose Music/Immortal Music/BMG Songs, Inc. All rights to Lethal Dose Music/Immportal Music/BMG Songs, Inc. administered by BMG Songs, Inc. Incorporates elements from “The Master Plan,” written by R. Bell/R. Wright/K. Lassitter/P. Duarte/K. Cheek/M. Cheek/W. Beckett/D. White/K. Bell, used under license from Warner-Tamerlane Publishing Corp./Second Decade Music Co., performed by The KG’s, used under license from Unidisc Canada; “Lovin’ You,” performed by Crystal Johnson,” produced by Randy Fuller & Kevin “Big Kev” McDaniels for Maynes Entertainment, additional production by Crystal Johnson & James Earl Jones, Jr., lyrics by Crystal Johnson & James Earl Jones, Jr., music by Randy Fuller, Kevin “Big Kev” McDaniels & James Earl Jones, Jr., published by Sony Music, New Line Music Co., Maynes Music and Baj Music; “Pimp Or Die,” performed by Father MC, produced by T West & Kool Chris for DawgHouse Entertainment, written by Father MC, T West & Kool Chris, Buttnaked Tim Dawg, Cocheek and J-Z. Used by permission of EMI April Music Inc., Across 110th St. Publishing, Father MC Music, New Line Tunes, Terrance Kelly, Christopher Bryan, Timothy Patterson; “Hello, It’s Me,” performed by Spark 950 & Timbo King, produced by Spark, written by Spark and Timbo King, used by permission of EMI April Music Inc., D. J. Spark Publishing and New Line Tunes; “Ease Up,” performed by 3rd Eye & The Group Home, produced by Jesse West & Lord Finesse for Bad Boy Entertainment, additional production by D. XI, lyrics by 3rd Eye & The Group Home, music by Jesse West, published by New Line Tunes and Ros World, Technician Tunes.
SONGWRITERS/COMPOSERS
+
DETAILS
Alternate Title:
Who's the Man
Release Date:
23 April 1993
Premiere Information:
Los Angeles and New York openings: 23 Apr 1993
Production Date:
began 26 Oct 1992
Copyright Info
Claimant
Date
Copyright Number
New Line Productions, Inc.
16 July 1993
PA625513
Physical Properties:
Sound
Dolby Stereo ® in Selected Theatres
Color
Prints
Prints by Film House; Prints on Fuji
Duration(in mins):
89
MPAA Rating:
R
Country:
United States
Language:
English
PCA No:
32207
SYNOPSIS

Shamed by their reputation as “the worst barbers in Harlem,” Ed Lover and Dr. Dré are forced to seek new employment and reluctantly enlist in the New York City police force. Despite their attempts to fail police academy training, Lover and Dré miraculously pass their final exam and begin working as patrolmen. Meanwhile, landlord Lionel Douglas pressures the duo’s former boss, Nick Crawford, to sell the barbershop to a condominium developer named Demetrius. Hoping to preserve the neighborhood, Nick refuses, and organizes protests against gentrification. As a result, Demetrius sends his henchmen to murder Nick and blow up the barbershop. At Nick’s memorial, Lionel and his niece, Teesha Braxton, inform Lover and Dré that they have inherited the business. After discovering Demetrius’s plan to access an oil reserve under the barbershop building site, Lover and Dré present their suspicions to their police captain, who suspends them from the force. Following a tip from Teesha, the pair investigate a warehouse full of weapons in Brooklyn, where they are cornered by Demetrius’s hitmen. Lover and Dré are rescued by their mentor at the academy, Demetrius is arrested, and Lionel admits he killed Nick. Despite being promoted to become the youngest detectives on the force, Lover and Dré quit police work to reopen the barbershop. At the building site, Dré shoots at a rat and strikes oil. Three months later, Lover and Dré are lauded for their hip and trendy haircuts, making them the most popular barbers in the ...

More Less

Shamed by their reputation as “the worst barbers in Harlem,” Ed Lover and Dr. Dré are forced to seek new employment and reluctantly enlist in the New York City police force. Despite their attempts to fail police academy training, Lover and Dré miraculously pass their final exam and begin working as patrolmen. Meanwhile, landlord Lionel Douglas pressures the duo’s former boss, Nick Crawford, to sell the barbershop to a condominium developer named Demetrius. Hoping to preserve the neighborhood, Nick refuses, and organizes protests against gentrification. As a result, Demetrius sends his henchmen to murder Nick and blow up the barbershop. At Nick’s memorial, Lionel and his niece, Teesha Braxton, inform Lover and Dré that they have inherited the business. After discovering Demetrius’s plan to access an oil reserve under the barbershop building site, Lover and Dré present their suspicions to their police captain, who suspends them from the force. Following a tip from Teesha, the pair investigate a warehouse full of weapons in Brooklyn, where they are cornered by Demetrius’s hitmen. Lover and Dré are rescued by their mentor at the academy, Demetrius is arrested, and Lionel admits he killed Nick. Despite being promoted to become the youngest detectives on the force, Lover and Dré quit police work to reopen the barbershop. At the building site, Dré shoots at a rat and strikes oil. Three months later, Lover and Dré are lauded for their hip and trendy haircuts, making them the most popular barbers in the neighborhood.

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Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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