Director:
Sidney J. FurieWriter:
Barry SandlerProducer:
Harry KorshakCinematographer:
Jordan S. CronenwethEditor:
Argyle NelsonProduction Designer:
Edward C. CarfagnoProduction Company:
Universal PicturesThe summary and note for this entry were completed with participation from the AFI Academic Network. Summary and note were written by participant Melissa Cleary, an independent scholar.
The film opens with a still photograph from No Man of Her Own (1932, see entry), the only motion picture in which Clark Gable and Carole Lombard ever co-starred. The still of Gable and Lombard dissolves into an image of actors James Brolin, as “Clark Gable,” and Jill Clayburgh, as “Carole Lombard,” in similar stances; the film ends with a dissolve between the same two images in reverse progression.
According to an article in the Jan 1976 issue of After Dark, director Sidney J. Furie presented the idea of making a film about Gable and Lombard to writer Barry Sandler, a recent graduate of the University of California Los Angeles (UCLA). Sandler was not concerned with recreating history, and stated that he often strayed from the reality of Gable and Lombard’s lives to keep the story interesting. Although the script addressed Gable’s marriage to Ria Langham, Sandler made no mention of Lombard’s marriage to actor William Powell, whom she divorced after falling in love with Gable, as stated in studio publicity materials from AMPAS library. The script was finished in ten weeks, and when the filmmakers presented it to Universal Pictures, a deal was made in three days, with Sandler receiving $100,000 for his screenplay and a ten percent share of the profits. A 7 Nov 1974 DV news brief reported that the film was not connected to the recently published biography Gable and Lombard by Warren ...
The summary and note for this entry were completed with participation from the AFI Academic Network. Summary and note were written by participant Melissa Cleary, an independent scholar.
The film opens with a still photograph from No Man of Her Own (1932, see entry), the only motion picture in which Clark Gable and Carole Lombard ever co-starred. The still of Gable and Lombard dissolves into an image of actors James Brolin, as “Clark Gable,” and Jill Clayburgh, as “Carole Lombard,” in similar stances; the film ends with a dissolve between the same two images in reverse progression.
According to an article in the Jan 1976 issue of After Dark, director Sidney J. Furie presented the idea of making a film about Gable and Lombard to writer Barry Sandler, a recent graduate of the University of California Los Angeles (UCLA). Sandler was not concerned with recreating history, and stated that he often strayed from the reality of Gable and Lombard’s lives to keep the story interesting. Although the script addressed Gable’s marriage to Ria Langham, Sandler made no mention of Lombard’s marriage to actor William Powell, whom she divorced after falling in love with Gable, as stated in studio publicity materials from AMPAS library. The script was finished in ten weeks, and when the filmmakers presented it to Universal Pictures, a deal was made in three days, with Sandler receiving $100,000 for his screenplay and a ten percent share of the profits. A 7 Nov 1974 DV news brief reported that the film was not connected to the recently published biography Gable and Lombard by Warren G. Harris (New York, 1974).
Universal first approached Burt Reynolds for the role of “Clark Gable,” but Reynolds turned down the offer, according to a 16 Feb 1975 NYT article. A 19 Nov 1974 LAHExam news item reported that George Hamilton was later considered for the role, and a 13 Feb 1975 Women’s Wear Daily brief named Robert Redford and David Janssen as potential candidates. According to After Dark, Steve McQueen and then-girlfriend Ali MacGraw were offered the lead roles along with $2.5 million and twenty-five percent of the film’s gross, “the largest money package in the history of Hollywood” to that time; however, the actors rejected the offer. Later, Warren Beatty agreed to play Gable as long as his character name was changed to something fictional, but Furie and Sandler would not agree to the change. James Brolin, who was starring in the television series Marcus Welby, M.D., was cast only after the studio began considering “unknowns.” For the role of “Carole Lombard,” actresses Valerie Perrine and Sally Kellerman were considered, as stated in the 16 Feb 1975 NYT article, and the 19 Nov 1974 LAHExam item suggested Cybill Shepherd as a possible candidate. According to publicity materials, Jill Clayburgh was cast at the last minute, after film sets were already being constructed. One night, Furie and Sandler both happened to watch the made-for-television movie Hustling, in which Jill Clayburgh played a prostitute, and agreed that she could carry the Lombard role. The following day, a screen test was arranged for Clayburgh. In preparation for the film, Brolin and Clayburgh researched their roles by watching films starring Gable and Lombard and reading as much as possible about the actors, but neither Clayburgh nor Brolin wanted to impersonate their famous counterparts. Clayburgh hoped to deliver an impression of Lombard’s personality, while Brolin, who related to Gable’s passion for camping, fishing, and horses, chose to speak with the same rhythm and style but did not alter his voice to match Gable’s.
