Thousands Cheer
(1944)
125-126 mins | Comedy-drama | January 1944
Cast:
Kathryn Grayson, Gene Kelly, Mary Astor [ More ]Director:
George SidneyWriters:
Paul Jarrico , Richard CollinsProducer:
Joseph PasternakCinematographer:
George FolseyEditor:
George BoemlerProduction Designer:
Cedric GibbonsProduction Company:
Metro-Goldwyn-Mayer Corp.The working titles of this film were Private Miss Jones and As Thousands Cheer. Onscreen credits note that Paul Jarrico and Richard Collins' screenplay was "based on their story 'Private Miss Jones.'" According to an Apr 1943 HR news item, the title was changed from Private Miss Jones to As Thousands Cheer so that audiences would not assume the film was a war picture. As part of the film's show-within-the-show sequence, Red Skelton performs a sketch, playing a soda jerk, and Frank Morgan, playing a lecherous barber, performs a skit with M-G-M contract stars John Conte, Sara Haden, Ann Sothern, Lucille Ball and Marsha Hunt. Mickey Rooney plays the show's "emcee." For his only dance number in the film, Gene Kelly dances with a mop and a broom to an uptempo version of "Let Me Call You Sweetheart."
HR news items add the following information about the production: In Jul 1941, Judy Garland was announced as the star of a film entitled Thousands Cheer, which was to be produced by Arthur Freed. Although Garland did appear in Thousands Cheer, she was not the star, and it is not known if the Arthur Freed project was related to the film released in 1944. Irving Berlin, who wrote the music to the Broadway revue As Thousands Cheer, which starred Fred and Adele Astaire, was announced as a possible contributor to the 1941 Thousands Cheer. M-G-M acquired the rights to Berlin's show in the 1930s.
HR announced in May 1943 that Lena Horne was to record ...
The working titles of this film were Private Miss Jones and As Thousands Cheer. Onscreen credits note that Paul Jarrico and Richard Collins' screenplay was "based on their story 'Private Miss Jones.'" According to an Apr 1943 HR news item, the title was changed from Private Miss Jones to As Thousands Cheer so that audiences would not assume the film was a war picture. As part of the film's show-within-the-show sequence, Red Skelton performs a sketch, playing a soda jerk, and Frank Morgan, playing a lecherous barber, performs a skit with M-G-M contract stars John Conte, Sara Haden, Ann Sothern, Lucille Ball and Marsha Hunt. Mickey Rooney plays the show's "emcee." For his only dance number in the film, Gene Kelly dances with a mop and a broom to an uptempo version of "Let Me Call You Sweetheart."
HR news items add the following information about the production: In Jul 1941, Judy Garland was announced as the star of a film entitled Thousands Cheer, which was to be produced by Arthur Freed. Although Garland did appear in Thousands Cheer, she was not the star, and it is not known if the Arthur Freed project was related to the film released in 1944. Irving Berlin, who wrote the music to the Broadway revue As Thousands Cheer, which starred Fred and Adele Astaire, was announced as a possible contributor to the 1941 Thousands Cheer. M-G-M acquired the rights to Berlin's show in the 1930s.
HR announced in May 1943 that Lena Horne was to record "Here I Go Again" for the picture. Although Kathleen Hedrick, Kathryn Grayson's four-year-old niece, was to play Grayson's character as a child in the 1944 film, that role was not included in the completed film. Bryant Washburn, Sr. was cast in the picture along with his son, Bryant Washburn, Jr., but only Washburn, Sr.'s appearance in the completed film has been confirmed. Comedian Gus Schilling was announced for a "top role," but he did not appear in the completed film. Former tennis champion Gene Mako was also announced as a cast member, but his appearance in the completed film has not been confirmed.
During production, Hugh Boswell replaced Sergei Petschnikoff as unit manager. As noted in the credits, José Iturbi made his screen debut in the film. In the CBCS, James Millican is listed both in the role of "Sgt. Carrington" and the role of "Major." It has not been determined which role Millican played. M-G-M publicity items note that the following "six-foot beauties" were cast in the picture: Bunny Waters, Helen O'Hara, Sylvia Liggett, Dorothy Ford, Susan Paley and Barbara Mace. Only Waters' appearance in the completed film has been confirmed, however. Publicity items also announced that Melva Block, an eighteen-year-old skating champion, was to make her screen debut during a roller-skating sequence, but the sequence was not included in the final film. The picture received Academy Award nominations in the Art Direction (Color); Cinematography (Color); and Music (Scoring of a Musical Picture) categories. Mary Astor was set to perform in a five-day serialization of the film on CBS radio from 13 Sep to 17 Sep 1943, according to HR.