A 7 Nov 1974 HR news brief stated that filming was slated to begin in Mar 1975. According to publicity materials, the budget was $4.5 million, and locations for the film included Malibu, CA; Beverly Hills, CA; Bel-Air, CA; Paramount Studios; and the Cocoanut Grove nightclub in Los Angeles, CA. Costume designer Edith Head, who had worked with Lombard on a number of films, was given a costuming budget “in the six figures” and copied several gowns worn by Lombard that belonged to the wardrobe department of Paramount Pictures.
According to an 11 Nov 1975 DV brief, after a very successful sneak peak of the film in Honolulu, HI, Universal executive Sid Sheinberg stated that the preview audience reaction to Gable and Lombard was “perilously close to the reaction to ‘Jaws’.” Despite high expectations, a 1977 article published in Film Comment reported that Universal experienced financial losses on the film.
Critical reception was mixed. While some reviewers praised the actors’ interpretations of Gable and Lombard, a 10 Feb 1976 HR review criticized the film for being historically inaccurate and described the lead characters as “thin caricatures.” In a positive review on 10 Feb 1976, DV lauded Clayburgh’s “masterful portrayal” of Lombard, stating that it pulled the film together.
Shortly after the release of Gable and Lombard, Universal held a rededication of Clark Gable’s hand and footprints at the Chinese Theatre on Hollywood Boulevard, according to a 1 Mar 1976 Box report.
United States Army Captain and famous actor, Clark Gable, arrives at an airfield in Las Vegas, Nevada, where two officers escort him to the site of a commercial plane crash. There, a search party attempts to locate possible survivors, among them, Clark’s wife, actress Carole Lombard. Clark recalls the first time he met Carole, at a Hollywood party in Los Angeles, California. Some years ago, a young Clark arrives at a mansion but decides he is underdressed for the party and leaves. Driving away, Clark is run off the road by an ambulance and crashes into a tree. He watches as paramedics deliver someone to the party on a gurney, and the patient reveals herself to be Carole Lombard. When Carole jauntily joins the party, Clark goes after her, blaming the stunt she pulled in the ambulance for wrecking his car. Carole teases Clark and demands that they fight, but when he grabs her arm, she punches him in the face, causing him to fall. Carole throws money at Clark on the ground, and they part on unfriendly terms. Sometime later, Clark has become a leading actor in Hollywood, and Louis B. Mayer, chief of Metro-Goldwyn-Mayer studio, meets with him to suggest that Clark and Carole star in a movie together. Though Clark refuses to work with her, Mayer has already set up a lunch date for the two actors, and Clark reluctantly goes to Carole’s dressing room. Offended when Carole shows up late, Clark pretends that he has not seen any of her movies, and Carole counters by insulting Clark’s acting as “undisciplined.” Carole instigates a food fight, and Clark leaves in a rage. That day, publicity executive ...
United States Army Captain and famous actor, Clark Gable, arrives at an airfield in Las Vegas, Nevada, where two officers escort him to the site of a commercial plane crash. There, a search party attempts to locate possible survivors, among them, Clark’s wife, actress Carole Lombard. Clark recalls the first time he met Carole, at a Hollywood party in Los Angeles, California. Some years ago, a young Clark arrives at a mansion but decides he is underdressed for the party and leaves. Driving away, Clark is run off the road by an ambulance and crashes into a tree. He watches as paramedics deliver someone to the party on a gurney, and the patient reveals herself to be Carole Lombard. When Carole jauntily joins the party, Clark goes after her, blaming the stunt she pulled in the ambulance for wrecking his car. Carole teases Clark and demands that they fight, but when he grabs her arm, she punches him in the face, causing him to fall. Carole throws money at Clark on the ground, and they part on unfriendly terms. Sometime later, Clark has become a leading actor in Hollywood, and Louis B. Mayer, chief of Metro-Goldwyn-Mayer studio, meets with him to suggest that Clark and Carole star in a movie together. Though Clark refuses to work with her, Mayer has already set up a lunch date for the two actors, and Clark reluctantly goes to Carole’s dressing room. Offended when Carole shows up late, Clark pretends that he has not seen any of her movies, and Carole counters by insulting Clark’s acting as “undisciplined.” Carole instigates a food fight, and Clark leaves in a rage. That day, publicity executive Ivan Cooper suggests to Clark that he doesn’t get along with Carole because she is not attracted to him; in turn, Clark bets Cooper a week’s salary that he can seduce the actress. He then calls Carole on the phone while Cooper watches, and though she hangs up, Clark pretends that they made a date. Later, in pursuit of Carole, Clark dons a tuxedo and sneaks into a Hollywood ball, slipping and dirtying his dress shirt on the way. There, Carole tries to ignore him, but Clark encourages the hostess to organize a scavenger hunt for the guests and makes sure that he and Carole are assigned as partners. On their way to find a scavenger item in the woods, Clark and Carole are stopped by a group of thugs. Clark promises to protect Carole and fights them off; however, when Clark is knocked down, one of the men secretly applies fake blood to Clark’s face, having been paid to stage the attack. Carole offers to take Clark to her home and tend to him, but as she cleans him up in her bedroom, she discovers the