Private Miss Jones
After operatic soprano Kathryn Jones concludes a concert in New York with conducter José Iturbi, she announces to the audience that she is taking a leave of absence in order to be with her father, Col. Bill Jones, and entertain the troops he has been assigned to train. Ignoring the advice of her mother Hyllary, who divorced her father when she was a child because he was "married to the Army," Kathryn brings her parents together for a brief reunion at the train station. Just before the train is to depart, Kathryn is kissed impulsively by Pvt. Eddy Marsh, who assumes she is staying behind. When Eddy later encounters Kathryn on the train, she jokingly tells him that she followed him on board and wants to marry him. Eddy finds Kathryn in her compartment and, unaware that Col. Jones is with her, tells her off. When Eddy finally notices the bemused colonel, he retreats in angry embarrassment. Later, at the training camp, Eddy accuses Kathryn of looking down on him because of his rank, a charge she hotly denies. Eddy then tells his friends that he wants to transfer to the Army Air Corps in order to get away from Kathryn. After Eddy's friends suggest that the best way to get a transfer is to ingratiate himself with Kathryn, Eddy shows up at her house. To Kathryn's surprise, Eddy invites her out the next night, and she accepts, explaining to her concerned father that the contrary Eddy needs extra morale boosting. Kathryn then writes to her mother that she has fallen in love, hoping to scare her into flying to see her. For their ...
After operatic soprano Kathryn Jones concludes a concert in New York with conducter José Iturbi, she announces to the audience that she is taking a leave of absence in order to be with her father, Col. Bill Jones, and entertain the troops he has been assigned to train. Ignoring the advice of her mother Hyllary, who divorced her father when she was a child because he was "married to the Army," Kathryn brings her parents together for a brief reunion at the train station. Just before the train is to depart, Kathryn is kissed impulsively by Pvt. Eddy Marsh, who assumes she is staying behind. When Eddy later encounters Kathryn on the train, she jokingly tells him that she followed him on board and wants to marry him. Eddy finds Kathryn in her compartment and, unaware that Col. Jones is with her, tells her off. When Eddy finally notices the bemused colonel, he retreats in angry embarrassment. Later, at the training camp, Eddy accuses Kathryn of looking down on him because of his rank, a charge she hotly denies. Eddy then tells his friends that he wants to transfer to the Army Air Corps in order to get away from Kathryn. After Eddy's friends suggest that the best way to get a transfer is to ingratiate himself with Kathryn, Eddy shows up at her house. To Kathryn's surprise, Eddy invites her out the next night, and she accepts, explaining to her concerned father that the contrary Eddy needs extra morale boosting. Kathryn then writes to her mother that she has fallen in love, hoping to scare her into flying to see her. For their date, Eddy takes Kathryn to the circus and proudly tells her that his foster family are the Flying Corbinos, a trapeze act, and that he used to be the star of the show. The Corbinos are thrilled to meet Kathryn, and she is equally impressed by them. After the show, Eddy tells Kathryn that he belongs "in the air" not in the infantry, and as he had hoped, she offers to talk with her father about a transfer. As he is driving Kathryn home, however, Eddy begins to feel guilty and reveals his true motive for the date. Insisting that he truly likes her, Eddy kisses Kathryn, and she later confesses to her father that she is in love with the private. Now wanting her mother to stay in New York, Kathryn sends her a wire, announcing that her earlier letter was a joke. Later, a fair but tough Col. Jones meets with Eddy, who pledges to improve as a soldier and learn discipline. As promised, Eddy trains hard, then tells Kathryn that he has torn up his transfer papers and wants to marry her. Kathryn accepts his proposal, but learns that her mother has arrived, intent on breaking up the romance. Although Kathryn insists that she is not returning to New York until a show she is mounting with José is over, she tells Eddy that her mother has refused to meet him. Enraged, Eddy storms away from his post, slugging his sergeant on the way. The next day, Kathryn visits Eddy, who was arrested for deserting his post, but he is resentful and refuses her help. Hurt, Kathryn returns his engagement ring and tearfully begins to pack for New York. Col. Jones asks the Corbinos to help Eddy by reminding him of the importance of teamwork and discipline, and when Eddy joins his family during a performance for Kathryn's camp show, each Corbino lectures him in turn. Inspired by their words, Eddy easily executes a dangerous stunt, which stuns the crowd as well as Kathryn. Later, a contrite Eddy admits his guilt before a military court and convinces them to allow him to ship out with his regiment. As Eddy is about to leave, Kathryn finds him and takes back his ring. At the same time, her mother, having at last come to terms with the Army, gives her ex-husband a heartfelt kiss goodbye.
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