fake blood. Angry, Carole orders him out, and Clark criticizes her for not allowing him to get to know her, claiming that she has created a wall around herself. Moments after Clark leaves the bedroom, he falls down a flight of stairs, and Carole realizes he is really hurt this time. As Carole helps him, Clark kisses her. After spending the night together, the two discuss their experiences in Hollywood over breakfast; Clark says that he tries to act naturally when performing and suggests that Carole doesn’t know how to act naturally. They argue, and Carole chases him outside to apologize, saying that she constantly performs and tries to make people laugh so that they will like her. That day at the studio, Clark lies to Cooper, saying he was unsuccessful in his attempt to seduce Carole, but Cooper has already heard from Mayer that the actors slept together the night before. Furious, Mayer forbids Clark from having an affair with Carole, since Clark is already married. Clark defends himself, saying that he has not been with his wife, Ria, in over two years, but Mayer foresees a negative reaction from the public that could ruin Clark and Carole’s careers. After Carole is also warned about the negative consequences of an affair with a married man, she speaks with Clark over the phone, saying she cannot see him because she is tending to an aunt with appendicitis. Clark makes up a similar story about taking care of his grandmother, but both of them coincidentally retreat to Palm Springs and run into each other there on a golf course. In a sand pit, Carole confesses her love for Clark, and they decide to have a secret affair. To elude the press, Carole and Clark don disguises and plan secret trips, including a camping trip in the woods that is cut short when reporters track them down. Sometime later, Clark works on the set of the film Gone with the Wind , and Carole spies on him, dressed in the costume of a Civil War soldier. Clark takes her to his dressing room and scolds her, but when Carole mentions that she will be shooting a romantic scene in a bathtub later, Clark sneaks onto her film set to spy as well. Mayer visits Clark and Carole at home to discuss the potential controversy over their relationship if it becomes public, and he reminds Clark that Ria will accept a divorce if Clark is willing to agree to her terms. Clark admits to Carole that he has not divorced Ria because he is unsure if marriage will ever work for him, and he does not want another failed relationship. Carole says she only needs Clark to say he loves her, but he cannot; in turn, Carole boards a train to visit her mother in Indiana. Rushing to the station, Clark finds Carole and apologizes, yelling “I love you” outside her compartment door. Clark later attempts to divorce Ria but learns that she has changed her mind because his relationship with Carole has been made public. Metro-Goldwyn-Mayer arranges for Clark to deny the affair at a public hearing, but Carole arrives during his speech and flamboyantly claims that he is her “horny little hunk of horsemeat.” Clark is proud of Carole’s courage, but more controversy follows when a pregnant cocktail waitress publicly accuses Clark of fathering her child. Carole believes the claim cannot be true since she has spent every night with Clark, and she plans to serve as a witness when the paternity suit goes to court. The scandal threatens to ruin Carole and Clark’s careers once and for all, and though Clark is happy to retire to the country, Mayer convinces him that Carole will be unhappy unless she keeps her career. To protect Carole’s interests, Clark lies to her and claims that he did, in fact, impregnate the waitress on the one night he had to be away from Carole. Convinced of his infidelity, Carole goes back to work, but when the paternity trial takes place, she appears as a witness and defends Clark, having realized that the one night Clark spent without her, his work schedule was such that he would not have time for an affair. The case is dismissed, and Clark and Carole are reunited. The couple decides to trade in their Hollywood careers for a farm and a family, but before they go, they attend one last premiere together. To their surprise, the crowd applauds them, and the couple learn that Ria has decided to grant the divorce. After they have married and settled on a farm, Clark enlists in the United States Army as an aerial gunner, to fight in World War II, and Carole serves the nation by selling war bonds. Back in Las Vegas, at the site of the plane crash, Clark learns that Carole is dead. Driving away, he tells his driver one of Carole’s jokes, remembering her advice to keep his sense of humor in the face of adversity.
TOP SEARCHES
Mr. Smith Goes to Washington
According to HR news items, "The Gentleman from Montana" (an unpublished story by Lewis R. Foster, alternately called "The Gentleman from Wyoming" by both contemporary and modern ... >>
The Grapes of Wrath
According to materials contained in the Twentieth Century-Fox Records of the Legal Department at the UCLA Theater Arts Library, Fox paid John Steinbeck $70,000 for the rights to his ... >>
Gone with the Wind
[Note from the Editors : the following information is based on contemporary news items, feature articles, reviews, interviews, memoranda and corporate records. Information obtained from modern sources is ... >>
Casablanca
In the onscreen credits, actor S. Z. Sakall's name is incorrectly spelled "S. K. Sakall." HR news items add the following information about the production: ... >>
Citizen Kane
This film's end credits begin with the statement, “Most of the principal actors in Citizen Kane are new to motion pictures. The Mercury Theatre is proud ... >>